In performing arts, a performance generally comprises an event in which a performer, or group of performers, present one or more works of art to an audience. In instrumental music and drama, a performance is typically described as a "play". Typically, the performers participate in rehearsals beforehand to practice the work. An effective performance is determined by the achieved skills and competency of the performer, also known as the level of skill and knowledge.
Koninklijke Philips N.V. , commonly shortened to Philips, is a Dutch multinational conglomerate corporation that was founded in Eindhoven in 1891. Since 1997, it has been mostly headquartered in Amsterdam, though the Benelux headquarters is still in Eindhoven. Philips was formerly one of the largest electronics companies in the world, but is currently focused on the area of health technology, having divested its other divisions. The company was founded in 1891 by Gerard Philips and his father Frederik, with their first products being light bulbs. It currently employs around 80,000 people across 100 countries. The company gained its royal honorary title (hence the Koninklijke) in 1998 and dropped the "Electronics" in its name in 2013,due to its refocusing from consumer electronics to healthcare technology.
The film is nominally 8 mm wide, the same as older formatted 8 mm film, but the dimensions of the rectangular perforations along one edge are smaller, which allows for a greater exposed area. The Super 8 standard also allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded. Unlike Super 35 (which is generally compatible with standard 35 mm equipment), the film stock used for Super 8 is not compatible with standard 8 mm film cameras. There are several varieties of the film system used for shooting, but the final film in each case has the same dimensions. The most popular system by far was the Kodak system.
Perhaps the best known appearance of Cephalonia in popular culture is in the novel Captain Corelli's Mandolin, by the English author Louis de Bernières. The book is believed to have been inspired by the village of Farsa, just outside Argostoli. The love story comprising the theme of the book is set before and after the Acqui Division massacre, during the Second World War. A film adaptation was released in 2001. During filming there was lively debate between the production team, local authorities as well as groups of citizens, as to the complex historical details of the island's antifascist resistance. As a result, political references were omitted from the film, and the romantic core of the book was preserved, without entering complex debates about the island's history. In 2005, Riccardo Milani made his TV film, Cefalonia, also about the massacre, with music by Ennio Morricone.
A stunt is an unusual and difficult physical feat or an act requiring a special skill, performed for artistic purposes usually on television, theaters, or cinema. Stunts are a feature of many action films. Before computer generated imagery special effects, these effects were limited to the use of models, false perspective and other in-camera effects, unless the creator could find someone willing to jump from car to car or hang from the edge of a skyscraper: the stunt performer or stunt double.
Post-production
This stage is usually thought of as starting when principal photography ends, but they may overlap. The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded. Any computer-generated visual effects are digitally added by an artist. Finally, all sound elements are mixed down into "stems", which are synchronized to the images on the screen, and the film is fully completed ("locked").
. Fan filmmakers have traditionally been amateurs, but some of the more notable films have actually been produced by professional filmmakers as film school class projects or as demonstration reels. Fan films vary tremendously in quality, as well as in length, from short faux-teaser trailers for non-existent motion pictures to full-length motion pictures. Fan films are also examples of fan labor and the remix culture. Closely related concepts are fandubs, fansubs and vidding which are reworks of fans on already released film material.
Amateur usage of Super 8 has been largely replaced by video, but the format is sometimes used by professionals trying to imitate the look of old home movies, or create a stylishly grainy look. Until 1999, the University of Southern California's famous School of Cinema-Television required students to shoot their initial projects using Super 8, but the dwindling availability of equipment and processing facilities eventually forced the school to switch these classes to Digital Video. However the film is still used elsewhere by film students who wish to learn the basics of shooting film. Super 8 is supplied in a light proof cartridge, the design of which allows it to be inserted into a camera without directly threading the film, which made the format even more user-friendly.
Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic.
Terms such as absolute film, cinéma pur, true cinema and integral cinema have been used for non-narrative films that aimed to create a purer experience of the distinctive qualities of film, like movement, rhythm and changing visual compositions.
More narrowly, "absolute film" was used for the works of a group of filmmakers in Germany in the 1920s, that consisted, at least initially, of animated films that were totally abstract. The French term cinéma pur was coined to describe the style of several filmmakers in France in the 1920s, whose work was non-narrative, but hardly ever non-figurative.
The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography.
Documentary film of the Netherlands has long been renowned worldwide. The most prominent Dutch directors, especially those who started their careers before World War II, came from a documentary background, for instance Joris Ivens and Bert Haanstra. In the late 1950s the Dutch film industry professionalized. The Nederlands Filmfonds (Netherlands Film Fund) was established in 1957, the Nederlandse Filmacademie (Netherlands Film Academy) in 1958. Headed by Haanstra, who won an Academy Award for Documentary Short Subject with 1959's Glass and also won prizes in Berlin and Cannes, the movement also included Herman van der Horst, who won a Golden Bear for Best Documentary and John Fernhout, whose Sky Over Holland won a Golden Palm at the Cannes Film Festival Documentaries still play an important part in Dutch film industry.
Famous documentary directors pre- and postdating the unofficial Documentary School include Joris Ivens, Johan van der Keuken and Jos de Putter. Ivens won a César Award and a Golden Lion, as well as a career achievement award at the Venice Film Festival.
Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions
Mise-en-scène English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. Mise-en-scène has been called film criticism's "grand undefined term."It has been criticized for its focus on the theatrical or dramatic design aspects rather than the plot itself, as those who utilize Mise-en-scène tend to look at what is "put before the camera," rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene.
In filmmaking, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.
The 180-degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is particularly important in the narration of battle scenes.
Prosthetic makeup (also called special make-up effects and FX prosthesis) is the process of using prosthetic sculpting, molding and casting techniques to create advanced cosmetic effects. Prosthetic makeup goes back to the beginning of film making with A Trip to the Moon (French: Le Voyage dans la Lune), a 1902 French adventure short film directed by Georges Méliès where the man on the moon effect was accomplished using a combination of makeup and a prosthetic type mask with added pastes. The makeup artist Jack Pierce was another early Hollywood make-up artist, best remembered for creating the iconic makeup worn by Boris Karloff in Frankenstein, his makeup for the Wolfman, and more.
Many Christmas stories have been adapted to movies and TV specials, and have been broadcast and repeated many times on TV. Since the popularization of home video in the 1980s, their many editions are sold and re-sold every year during the holiday shopping season. Notable examples are the many versions of the ballet The Nutcracker, the 1946 film It's a Wonderful Life, and the similarly themed versions of Dickens' A Christmas Carol, in which the elderly miser Ebenezer Scrooge is visited by ghosts and learns the errors of his ways.
In recent years, "vlogging" has spawned a large community on social media, becoming one of the most popular forms of digital entertainment. It is popularly believed that, alongside being entertaining, vlogs can deliver deep context through imagery as opposed to written blogs. Video logs (vlogs) also often take advantage of web syndication to allow for the distribution of video over the Internet using either the RSS or Atom syndication formats, for automatic aggregation and playback on mobile devices and personal computers
A sports film is a film genre in which any particular sport plays a prominent role in the film's plot or acts as its central theme. It is a production in which a sport, sporting event, athlete (and their sport), or follower of sport (and the sport they follow) are prominently featured, and which depend on sport to a significant degree for their plot motivation or resolution. Despite this, sport is ultimately rarely the central concern of such films and sport performs primarily an allegorical role. Furthermore, sports fans are not necessarily the target demographic in such movies, but sports fans tend to maintain high following and esteem for such movies.
