Winter was thought of as the reign of the winter spirits; these needed to be driven out in order for the summer to return. Carnival can thus be regarded as a rite of passage from darkness to light, from winter to summer: a fertility celebration, the first spring festival of the new year.
Traditionally, a carnival feast was the last opportunity for common people to eat well, as there was typically a food shortage at the end of the winter as stores ran out. Until spring produce was available, people were limited to the minimum necessary meals during this period. On what nowadays is called vastenavond (the days before fasting), all the remaining winter stores of lard, butter, and meat which were left would be eaten, for these would otherwise soon start to rot and decay. The selected livestock had already been slaughtered in November and the meat would be no longer preservable. All the food that had survived the winter had to be eaten to assure that everyone was fed enough to survive until the coming spring would provide new food sources.
These films often feature large casts of actors and multiple plot lines, focusing on the characters' attempts to avert, escape or cope with the disaster and its aftermath. The genre came to particular prominence during the 1970s with the release of high-profile films such as Airport (1970), followed in quick succession by The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974).
Camera movements can also be motion captured so that a virtual camera in the scene will pan, tilt, or dolly around the stage driven by a camera operator while the actor is performing, and the motion capture system can capture the camera and props as well as the actor's performance. This allows the computer-generated characters, images and sets to have the same perspective as the video images from the camera. A computer processes the data and displays the movements of the actor, providing the desired camera positions in terms of objects in the set. Retroactively obtaining camera movement data from the captured footage is known as match moving or camera tracking.
A conspiracy theory is an explanation of an event or situation that invokes an unwarranted conspiracy, generally one involving an illegal or harmful act carried out by government or other powerful actors. Conspiracy theories often produce hypotheses that contradict the prevailing understanding of history or simple facts. The term is a derogatory one.
According to the political scientist Michael Barkun, conspiracy theories rely on the view that the universe is governed by design, and embody three principles: nothing happens by accident, nothing is as it seems, and everything is connected. Another common feature is that conspiracy theories evolve to incorporate whatever evidence exists against them, so that they become, as Barkun writes, a closed system that is unfalsifiable, and therefore "a matter of faith rather than proof".
For people who love nature and wildlife, shooting great videos of these wonders comes almost naturally. In fact, for some, the fondness for similar films must have come as early as they were still in their diapers. However, as in most art, it always helps to take note of the basics in shooting a great nature and wildlife video.
You can learn a lot about creating videos by watching films. Even features, commercials, pop promos, dramas, and observational documentaries are excellent sources of inputs. A good storytelling is often something that a wildlife film lacks, so these genres would surely help you improve on this aspect. When it comes to procuring your equipment, invest in something that you can rely on, especially taking into account the weather conditions in the places you intend to shoot. Remember that when you are filming outdoors, the shooting scenarios may not always be ideal.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.
Born Georg Henri Anton Ivens into a wealthy family, Ivens went to work in one of his father's photo supply shops and from there developed an interest in film. Under the direction of his father, he completed his first film at 13; in college he studied economics with the goal of continuing his father's business, but an interest in class issues distracted him from that path. He met photographer Germaine Krull in Berlin in 1923, and entered into a marriage of convenience with her between 1927 and 1943 so that Krull could hold a Dutch passport and could have a "veneer of married respectability without sacrificing her autonomy."
Antoni Gaudà i Cornet 25 June 1852 – 10 June 1926) was an architect from Reus, Catalonia. He is the best known practitioner of Catalan Modernism. GaudÃ's works have a highly individualized and distinctive style. Most are located in Barcelona, including his largest work, the church of the Sagrada FamÃlia.
GaudÃ's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as trencadÃs which used waste ceramic pieces.
