Elephant man
In my opinion, this is the most powerful scene in the film; quiet but powerful. If you ever want to learn acting watch Hannah Gordon, the woman, from 0:58 on-- she can act (face expression, voice inflections, 'Oxford English' are dead-on). The Elephant Man is a 1980 drama film based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
Hardware malfunction: In computer graphics, visual artifacts may be generated whenever a hardware component such as the processor, memory chip, cabling malfunctions, etc., corrupts data. Examples of malfunctions include physical damage, overheating, insufficient voltage and GPU overclocking. Common types of hardware artifacts are texture corruption and T-vertices in 3D graphics, and pixelization in MPEG compressed video. Software malfunction: Artifacts may be caused by algorithm flaws such as decoding/encoding audio or video, or a poor pseudo-random number generator that would introduce artifacts distinguishable from the desired noise into statistical models
An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema, but were fairly common in the cinema of the 1910s and 1920s.
An axial cut can be made with the use of a zoom lens, or physically moving the camera with a crane or camera dolly. The intervening footage (as the camera moves or zooms) is then removed while editing the film. Since footage is discarded, this technique works better for static shots. If action is involved, several takes will be required to get the necessary footage.
There are several fundamental camera moves that were developed right after the invention of motion picture cameras and are still used today. Using a virtual camera you can make almost any move, however, it is still a good idea to use these real world moves. These moves include the following: Panning and Tilting For both of these shots the camera is stationary and rotates in a horizontal (panning) or vertical (tilting) plane. Panning is used to follow a moving object or character, or to show more than can fit into a single frame, such as panning across a landscape. It is also used as a transition between one camera position and another.
In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye. There may or may not be an explicit borderline. Until the arrival of digital technology, a split screen in films was accomplished by using an optical printer to combine two or more actions filmed separately by copying them onto the same negative, called the composite.
After the launch of the satellite Sputnik 1 by the Soviet Union in 1957, satellite transmission technology was dramatically realised, with the United States launching Telstar in 1962 linking live media broadcasts from the UK to the US. The first digital broadcast satellite (DBS) system began transmitting in US in 1975.[183] Beginning in the 1990s, the Internet has contributed to a tremendous increase in the accessibility of Western media content. Departing from media offered in bundled content packages (magazines, CDs, television and radio slots), the Internet has primarily offered unbundled content items (articles, audio and video files
Those seeking to learn the technical craft of filmmaking in the early days of cinema were largely self-taught engineers or still photographers who experimented with new film technology. With the rise of commercial filmmaking in the 1920s, most notably the Hollywood studio system, those seeking to learn the technical skills of filmmaking most often started at the bottom of a hierarchical system and apprenticed under a more experienced person to learn the tradition.
The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions.The first Italian director is considered to be Vittorio Calcina, a collaborator of the Lumière Brothers, who filmed Pope Leo XIII in 1896. The first films were made in the main cities of the Italian peninsula. These brief experiments immediately met the curiosity of the general public, encouraging operators to produce new films and laying the foundation for a true film industry. In the early 20th century, silent cinema developed, bringing numerous Italian stars to the forefront
A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector. This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, with the image framed in a 2×2 inch cardboard or plastic mount. Some specialized labs produce photographic slides from digital camera images in formats such as JPEG, from computer-generated presentation graphics, and from a wide variety of physical source material such as fingerprints, microscopic sections, paper documents, astronomical images, etc.
There is increased interest in films originating in the Arab world. For example, films from Lebanon, Algeria, Morocco, Palestine, Syria, and Tunisia have been shown more often in local film festivals and repertoire theaters than during the late 1900s. Arab cinema has explored many topics from politics, colonialism, tradition, modernity and social taboos. It has also attempted to escape from its earlier tendency to mimic and rely on Western film styles. In fact, colonization did not only influence Arab films, but it also had an impact on Arab movie theaters. Also, the portrayal of women became an important aspect. Arab woman shaped a great portion of the film industry in the Arab world by employing their cinematic talents in improving the popularity of Arab films.
In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the use of a long lens and not to the duration of the take. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.
Kentridge has practiced expressionist art: form often alludes to content and vice versa. The feeling that is manipulated by the use of palette, composition and media, among others, often plays an equally vital role in the overall meaning as the subject and narrative of a given work. One must use one's gut reactions as well as one's interpretive skills to find meaning in Kentridge's work, much of which reveals very little content. Due to the sparse, rough and expressive qualities of Kentridge's handwriting, the viewer sees a sombre picture upon first glance, an impression that is perpetuated as the image illustrates a vulnerable and uncomfortable situation.
Videography is the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage) and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography (moving images recorded on film stock), but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography.
A peace movement is a social movement which seeks to achieve ideals such as the ending of a particular war (or wars) or minimizing inter-human violence in a particular place or situation. They are often linked to the goal of achieving world peace. Some of the methods used to achieve these goals include advocacy of pacifism, nonviolent resistance, diplomacy, boycotts, peace camps, ethical consumerism, supporting anti-war political candidates, supporting legislation to remove profits from government contracts to the military–industrial complex, banning guns, creating tools for open government and transparency, direct democracy, supporting whistleblowers who expose war crimes or conspiracies to create wars, demonstrations, and political lobbying.
In 2008, a damaged print of Lang's original cut of the film was found in a museum in Argentina. According to the explanation in the restored film, "the material was heavily damaged and, because it had been printed on 16mm film stock, does not have the full-aperture silent picture ratio" and "in order to maintain the scale of the restored footage, the missing portion of the frame appears black" while "black frames indicate points at which footage is still lost". After a long restoration process that required additional materials provided by a print from New Zealand, the film was 95% restored . Metropolis is now widely regarded as one of the greatest and most influential films ever made, ranking 67th in Sight and Sound's 2022 critics' poll, and receiving general critical acclaim.
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre[1] which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.[2] More precisely, it is a documentary mixed with fictional elements in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous.
Aerial perspective, or atmospheric perspective, refers to the effect the atmosphere has on the appearance of an object as viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. The colours of the object also become less saturated and shift toward the background colour, which is usually bluish, but may be some other colour under certain conditions (for instance, reddish around sunrise or sunset).
Kurosawa, and his emphasis on sound-image counterpoint, by all accounts always gave great attention to the soundtracks of his films and he was involved with several of Japan's outstanding composers of his generation
There are four themes which can be associated with Kurosawa's filmmaking technique which recur from his early films to the films he made at the end of his career. These include his interest in (a) the master-disciple relationship, (b) the heroic champion, (c) the close examination of nature and human nature, and (d) the cycles of violence.
Imaging is the representation or reproduction of an object's form; especially a visual representation (i.e., the formation of an image). Imaging technology is the application of materials and methods to create, preserve, or duplicate images. Imaging science is a multidisciplinary field concerned with the generation, collection, duplication, analysis, modification, and visualization of images including imaging things that the human eye cannot detect. As an evolving field it includes research and researchers from physics, mathematics, electrical engineering, computer vision, computer science, and perceptual psychology.
The origin of today's cinema is thanks to the Lumiere brothers, Auguste and Louis, who in 1895 developed a machine called the Cinematographe, which had the ability to capture and show moving images. The early era of cinema saw rapid innovation. Filmmakers discover and apply new methods such as editing, special effects, close-ups, etc. Hollywood began to emerge as the mecca of the film industry, and many of the famous studios today such as Warner Bros and Paramount Pictures began to rule the film world. Over time, cinema and cinematography have changed drastically. From the silent films of the early 20th century, to the ability of sound to be added to films in the 1920s, widescreen and color films in the 50s, huge improvements in general creativity and methodology have emerged.
The Portal is a series of sculpture attractions which videoconference between one another. Created by Lithuanian artist Benediktas Gylys, they are large, identical circular sculptures that are located in various public city spaces, connecting two cities together by displaying a livestream of each city along with a camera on top of the screen. Initially starting as a concept in 2016, the first two installations of the Portal series were unveiled in 2021 for the Vilnius–Lublin Portal.
An establishing shot in filmmaking and television production sets up, or establishes, the context for a scene by showing the relationship between its important figures and objects. It is generally a long or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place. Establishing shots were more common during the classical era of filmmaking than they are now. Today's filmmakers tend to skip the establishing shot in order to move the scene along more quickly, or merely mention the setting in on-screen text (as is done in the Law & Order franchise). In addition, the expositional nature of the shot may be unsuitable to scenes in mysteries, where details are intentionally obscured or left out.
In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. But unlike changes in camera position, zooming does not change the perspective (the relative sizes of near and far objects); it only magnifies or reduces the size of the entire image as a whole. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and fewer objects become visible on film. Or it is performed towards shorter focal lengths, giving a "zoom out" effect: The filmed object will shrink in apparent size, and more objects come into view.
The property master, often called the prop(s) master, is an artistic and organizational employee in a film, television or theatrical production who is responsible for purchasing, acquiring, manufacturing, properly placing, and/or overseeing any props needed for a production. The property master also works with other members of the production managing the physical appearance of the stage or set; for example, they might work with the script supervisor to maintain set continuity. The property master is on staff during preproduction, develops the stylistic concept of the physical production, then continues on as a member of the physical shooting/production crew. A person responsible for purchasing the props can be called a props buyer or production buyer.
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
The Film library
Dive into the art of visual storytelling with The Darkroom Rumour's handpicked collection of documentaries on photography. From the intimate tales of renowned photographers to the exploration of photographic techniques and histories, our library is a gateway to seeing the world through a different lens. Explore, learn, and be inspired by the unique perspectives and captivating stories that each film offers. New films are added each month.
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war. The stories told may be fiction, historical drama, or biographical.
The most common use of cutaway shots in dramatic films is to adjust the pace of the main action, to conceal the deletion of some unwanted part of the main shot, or to allow the joining of parts of two versions of that shot] For example, a scene may be improved by cutting a few frames out of an actor's pause; a brief view of a listener can help conceal the break. Or the actor may fumble some of his lines in a group shot; rather than discarding a good version of the shot, the director may just have the actor repeat the lines for a new shot, and cut to that alternate view when necessary.
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own stories or narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values.[1] Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
The set dresser on a movie is responsible for making the location of every scene look convincing. This may sound easy, but in the magical (i.e. fake) world of movies, this can mean turning a dilapidated warehouse into a swinging 1960s nightclub, or a sunny California bungalow into a “snow”-covered French cottage. One of the set dresser’s primary responsibilities is to select the props that will decorate every scene. If it’s a period film, it’s especially important to be historically accurate, often down to the year that any given product came on the market. (Found a great vintage coffee pot that came out in 1965, but your movie takes place in 1964? Dump it–or face the online wrath of eagle-eyed movie-goers everywhere.)
Video editing is the post-production and arrangement of video shots. To showcase perfect video editing to the public, video editors must be reasonable and ensure they have a superior understanding of film, television, and other sorts of videography. Video editing structures and presents all video information, including films and television shows, video advertisements and video essays. Video editing has been dramatically democratized in recent years by editing software available for personal computers. Editing video can be difficult and tedious, so several technologies have been produced to aid people in this task. Overall, video editing has a wide variety of styles and applications.
The term "4K" is generic and refers to any resolution with a horizontal pixel count of approximately 4,000.: 2 Several different 4K resolutions have been standardized by various organizations. The terms "4K" and "Ultra HD" are used more widely in marketing than "2160p". While typically referring to motion pictures, some digital camera vendors have used the term "4K photo" for still photographs, making it appear like an especially high resolution even though 3840×2160 pixels equal approximately 8.3 megapixels, which is not considered to be especially high for still photographs.
An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity
Many traditional disciplines now integrate digital technologies, so the lines between traditional works of art and new media works created using computers, have been blurred. For instance, an artist may combine traditional painting with algorithmic art and other digital techniques. As a result, defining computer art by its end product can be difficult. Nevertheless, this type of art is beginning to appear in art museum exhibits, though it has yet to prove its legitimacy as a form unto itself and this technology is widely seen in contemporary art more as a tool, rather than a form as with painting.
Bridging shot A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling calendar pages, railroad wheels, newspaper headlines and seasonal changes. Bridge shots are also used to avoid jump cuts when inserting a pick-up.
A freeze frame in a film is a deliberate choice to suddenly pause on a still frame, commonly used for the last shot or when a narrator interjects for clarification or humor. While it can risk breaking the immersive experience by reminding viewers it's just a movie, strategic placement, like at the end or with a narrator, helps maintain the illusion.
A television film, alternatively known as a television movie, made-for-TV film/movie, telefilm, telemovie or TV film/movie, is a feature-length film that is produced and originally distributed by or to a television network, in contrast to theatrical films made for initial showing in movie theaters, and direct-to-video films made for initial release on home video formats. In certain cases, such films may also be referred to and shown as a miniseries, which typically indicates a film that has been divided into multiple parts or a series that contains a predetermined, limited number of episodes.
Since the 2010s, digital movie cameras have become the dominant type of camera in the motion picture industry, being employed in film, television productions and even (to a lesser extent) video games. In response to this, movie director Martin Scorsese started the non-profit organisation The Film Foundation to preserve the use of film in movie making—as many filmmakers feel DSLR cameras do not convey the depth or emotion that motion-picture film does. Other major directors involved in the organisation include Quentin Tarantino, Christopher Nolan and many more.
Infotainment can generally be identified by its entertaining nature. Infotainment may also involve the use of flashy graphics, fast-paced editing, music, sensationalism, and sometimes satire to catch the viewer/readers' attention. A precise academic consensus on the definition of what constitutes infotainment/soft news as opposed to hard news has not yet been reached. Many authors have commented that the ideas “are often not clearly defined or not defined at all”. Multiple authors have published their ideas of what each type of media involves, but they vary widely.
Location shooting usually requires a location manager, and locations are usually chosen by a location scout. Many popular locations, such as New York City in the United States, Toronto in Canada, and the Isle of Man, a crown dependency of the United Kingdom, have dedicated film offices to encourage location shooting, and to suggest appropriate locations to film-makers. In many cases a second unit is dispatched to film on location, with a second unit director and sometimes with stand-in actors. These shots can then be edited into the final film or TV program alongside studio-shot sequences, to give an authentic flavor, without the expense or trouble of a full-scale location shoot.
Escaping from conflicts or persecution According to the United Nations High Commissioner for Refugees, most of the people who arrived in Europe in 2015 were refugees fleeing war and persecution in countries such as Syria, Afghanistan, Iraq and Eritrea: 84 per cent of Mediterranean Sea arrivals in 2015 came from the world's top ten refugee-producing countries. Wars fueling the migrant crisis are the Syrian Civil War, the Iraq War, the War in Afghanistan, the War in Somalia and the War in Darfur. Refugees from Eritrea, one of the most repressive states in the world, fled from indefinite military conscription and forced labour.
Hit Record Did you know your iPhone could be your secret weapon for viral hits? My iPhone alone has created videos with over a million views! The twist? Some of our most edited masterpieces flopped, teaching us a vital lesson: Success is unpredictable until you post and learn to see what works for you and your audience. So, grab that phone, clean the lens, and start creating content. No fancy equipment needed, (good lighting helps) just your creativity and authenticity.
Bergen op Zoom is a city in the Netherlands, close to the border with Belgium. It has about 67,000 people living there. The city is famous for its old buildings and history The center of the city has lots of small streets and old buildings. They look like they come from a long time ago! There is a big square called #GroteMarkt with lots of cafes and places to eat. You can also go to parks and nature reserves to have some fun outside. #bergenopzoom is a good place to stay if you want to explore other cities in the #Netherlands or #Belgium.
In the early years of film there were no real cinemas. Film was seen as a fairground attraction. Traveling cinemas traveled from town to village to give performances at annual fairs and fairs. This happened in beautifully decorated tents or in rented café rooms. The first film showings with a traveling cinema were given in the Netherlands as early as 1896 . The entrance fee for these performances was 50 cents for the first tier and 25 cents for the second tier. The audience at the time was shown short films of a boxing match, a dancer with a "vibrating rug" and a real fight in a café.
Life at the castle The castle was the summer residence of the lords and marquises of Bergen op Zoom. Many people lived and worked at the castle, not only the nobles, such as the marquises and their famous warlords from the Middle Ages and the Eighty Years' War, but also their staff and soldiers. All these people have left their mark. Many items have been found in and around the castle, from coins to clothing and from games to cooking utensils.
Film critics and film studies scholars typically define an art film as possessing "formal qualities that mark them as different from mainstream Hollywood films". These qualities can include (among other elements): a sense of social realism; an emphasis on the authorial expressiveness of the director; and a focus on the thoughts, dreams, or motivations of characters, as opposed to the unfolding of a clear, goal-driven story. Film scholars describe art cinema as "a film genre, with its own distinct conventions" Art film producers usually present their films at special theaters (repertory cinemas or, in the U.S., art-house cinemas) and at film festivals.
A film format is a technical definition of a set of standard characteristics regarding image capture on photographic film for still images or film stock for filmmaking. It can also apply to projected film, either slides or movies. The primary characteristic of a film format is its size and shape. In the case of motion picture film, the format sometimes includes audio parameters. Other characteristics usually include the film gauge, pulldown method, lens anamorphosis (or lack thereof), and film gate or projector aperture dimensions, all of which need to be defined for photography as well as projection, as they may differ.
straight 8 began in london in 1999. it’s now a global filmmaking challenge every filmmaker should try… • can you make a great film on just one roll of super 8mm? • with no re-takes, no editing, no grade, no post-production at all • you make all your final visuals only with each pull of your camera's trigger • you can’t cheat because we process your film for you • you even make your soundtrack ‘blind’ and we line it up to the first frame of picture • the first time even you see your own film is when the audience does, if it's good enough to be selected* straight 8 is open to anyone anywhere who’s brave enough to try it
Film colorization is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing.
Sound recording began as a purely mechanical process. Except for a few crude telephone-based recording devices with no means of amplification, such as the telegraphone,[a] it remained so until the 1920s. Between the invention of the phonograph in 1877 and the first commercial digital recordings in the early 1970s, arguably the most important milestone in the history of sound recording was the introduction of what was then called electrical recording, in which a microphone was used to convert the sound into an electrical signal that was amplified and used to actuate the recording stylus.
