Cascade du Herisson (remake)

The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source.

While you don't need the best camera, you do need acceptable sound. A microphone for man-on-the-street interviews is very helpful and is a real improvement over the camera's on-board mic. The following are specifications for a hand-held stick microphone.
uni-directional (cardioid) pick-up pattern lo-impedence (ohm symbol) 600 ohms or lower
frequency response range: 50-100 hertz to 10,000-15,000 hertz
1/8 mini-plug or a phone plug with a 1/8 adapter
10-20 foot cord (you might find it a pain to wrap up and store such a long cord, but it's indispensable when you really need it; a detachable cable is OK)
No battery required

Eye Filmmuseum: Filmrestauratie

Digitization, less commonly digitalization, is the process of converting information into a digital (i.e. computer-readable) format, in which the information is organized into bits. The result is the representation of an object, image, sound, document or signal (usually an analog signal) by generating a series of numbers that describe a discrete set of its points or samples. The result is called digital representation or, more specifically, a digital image, for the object, and digital form, for the signal. In modern practice, the digitized data is in the form of binary numbers, which facilitate computer processing and other operations, but, strictly speaking, digitizing simply means the conversion of analog source material into a numerical format; the decimal or any other number system that can be used instead.

Juf .ch

30-degree rule
A basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots may look like a jump cut, which could jar the audience and take them out of the story by causing them to focus on the film technique rather than the narrative itself.

Dune artificial landscape

DUNE by Studio Roosegaarde is a public interactive landscape that interacts with human behavior.

This hybrid of nature and technology is composed of large amounts of fibers that brighten according to the sounds and motion of passing visitors. This video shows an early prototype (Dune 4.0), developed as an artist in residence project at the Netherlands Media Art Institute in 2006.

His sculptures, such as Dune and Intimacy, are tactile high-tech environments in which viewer and space become one. This connection, established between ideology and technology, results in what Roosegaarde calls “techno-poetry”.

Dutch nostalgia: herring fishing

Learning to make films is very easy. Learning what to make films about is very hard. What you've really got to do is focus on learning as much about life, and about various aspects of it first. Then learn just the techniques of making a movie because that stuff you can pick up pretty quickly. But having a really good understanding of history, literature, psychology, sciences -- are very, very important to actually being able to make movies.

The Illusion of Movement

For the Eye Museum in Amsterdam, we were asked to make a teaser that displays the many things the Eye has in its collection. We chose to do the pre-cinema objects: Thaumatrope, Phenakistoscope and the Praxinoscope.

The phénakisticope (better known as phenakistiscope or the later misspelling phenakistoscope) was the first widespread animation device that created a fluid illusion of motion. The phenakistiscope is regarded as one of the first forms of moving media entertainment that paved the way for the future motion picture and film industry. Like a GIF animation, it can only show a short continuous loop.

Passage of Toledo

A tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. In cinematography, the term refers to a shot in which the camera is mounted on a camera dolly that is then placed on rails – like a railroad track. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed or moved manually when using a handheld rig.

The technique is often used to follow a subject that would otherwise leave the frame (ergo, it is often called a following shot), such as an actor or vehicle in motion In this spirit, any conveyance, such as a motorized vehicle like a car, may also be used to create a tracking shot. A handheld or Steadicam mounted camera following a similar trajectory is called a tracking shot as well. While the core idea is that the camera moves parallel to its subject, a tracking shot may move in a semi-circular fashion, rotating around its subject while remaining equidistant.

Old fashioned Dutch Candy

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb "to stream" refers to the process of delivering or obtaining media in this manner;[clarification needed] the term refers to the delivery method of the medium, rather than the medium itself, and is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it.

Heimbach im Eifel

Montage theory, in its rudimentary form, asserts that a series of connected images allows for complex ideas to be extracted from a sequence and, when strung together, constitute the entirety of a film's ideological and intellectual power. 
In other words, the editing of shots rather than the content of the shot alone constitutes the force of a film. Many directors still believe that montage is what defines cinema against other specific media.

Beautiful Old Amsterdam

The earliest films were simply one static shot that showed an event or action with no editing or other cinematic techniques. Around the turn of the 20th century, films started stringing several scenes together to tell a story. The scenes were later broken up into multiple shots photographed from different distances and angles. Other techniques such as camera movement were developed as effective ways to tell a story with film. Until sound film became commercially practical in the late 1920s, motion pictures were a purely visual art, but these innovative silent films had gained a hold on the public imagination. Rather than leave audiences with only the noise of the projector as an accompaniment, theater owners hired a pianist or organist or, in large urban theaters, a full orchestra to play music that fit the mood of the film at any given moment. By the early 1920s, most films came with a prepared list of sheet music to be used for this purpose, and complete film scores were composed for major productions.

Eye Filmmuseum: Jean Desmet

Jean Desmet was one of the largest film entrepreneurs in the Netherlands and he documented and saved almost everything that had to do with his company: not only accounting and films, but also posters, advertising printed matter and cat's bubbles.; In this way an extraordinary archive was created. This received worldwide recognition in 2011 when UNESCO included it in its Memory of the World Register. With its collection, Eye manages more than 40,000 films from all genres: a fine sample of film history, from classics and blockbusters to cult films.
The Eye collection took shape in 1946 when the first predecessor of Eye was established: the Dutch Historical Film Archive. In 1952 the Nederlands Filmmuseum was born from the Dutch Historical Archive; since 2010 we are Eye.

Manipulation of images

On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film.

10 KM New Netherlands

The Netherlands. The first island was inaugurated on 24 September 2016.

Work on the first phase, which is mainly focused on the construction of the first island, started in April 2016.

The main aims of the project are to create breeding grounds, islands, and coast line as well as to improve the water ecology of the Markermeer. The project creates a wetland comparable with the Wadden Sea—hence the name of the project—yet without tides. This is because the Markermeer is not connected to the sea and is in a fresh water environment. The new nature reserve will be accessible to tourists.

On 11 May 2016, the first new land was created, which Natuurmonumenten called a "milestone". In March 2017, it was announced that four other islands should be completed before 2020.

Roel Reine

Roel Reine was born in The Netherlands, and with his first theatrical feature 'The Delivery' he won The Golden Calf for Best Director (the Dutch equivalent to an Academy Award). In 2005 Roel Reine has moved to Los Angeles and has directed now an impressive slate of 16 feature films for studios like Universal, 20th Century Fox, Sony and Lionsgate, as well with independent international producers. Roel is also the Director of Photography (Cinematographer) on all his movies and operates A-Camera.

Roel Reine is known by fans, critics and Hollywood studios as one of the best modern action Directors around today. Some of his last movies where: 'Seal Team Eight' (with Tom Sizemore), 'Dead in Tombstone' (with Mickey Rourke), 'Scorpion King: Battle for Redemption' (with Ron Perlman and Billy Zane) and two very popular 'Death Race - prequels' (with Sean Bean and Ving Rhames).

In 2014 Roel Reine is finishing a sequel to the movie 'Man with the Iron Fists', with rapper RZA and produced by Marc Abraham while prepping a Dutch language historical epic movie called 'The Admiral'. This last movie is the second most expensive movie ever produced in The Netherlands and tells the story of a 17th Century Admiral of the Ocean, Michiel De Ruyter, who protects the Dutch population from a civil war between two political factions while defeating English armada's in massive sea-battles.

Le Puy festivities

Mise-en-scène is an expression used to describe the design aspect of a theatre or film production, which essentially means "visual theme" or "telling a story"—both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction. It is also commonly used to refer to single scenes within the film to represent the film. Mise-en-scène has been called film criticism's "grand undefined term".

Dreams of Dali: 360º Video

 

 

Click on the arrows to get the full 360 degree experience.

I felt as impressed as everyone else did when I saw my first 360-degree video, the technology that allows viewers to "look" in any direction they wish. But most of the 360-degree videos that became popular early simply demonstrated the concept, and as much astonishment as the experience of the concept alone can generate, even more excitement came from thinking about the technology's potential. It hasn't taken long for 360-degree videos to look beyond virtual reality — indeed, to look all the way to virtual surreality, as envisioned by perhaps the best-known surrealist of them all, Salvador Dalí.

 

Adventures in Perception

Maurits Cornelis Escher 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made mathematically-inspired woodcuts, lithographs, and mezzotints. Despite wide popular interest, Escher was for long somewhat neglected in the art world, even in his native Netherlands. He was 70 before a retrospective exhibition was held. In the twenty-first century, he became more widely appreciated, with exhibitions across the world.

His work features mathematical objects and operations including impossible objects, explorations of infinity, reflection, symmetry, perspective, truncated and stellated polyhedra, hyperbolic geometry, and tessellations.

Cologne Dom

Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.

The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, Foley, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.
Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.

Tokyo Story

A Film by Yasujiro Ozu. The finest film ever made. Listed at #1 in Halliwell's Top 1000 countdown of the world's best cinema, and voted among the five best films ever made in Sight and Sound magazine's ten yearly poll of critics worldwide, Tokyo Story is prehaps the most powerful reflection on the human condition ever committed to celluloid. When an elderly couple travel to a rapidly-rebuilding Tokyo to visit their children, they are met with unexpected indifference, ingratitude and selfishness. As the vastly different priorities of pre- and post-war Japan collide, Yasujiro Ozu's materpiece deepens into a sublime meditation on family, ambition and mortality. Considered by many to be the greatest film ever made, Tokyo Story is a subtle yet overwhelmingly emotional drama from one of Japan's finest directors whose masterful eye and scrupulous attention to character has influenced countless filmmakers around the world.

Nantes - L'Eléphant

 

 

In the warehouses of the former shipyards in Nantes, the Machines of the Isle is created by two artists, François Delarozière (La Machine) and Pierre Orefice (Manaus association), visualising a travel-through-time world at the crossroads of the “imaginary worlds” of Jules Verne and the mechanical universe of Leonardo da Vinci…

The mechanical elephant is 12 meters high and 8 meters wide, made from 45 tons of wood and steel. It can take up to 49 passengers for a 45-minute walk. It is a non-exact replica of The Sultan’s Elephant from Royal de Luxe, which toured the world from 2005 to 2007 (the main difference being that this elephant was designed to carry spectators).