Riesenrad Wien

The Third Man is a 1949 British film noir, directed by Carol Reed and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. It is considered one of the greatest films of all time, celebrated for its atmospheric cinematography, performances, and musical score. Novelist Graham Greene wrote the screenplay and subsequently published the novella of the same name (originally written as preparation for the screenplay). Anton Karas wrote and performed the score, which used only the zither; its title music "The Third Man Theme" topped the international music charts in 1950, bringing the then-unknown performer international fame.

Media Literacy

Media Literacy provides a framework to access, analyze, evaluate, create and participate with digital messages from print to video on the Internet. Media literacy builds an understanding of the role of media in society as well as essential skills of inquiry and self-expression. As communication technologies transform society, they impact our understanding of ourselves, our communities, and our diverse cultures, making media literacy an essential life skill for the 21st century.

Christmas stars

A children's film, or family film, is a film genre that contains children or relates to them in the context of home and family. Children's films are made specifically for children and not necessarily for the general audience, while family films are made for a wider appeal with a general audience in mind. Children's films come in several major forms like realism, fantasy, adventure, animation, war, musicals, and literary adaptations.

 

Seussical the movie

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".


The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Bergen line

Shallow focus is a photographic and cinematographic technique incorporating a small depth of field. In shallow focus one plane of the image is in focus while the rest is out of focus. Shallow focus is typically used to emphasize one part of the image over another
The opposite of shallow focus is deep focus, in which the entire image is in focus.

Shallow focus has become more popular in the 2000s and 2010s. It is also a means by which low budget filmmakers use to hide places that would require expensive props. It is often proclaimed by some to being a way to avoid the "video look."

Animated Loeki

Stop motion is an animation technique that physically manipulates an object that appears to move on its own. The object is moved in small increments between individually photographed frames, creating the illusion of movement when the series of frames is played as a continuous sequence. Dolls with movable joints or clay figures are often used in stop motion for their ease of repositioning. Stop motion animation using plasticine is called clay animation or "clay-mation". Not all stop motion requires figures or models; many stop motion films can involve using humans, household appliances and other things for comedic effect. Stop motion using objects is sometimes referred to as object animation

Rivaling Religions

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In film theory, genre refers to the method based on similarities in the narrative elements from which films are constructed. Most theories of film genre are borrowed from literary genre criticism. Besides the basic distinction in genre between fiction and documentary, film genres can be categorized in several ways. An additional way of categorizing film genres is by the target audience.

Babysit

Read, Travel, Watch. It's as simple as that. Read as much as you can so that when you when you travel you have perspective on the world which will inform the films you watch, films that may just inspire your own film. Don't pin yourself to one writer, one genre of film, be as diverse as our global community.

Paseo of Semana Santa

It takes 3 minutes, and offers a lot of creative ways to use your smartphone and make it more than just a phone. As far as I'm concerned, it's just a matter of time before a smart kid comes up with a solid indie feature shot on a phone, and whether you consider yourself a 35mm lover or not, I believe it would be a huge mistake to overlook the revolution happening thanks to these babies.

Route su soleil

Today's travelogues may be shown with either live or recorded voice-over narration, often with an in-sync audio soundtrack featuring music and location sound. The shows are often performed in school gymnasiums, civic auditoriums, senior center multi-purpose rooms, private clubs and theatrical venues. Travelogues have been a popular source of fundraising for local, non-profit community-service organizations, such as Kiwanis, Lions clubs and Rotary clubs, among others, with many such clubs hosting travelogue series for decades.

Theaterkids

A lobby is a room in a building which is used for entry from the outside. Sometimes referred to as a foyer or an entrance hall, it often is a large, vast room or complex of rooms (in a theatre, opera, concert hall, showroom, cinema, etc.) adjacent to the auditorium. It is a repose area for spectators and place of venues, especially used before performance and during intermissions, but also as a place of celebrations or festivities after performance.

Usually a foyer is a large, specially designed hall, but sometimes it is a corridor surrounding the main hall. It is furnished and big enough to enable spectators to stroll, get together and rest. Foyers are commonly adorned with art works, permanent or temporary exhibitions related to the activity of the institution, and a refreshment room or buffet. Moreover, the foyer can be the main place of some events such as vernissage, meetings with the artists, actors' benefit, etc.

Bodenmais

Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.
The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, Foley, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR,[further explanation needed] also known as "additional dialogue replacement" "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments.
Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.

Mijn Brabantse land

Docufiction (or docu-fiction), often confused with docudrama, is the cinematographic combination of documentary and fiction, this term often meaning narrative film.  It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.

More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous.

 

Eyewitness gear

Eyewitness testimony is generally presumed to be more reliable than circumstantial evidence. Studies have shown, however, that individual, separate witness testimony is often flawed, and parts of it can be meaningless. This can occur because of flaws in Eyewitness identification , or because a witness is lying. If several people witness a crime, it is probative to look for similarities in their collective descriptions to substantiate the facts of an event, keeping in mind the contrasts between individual descriptions.

Police lineups, where the eyewitness picks out a suspect from a group of people in the police station, are often grossly suggestive, and give the false impression that the witness remembered the suspect. In another study, students watched a staged crime. An hour later they looked through photos. A week later they were asked to pick the suspect out of lineups. 8% of the people in the lineups were mistakenly identified as criminals. 20% of the innocent people whose photographs were included were mistakenly identified.

Weapon focus effects in which the presence of a weapon impairs memory for surrounding details is also an issue.

Another study looked at sixty-five cases of "erroneous criminal convictions of innocent people." In 45% of the cases, eyewitness mistakes were responsible.

Swiss crocodile

Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb "to stream" refers to the process of delivering media in this manner; the term refers to the delivery method of the medium rather than the medium itself.

A client media player can begin playing the data (such as a movie) before the entire file has been transmitted. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g., radio, television) or inherently nonstreaming (e.g., books, video cassettes, audio CDs). For example, in the 1930s, elevator music was among the earliest popularly available streaming media; nowadays Internet television is a common form of streamed media. The term "streaming media" can apply to media other than video and audio such as live closed captioning, ticker tape, and real-time text, which are all considered "streaming text".

Jump to VR

Google Experiences like you're actually there. Capture the world in VR video Jump Camera The Jump rig consists of 16 camera modules in a circular array. The size of the rig and the arrangement of the cameras are optimized to work with the Jump assembler. Sign up to learn more Jump Assembler Advanced computer vision and whole lot of computing power to transform 16 pieces of video into stereoscopic VR video 3D in every direction Jump assembles 360 videos that allow you to experience a scene in every direction. Perfect stereo ensures that near things look near, far things look far. Perfect 360 video Our 3D alignment approach creates a beautiful, seamless panorama, so you you won't see borders where cameras are spliced together. High resolution Assembled 3D videos are super high resolution - the equivalent of five 4k TVs playing at once.

Giethoorn

Fanfare (1958)
AL | 86 min | Comedy, Music | 24 October 1958 (Netherlands)
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Your rating:
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Reviews: 3 user | 3 critic

After a fight the brass band in a small village splits up into two separate bands. They both want to win a contest and will do anything to prevent the other band from winning it.

Director: Bert Haanstra

Writers: Jan Blokker, Bert Haanstra

PSV supporter

This radio interview was never broadcasted !

An interview is a conversation between two or more people where questions are asked by the interviewer to elicit facts or statements from the interviewee. Interviews are a standard part of qualitative research. They are also used in journalism and media reporting (see Interview (journalism)) and in various employment-related contexts.

The qualitative research interview seeks to describe and the meanings of central themes in the life world of the subjects. The main task in interviewing is to understand the meaning of what the interviewees say. Interviewing, when considered as a method for conducting qualitative research, is a technique used to understand the experiences of others.

 

Palmyra Syria

The historical period drama is a film genre in which stories are based upon historical events and famous people. Some historical dramas are docudramas, which attempt an accurate portrayal of a historical event or biography, to the degree that the available historical research will allow.

Winter in Ghent

Photos.
What is probably most noteworthy about the new app is that Apple is no longer simply using iCloud to share your photos across devices — if you choose, you can now store every image and video you shoot on your iPhone in iCloud. To help make this work without taking up a ton of storage, Apple is also giving users the option to optimize storage on their devices. Instead of locally storing every image in full resolution, you can opt to have the full images live in iCloud; smaller, optimized images that take up much less storage space will instead be displayed on your mobile devices and even on your Mac. At any time, you can choose to download the full-size image Fortunately, you can set it up so that the Photos app on your Mac keeps all the original, full-size images stored locally if you so choose. You’re still free to choose the optimized setting on your iOS devices to save space there.

Dutch flower fields near Keukenhof.

Over time, the cyan, magenta and yellow dyes that form the image in color 16 mm film inevitably fade. The rate of deterioration depends on storage conditions and the film type. In the case of Kodachrome amateur and documentary films and Technicolor IB (imbibition process) color prints, the dyes are so stable and the deterioration so slow that even prints now over 70 years old typically show no obvious problems.

Starving Sea

Formerly one of the four largest lakes in the world with an area of 68,000 km2 , the Aral Sea has been steadily shrinking since the 1960s after the rivers that fed it were diverted by Soviet irrigation projects. By 2007, it had declined to 10% of its original size, splitting into four lakes – the North Aral Sea, the eastern and western basins of the once far larger South Aral Sea, and one smaller lake between the North and South Aral Seas. By 2009, the southeastern lake had disappeared and the southwestern lake had retreated to a thin strip at the extreme west of the former southern sea; in subsequent years, occasional water flows have led to the southeastern lake sometimes being replenished to a small degree. Satellite images taken by NASA in August 2014 revealed that for the first time in modern history the eastern basin of the Aral Sea had completely dried up. The eastern basin is now called the Aralkum desert.
In an ongoing effort in Kazakhstan to save and replenish the North Aral Sea, a dam project was completed in 2005; in 2008, the water level in this lake had risen by 12 m compared to 2003. Salinity has dropped, and fish are again found in sufficient numbers for some fishing to be viable.
The shrinking of the Aral Sea has been called "one of the planet's worst environmental disasters" The region's once-prosperous fishing industry has been essentially destroyed, bringing unemployment and economic hardship. The Aral Sea region is also heavily polluted, with consequential serious public health problems.

An ancient crane on the Rhine

In filmmaking and video production, a crane shot is a shot taken by a camera on a crane or jib. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Camera cranes go back to the dawn of movie-making, and were frequently used in silent films to enhance the epic nature of large sets and massive crowds.

The major supplier of cranes in Hollywood throughout the 1940s, 1950s, and 1960s was the Chapman Company supplanted by dozens of similar manufacturers around the world. The typical design provided seats for both the director and the camera operator, and sometimes a third seat for the cinematographer as well. Large weights on the back of the crane provided a perfect balance to compensate for the weight of the people riding the crane. The crane operator and camera operator had to precisely coordinate their moves so that focus, pan, and camera position all started and stopped at the same time, requiring great skill and rehearsal.

Some filmmakers like to have the camera on a boom arm just to make it easier to move around between ordinary set-ups. Most cranes accommodate both the camera and an operator, but some can be operated by remote control. They are usually, but not always, found in what are supposed to be emotional or suspenseful scenes.

During the last few years, camera cranes have been miniaturized and costs have dropped so dramatically that most aspiring film makers have access to these tools. What was once a "Hollywood" effect is now available for under $400.

 

Modern (film)history

Amateur usage of Super 8 has been largely replaced by video, but the format is often used by professionals in music videos, TV commercials, and special sequences for television and feature film projects, as well as by many visual artists. For a professional cinematographer, Super 8 is another tool to use alongside larger formats. Some seek to imitate the look of old home movies, or create a stylishly grainy look.

Studio studies

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds' screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.

A Dutchman in Rome

There are three large film festivals in the Netherlands:

The International Film Festival Rotterdam (IFFR) is a film festival for independent, innovative and experimental cinema and visual arts. The international festival is held since 1972 in Rotterdam. During the festival the Tiger Awards are awarded to starting filmmakers.
The Nederlands Film Festival (NFF) has been the annual film festival for Dutch film productions since 1981. The seven-day festival is held in the end of September and early October in Utrecht. Dutch films from the previous year are shown, and the Golden Calves are awarded to the best films, best actors and best other crew members judged by an independent and professional jury.
The International Documentary Film Festival Amsterdam (IDFA) is one of the world's largest documentary festivals.

Beautiful Rhine

Germany has a long tradition of cooperation with the European based film industry, which started as early as during the 1960s. Since 1990 the number of international projects financed and co-produced by German filmmakers has expanded.

The new millennium since 2000 has seen a general resurgence of the German film industry, with bigger-budget films and good returns at the German box office. Internationally though German productions are widely unknown and unsuccessful. Since its golden age in the 1920s the German film industry has never regained the technical excellence, the star system appeal, or the popular narratives suitable for a global audience.

The Deutsche Filmakademie was founded in 2003 in Berlin and aims to provide native filmmakers a forum for discussion and a way to promote the reputation of German cinema through publications, presentations, discussions and regular promotion of the subject in the schools.

Heidelberg Hauptstrasse

While motion picture films have been around for more than a century, film is still a relative newcomer in the pantheon of fine arts. In the 1950s, when television became widely available, industry analysts predicted the demise of local movie theaters. Despite competition from television's increasing technological sophistication over the 1960s and 1970s such as the development of color television and large screens, motion picture cinemas continued. In fact with the rise of television's predominance, film began to become more respected as an artistic medium by contrast due the low general opinion of the quality of average television content. In the 1980s, when the widespread availability of inexpensive videocassette recorders enabled people to select films for home viewing, industry analysts again wrongly predicted the death of the local cinemas.

Smugglers

Nostalgia (or sometimes called "Nostalgic") is a sentimentality for the past, typically for a period or place with happy personal associations. The word nostalgia is learned formation of a Greek compound, consisting of νόστος (nóstos), meaning "homecoming", a Homeric word, and ἄλγος (álgos), meaning "pain" or "ache", and was coined by a 17th-century medical student to describe the anxieties displayed by Swiss mercenaries fighting away from home. Described as a medical condition—a form of melancholy—in the Early Modern period, it became an important trope in Romanticism.

 

Pompei at that time

Virtual Reality, which can be referred to as immersive multimedia or computer-simulated life, replicates an environment that simulates physical presence in places in the real world or imagined worlds. Virtual reality can recreate sensory experiences, which include virtual taste, sight, smell, sound, and touch.

Most up to date virtual reality environments are displayed either on a computer screen or with special stereoscopic displays, and some simulations include additional sensory information and emphasise real sound through speakers or headphones targeted towards VR users. Some advanced, haptic, systems now include tactile information, generally known as force feedback in medical, gaming and military applications.

Amsterdam canal water

Amsterdam City Swim

September 6th, 2015, the canal cruise boats and other vessels make way for more than 1,600 swimmers at the annual Amsterdam City Swim.

Earlier routes have started at the Marine building passing Het Scheepvaartmuseum (Ship Museum) and then down the Nieuwe Herengracht canal. Swimmers go left up the Amstel River towards the Royal Theatre Carre (Carre Theater) and finishing on the Keizersgracht canal where it crosses the Reguliersgracht canal.

Swimmers are sponsored to raise funds for Motor Neurone disease (known as ALS in the Netherlands).

 

Tourrettes

Fair use is a limitation and exception to the exclusive right granted by copyright law to the author of a creative work. In United States copyright law, fair use is a doctrine that permits limited use of copyrighted material without acquiring permission from the rights holders. Examples of fair use include commentary, search engines, criticism, parody, news reporting, research, teaching, library archiving and scholarship. It provides for the legal, unlicensed citation or incorporation of copyrighted material in another author's work under a four-factor balancing test.

The term "fair use" originated in the United States.  A similar principle, fair dealing, exists in some other common law jurisdictions. Civil law jurisdictions have other limitations and exceptions to copyright.

The lift

Shock value in television and movies

Shock value is a common way to show people graphically how dangerous a situation is, by depicting the death of a minor character, or the serious injury or near death of a character.

This can also involve the occurrence or performance of disturbing or horrifying phenomena or actions to draw the attention of viewers, or to force them to consider the events depicted at a personal level. Examples would include a scene of a military hospital with patients with horrible or disgusting wounds, a shot of a battlefield covered in corpses, or the depiction of emotional abuse

Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience's primal fears. Horror films often deal with the viewer's nightmares, hidden fears, revulsions and terror of the unknown

 

The flying dutchman

Mirrors in the sky: Demystifying the legend of the Flying Dutchman

Ever since the 17th century, sailors have been haunted by the story of the Flying Dutchman, an airborne ghost-ship that can never put in to port and is forced to endlessly sail the world’s oceans. While the sight of a ship floating above the horizon could unsettle any seafarer, meteorologists can explain it as the result of a Fata Morgana – a dramatic ‘superior mirage’ caused by the air below the line of sight being significantly colder than that above it.
Fata Morgana not only produce mirror images, but can magnify objects that lie beyond the horizon. Ships can therefore be below the horizon but their reflected light is distorted to such an extent that they appear to be ‘sailing’ in the sky. This is the likely explanation of the Flying Dutchman.

 

VENTOUX

Fair use is a limitation and exception to the exclusive right granted by copyright law to the author of a creative work. In United States copyright law, fair use is a doctrine that permits limited use of copyrighted material without acquiring permission from the rights holders. Examples of fair use include commentary, search engines, criticism, parody, news reporting, research, teaching, library archiving and scholarship. It provides for the legal, unlicensed citation or incorporation of copyrighted material in another author's work under a four-factor balancing test.

The term "fair use" originated in the United States. A similar principle, fair dealing, exists in some other common law jurisdictions. Civil law jurisdictions have other limitations and exceptions to copyright.

 

 

Vianden.lu

As the television world makes the transition from the traditional 4:3 format to 16:9 wide-screen, many people ask "Why? What's Wrong with 4:3? Should I convert to widescreen?".

These are valid questions for both programme makers at one end and viewers at the other end.

Producers and broadcasters need to decide whether to make the difficult and expensive transition to widescreen.
Viewers need to decide whether to upgrade their 4:3 TV set to widescreen.

We will attempt to answer this question from both points of view. However we should point out that in the long run there is one simple fact which overrides all other arguments: Widescreen is the new standard and everyone will eventually be using it whether they like it or not. Whilst some people will hold on to 4:3 as long as they can, the future of widescreen is inevitable. The real question is not "Should I go widescreen?" but "Should I go widescreen now, or should I wait?".

 

Dutchie

Images for the Future

In the project, Images for the Future, four organizations save an important part of the audiovisual heritage of the Netherlands through conservation and digitization. The digitized material will be made available to education and to the public as broadly as possible.

super 8 mm movie 1977

I
n film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action not covered in the master shot.

There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Thus: CLOSE-UP of the gunfighter, INSERT of his hand quivering above the holster, TWO SHOT of his friends watching anxiously, INSERT of the clock ticking.

Often inserts of this sort are done separately from the main action, by a second-unit director using stand-ins.

Inserts and cutaways can both be vexatious for directors, as care must be taken to preserve continuity by keeping the objects in the same relative position as in the main take, and having the lighting be the same.

A taste of dutch movie

Although Haanstra continued to make internationally acclaimed documentaries, the "school" more or less faded out by the late sixties. By this time, the first generation of Dutch filmmakers who graduated from the Dutch Film Academy began to make a name for themselves. The most famous director of this era is undoubtedly Fons Rademakers, who received domestic and international critical claim with a number of films between 1959 and 1963. . Slowly, fiction films become more and more popular in The Netherlands.

A more lasting success for Dutch film came in the 1970s, mostly under the influence of one man: Paul Verhoeven. Verhoeven's five films of the decade - Business Is Business (Wat zien ik?, 1971), Turkish Delight (Turks Fruit, 1973), Katie Tippel (Keetje Tippel, 1975), Soldier of Orange (Soldaat van Oranje, 1977) and Spetters (1980) - were box-office hits; they are still in the top-twenty most successful Dutch films ever. Turkish Delight and Soldier of Orange were successful abroad as well and eventually led to Verhoeven's Hollywood career. In 2006 Verhoeven returned to his own language and made Black Book (Zwartboek).

Other successful directors from this era are Wim Verstappen and Pim de la Parra, whose movies were more commercial than those of their colleagues in the 1960s.
A decline in cinema admission set in after the 1970s. Director Dick Maas, making studio-style action-thrillers such as De Lift (1983) and Amsterdamned (1988), was about the only filmmaker having mainstream success in this period.

Gorges du Tarn

Other names for film:
Movies
Motion pictures
Pictures
Celluloid

Flicks
Photoplays
Picture shows
The cinema
The silver screen

Operations Manna

70 years ago The Netherlands were freed form the nazi's. The last winter of norttern Holland were terrible and the Dutch were starving. In April 1944 fooddroppings were organised by the allies.
This beautiful black and white film was shot bij amateurs.

Humorous phases of funny faces

Because of the stylistic similarities between comic strips and early animated movies, "cartoon" came to refer to animation, and the word "cartoon" is currently used to refer to both animated cartoons and gag cartoons. While "animation" designates any style of illustrated images seen in rapid succession to give the impression of movement, the word "cartoon" is most often used in reference to TV programs and short films for children featuring anthropomorphized animals, superheroes, the adventures of child protagonists and related genres.

Pictures of Lille

In photography, reversal film is a type of photographic film that produces a positive image on a transparent base. The film is processed to produce transparencies or diapositives (abbreviated as "diafilm" in many countries) instead of negatives and prints. Reversal film is produced in various sizes, from 35 mm roll film to 8×10 inch sheet film.

A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector. This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, with the image framed in a 2×2 inch cardboard or plastic mount. Some specialized labs produce photographic slides from digital camera images in formats such as JPEG, from computer-generated presentation graphics, and from a wide variety of physical source material such as fingerprints, microscopic sections, paper documents, astronomical images, etc.

Reversal film is sometimes used as motion picture film, mostly in the 16 mm, Super 8 and 8 mm "cine" formats, to yield a positive image on the camera original. This avoids the expense of using negative film, which requires additional film and processing to create a positive film print for projection.

 

Rotterdam Harbour 1926

- In the archives of Rotterdam is a film surfaced which gives an image of Rotterdam in the year 1926. Nothing strange, were it not that the picture quality is very good to say.

On the film we see tugs 'fight' on the Nieuwe Maas, there is a steam train on the bridge and of course for the attentive viewer there is more to discover.

Espana del Norte

A slide presentation about this part of Spain

A film is a ribbon of dreams. The camera is much more than a recording apparatus; it is a medium via which messages reach us from another world that is not ours and that brings us to the heart of a great secret. Here magic begins.

Orson Welles

Cinema Europa

The history of film began in the 1890s, with the invention of the first motion-picture cameras and the establishment of the first film production companies. The films of the 1890s were under a minute long and until 1927, motion pictures were produced without sound. The first eleven years of motion pictures show the cinema moving from a novelty to an established large-scale entertainment industry. The films became several minutes long consisting of several shots. The first rotating camera for taking panning shots was built in 1897. The first film studios were built in 1897. Special effects were introduced and film continuity, involving action moving from one sequence into another, began to be used. In 1900, continuity of action across successive shots was achieved and the close-up shot was introduced. Most films of this period were what came to be called "chase films". The first use of animation in movies was in 1899. The first feature length multi-reel film was a 1906 Australian production. The first successful permanent theatre showing only films was "The Nickelodeon" in Pittsburgh in 1905. By about 1910, actors began to receive screen credit for their roles, and the way to the creation of film stars was opened. Regular newsreels were exhibited from 1910 and soon became a popular way for finding out the news. Overall, from about 1910, American films had the largest share of the market in all European countries except France.

Cinemagician

 

Marie-Georges-Jean Méliès, known as Georges Méliès 8 December 1861 – 21 January 1938), was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. Méliès, a prolific innovator in the use of special effects, accidentally discovered the substitution stop trick in 1896, and was one of the first filmmakers to use multiple exposures, time-lapse photography, dissolves, and hand-painted color in his work. Because of his ability to seemingly manipulate and transform reality through cinematography, Méliès is sometimes referred to as the first "Cinemagician".His films include A Trip to the Moon (1902) and The Impossible Voyage (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy.

Trippel Dutch

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation or a special event and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The advent of camcorders that could record an hour or two of video on one inexpensive videocassette, followed by digital video cameras that recorded to flash memory, and most recently smartphones with video recording capability, made the creation of home movies easier and much more affordable to the average person.

The technological boundaries between home-movie-making and professional movie-making are becoming increasingly blurred as prosumer equipment often offers features previously only available on professional equipment.

Lille Nord de France

Experimental film or experimental cinema is a type of cinema.Its origins can be found in European avant-garde movements of the twenties.

An experimental film is often characterized by the absence of linear narrative, the use of various abstracting techniques, asynchronous (non-diegetic) sound or even the absence of any sound track. Most such films are made on very low budgets, self-financed or financed through small grants, with a minimal crew. Experimental film emerged in Europe in the 1920s because cinema had matured as a medium and avant-garde movements in the visual arts were growing.