A still image film, also called a picture movie, is a film that consists primarily or entirely of still images rather than moving images, forgoing the illusion of motion either for aesthetic or practical reasons. These films usually include a standard soundtrack, similar to what is found in typical sound films, complete with music, sound effects, dialogue or narration. They may also use various editing techniques found in traditional films, such as dissolves, zooms, and panning.
Principal photography is the phase of producing a film or television show in which the bulk of shooting takes place, as distinct from the phases of pre-production and post-production.
Video game industry practices are similar to those of other entertainment industries (e.g., the music recording industry). Unlike the music industry, where modern technology has allowed a fully professional product to be created extremely inexpensively by an independent musician, modern games require increasing amounts of manpower and equipment. This dynamic makes publishers, who fund the developers, much more important than in the music industry. From Films to (Digital or Computer) Games–during the last 20 years there has been a revolution in films, indeed, in multimedia. This revolution is the shift from analog to digital methods of recording and manipulating sight and sound. However, it is interesting that the development of computer games in many ways followed that of film–only what it took film 80 years to do it took games 20. In the history of films, we saw how music and sound have been mis-perceived and mis-understood. "Silent" films were never silent, and in fact, much of what is commonly believed about sound in early film is false. The facts are that sound and music have been a major part of films since films began. The same is true for video games
In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and fewer objects become visible on film. Or it is performed towards shorter focal lengths, giving a "zoom out" effect: The filmed object will shrink in apparent size, and more objects come into view. The speed of the zoom allows for a further degree of cinematographic freedom. Combined with a dolly camera move it is possible to create the dolly zoom effect.
In filmmaking and video production, footage is raw, unedited material as originally filmed by a movie camera or recorded by a (often special) video camera, which typically must be edited to create a motion picture, video clip, television show or similar completed work. Footage may also refer to sequences used in film and video editing, such as special effects and archive material . Since the term originates in film, footage is only used for recorded images, such as film stock, videotapes or digitized clips – on live television, the signals from video cameras are instead called sources. The origin of the term "footage" is that early 35 mm silent film has traditionally been measured in feet and frames; the fact that film was measured by length in cutting rooms, and that there are 16 frames (4-perf film format) in a foot of 35 mm film which roughly represented 1 second of screen time (frame rate) in some early silent films, made footage a natural unit of measure for film.
New media art includes artworks designed and produced by means of electronic media technologies, comprising virtual art, computer graphics, computer animation, digital art, interactive art, sound art, Internet art, video games, robotics, 3D printing, and cyborg art. The term defines itself by the thereby created artwork, which differentiates itself from that deriving from conventional visual arts (i.e. architecture, painting, sculpture, etc.). New Media art has origins in the worlds of science, art, and performance. Some common themes found in new media art include databases, political and social activism, Afrofuturism, feminism, and identity, a ubiquitous theme found throughout is the incorporation of new technology into the work. The emphasis on medium is a defining feature of much contemporary art and many art schools and major universities now offer majors in "New Genres" or "New Media" and a growing number of graduate programs have emerged internationally
In film or video scene consists of a sequence of shots. Each shot is made from a different perspective and then they are joined together. The joining together of the individual shots to make a particular scene is accomplished through transitions. The transition may be from one camera angle to another camera angle or from one camera to another camera. When you do transitions as a CG animator you are fulfilling the role of the editor, whose task is to put together a set of individual shots into a scene. One technique that film editors use is to focus on a particular element that is consistent between shots.
CODED BIAS explores the fallout of MIT Media Lab researcher Joy Buolamwini’s discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.
SYNOPSIS Modern society sits at the intersection of two crucial questions: What does it mean when artificial intelligence increasingly governs our liberties? And what are the consequences for the people AI is biased against? When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies do not accurately detect darker-skinned faces or classify the faces of women, she delves into an investigation of widespread bias in algorithms. As it turns out, artificial intelligence is not neutral, and women are leading the charge to ensure our civil rights are protected.
The simplest transition between shots it is a straight cut, which is an abrupt transition between two shots. Another type of transition is called a fade, in which the overall value of the scene increases or decreases into a frame of just one color. For example, a fade to black may indicate the end of the sequence. When one scene fades out as another scene fades in this is a dissolve. These dissolves are used frequently to indicate a passage of time. For example, you might have a shot moving down a hall and then a dissolve as it moves into a different part of the building.
French filmmaker George Méliès, producer of silent black-and-white film, made films before the 30 degree rule existed. Méliès inspired succeeding filmmakers to heed this rule of angle when cutting between similar or nearly identical clips. When Mèliés himself made his famous A Trip to the Moon (1902), he edited together film clips of the same framing and with the same angle, after changing the scene between the shots, to make it look like there was no cut at all. It was the world's first attempt to make special effects, made up of jump cuts.
A web series (also known as a web show) is a series of scripted or non-scripted online videos, generally in episodic form, released on the Internet, which first emerged in the late 1990s and became more prominent in the early 2000s. A single instance of a web series program can be called an episode or "webisode", however the term is not often used. In general, web series can be watched on a range of platforms and devices, including desktop, laptop, tablets and smartphones. They are different from streaming television, which can be watched on various streaming platforms.
Dubbing, mixing or re-recording, is a post-production process used in filmmaking and video production in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, Foley, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.
For dubs into a language other than the original language, the dubbing process includes the following tasks: 1. Translation 2. Dialog writing: 1. Take segmentation 2. Insertion of dubbing symbols 3. Dialogue writing and the emulation of natural discourse 4. Lip-sync Sometimes the translator performs all five tasks. In other cases, the translator just submits a rough translation and a dialogue writer does the rest. However, the language expertise of translator and dialog writing is different; translators must be proficient in the source language, while dialog writers must be proficient the target language.
The purpose of modern museums is to collect, preserve, interpret, and display objects of artistic, cultural, or scientific significance for the study and education of the public. From a visitor or community perspective, this purpose can also depend on one's point of view. A trip to a local history museum or large city art museum can be an entertaining and enlightening way to spend the day. To city leaders, an active museum community can be seen as a gauge of the cultural or economic health of a city, and a way to increase the sophistication of its inhabitants. To a museum professional, a museum might be seen as a way to educate the public about the museum's mission, such as civil rights or environmentalism. Museums are, above all, storehouses of knowledge.
An atypical friendship of a young lowlander and teenagers from an indigenous community is put to test due to the overlong pandemic lockdown in the Philippines.
Source: Cinemata highlights essential yet underheard stories, increasing filmmakers’ reach, engagement, and impact, helping audiences discover thought-provoking videos.
Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Technicolor movies with 3 strips started in the '30s and continued in the '40s, '50s, '60s, '70s, '80s and '90s to end in 2000. In the '90s, 36,860 films were made in Technicolor. It was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Hollywood during the Golden Age of Hollywood.
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own stories or narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values.[1] Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
Donna Verheijden is a designer, artist and filmmaker. Verheijden graduated from the Sandberg Institute. As a contemporary image maker, Donna sees it as her responsibility to analyse and criticise today’s apparent or staged realities and ImageScapes. Her main research focuses on mass and social media, its seductions and underlying power structures Open Archive is a collaborative project of Het Nieuwe Instituut and the Nederlands Instituut voor Beeld en Geluid (the Netherlands Institute for Sound and Vision), that stimulates the creative reuse of open heritage collections.
Digital storytelling is a short form of digital media production that allows everyday people to share aspects of their story. The media used may include the digital equivalent of film techniques, stills, audio only, or any of the other forms of non-physical media (material that exists only as electronic files as opposed to actual paintings or photographs on paper, sounds stored on tape or disc, movies stored on film) which individuals can use to tell a story or present an idea.
Hollywood on the Tiber is a phrase used to describe the period in the 1950s and 1960s when the Italian capital of Rome emerged as a major location for international filmmaking attracting many foreign productions to the Cinecittà studios. By contrast to the native Italian film industry, these movies were made in English for global release. Although the primary markets for such films were American and British audiences, they enjoyed widespread popularity in other countries, including Italy The commercial success of Quo Vadis (1951) led to a stream of blockbusters produced in Italy by Hollywood studios, which reached its height with 20th Century Fox's Cleopatra in 1963. The phrase "Hollywood on Tiber", a reference to the river that runs through Rome, was coined in 1950 by Time magazine during the making of Quo Vadis.
Following World War II, Hollywood studios increasingly shifted production abroad both to take advantage of lower costs and to use frozen funds (profits from American films which foreign governments barred from export). These films, known as runaway productions, could also benefit from local subsidies. By the early 1950s, some of the largest-budget American films were being shot in European countries, particularly in Britain and Italy. In both countries newly arrived American companies worked alongside continuing large-scale domestic film industries. In Italy, the film-makers used the vast Cinecittà complex which had been built in the 1930s by Benito Mussolini's Fascist regime which was aiming to rebuild Italian cinema. Following Mussolini's overthrow in 1943, production at Cinecittà was suspended and no new films were made until 1948.
Sepia toning is a chemical process used in photography which changes the appearance of black-and-white prints to brown. The color is now often associated with antique photographs. Most photo graphics software programs and many digital cameras include a sepia tone filter to mimic the appearance of sepia-toned prints. Acclaimed Russian director Andrei Tarkovsky used a sepia tone in his 1979 science-fiction film Stalker to visually distinguish scenes set in the forbidden Zone from the real world, which is generally portrayed in black and white.
What is digital storytelling? In its simplest form, digital storytelling refers to the practice of using computer-based tools to tell stories or present ideas . Digital stories have also been defined as multimedia presentations that combine a variety of digital elements within a narrative structure. As opposed to traditional storytelling that uses materials on physical media such as paper, tapes or discs, and film, a digital story uses material that exists on electronic files. As such, digital stories may include not only text, images, video, and audio, but also interactive elements like maps and social media elements like tweets.
The notion of how long a feature film should be has varied according to time and place. According to the Academy of Motion Picture Arts and Sciences, the American Film Institute and the British Film Institute, a feature film runs for more than 40 minutes, while the Screen Actors Guild asserts that a feature's running time is 60 minutes or longer. The Centre National de la Cinématographie in France defines it as a 35 mm film longer than 1,600 metres (5,200 ft), which is exactly 58 minutes and 29 seconds for sound films.
Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films. While "experimental" covers a wide range of practice, an experimental film is often characterized by the absence of linear narrative, the use of various abstracting techniques—out-of-focus, painting or scratching on film, rapid editing—the use of asynchronous sound or even the absence of any sound track. The goal is often to place the viewer in a more active and more thoughtful relationship to the film. At least through the 1960s, and to some extent after, many experimental films took an oppositional stance toward mainstream culture.
A remake is a film, or occasionally a television series, video game, or similar form of entertainment, that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film". A remake tells the same story as the original but uses a different cast, and may alter the theme or change the story's setting. A similar but not synonymous term is reimagining, which indicates a greater discrepancy between a movie and the movie it is based on.
This remake was made because of sounddamage by blip. tv the former provider
In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: In production, a shot is the moment that the camera starts rolling until the moment it stops. In film editing, a shot is the continuous footage or sequence between two edits or cuts.
To perform digital colorization, a digitized copy of the best black and white film print available is used. With the aid of computer software, technicians associate a range of gray levels to each object and indicate to the computer any movement of the objects within a shot. The software is also capable of sensing variations in the light level from frame-to-frame and correcting it if necessary. The technician selects a color for each object based on common "memory" colors—such as blue sky, white clouds, flesh tones, and green grass—and on any information about colors used in the movie. If color publicity stills or props are available to examine, authentic colors may be applied. In the absence of any better information, technicians may choose colors that fit the gray level and are consistent with what a director might have wanted for the scene. The software associates a variation of the basic color with each gray level in the object, while keeping intensity levels the same as in the monochrome original. The software then follows each object from frame to frame, applying the same color until the object leaves the frame.
Screensavers are a fascinating part of the cultural heritage of the early digital age. These ‘pause images’ first appeared on our computer screens in the mid-1980s but had become completely redundant only fifteen years later. In his installation Sleep Mode: The Art of the Screensaver, internet artist Rafaël Rozendaal presents a remarkable collection of screensavers in Het Nieuwe Instituut. These almost forgotten products were developed to protect computer screens against image burn. But they also have a special cultural significance because they produced the first entirely computer-generated images.
The role and status of journalism, as well as mass media, has undergone changes over the last two decades, together with the advancement of digital technology and publication of news on the Internet. This has created a shift in the consumption of print media channels, as people increasingly consume news through e-readers, smartphones, and other electronic devices. News organizations are challenged to fully monetize their digital wing, as well as improvise on the context in which they publish in print. Newspapers have seen print revenues sink at a faster pace than the rate of growth for digital revenues.
Historically, the master shot was the most important shot of any given scene. All shots in a given scene were somehow related to what was happening in the master shot. That is one reason for some of the films from the 1930s and the 1940s to be considered "stagey" by today's standards. By the 1960s and the 1970s, the style of film shooting and editing shifted to include radical angles that conveyed more subjectivity and intimacy within the scenes. Today, the master shot is still a key element of film production, but scenes are not built around the master shot in the same way that they were when professional filmmaking was in its infancy.
Set construction is the process undertaken by a construction manager to build full-scale scenery, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film, or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on. Scale drawings typically include a groundplan, elevation, and section of the complete set, as well as more detailed drawings of individual scenic elements which, in theatrical productions, may be static, flown, or built onto scenery wagons. Models and paint elevations are frequently hand-produced, though in recent years, many Production Designers and most commercial theatres have begun producing scale drawings with the aid of computer drafting programs such as AutoCAD or Vectorworks.
Daylighting (using windows, skylights, or light shelves) is sometimes used as the main source of light during daytime in buildings. This can save energy in place of using artificial lighting, which represents a major component of energy consumption in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants.
Indoor lighting is usually accomplished using light fixtures, and is a key part of interior design. Lighting can also be an intrinsic component of landscape projects.
Furthermore, the star theatre boasts the world’s largest laser and lightning system used in a planetarium. Specially developed by the world-leading German company LOBO, the high-tech lasers create a 360-degree experience of breathtaking multimedia shows with special effects and over 16 million colours.
Avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films.
A film adaptation is the transfer of a work or story, in whole or in part, to a feature film While the most common form of film adaptation is the use of a novel as the basis, other works adapted into films include non-fiction (including journalism), autobiographical works, comic books, scriptures, plays, historical sources and even other films. Adaptation from such diverse resources has been a ubiquitous practice of filmmaking since the earliest days of cinema in nineteenth-century Europe. In contrast to when making a remake, movie directors usually take more creative liberties when creating a film adaptation.
The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. Although the advent of film as an artistic medium is not clearly defined, the commercial, public screening of ten of the Lumière brothers' short films in Paris on 28 December 1895 can be regarded as the breakthrough of projected cinematographic motion pictures. There had been earlier cinematographic results and screenings by others like the Skladanowsky brothers, who used their self-made Bioscop to display the first moving picture show to a paying audience on 1 November 1895 in Berlin, but they lacked either the quality, financial backing, stamina or the luck to find the momentum that propelled the cinématographe Lumière into a worldwide success.
Before the camera stabilizing system, a director had two choices for moving (or "tracking") shots: The camera could be mounted on a dolly, a wheeled mount that rolls on tracks or leveled boards. This procedure is time-consuming to set up, and it is impractical in many situations. The camera operator could simply hold the camera. This manual grip allows speed and flexibility, but even the most skilled operator cannot entirely prevent shaking. Hand-held camera footage has traditionally been considered suitable mostly for documentaries, news, reportage, live action, unrehearsable footage, or the evocation of authentic immediacy or cinéma vérité during dramatic sequences.
A film release is the authorization by the owner of a completed film to a public exhibition of the film. The exhibition may be in theatres or for home viewing. A film's release date and the method of release is part of the marketing of the film. It may be a wide or limited release. The process may involve finding a film distributor. A film's marketing may involve the film being shown at a film festival or trade show to attract distributor attention and, if successful, may then be released through a chosen distributor.
A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wildlife or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.
A historical drama (also period drama, costume drama, and period piece) is a work set in a past time period, usually used in the context of film and television. Historical drama includes historical fiction and romances, adventure films, and swashbucklers. A period piece may be set in a vague or general era such as the Middle Ages or a specific period such as the Roaring Twenties.
Thriller is a genre of fiction, having numerous, often overlapping subgenres. Thrillers are characterized and defined by the moods they elicit, giving viewers heightened feelings of suspense, excitement, surprise, anticipation and anxiety. Successful examples of thrillers are the films of Alfred Hitchcock. Thrillers generally keep the audience on the "edge of their seats" as the plot builds towards a climax. The cover-up of important information is a common element. Literary devices such as red herrings, plot twists, unreliable narrators, and cliffhangers are used extensively. A thriller is often a villain-driven plot, whereby they present obstacles that the protagonist must overcome.
Experimental film, experimental cinema, or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
After some initial resistance, the impact of digital technology has transformed activities such as painting, literature, drawing, sculpture and music/sound art, while new forms, such as net art, digital installation art, and virtual reality, have become recognized artistic practices. More generally the term digital artist is used to describe an artist who makes use of digital technologies in the production of art. In an expanded sense, "digital art" is contemporary art that uses the methods of mass production or digital media.
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. Choreography may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography.
Wedding videography is a video production that documents a wedding on video. The final product of the videographer's documentation is commonly called a wedding video. It is also referred to as a wedding movie, or a wedding film. A videographer recording a wedding Wedding videography can trace its roots back to before the invention of the modern video camera through 8mm and 16mm films. When film was the only way to capture moving pictures, a few enterprising individuals would take the family 8mm camera and film the weddings of friends and family. These film cameras had a major limitation in the form of 4-minute load times. After exposing 4 minutes of film, the operator would have to load a new film cartridge. The high cost of processing and the fact the majority of them could not record sound to the film further limited the industry. However, there were still a few individuals who were able to turn the documentation of weddings into a business.
Filmmaking also takes place outside of the mainstream and is commonly called independent filmmaking. Since the introduction of DV technology, the means of production have become more democratized and economically viable. Filmmakers can conceivably shoot and edit a film, create and edit the sound and music, and mix the final cut on a home computer. However, while the means of production may be democratized, financing, traditional distribution, and marketing remain difficult to accomplish outside the traditional system.
While bioenergy is generally agreed to mitigate greenhouse gas emissions on a global scale, environmental activists argue that increased biomass demand can create significant social and environmental pressure in the locations where the biomass is produced. The impact is primarily related to the low surface power density of biomass. The low surface power density has the effect that much larger land areas are needed in order to produce the same amount of energy, compared to for instance fossil fuels. Feasibility assessments to replace coal in German power plants with bush biomass harvested in Namibia, which experiences bush encroachment on over 30 million hectares, have caused protests from environmental organisations. The organisations argue that the trees and bushes store carbon, and that burning them releases more CO2 upfront than burning coal.
A drive-in movie theater is an outdoor parking area with a screen—sometimes an inflatable screen—at one end and a projection booth at the other. Moviegoers drive into the parking spaces which are sometimes sloped upwards at the front to give a more direct view of the movie screen. Movies are usually viewed through the car windscreen (windshield) although some people prefer to sit on the bonnet (hood) of the car. Some may also sit in the trunk (back) of their car if space permits. Sound is either provided through portable loudspeakers located by each parking space, or is broadcast on an FM radio frequency, to be played through the car's stereo system. Because of their outdoor nature, drive-ins usually only operate seasonally, and after sunset. Drive-in movie theaters are mainly found in the United States,[citation needed] where they were especially popular in the 1950s and 1960s.
A showreel (also known as a demo reel or sizzle reel) is a short video showcasing a person's previous work used by many kinds of people involved in filmmaking and other media, including actors, animators, lighting designers, editors, and models. Usually 2 to 3 minutes in length and consisting of footage from different projects, a showreel typically supplements a résumé and is used to promote the person to talent agents, producers, and casting directors.A voice actor may create an audio-only showreel, referred to as a voice reel, for the same purpose.
