Romania farmers market

In the small illegal markets of the Romanian countryside, farmers and traders who have not been able to participate in the welfare are trying to make some sales..

Andreea Dumitriu shows the desolate beauty of these places.

Alsace/Elsass in photo's

Images may be two-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water.

The word 'image' is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, or a painting. In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph

Strasbourg souvenirs

Non-narrative film is an aesthetic of film that does not narrate, or relate "an event, whether real or imaginary". The aesthetic strives to be nonrepresentational. Aesthetics of Film writes, "This is to say one would not recognize anything in the image and that temporal, sequential, or cause-and-effect relations could not be perceived between the shots or the elements of the image." Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational".
According to The Film Experience, non-narrative film is distinct from nonfiction film, though both forms may overlap in documentary films. The book writes, "A non-narrative film may be entirely or partly fictional; conversely, a nonfiction film can be constructed as a narrative.

 

Hotel de Dieu Beaune

The Hospices de Beaune or Hôtel-Dieu de Beaune is a former charitable almshouse in Beaune, France. It was founded in 1443 by Nicolas Rolin, chancellor of Burgundy, as a hospital for the poor. The original hospital building, the Hôtel-Dieu, one of the finest examples of French fifteenth-century architecture, is now a museum
The Hospices de Beaune consists of a pair of two-storied buildings arranged around a stone courtyard. The building wings are well-preserved today; they contain half-timber galleries and ornate rooftops with dormer windows. The hospital is arranged so that the wings served the office, kitchen and apothecary functions. The nuns and patients were housed nearer the chapel, towards the center of the complex

 

Theater on street

Street theatre is a form of theatrical performance and presentation in outdoor public spaces without a specific paying audience. These spaces can be anywhere, including shopping centres, car parks, recreational reserves and street corners. They are especially seen in outdoor spaces where there are large numbers of people. The actors who perform street theatre range from buskers to organised theatre companies or groups that want to experiment with performance spaces, or to promote their mainstream work.

Sometimes performers are commissioned, especially for street festivals, children's shows or parades, but more often street theatre performers are unpaid or gather some income through the dropping of a coin in a hat by the audience.

Easter in Alsace

Why Preserve Film?

Movies have documented America for more than one hundred years. Since Thomas Edison introduced the movie camera in 1893, amateur and professional filmmakers have used motion pictures to tell stories, record communities, explain the work of business and government, and illustrate current events. They captured, with the immediacy unique to the moving image, how generations of Americans have lived, worked, and dreamed. By preserving these films, we save a century of history.

Mulhouse citycenter

A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.

It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.

Riquewihr Alsace

  TransitionsIn film or video scene consists of a sequence of shots. Each shot is made from a different perspective and then they are joined together. The joining together of the individual shots to make a particular scene is accomplished through transitions.The transition may be from one camera angle to another camera angle or from one camera to another camera. When you do transitions as a CG animator you are fulfilling the role of the editor, whose task is to put together a set of individual shots into a scene. One technique that film editors use is to focus on a particular element that is consistent between shots. This can be a physical object or it can be a compositional element such as a motion, color, or direction.

Markets in Strasbourg

There are two things that, if added to a camera, will immediately reduce jitter – good old fashioned weight, and a lowered center of gravity. The quickest and probably the most readily available method you can use to get both of these things is to attach your camera to a tripod, and then fold up the legs.
A tripod is great for side-to-side pans and up-down tilts. But if you pull up the legs and keep that extra couple of pounds beneath your camera, you’ve made yourself an instant pendulum. In other words, with additional weight concentrated toward the bottom of this rig, the unit is less prone to wiggling and being shaken than the camera alone. Try it sometime. Actually, your tripod should be attached nearly every time you get set up for filmmaking.

Red Movie

Color psychology is the study of hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colours can also enhance the effectiveness of placebos. For example, red or orange pills are generally used as stimulants. Colour can indeed influence a person; however, it is important to remember that these effects differ between people. Factors such as gender, age, and culture can influence how an individual perceives color. For example, males reported that red colored outfits made women seem more attractive, while women answered that the color of a male's outfit did not affect his attractiveness.

Petite France

Petite France is a historic quarter of the city of Strasbourg in eastern France. It is located at the western end of the Grande Île, which contains the historical centre of the city. At Petite France, the River Ill splits up into a number of channels that cascade through an area that was, in the Middle Ages, home to the city's tanners, millers and fishermen, and is now one of Strasbourg's main tourist attractions. Petite France forms part of the UNESCO World Heritage Site of Grande Île, designated in 1988.

Artis Amsterdam

Animals as varied as bees, beetles, mice, foxes, crocodiles and elephants play a wide variety of roles in literature and film.

A genre of films has been based on oversized insects, including the pioneering 1954 Them!, featuring giant ants mutated by radiation, and the 1957 The Deadly Mantis.

Birds have occasionally featured in film, as in Alfred Hitchcock's 1963 The Birds, loosely based on Daphne du Maurier's story of the same name, which tells the tale of sudden attacks on people by violent flocks of birds.

 

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Landscape Turkey

In terms of film production, Turkey shared the same fate with many of the national cinemas of the 20th century. Film production wasn't continuous until around the 1950s and the film market in general was run by a few major import companies that struggled for domination in the most population-dense and profitable cities such as Istanbul and İzmir. Film theatres rarely ever screened any locally produced films and the majority of the programs consisted of films of the stronger western film industries, especially those of the United States, France, Italy and Germany. Attempts at film production came primarily from multinational studios, which could rely on their comprehensive distribution networks together with their own theatre chains, thus guaranteeing them a return on their investment. Between the years 1896–1945, the number of locally produced films did not even reach 50 films in total, equal to less than a single year's annual film production in the 1950s and 1960s. Domestically produced films constituted only a small fraction of the total number of films screened in Turkey prior to the 1950s.

 

 

A Giant Beast

Who
In the film language, the who question is typically answered with the close-up (CU). The primary point of focus in any close-up is the subject's face. This framing typically mimics the experience of what you would see in real life if you were conversing with a person. A close-up is an intimate portrait of someone, more intimate than you would ever get with a stranger. This is part of why fans inherently feel as though they "know" famous actors. (Though the feeling is certainly not mutual!)

Who Are They?: A Close-up gives insight into who a character is.
These shots leave little doubt that one is a no-nonsense sourpuss and the other is a idealistic dreamer.

Close-ups can vary widely based on camera position, lens choice, and other production considerations, but ultimately you can count on such a shot to answer this fundamental question.

If you were to go too long without providing close-ups your audience will lose track of whose story they're following and they will very likely lose interest. This is especially common in complex action scenes where there is so much what and how to convey to move the story forward that it's easy to forget to keep the who present in the viewer's mind. But do so at your own peril. Even the most spectacular battle scene can fall flat if the audience loses track of who it is that's engaged in the fight.

Rain

Throughout the years, filmmakers have invented new ways to communicate with their audiences, and one of them is through camera movement. Before there were dollies, cranes, and gimbals, movies were shot entirely on tripods, so watching events unfold through stationary shots was the norm. However, once the camera became mobile, filmmakers were able to create new words in the cinematic language that give meaning to a shot, like how the dolly-in could signify growing intensity or a how a shaky handheld shot could signify chaos or realism.

Girl in Danger

Cecil Blount DeMille was an American filmmaker. Between 1913 and 1956, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the cinema of the United States and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. He made silent films of every genre: social dramas, comedies, Westerns, farces, morality plays, and historical pageants.

DeMille began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was also the first feature film shot in Hollywood. Its interracial love story made it a phenomenal hit and it "put Hollywood on the map. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic, The Ten Commandments (1923), was both a critical and financial success; it held the Paramount revenue record for twenty-five years.

 

Hunger

The United Nations International Children's Emergency Fund was created by the United Nations General Assembly on the 11th of December 1946, to provide emergency food and healthcare to children in countries that had been devastated by World War II. The Polish physician Ludwik Rajchman is widely regarded as the founder of UNICEF and served as its first chairman from 1946. On Rajchman's suggestion, the American Maurice Pate was appointed its first executive director, serving from 1947 until his death in 1965. In 1950, UNICEF's mandate was extended to address the long-term needs of children and women in developing countries everywhere. In 1953 it became a permanent part of the United Nations System, and the words "international" and "emergency" were dropped from the organization's name, making it simply the United Nations Children's Fund, retaining the original acronym, "UNICEF".

Zaanse Schans

Short films have become a lot more popular nowadays with the advancements in the field of media, but coming up with short film ideas can be challenging. Since short films are easier to make than the feature movies, the production cost is also a lot cheaper. One has to have some ideas and they may be inspired or may come mainly from your everyday life, personal life, personal experiences, experiences of others, or even on the fantasies that you have.

The first thing to remember is that you have maximum 10 to 15 minutes to grab your audience’s attention, so make sure to make the best out of the least. Some people do not have any trouble in coming up with ideas for the short film, and they get it spot on. On the other hand, most people do not even know how long should their short film should be.

The Desmet Collection

Jean Desmet was a pioneering film distributor and theatre owner in the Netherlands.
The Desmet Collection consists of films, posters, stills and company documents, mainly from the period 1907-1916.
The film collection contains over 900 films of all genres; from France, Italy, USA, Germany and more...
Since 2011, Desmet Collection held at the EYE Filmmuseum has been inscribed on the UNESCO Memory of the World Register.

https://www.eyefilm.nl/en/collection/...

The Most Beautiful Shots In Movie History

> A video hosting service allows individual end users to upload and share personal, business, or royalty-free videos and to watch them legally. Users generally will upload video content via the hosting service's website, mobile or desktop application, or other interface (API). The type of video content uploaded might be anything from short video clips to full-length TV shows and movies. The video host stores the video on its server and offers users the ability to enable different types of embed codes or links that allow others to view the video content. The website, mainly used as the video hosting website, is usually called the video sharing website.