Winter in St Petersburg

a slide show

Early motion pictures devices

The Mutoscope was an early motion picture device, patented by Herman Casler on November 21, 1894. Like Thomas Edison's Kinetoscope it did not project on a screen, and provided viewing to only one person at a time. Cheaper and simpler than the Kinetoscope, the system—marketed by the American Mutoscope Company (later the American Mutoscope and Biograph Company)—quickly dominated the coin-in-the-slot "peep-show" business.

The Mutoscope worked on the same principle as the "flip book". The individual image frames were conventional black-and-white, silver-based photographic prints on tough, flexible opaque cards. Rather than being bound into a booklet, the cards were attached to a circular core, rather like a huge Rolodex. A reel typically held about 850 cards, giving a viewing time of about a minute.

 

Very old footage (Biograph Company)

Biograph The company was started by William Kennedy Dickson, an inventor at Thomas Edison's laboratory who helped pioneer the technology of capturing moving images on film. Dickson left Edison in April 1895, joining with inventors Herman Casler, Henry Marvin and businessman Elias Koopman to incorporate the American Mutoscope Company in New Jersey in December 1895. The firm manufactured the Mutoscope, and made flip-card movies for it, as a rival to Edison’s Kinetoscope for individual “peep shows”, making the company Edison’s chief competitor in the nickelodeon market. In the summer of 1896 the Biograph projector was released, offering superior image quality to Edison’s Vitascope projector. The company soon became a leader in the film industry, with distribution and production subsidiaries around the world including the British Mutoscope Company. In 1899 it changed its name to the American Mutoscope and Biograph Company, and in 1909 to simply the Biograph Company.

The first studio was located on the roof of 841 Broadway at 13th Street in Manhattan, known then as the Hackett Carhart Building and today as the Roosevelt Building. It was at this location that D. W. Griffith began as a director, and quickly became the studio's focus.

Polar Hero

How a Dutch boy became an international polar hero.
The film revolves around the person Sjef van Dongen, forgotten by most, but once he was a famous polar hero. In 1928, the newspapers were full of articles about the world Italia expedition Nobile and ... Van Dongen. The children of Van Dongen in 2012 donated the private archive of their father at the Zeeland Archives in Middelburg. The Zeeland Archives got his personal diaries and hundreds of letters and newspaper articles, mostly from his adventures in the nineteen twenties. A large part of the material has been digitized and inventoried.

I pad

In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye. There may or may not be an explicit borderline. Until the arrival of digital technology in the early 1990s, a split screen was accomplished by using an optical printer to combine two or more actions filmed separately by copying them onto the same negative, called the composite.

In filmmaking split screen is also a technique that allows one actor to appear twice in a scene. The simplest technique is to lock down the camera and shoot the scene twice, with one "version" of the actor appearing on the left side, and the other on the right side. The seam between the two splits is intended to be invisible, making the duplication seem realistic.

 

Blues

Stock footage, and similarly, archive footage, library pictures and file footage is film or video footage that can be used in other films. Stock footage is beneficial to filmmakers as it saves shooting new material. A single piece of stock footage is called a "stock shot" or a "library shot".[1] Stock footage may have appeared in previous productions but may also be outtakes or footage shot for previous productions and not used. Examples of stock footage which might be utilized are moving images of cities and landmarks, wildlife in their natural environments and historical footage. Suppliers of stock footage may be either rights-managed or royalty-free. Many websites offer direct downloads of clips in various formats.

Mix carnavalesque

You may be surprised to learn that your home movies can hold great interest for a much wider public, including local historians, international scholars, and artists. Popular celebrities or historic events that appear in your films would be obvious examples, but in fact it is the record of normal human beings being themselves in everyday circumstances that may be of most historical value.

Domaine du val Golf

All cameras use the same basic design: light enters an enclosed box through a converging lens and an image is recorded on a light-sensitive medium. A shutter mechanism controls the length of time that light can enter the camera. Most photographic cameras have functions that allow a person to view the scene to be recorded, allow for a desired part of the scene to be in focus, and to control the exposure so that it is not too bright or too dim. A data display, often a liquid crystal display (LCD), permits the user to view settings such as ISO speed, exposure, and shutter speed.

A movie camera or a video camera operates similarly to a still camera, except it records a series of static images in rapid succession, commonly at a rate of 24 frames per second. When the images are combined and displayed in order, the illusion of motion is achieved.

Saint Riquier

Historically, video frames were represented as analog waveforms in which varying voltages represented the intensity of light in an analog raster scan across the screen. Analog blanking intervals separated video frames in the same way that frame lines did in film. For historical reasons, most systems used an interlaced scan system in which the frame typically consisted of two video fields sampled over two slightly different periods of time. This meant that a single video frame was usually not a good still picture of the scene, unless the scene being shot was completely still.

With the dominance of digital technology, modern video systems now represent the video frame as a rectangular raster of pixels, either in an RGB color space or a color space such as YCbCr, and the analog waveform is typically found nowhere other than in legacy I/O devices.

Antarctica and mankind

Antarctica is Earth's southernmost continent, containing the geographic South Pole. It is situated in the Antarctic region of the Southern Hemisphere, almost entirely south of the Antarctic Circle, and is surrounded by the Southern Ocean. At 14.0 million km2 (5.4 million sq mi), it is the fifth-largest continent in area after Asia, Africa, North America, and South America. For comparison, Antarctica is nearly twice the size of Australia. About 98% of Antarctica is covered by ice that averages at least 1.9 kilometres (1.2 mi) in thickness, which extends to all but the northernmost reaches of the Antarctic Peninsula.

Antarctica, on average, is the coldest, driest, and windiest continent, and has the highest average elevation of all the continents. Antarctica is considered a desert, with annual precipitation of only 200 mm (8 inches) along the coast and far less inland. The temperature in Antarctica has reached −89 °C (−129 °F). There are no permanent human residents, but anywhere from 1,000 to 5,000 people reside throughout the year at the research stations scattered across the continent. Only cold-adapted organisms survive, including many types of algae, bacteria, fungi, plants, protista, and certain animals, such as mites, nematodes, penguins, seals and tardigrades. Vegetation where it occurs is tundra.

World of old masters

The paintings of Le Mair can justifiably be compared to those of the Old Masters, sometimes exposing him to criticism by the more modern leaning art reviewers. But for the viewer who pays attention, le Mair’s paintings show a very unique identity.
Cornelis le Mair is a multi-talented man. Besides being a painter of portraits, figures, still lifes and landscapes, his interests span a wide spectrum: Architecture, Sculpture, Music and Interior Design among them. Occasionally he exchanges his painting brush for a writing pen and in 2002 he finished his novel “Vanitas”. Publisher In De Knipscheer will also introduce a new book of essays: “Het Edele Ambacht” (The Noble Trade), that will address different aspects of traditional fine art painting.
Le Mair’s farmhouse, decorated and furnished to his own vision, has been filmed, photographed and written about on many occasions.

Fishing in Suriname

Suriname was colonized by the British and the Dutch in the 17th century. In 1667 it was captured by the Dutch, who governed Suriname as Dutch Guiana until 1954. At that time it was designated as a land (lit.: country) of the Kingdom of the Netherlands, next to the Netherlands and the Netherlands Antilles (dissolved in 2010). On 25 November 1975, the country of Suriname left the Kingdom of the Netherlands to become independent.

At just under 165,000 km2 (64,000 sq mi), Suriname is the smallest sovereign state in South America. (French Guiana, while less extensive and populous, is an overseas department of France.) Suriname has a population of approximately 566,000, most of whom live on the country's north coast, where the capital Paramaribo is located. Suriname is a mostly Dutch-speaking country; Sranang, an English-based creole language, is a widely used lingua franca. It is the only independent entity in the Americas where Dutch is spoken by a majority of the population.

The Boiling Frog

 

The boiling frog story is a widespread anecdote describing a frog slowly being boiled alive. The premise is that if a frog is placed in boiling water, it will jump out, but if it is placed in cold water that is slowly heated, it will not perceive the danger and will be cooked to death. The story is often used as a metaphor for the inability or unwillingness of people to react to significant changes that occur gradually.

 

Sol y Sombra

A sound blimp is a housing attached to a camera which reduces the sound caused by the shutter click, particularly SLRs. It is primarily used in film still photography, so as not to interfere with the shooting of principal photography, and also in other situations where sound is distracting: theatrical photography, surveillance, and wildlife photography.

Eastern Spain

filmtips:
Fade In & Fade Out
You'll notice that most professional videos begin and end with a black screen. It's easy to give your projects this same professional look by adding a Fade In at the start of the video and a Fade Out at the end.
Superimpose
Superimposing one video image on top of another can be a little bit tricky, but it is a powerful tool if used properly. Be careful where you apply it; if the scenes are too busy it wont work well. Montages or transitions from one scene to another tend to be good moments for this effect.

 

Gratuitous violence

Made with quicktime pro.

With the possibilities of cutting and of filming outdoors, films have a much wider palette of possibilities to depict violence, including single combat, brawls and melees as well as full-blown battles. 

December

A film still is a photograph taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work.

Valencia from above

As unmanned aerial vehicles become more robust and the ability to stabilize high quality cameras becomes more possible, the possibilities to cheaply create the crane shots and helicopter shots that so many indie filmmakers want to have but can't are exciting many filmmakers.

Take a look at this films that show off what people are trying to do with GoPros and iPhones on quadcopters and other unmanned aerial vehicles (UAVs).

The result is an exciting new way to see the city so many of us know so well.

 

Images and Sound

The International Film Festival Rotterdam (IFFR) is an annual film festival held in various cinemas in Rotterdam, Netherlands[1] held at the end of January. It is approximately comparable in size to other major European festivals such as Cannes, Venice, Berlin, and Locarno.
IFFR also hosts CineMart, for film producers to seek funding.

 

Film and War

While some films criticize armed conflicts in a general sense, others focus on acts within a specific war, such as the use of poison gas or the genocidal killing of civilians (e.g., Hotel Rwanda, 2004). Some anti-war films such as Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) use parody and black comedy to satirize wars and conflicts. An anti-war film's goal is to show the physical and psychological destruction warfare causes to the soldiers and to innocent civilians

Sky over Holland

Sky over Holland (1967)

John Fernhout

Made for the 1967 Montreal World Expo, this dynamic documentary provides a whirlwind tour of the Netherlands. In this significant montage, astonishing views of the Dutch sky that were recorded using a 70mm panoramic camera mounted atop a fighter jet are positioned alongside landscapes painted by Dutch artists. And not only the well-known Dutch skies by the painters of the Golden Age: . Dutch culture is also given a striking portrayal.

Neighbourhood of Arvika

A Super 8mm camera is a motion picture camera specifically manufactured to use the Super 8mm motion picture format. Super 8mm film cameras were first manufactured in 1965 by Kodak for their newly introduced amateur film format, which replaced the Standard 8 mm film format. Manufacture continued until the popularity of video cameras in the early 1980s. The cameras are no longer professionally manufactured (although used cameras may be restored and sold) and most cameras readily available are used from the 1960s and 1970s.

The Mouse

Arab scenes

There is increased interest in films originating in the Arab world. For example, films from Algeria, Lebanon, Morocco, the Palestinian territories, Syria and Tunisia are making wider and more frequent rounds than ever before in local film festivals and repertoire theaters.

Arabic cinema is dominated by Egyptian movies. Three quarters of all Arab movies are produced in Egypt.

There are numerous film festivals that have historically been and are held in various parts of the Arab world to both honor and showcase films from the Arab regions, as well as international standouts.

Since 1976, Cairo has held the annual Cairo International Film Festival, which has been accredited by the International Federation of Film Producers Associations.There is also another festival held in Alexandria. Of the more than 4,000 short- and feature-length films made in Arabic-speaking countries since 1908, more than three-quarters were Egyptian.

Making of a trailer for a book.

A film storyboard is essentially a large comic of the film or some section of the film produced beforehand to help film directors, cinematographers and television commercial advertising clients visualize the scenes and find potential problems before they occur. Besides this storyboards also help estimate the cost of the overall production and saves time. Often storyboards include arrows or instructions that indicate movement.

In creating a motion picture with any degree of fidelity to a script, a storyboard provides a visual layout of events as they are to be seen through the camera lens. And in the case of interactive media, it is the layout and sequence in which the user or viewer sees the content or information. In the storyboarding process, most technical details involved in crafting a film or interactive media project can be efficiently described either in picture, or in additional text.

Scottish Sky

In photography and videography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.

Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, adding a starry effect, etc. Linear and circular polarising filters reduce oblique reflections from non-metallic surfaces.

Cinema: The Danish

Nordiskfilm.
The company's eye-opening economic results lead to the development of a number of rival firms. It was one of these firms, the small company Fotorama, based in Aarhus, the country's second largest city, that in 1910 released the melodrama The White Slave Trade (Den Hvide Slavehandel), a remarkable film; it was three reels long (around forty minutes) at a time when a maximum of one reel was the norm. Nordisk Film immediately went about plagiarizing the film, releasing their version four months later. It was at this point that Nordisk Film, as the first company in the world, gambled on lengthier films. It marked the beginning of the short golden age for Danish film, which in the following years stood out in the international market.

Down under

The Australian film industry has its beginnings with the 1906 production of The Story of the Kelly Gang, the earliest feature film ever made. Since then, many films have been produced in Australia, a number of which have received international recognition. Many actors and filmmakers started their careers in Australian films, a large number of whom have acquired international reputations, and a number of whom have found greater financial benefits in careers in larger film producing centers, such as Hollywood.

Cinema in Australia began with the first public screenings of films in Australia in October 1896, within a year of the world's first screening in Paris by Lumière brothers. The first Australian exhibition took place at the Athanaeum Hall in Collins Street, Melbourne, to provide alternative entertainment for the dance hall patrons. The venue would continue screenings, but these were all short films.

Commercially successful Australian films have included Paul Hogan's "Crocodile" Dundee.

L'Orne en Calvados

A hidden camera is a still or video camera used to film people without their knowledge. The camera is "hidden" because it is either not visible to the subject being filmed, or is disguised as another object. Hidden cameras have become popular for household surveillance, and can be built into common household objects such as smoke detectors, clock radios, motion detectors, ball caps, plants, and mobile phones. Hidden cameras may also be used commercially or industrially as security cameras.

Champs Elysees

Continuity editing is the predominant style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs. The purpose of continuity editing is to smooth over the inherent discontinuity of the editing process and to establish a logical coherence between shots.

In most films, logical coherence is achieved by cutting to continuity, which emphasizes smooth transition of time and space. However, some films incorporate cutting to continuity into a more complex classical cutting technique, one which also tries to show psychological continuity of shots. The montage technique relies on symbolic association of ideas between shots rather than association of simple physical action for its continuity.

Holland mania

Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms like poetry or novel writing. Film editing is often referred to as the "invisible art"  because when it is well-practiced, the viewer can become so engaged that he or she is not even aware of the editor's work. On its most fundamental level, film editing is the art, technique, and practice of assembling shots into a coherent sequence. The job of an editor isn’t simply to mechanically put pieces of a film together, cut off film slates, or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteur film directors edit their own films.

Pioneering in the UK

Hepworth was born in Lambeth, in present-day South London. His father, Thomas Cradock Hepworth, was a famous magic lantern showman and author. Cecil Hepworth became involved in the early stages of British filmmaking, working for both Birt Acres and Charles Urban, and wrote the first British book on the subject in 1897. With his cousin Monty Wicks he set up the production company Hepworth and Co. (also known as "Hepwix" after the word mark in its trade logo), which was later renamed the Hepworth Manufacturing Company (officially: Hepworth Film Manufacturing Company), and then Hepworth Picture Plays. In 1899 they built a small film studio in Walton-on-Thames, Hepworth Studios. The company produced about three films a week, sometimes with Hepworth directing.

Fresh mussels

A situation comedy, or sitcom, is a genre of comedy centered on a fixed set of characters who carry over from episode to episode. Sitcoms can be contrasted with sketch comedy, where a troupe may use new characters in each sketch, and stand-up comedy, where a comedian tells jokes and stories to an audience. Sitcoms originated in radio, but today are found mostly on television as one of its dominant narrative forms. This form can also include mockumentaries.

A situation comedy television program may be recorded in front of a studio audience, depending on the program's production format. The effect of a live studio audience can be imitated or enhanced by the use of a laugh track.

Eindhoven en Philips

Lighting design as it applies to the built environment, also known as 'architectural lighting design', is both a science and an art. Lighting of structures must consider aesthetic elements as well as practical considerations of quantity of light required, occupants of the structure, energy efficiency and cost. The amount of daylight received in an internal space can be analized by undertaking a Daylight factor calculation. For simple installations, hand-calculations based on tabular data can be used to provide an acceptable lighting design. More critical or optimized designs now routinely use mathematical modeling on a computer using software such as Radiance which can allow an Architect to quickly undertake complex calculations to review the benefit of a particular design.

In some design instances, materials used on walls and furniture play a key role in the lighting effect. Dark paint tends to absorb light, making the room appear smaller and more dim than it is, whereas light paint does the opposite. In addition to paint, reflective surfaces also have an effect on lighting design. Surfaces or floors that are too reflective create unwanted glare.

Film: images and ideas

The Story of Film: An Odyssey is a documentary film about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.

The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012.

 

Eindhoven car

In motion picture terminology, the term tracking shot may refer to a shot in which the camera is mounted on a camera dolly, a wheeled platform that is pushed on rails while the picture is being taken; in this case the shot is also known as a dolly shot or trucking shot. One may dolly in on a stationary subject for emphasis, or dolly out, or dolly beside a moving subject (an action known as "dolly with").

The term may also refer to any shot in which the camera follows a subject within the frame, such as a moving actor or a moving vehicle
When using the term tracking shot in this sense, the camera may be moved in ways not involving a camera dolly, such as via a Glidecam, via handheld camera operator, or by being panned on a tripod.

 

Ciudad de la Luz

Ciudad de la Luz ("City of Light") is a film studio in Alicante, Spain. About 60 films were shot on the studio's premises between opening in 2005 and closing in 2012. In May 2012, the European Commission ruled that public subsidies received by the studio from the local government violated European competition law and ordered Ciudad de la Luz to pay back €265 million.The studio was shut down in October 2012 in preparation for its sale.

Finland

Over time, films have transformed from getting two dimensional to three and also four dimensional. Together with the modern movies special effects have develop into a urgent element of everyday cinema. And this can be absolutely a delightful transform. Together with the breakthroughs in computer graphics, anything at all is doable. Distinctive effects are mostly of two forms. These are optical effects along with mechanical effects. Together with the digital world acquiring utility in nearly just about every arena of living, a uncomplicated scene shot working with a typical camera is often transformed to anything at all. This can be by far the most prevalent approach that is definitely applied currently. A basic scene is shot then using a selection of digital maximizing, it can be transformed to anything totally different.

 

Dutch sailing

Cinema of the Netherlands refers to the film industry based in Netherlands. Because the Dutch film industry is relatively small, and there is little or no international market for Dutch films, almost all films rely on state funding. This funding can be achieved through several sources, for instance through the Netherlands Film Fund or the public broadcast networks. In recent years the Dutch Government has established several tax shelters for private investments in Dutch films.

Beaujolais village with golden bricks

The Golden Calf (Dutch: Gouden Kalf) is the award of the Netherlands Film Festival, which is held annually in Utrecht. The award has been presented since 1981, originally in six categories: Best actor, Best actress, Best film, Best Short film, Culture Prize and Honourable mention. In 2004, there were 16 award categories, mainly because in 2003 the categories Best Camera, Best Montage, Best Music, Best Production Design, Best Sound Design were added.

The name refers to an animal as is common in names of European film awards, such as the Golden Bear of the Berlin Film Festival and the Golden Lion of the Venice Film Festival, and cattle is one of the most common types of livestock in the Netherlands. Jury member in 2002 Martin Koolhoven says the Dutch Calvinist culture is more relativizing than proud: "This is why the Golden Calf is such a good prize, because of the wink that is included. Real foreign countries have golden lions and golden bears. We have a golden calf and after all it is sinful to worship it.

Route du Rhone

Learning to make films is very easy. Learning what to make films about is very hard. What you've really got to do is focus on learning as much about life, and about various aspects of it first. Then learn just the techniques of making a movie because that stuff you can pick up pretty quickly. But having a really good understanding of history, literature, psychology, sciences -- are very, very important to actually being able to make movies.

Berliner Luft

The story of Berlin is the story of its people, a people largely composed of succesive waves of immigrants. Dutchmen, Frenchmen, Hugenots, Jews, Italians, Poles, Scots, Silesians, Galicians, Saxons, Pomeranians, Prussians, Lithuanians, Russians, and God knows what else - rucksack Berliners, they were called - all poured in to what was for a long time little more than a malodorous garrison town. There, they were transformed by the Berliner Luft, the special Berlin atmosphere, into something rich and strange. It has been said that no-one is born a Berliner, everyone has to become one. You breathe in the air, which has been described as being addictive as cocaine or alcohol, and tune in to the fast Berliner Tempo, and are transfigured.

 

First German City: Quedlinburg

In its earliest days, the cinematograph was perceived as an attraction for upper class audiences, but the novelty of moving pictures did not last long. Soon, trivial short films were being shown as fairground attractions aimed at the working and lower-middle class. The booths in which these films were shown were known in Germany somewhat disparagingly as Kintopps. Film-makers with an artistic bent attempted to counter this view of cinema with longer movies based on literary models, and the first German "artistic" films began to be produced from around 1910.

The Spanish Earth

This documentary film uses footage of war and glimpses of rural Spanish life in its portrayal of the struggle of the Spanish Republican government against a rebellion by right-wing forces led by General Francisco Franco and backed by Nazi Germany and fascist Italy. 

Burgundy 2014

iPhoto 9.5: Create a slideshow

You can create two kinds of slideshows:

Instant slideshow: To very quickly showcase a selection of your photos—with a theme, music, and transitions—you can create an instant slideshow. If you show the same selection again, the same settings apply. However, you can’t change the photos included or customize the slideshow further.

Saved slideshow: For more control over your slideshow, you can create a saved slideshow. With a saved slideshow, you can reorder photos, modify transitions between photos, add text to slides, add the Ken Burns effect, and more. A saved slideshow appears in your Source list so that you can play it and change it at any time.

Images from Alicante

George Lucas
Learning to make films is very easy. Learning what to make films about is very hard. What you've really got to do is focus on learning as much about life, and about various aspects of it first. Then learn just the techniques of making a movie because that stuff you can pick up pretty quickly. But having a really good understanding of history, literature, psychology, sciences -- are very, very important to actually being able to make movies.

Taste Cote d'Or

Culture

Burgundy is one of France's main wine producing areas. It is well known for both its red and white wines, mostly made from Pinot noir and Chardonnay grapes, respectively, although other grape varieties can be found, including Gamay, Aligote, Pinot blanc, and Sauvignon blanc. The region is divided into the Côte-d'Or, where the most expensive and prized Burgundies are found, and Beaujolais, Chablis, the Côte Chalonnaise and Mâcon.

The reputation and quality of the top wines, together with the fact that they are often produced in small quantities, has led to high demand and high prices, with some Burgundies ranking among the most expensive wines in the world.
Cuisine
Famous Burgundian dishes include coq au vin, beef bourguignon, and Époisses de Bourgogne cheese.

Hostel de Dieu

In film making, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. An imaginary line called the axis connects the characters, and by keeping the camera on one side of this axis for every shot in the scene, the first character is always frame right of the second character, who is then always frame left of the first. The camera passing over the axis is called jumping the line or crossing the line.

 

Welcome trailer

A trailer for my feature film :welcome in our neighborhood, anywhere on this site.
Though i work with the newest iMovie now, trailer facilities were not present at that time . Made my own.
Translation of the text is hardly possibly while there are lots of text puns in the trailer.

Abbey of Fontenay

The Abbey of Fontenay is a former Cistercian abbey located in the commune of Marmagne, near Montbard, in the département of Côte-d'Or in France. It was founded by Saint Bernard of Clairvaux in 1118, and built in the Romanesque style. It is one of the oldest and most complete Cistercian abbeys in Europe, and became a UNESCO World Heritage Site in 1981. Of the original complex comprising church, dormitory, cloister, chapter house, caldarium, refectory, dovecote and forge, all remain intact except the refectory and are well maintained. The Abbey of Fontenay, along with other Cistercian abbeys, forms a connecting link between Romanesque and Gothic architectures.

 

Zeeland (sealand)

In film, a high angle shot is usually when the camera angle is located above the eyeline.

With this type of angle, the camera looks down on the subject and the point of focus often get "swallowed up" by the setting.

High angle shots also make the figure or object seem vulnerable or powerless.

High angle shots are usually used in film to make the moment more dramatic or if there is someone at a high level that the character below is talking to.