23 nov 2025
Sri Lanka nature/culture
21 nov 2025
Cruyff: the goals
18 nov 2025
Internet Archive
17 nov 2025
Bergman favourites
16 nov 2025
Glow 2025
15 nov 2025
Fried air
13 nov 2025
History of the car
12 nov 2025
Steam Again
Metropolis coloured
11 nov 2025
Open day Eye Filmmuseum
Live life love
10 nov 2025
Fish and more
9 nov 2025
Gerrit van Dijk animator
Gerrit van Dijk studied as a fifteen-year-old boy at the academy in Tilburg. He was not very satisfied about the school. "You only learn technique. The creativity you learn is no creativity at all. You know exactly what colour socks you should wear and what your hair should look like, but not how to put something on paper." After finishing his study, he initially became a teacher. His painting career ended abruptly when he saw Norman McLaren's films and bought a double-eight camera. He made his first film It's Good in Heaven, seeing his shift to film as a logical continuation of his work as a painter, and considered his films moving paintings. Over time, Dijk moved away from classic filmmaking, instead creating collages combining photographs and image-by-image technique. He also experimented with various techniques, including cels, cut-outs, rotoscope, pixilation, and live action combined with animation. I move, so I am
8 nov 2025
Letters of Van Gogh
7 nov 2025
Nigerians
Discovery
6 nov 2025
Making off Publieke Werken
5 nov 2025
Catharina palace St Petersburg
People of Amsterdam
4 nov 2025
Dubrovnik
3 nov 2025
Jaques Tati
MidgetGolf
1 nov 2025
Colorfilm collage
Fairground Tilburg
29 okt 2025
Editing unit 16 mm
23 okt 2025
Dutch Design Week
21 okt 2025
The beauty of Akira Kurosawa
20 okt 2025
DDR (East Germany)
18 okt 2025
Time travel
17 okt 2025
Overcome
Sports films tend to feature a more richly developed sport world, and may also be more player-oriented or thematically complex. Often, they feature a hero of adventure origins and a clear distinction between loss and victory set against each other in a play time struggle.
Thematically, the story is often one of "our team" versus "their team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption; the story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team
16 okt 2025
The Amsterdam
13 okt 2025
Tricks and stunts
Prikkebeen clip '68
12 okt 2025
ASMR movie
11 okt 2025
New horizons
10 okt 2025
Projection at the time
9 okt 2025
UMC medical robot
8 okt 2025
Massacre
7 okt 2025
Canterbury
Countryside
6 okt 2025
Poster art
4 okt 2025
The canals
Tilly Norwood actress
2 okt 2025
Amsterdam 4K
Cathedral of Canterbury
"A wise man doesn’t piss into the wind."
1 okt 2025
Claudia Cardinale IM
Appetito
25 sep 2025
En Route
Continuity editing uses a guideline called the "30-degree rule" to avoid the appearance of jump cuts. The 30-degree rule advises that for consecutive shots to appear seamless and continuous in time, the camera position must vary at least 30 degrees from its previous position. Some schools would call for a change in framing as well (e.g., from a medium shot to a close up). The idea is to convey to the viewer a different point of view on the action but with the timeline of the action being continuous. Generally, if the camera position changes less than 30 degrees, the difference between the two shots is not substantial enough, and the viewer experiences the edit as a jump in the position of the subject rather than a change of point of view, which is jarring.















































