East Island

Although the origins of the music video date back to musical short films that first appeared in the 1920s, they again came into prominence in the 1980s when the channel MTV (originally "Music Television") based their format around the medium. Prior to the 1980s, these kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip".

PAIK: Electronic art

Nam June Paik
The Future is Now

Largest overview in years of Nam June Paik: artist, visionary and pioneer. Paik saw early on what the impact of mass media would be. He introduced the term "electronic highway", for example, predicting the future of communication in the current internet era as early as the 1970s. His work is multidisciplinary, experimental, innovative and playful and has a great influence on the generations after him.

The End: Hem Zaanstad

On the mysterious site, behind high fences and strict security, the Artillerie Inwoningen started producing firearms, artillery and ammunition for the Dutch army from 1895. The site was carefully chosen behind the defense line of the Amsterdam position, from the heart of the position the factory was able to supply the army with weapons and ammunition.

Over the years there has been a lot of construction and demolition on the site. Due to the function of the factory and the risk of explosion, the site has characteristic buildings such as those with semicircular roofs that had to conduct a possible shock. The position of the buildings and the layout of the outdoor space, such as the earthen walls and the poppy forest, were also aimed at limiting the damage in the event of an explosion. The result is a factory site that is unique in the Netherlands.

Twiske playground

Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations.

Roof (amsterdam)

;Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations.

Dutch polder village

A graphic match (as opposed to a graphic contrast or collision) occurs when the shapes, colors and/or overall movement of two shots match in composition, either within a scene or, especially, across a transition between two scenes. Indeed, rather than the seamless cuts of continuity editing within a scene, the term "graphic match" usually denotes a more conspicuous transition between (or comparison of) two shots via pictorial elements. A match cut often involves a graphic match, a smooth transition between scenes and an element of metaphorical (or at least meaningful) comparison between elements in both shots.
A match cut contrasts with the conspicuous and abrupt discontinuity of a jump cut. 

 

NEMO science museum

The 30-degree rule is a basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots can look like a jump cut—which could jar the audience and take them out of the story. The audience might focus on the film technique rather than the narrative itself.

La Devesa Girona

Light is necessary to create an image exposure on a frame of film or on a digital target (CCD, etc.). The art of lighting for cinematography goes far beyond basic exposure, however, into the essence of visual storytelling. Lighting contributes considerably to the emotional response an audience has watching a motion picture. The increased usage of filters can greatly impact the final image and affect the lighting.

Backgarden of Amsterdam

Dubbing, mixing or re-recording, is a post-production process used in filmmaking and video production in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack.
The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, Foley, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.

Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.

Austria National Park

Cinematic editing dates back to the early 1900s when American filmmaker, D.W. Griffith, produced the first films that essentially paved the way for the editing techniques that are still used today.[ The progression of technology brought about advancements in gear, which meant filmmakers were able to achieve new techniques in the post-production process through editing. Editors went from physically cutting and rearranging film to working on virtual timelines using software 

Experiments

Synthetic media technology currently enables these forms of manipulation: • Add and remove objects within a video more easily • Alter background conditions in a video. For example, changing the weather to make a video shot in summer appear as if it was shot in winter • Fake face or body movements: Simulate and control a realistic video representation of the lips, facial expressions or body movement of a specific individual (for example to make it appear they were drunk). • Fake lip-sync: Match an audio track to a realistic manipulation of someone’s lips to make it look like they said something they never did • Fake voice: Generate a realistic simulation of a specific person’s voice • Change a voice’s gender or make it sound like someone else: Modify an existing voice with a “voice skin” of a different gender, or of a specific person • Create a realistic but totally fake photo of a person who does not exist. The same technique can also be applied less problematically to create fake hamburgers, cats, etc. • Transfer a realistic face from one person to another, the most commonly known form of “deepfake” 

Lunapark

 

 

The earliest films had been shown in "peep show" machines or projected in vaudeville theaters as one of the otherwise live acts. Nickelodeons drastically altered film exhibition practices and the leisure-time habits of a large segment of the American public. Although they were characterized by continuous performances of a selection of short films, added attractions such as illustrated songs were sometimes an important feature. Regarded as disreputable and dangerous by some civic groups and municipal agencies, crude, ill-ventilated nickelodeons with hard wooden seats were outmoded as longer films became common and larger, more comfortably furnished motion-picture theaters were built, a trend that culminated in the lavish "movie palaces" of the 1920s. Film historian Charles Musser wrote: "It is not too much to say that modern cinema began with the nickelodeons.

Monnickendam Harbour

Traditionally, movie theaters have had agreements with studios to allow the theaters to screen films for specific periods of time before studios put them on the small screen. If you want to see a movie without waiting for one or two months, you have to go see it in a theater. But the coronavirus crisis has created a situation where that is no longer possible. Instead, studios are experimenting with offering their films directly to consumers at home at premium prices—which, if allowed to continue post-covid-19, would devastate the theater industry.

Zaandam centre

Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them.

Animated Cartoons

Commonly the effect of animation is achieved by a rapid succession of sequential images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon and beta movement, but the exact causes are still uncertain. Analog mechanical animation media that rely on the rapid display of sequential images include the phénakisticope, zoetrope, flip book, praxinoscope and film. Television and video are popular electronic animation media that originally were analog and now operate digitally. For display on the computer, techniques like animated GIF and Flash animation were developed.

Animation is more pervasive than many people realize. Apart from short films, feature films, television series, animated GIFs and other media dedicated to the display of moving images, animation is also prevalent in video games, motion graphics, user interfaces and visual effects. 

High Holland

Experimental filmmakers generally begin as amateurs, and some used experimental films as a springboard into commercial film making or transitioned into academic positions. The aim of experimental filmmaking is usually to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films.

 

 

Places/spaces Dutch painters

In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release.
Feature length documentaries on the making of other films has become a film genre in its own right. The making-of film may ultimately be more important than the film itself. Shorter making-of documentaries are often used as a bonus on DVDs, as it offers more insight into the film, how it was made.

Photos that tell a story

“A picture is worth a thousand words.” That is the motto of a photojournalist. It is their objective to produce direct, truthful and bold images that tell the stories for those who have no voice.

According to Mark M. Hancock, a professional photojournalist, “is a visual reporter of facts. The public places trust in its reporters, to tell the truth. The same trust is extended to photojournalists as visual reporters.This responsibility is paramount to a photojournalist. At all times, we have many thousands of people seeing through our eyes and expecting to see the truth. Most people immediately understand an image.”

In the park: Dutch Fairytale

Welcome to the Ourmedia, an initiative devoted to creating and sharing works of personal media.
Video blogs, photo albums, original music, documentary journalism, music videos, children's tales, Flash animations, student films -- all kinds of digital works have begun to flourish as the Web matures into a rich multimedia network.
The Ourmedia project was started by members of the creative and technology communities in the summer of 2004 as a way of advancing the spread of personal media. Our partners are the Internet Archive, Creative Commons, Broadband Mechanics, and Bryght. We're a free, nonprofit, open-source effort.
Ourmedia's vision is to bring personal media to millions of users' desktops through playlists, video jukeboxes, visual albums, and built-in media libraries. The repositories will contain thousands of media items that can be freely shared.

Top of the french mountains

Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. In other words, techniques can cause a passage to be continuous, giving the viewer a concrete physical narration to follow, or discontinuous, causing viewer disorientation, pondering, or even subliminal interpretation or reaction, as in the montage style.