Cordes: la Belle

 

 In 2013, France was the second largest exporter of films in the world after the United States, and a 2014 study showed that French cinema was the most appreciated by global audiences after that of the US.] According to industry tracker The Numbers, the fortunes of French film exports have since declined: in 2019, France had fallen to the position of 7th largest exporter by total box office revenue with a 2% share of the global market, and in 2023, 15th by the same metric with a 0.44% share. Overall, France sits fourth on the tracker's all-time box office chart behind the US, UK, and China.

The Sorrow & the Pity

 

 

 The film had its world premiere in Germany in 1973. It was finally shown in France in 1971, being initially released in a theatre in Rive Gauche in Paris as a 16 mm film where it was a hit before being blown up to a 35 mm print for showing at the Paramount Elysees on the Champs-Élysées. The film was shown on French television in 1981[6] after being banned from that medium for years. In 1969, after the director submitted the film to the studio that hired him, the network head "told a government committee that the film 'destroys myths that the people of France still need'". Frederick Busi suggests that this was because of how uncomfortable it is to face the reality of collaborationism.

Saint Malo: Brittany

A podcast is a program made available in digital format for download over the Internet. Typically, a podcast is an episodic series of digital audio files that users can download to a personal device or stream to listen to at a time of their choosing. Podcasts are primarily an audio medium, but some distribute in video, either as their primary content or as a supplement to audio; popularised in recent years by video platform YouTube. In 2025, Bloomberg reported that a billion people are watching podcasts on YouTube every month

Vacation: the film

 

 

Film taken by mobile devices often employ characteristics that would have been considered error in conventional film-making. The inclusion of these "mistakes" is a major feature of the mobile film aesthetic. The rejection of the values in conventional production leads to spontaneity, intimacy, and immediacy becoming important motifs in phone cinematography. Apparently unintentional events can give films an aesthetic defined by authenticity, emphasizing how cinematography must use real world world as subject matter. This visual style evolved from the origins of mobile film making as an amateur practice pursued by enthusiasts. It can be viewed as a reaction to the polished, professional aesthetic that has come to define the film industry. The mobility of phone cameras make adaptable scheduling, flexible production, a smaller crew, and an ability to adapt to environmental factors possible and further promote the conditions that stylistically characterize mobile film-making.

Village d'Eus

 

Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action. A common example is a man walking up to a door and reaching for the knob. Just as his hand touches the knob, the scene cuts to a shot of the door opening from the other side. By having a subject begin an action in one shot and carry it through to completion in the next, the editor creates a visual bridge, which distracts the viewer from noticing the cut or noticing any slight continuity error between the two shots.

Van Gogh: countryside

 

A biographical film or biopic is a film that dramatizes the life of an actual person or group of people. Such films show the life of a historical person and the central character's real name is used. They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives.

History of film

 

The advent of film as an artistic medium is not clearly defined. There were earlier cinematographic screenings by others, however, the commercial, public screening of ten Lumière brothers' short films in Paris on 28 December 1895, can be regarded as the breakthrough of projected cinematographic motion pictures. The earliest films were in black and white, under a minute long, without recorded sound, and consisted of a single shot from a steady camera. The first decade saw film move from a novelty, to an established mass entertainment industry, with film production companies and studios established throughout the world. Conventions toward a general cinematic language developed, with film editing, camera movements and other cinematic techniques contributing specific roles in the narrative of films.

Collioure

 

 

Every movie you’ve ever seen first starts with an idea in someone’s brain. Although things change as a project goes on, the story you come up with in the beginning will serve as the foundation on which everything else will be built. Ideas pop into our heads unexpectedly! Be sure to have somewhere to save ideas on your phone or carry a journal. It’s also a good idea to create a folder in which you save newspaper and magazine articles, snippets of overheard dialogue, notes on characters you see on the street, and even dreams. You may not know what to do with these things now, but the day will come when you do.

Tasty Burgundy

 

 

On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. An editor must select only the most quality shots, removing all unnecessary frames to ensure the shot is clean.

Baune in Burgundy

 

Modern films will now frequently use the different types of wide shots as they are a staple in filmmaking and are almost impossible to avoid unless deliberately chosen to. In the current climate of films, the technical quality of any given shot will appear with much better clarity which has given life to some incredible shots from modern cinema. Also, given the quality of modern home entertainment mediums such as Blu-ray, 3D and Ultra HD Blu Rays, this has allowed the scope and size of any given frame to encompass more of the scene and environment in greater detail. 

 

Paris 2024

 

The first sports film was released 1915, this was during the era of silent films. Several sub-categories of sports films can be identified, although the delineations between these subgenres, much as in live action, are somewhat fluid. The most common sports subgenres depicted in movies are sports drama and sports comedy. Both categories typically employ playground settings, match, game creatures and other elements commonly associated with biological stories. Thematically, the story is often one of "our team" versus "their team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption; the story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team. 

 

The late VanGogh

 

A historical drama (also period drama, period piece or just period) is a dramatic work set in a past time period, usually used in the context of film and television, which presents historical events and characters with varying degrees of fictional elements such as creative dialogue or fictional scenes which aim to compress separate events or illustrate a broader factual narrative. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romances, adventure films, and swashbucklers.

Lumiere Time

 

Cinematograph or kinematograph is an early term for several types of motion picture film mechanisms. The name was used for movie cameras as well as film projectors, or for complete systems that also provided means to print films (such as the Cinématographe Lumière). A device by this name was invented and patented as the "Cinématographe Léon Bouly" by French inventor Léon Bouly on February 12, 1892. Bouly coined the term "cinematograph," from the Greek for "writing in movement."Due to a lack of money, Bouly could not develop his ideas properly and maintain his patent fees, so the Lumière brothers were free to adopt the name.In 1895, they applied it to a device that was mostly their own invention.

Trigger of nostalgia

 

 

The development of home movie-making has depended critically on the availability of equipment and media formats (film stock, video tape, etc.) at prices affordable to consumers. The introduction of film formats suitable for amateur hobbyists began early in the history of cinematography. Amateur film equipment became standardized in the 1920s and 30s with the 9.5 mm, 16 mm, and 8 mm formats. By the late 1950s, home movies became cheaper to make, becoming available to the middle class. In the mid-1960s, Super 8's ease of use led to home movies being even more popular

source: https://youtube.com/@davidignaz?feature=shared

 

Rouen France

 

 

Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole 

 

Jardin de la fontaine

 

 

 

Post-production

This stage is usually thought of as starting when principal photography ends, but they may overlap. The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded. Any computer-generated visual effects are digitally added by an artist. Finally, all sound elements are mixed down into "stems", which are synchronized to the images on the screen, and the film is fully completed ("locked"). 

 

Corsica

 

Hardware malfunction: In computer graphics, visual artifacts may be generated whenever a hardware component such as the processor, memory chip, cabling malfunctions, etc., corrupts data. Examples of malfunctions include physical damage, overheating, insufficient voltage and GPU overclocking. Common types of hardware artifacts are texture corruption and T-vertices in 3D graphics, and pixelization in MPEG compressed video. Software malfunction: Artifacts may be caused by algorithm flaws such as decoding/encoding audio or video, or a poor pseudo-random number generator that would introduce artifacts distinguishable from the desired noise into statistical models

 

Jura region

 

Film colorization is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color segregation. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing.

Crowdfunding

 

In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point, without the use of dialogue or music. The term often refers to a process, applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, the segregations between recordings of dialogue, music, and sound effects can be quite distinct, and it is important to understand that in such contexts, dialogue, and music recordings are never referred to as sound effects, though the processes applied to them, such as reverberation or flanging, often are. 

 

 

Hobby: super 8 mm film

 

 

8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations. There are also two other varieties of Super 8 – Single 8 mm and Straight-8 – that require different cameras but produce a final film with the same dimensions.