Jordaan in Amsterdam

Truthfully, when you’re a filmmaker, you look at the story before the film and after the film. You’re trying to understand the bigger picture. The conversations you need to have with your cast begin long before the camera starts rolling. There’s always that potential. There could be a prequel, because these events happened. But there’s always that potential when you develop a character you love or when you have both ends of the story and see a place where one end could go.

 

Amsterdam in pictures

A well-organized slide show allows a presenter to fit visual images to an oral presentation. The old adage "A picture is worth a thousand words" holds true, in that a single image can save a presenter from speaking a paragraph of descriptive details. As with any public speaking or lecturing, a certain amount of talent, experience, and rehearsal is required to make a successful slide show presentation.

Presentation software is most commonly used in the business world, where millions of presentations are created daily. Another very important area where it is used is for instructional purposes, usually with the intention of creating a dynamic, audiovisual presentation. The relevant points to the entire presentation are put on slides, and accompany a spoken monologue.

 

Feast in Holland

Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.

Spain in pictures

Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression.

One of the key differences between video art and theatrical cinema is that video art does not necessarily rely on many of the conventions that define theatrical cinema. Video art may not employ the use of actors, may contain no dialogue, may have no discernible narrative or plot, or adhere to any of the other conventions that generally define motion pictures as entertainment. This distinction also distinguishes video art from cinema's subcategories such as avant garde cinema, short films, or experimental film.

Weddings & party's

Wedding videography can trace its roots back to before the advent of the modern video camera through 8mm and 16mm films. When film was the only way to capture moving pictures, a few enterprising individuals would take the family 8mm camera and film the weddings of friends and family. These film cameras had a major limitation in the form of 4-minute load times. After exposing 4 minutes of film, the operator would have to load a new film cartridge. The high cost of processing and the fact the majority of them could not record sound to the film further limited the industry. However, there were still a few individuals who were able to turn the documentation of weddings into a business.

The early days of professional wedding videography were marked by primitive technology and technique, with the equipment generally producing low image quality. Cameras required bright lights, had fuzzy pictures, poor color saturation, and single-channel, poor quality audio. The cameras were bulky, with a separate unit that connected to the video recorder via a cable, severely limiting the videographer's movement. In post-production, many wedding videos were not edited. Generation loss was also a limiting factor because of the nature of analog video tape.

Famous ancient Dutch Wharf

Observational documentaries attempt to simply and spontaneously observe lived life with a minimum of intervention. Filmmakers who worked in this subgenre often saw the poetic mode as too abstract and the expository mode as too didactic. The first observational docs date back to the 1960s; the technological developments which made them possible include mobile lightweight cameras and portable sound recording equipment for synchronized sound. Often, this mode of film eschewed voice-over commentary, post-synchronized dialogue and music, or re-enactments.

H2O

H2O (1929) is a short silent film by photographer Ralph Steiner. It is a cinematic tone poem showing water in its many forms.

Renowned experimental film by Ralph Steiner, who later served as cameraman and/or director on documentary classics such as The City and The Plow that Broke the Plains. H2O is a cinematic tone poem to water in all its forms, using lovely images and editing techniques of movement, shading and texture to produce striking visual effects.

In 2005, H2O was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Elzass/Alsace slides

Video poetry is poetry in video form. It is also known as videopoetry, video-visual poetry, poetronica, poetry video, media poetry, or Cin(E)-Poetry depending on the length and content of the video work and the techniques employed (e.g. digital technology) in its creation.

Video poetry is a wide-ranging category where very different typologies of works converge. Some video poetry works use digital elaboration to achieve Digital poetry that is entirely generated by software. When absent of digital effects, video poetry is akin to performance works or a poetry reading recorded in video (digital or analogue) but goes beyond the straightforward act of recording to establish a link with video art. In this sense, video poetry is a particular form of video art comprising poetry texts elaborated at various acoustic and visual levels.

Redbad

About the movieThe film premiered on 23 June 2018, in an open air screening on the Wilhelminasquare in Leeuwarden, as part of the celebrations around the European Capital of Culture, a week later, on the 28th of June, it was released in cinemas nationwide. After its first month it only earned €332,785 back from its 8 million euro budget, making it the biggest box office bomb in the country's history. The producers of the film claimed this was because the warm weather and World Cup kept the public outside of cinemas. The film was released in 4DX in two Pathé-cinemas in Amsterdam and Rotterdam, making it the first Dutch film released in 4DX. Seven weeks after its release it was already moved to video on demand-platform Pathé Thuis. This was at the time the shortest window between a theatre release and home release for a big Dutch production, which normally takes a period of three months.  The film was also later edited into a four-part television miniseries, where they showed unused footage of the film.

A la côté

A sequel is a literature, film, theatre, television, music or video game that continues the story of, or
Sequels are attractive to creators and to publishers because there is less risk involved in returning to a story with known popularity rather than developing new and untested characters and settings. Audiences are sometimes eager for more stories about popular characters or settings, making the production of sequels financially appealing.

In movies, sequels are common. There are many name formats for sequels. Sometimes, they either have unrelated titles or have a letter added on the end. More commonly, they have numbers at the end or have an added word on the end. It is also common for a sequel to have a variation of the original title or have a subtitle. ISometimes sequels are released with different titles in different countries, because of the perceived brand recognition. There are several ways that subsequent works can be related to the chronology of the original. Various neologisms have been coined to describe them.

Mary's Birthday

Charlotte "Lotte" Reiniger (2 June 1899 – 19 June 1981) was a German film director and the foremost pioneer of silhouette animation. Reiniger made more than 40 films over her career, all using her invention. Her best known films are The Adventures of Prince Achmed (1926) – the oldest surviving feature-length animated film, preceding Walt Disney's feature-length Snow White and the Seven Dwarfs (1937) by more than ten years – and Papageno (1935), featuring music by Mozart. Reiniger is also noted for devising a predecessor to the first multiplane camera.

Petra Wonders

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There is a common misconception that Petra is the famous temple shown above. Petra is actually an ancient city scattered with ruins that covers over 60 square kilometres of land. Because of it’s magnitude, some sites take up to 2 hours to reach from the entrance. The image above shows one of the ruins, The Treasury. It is one of the first places you come across when you enter the site. The Treasury is particularly famous because of it’s striking rose coloured rock. Other highlights such as The Monastery, Royal Tombs, Place of High Sacrifice, The Theatre and Wadi Farasa will require another day to reach (if you want time to also sit and enjoy the views).

St Eustatius

Sint Eustatius also known affectionately to the locals as Statia (/ˈsteɪʃə/), is an island in the Caribbean. It is a special municipality (officially “public body”) of the Netherlands.

The island has an area of 21 square kilometres (8.1 sq mi). In the 2001 census, the population was recorded as 3,543 inhabitants, with a population density of 169 inhabitants per square kilometre. As of 2015, the population was officially estimated at 3,877. The official language is Dutch, but English is the "language of everyday life" on the island and education is solely in English. A local English-based creole is also spoken informally. Travellers to the island by air arrive through F.D. Roosevelt Airport.

Ice cold

Aftermovies are a relatively new phenomenon, in which organizers use the power of YouTube and the need of people to follow through to promote their party. An aftermovie is a trailer-like, retrospective impression of a festival. The films are very professional and have a tight tension build-up. They show future visitors what kind of music, decoration, but especially which people (and the associated behavior) they can expect.

 

Bands playing at the German Ahrtor

Although the origins of the music video date back to musical short films that first appeared in the 1920s, they again came into prominence in the 1980s when the channel MTV (originally "Music Television") based its format around the medium. Prior to the 1980s, these kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip".

Wild animals on the Veluwe

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.

Frederici Fellini spot

It happened before, and it still happens now and again today, but in the second half of the twentieth century, auteurs really got into making commercials: Ingmar Bergman, Jean-Luc Godard, David Lynch. Not, perhaps, the first names in filmmaking you'd associate with commerciality, but there we have it. Where, though, to place Federico Fellini, director of La Dolce Vita, Satyricon, and Amarcord, movies that, while hardly assembled by the numbers, could never resist the entertaining and even pleasurable (or the somehow pleasurably displeasurable) spectacle?

IRIDESCENT

My name is Shaghayegh (Sherry) Rashidan. I'm an aspiring film-maker from Vancouver and this short film is my submission for the Combating Hate, Advancing Inclusion Film Contest.

This film represents how systematic Islamophobia & xenophobia is pushing Muslims to reclaim and reconstruct their identity.
It's a message of hope for those struggling in the wake of Islamophobia. Teach everyone your name. Pass down hope. Support one another. Do not allow the world to tell you who you are. Be unapologetically you.

I do not own the music. All rights belong to the rightful owners.
Song: Homegrown by HAUX

Polish national film archives

Conservation and digitalization of the oldest films from the collection of the National Film Archive in Warsaw


  Many pre-war Polish feature films remain missing. Those that were miraculously found - for instance in private collections - are often in such bad shape that running them through a classic projector would ensure their complete and irreversible damage. Thanks to the possibilities offered by digitization and time-lapse, frame-by-frame digital restoration, restored films can be seen today not only in cinemas or on DVD, but also on the Internet.

The NITROFILM project, Filmoteka Narodowa (The National Film Archive) digitised 43 pre-war films made on a highly flammable nitro base and restored three silent productions: “Mania. Story of a cigarette factory worker”, “Pan Tadeusz” and “The Call of the sea”. Each of the three films had their grand re-premieres.

Dutch Webcam

A webcam is a video camera that feeds or streams its image in real time to or through a computer to a computer network. When "captured" by the computer, the video stream may be saved, viewed or sent on to other networks via systems such as the internet, and emailed as an attachment. When sent to a remote location, the video stream may be saved, viewed or on sent there. Unlike an IP camera (which connects using Ethernet or Wi-Fi), a webcam is generally connected by a USB cable, or similar cable, or built into computer hardware, such as laptops.

The term "webcam" (a clipped compound) may also be used in its original sense of a video camera connected to the Web continuously for an indefinite time, rather than for a particular session, generally supplying a view for anyone who visits its web page over the Internet. Some of them, for example, those used as online traffic cameras, are expensive, rugged professional video cameras.