The sea also rises

Poetry film is a subgenre of film that fuses the use of spoken word poetry, visual images, and sound to create a stronger presentation and interpretation of the meaning being conveyed. This fusion of image and spoken word (both independent and interdependent) creates what William Wees called the "Poetry-film" genre. He suggested that "a number of avant-garde film and video makers have created a synthesis of poetry and film that generates associations, connotations and metaphors neither the verbal nor the visual text would produce on its own".

Tulle

 
It's one of cinema's greatest ironies that editing can make or break a film, but few moviegoers understand what an editor actually does. Editing involves taking shots and assembling them in the right order, yes, but what makes an order — all the transitions from moment to moment and scene to scene — "right"? Even if we can't explain good editing, we know bad editing when we see it, and even more so when when we feel it. The hard-to-pin-down sensation of a movie being "off" or "wrong" often comes out of incompetent editing, and by breaking down the bad editing in a variety of recent pictures, these three videos throw into contrast what it takes for editing to be good.

Chateau de la Rochepot

Usually, in costume, historical accuracy is combined with a certain vision. The character that the costumer is dressing is also an important aspect, and a lot of the time the attitudes of the character is not exactly in line with the time period. For example, they may be more bright and colorful, or they may be more dull. A movie or stage production which emphasize the use of correct clothes and settings for a specific time period is called a costume drama.

Saint Requier Picardie

Some filmmakers put storyboards, those comic book-looking shot plans you sometimes glimpse in making-of documentaries, at the center of their creative process. Filmmakers, such as the heartily improvisational Werner Herzog, have dismissed storyboards as the tool of "cowards," of "those who lack imagination," of "those who are bureaucratic and nothing else on the set." 

 

Bourgogne

The 30 degree change of angle makes two successive shots different enough to not look like a jump cut. However, camera movement should stay on one side of the subject to follow the 180-degree rule. Also, when thinking about the 30 degree rule, it is important to change the shot distance at least 20 mm with each move you make on the axis. This would be moving 20 mm closer or farther from the subject in reference to the camera distance in the previous camera setup. The 30 degree rule is often called the "20 mm/30 degree rule" for this reason. The axial cut incorporates the 20mm idea by moving the camera either closer or father away from the subject without moving on the axis. This type of edit does not follow the 30 degree rule but deliberately breaks it to get a particular effect

Vive les Vacances

Adventure travel is a type of niche tourism, involving exploration or travel with a certain degree of risk (real or perceived), and which may require special skills and physical exertion. In the United States, adventure tourism has grown in recent decades as tourists seek out-of-the-ordinary or "roads less traveled" vacations, but lack of a clear operational definition has hampered measurement of market size and growth. According to the U.S.-based Adventure Travel Trade Association, adventure travel may be any tourist activity that includes physical activity, a cultural exchange, and connection with nature.

Souvenirs de le Puy

Cinephilia (/ˌsɪnɪˈfɪliə/; also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile (/ˈsɪnɪfaɪl/), cinemaphile, filmophile, or, informally, a film buff (also movie buff).

In English, "cinephile" is sometimes used interchangeably with the word cineaste (/ˈsɪniæst, ˈsɪneɪæst/), though in the original French the term cinéaste ([sineast]) refers to a cinephile who is also a filmmaker.

Memories of France

 

The road movie keeps its characters "on the move", and as such the "car, the tracking shot, [and] wide and wild open space" are important iconography elements, similar to a Western movie. As well, the road movie is similar to a Western in that road films are also about a "frontiersmanship" and about the codes of discovery (often self-discovery) Road movies often use the music from the car stereo, which the characters are listening to, as the soundtrack.

 

Citadel in Images

French inventor Henri Chrétien developed and patented a new film process that he called Anamorphoscope in 1926. It was this process that would later form the basis for CinemaScope. Chrétien's process was based on lenses that employed an optical trick which produced an image twice as wide as those that were being produced with conventional lenses; this was done using an optical system called Hypergonar, which was the process of compressing (at shoot time) and dilating (at projection time) the image laterally. He attempted to interest the motion picture industry in his invention, but at that time the industry was not sufficiently impressed.

By 1950, however, cinema attendance seriously declined with the advent of a new competitive rival: television.

Basilica in Vezelay

In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process:

In production, a shot is the moment that the camera starts rolling until the moment it stops.
In film editing, a shot is the continuous footage or sequence between two edits or cuts.

Train to the citadel

Traditionally, films were recorded onto celluloid film through a photochemical process and then shown through a movie projector onto a large screen. Contemporary films are often fully digital through the entire process of production, distribution, and exhibition, while films recorded in a photochemical form traditionally included an analogous optical soundtrack (a graphic recording of the spoken words, music and other sounds that accompany the images which runs along a portion of the film exclusively reserved for it, and is not projected).

Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a universal power of communication.

Another day in Grenoble

The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is preferred. Common terms for the field in general include the big screen, the silver screen, the movies, and cinema; the last of these is commonly used, as an overarching term, in scholarly texts and critical essays. In early years, the word sheet was sometimes used instead of screen.

Grenoble

Although usually more expensive than film projectors, high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely, are relatively compact and have no film to break, scratch or change reels of. They also allow for much easier, less expensive, and more reliable storage and distribution of content. All-electronic distribution eliminates all physical media shipments. There is also the ability to display live broadcasts in theaters so equipped.

Images from le Puy en Velay

Images may be two-dimensional, such as a photograph or screen display, or three-dimensional, such as a statue or hologram. They may be captured by optical devices – such as cameras, mirrors, lenses, telescopes, microscopes, etc. and natural objects and phenomena, such as the human eye or water.

The word 'image' is also used in the broader sense of any two-dimensional figure such as a map, a graph, a pie chart, a painting or a banner. In this wider sense, images can also be rendered manually, such as by drawing, the art of painting, carving, rendered automatically by printing or computer graphics technology, or developed by a combination of methods, especially in a pseudo-photograph.

Haute Loire

The focus pull is useful for directing the viewer's attention. For example, if there are two people in shot but only one is in focus, that person is the subject of attention. If the focus changes to the other person, they become the subject. This is often used in drama dialogues — the focus shifts backwards and forwards between the people speaking. A slightly more subtle trick is to focus on a person speaking then pull focus to another person's silent reaction.

Vezelay

White balance basically means colour balance. It is a function which gives the camera a reference to "true white" — it tells the camera what the colour white looks like, so the camera will record it correctly. Since white light is the sum of all other colours, the camera will then display all colours correctly.

Incorrect white balance shows up as pictures with orange or blue tints, as demonstrated by the following examples:

Most consumer-level camcorders have an "auto-white balance" feature, and this is how most amateurs operate. The camera performs it's own white balance without any input from the operator. In fact, very few home-video users are aware of it's existence. Unfortunately, the auto-white balance is not particularly reliable and it is usually preferable to perform this function manually.

Burgundy: Morvan

An open content film is much like an independent film, but it is produced through open collaborations; its source material is available under a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright. Like independent filmmaking, open source filmmaking takes place outside Hollywood, or other major studio systems.

Grenoble from Above

The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and as a platform to showcase talent to secure funding for future projects from private investors, a production company, or film studios.

 

Ardeche Mountains

White balance
On digital cameras, electronic compensation for the color temperature associated with a given set of lighting conditions, ensuring that white light is registered as such on the imaging chip and therefore that the colors in the frame will appear natural. On mechanical, film-based cameras, this function is served by the operator's choice of film stock or with color correction filters. In addition to using white balance to register natural coloration of the image, photographers may employ white balance to aesthetic end, for example, white balancing to a blue object in order to obtain a warm color temperature.

Green Loop of Doubs

Loops are short sections of tracks (probably between one and four bars in length), which you believe might work being repeated." A loop is not "any sample, but...specifically a small section of sound that's repeated continuously."
A loop is a sample of a performance that has been edited to repeat seamlessly when the audio file is played end to end