
In filmmaking, behind-the-scenes (BTS), also known as the making-of, the set, or on the set, is a type of documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release.
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos.
There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, producers, film editors or actors. Other film directors have attended film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners. Other directors edit or appear in their films or compose music score for their films
Network structure this is the structure of network general, every telecommunications network conceptually consists of three parts, or planes (so-called because they can be thought of as being and often are, separate overlay networks): The data plane (also user plane, bearer plane, or forwarding plane) carries the network's users' traffic, the actual payload. The control plane carries control information (also known as signaling). The management plane carries the operations, administration and management traffic required for network management. The management plane is sometimes considered a part of the control plane.
Optical sound is a means of storing sound recordings on transparent film. Originally developed for military purposes, the technology first saw widespread use in the 1920s as a sound-on-film format for motion pictures. Optical sound eventually superseded all other sound film technologies until the advent of digital sound became the standard in cinema projection booths. Optical sound has also been used for multitrack recording and for creating effects in some musical synthesizers. Graphical sound or drawn sound (Fr. son dessiné, Ger. graphische Tonerzeugung,; It. suono disegnato) is a sound recording created from images drawn directly onto film or paper that were then played back using a sound system. There are several different techniques depending on the technology employed, but all are a consequence of the sound-on-film technology and based on the creation of artificial optical polyphonic sound tracks on transparent film.
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Cutting on motionA number of scholars have pointed out Kurosawa's tendency to "cut on motion": that is, to edit a sequence of a character or characters in motion so that an action is depicted in two or more separate shots, rather than one uninterrupted shot. One scholar, as an example, describes a tense scene in Seven Samurai in which the samurai Shichirōji, who is standing, wishes to console the peasant Manzo, who is sitting on the ground, and he gets down on one knee to talk to him. Kurosawa chooses to film this simple action in two shots rather than one (cutting between the two only after the action of kneeling has begun) to fully convey Shichirōji's humility. Numerous other instances of this device are evident in the movie. "Kurosawa breaks up the action, fragments it, in order to create an emotional effect.
Dweilorkesten and Kapellen During carnaval brass bands, called (joeks)kapelle or "zaate herremeniekes" (Limburg) and dweilorkesten (ambling orchestra. The word dweilen generally means "to mop" in Dutch, but in this context it means "to amble", and indicates the partygoers ambling from bar to bar) commonly provide during the feast for the music in the pubs / feasting halls and during the parades (in North Brabant)
The term time-lapse can also apply to how long the shutter of the camera is open during the exposure of each frame of film (or video), and has also been applied to the use of long-shutter openings used in still photography in some older photography circles. In movies, both kinds of time-lapse can be used together, depending on the sophistication of the camera system being used. As the frame rate of time-lapse photography approaches normal frame rates, these "mild" forms are sometimes referred to simply as fast motion or (in video) fast forward. This type of borderline time-lapse technique resembles a VCR in a fast forward ("scan") mode. A man riding a bicycle will display legs pumping furiously while he flashes through city streets at the speed of a racing car.
Films Without Borders (FWB) provides hands-on educational filmmaking workshops for youth aged 15 – 20, living in challenging countries around the globe. They may for example be young people who live in war zones, orphans of the genocide, young long term offenders, and youth living in townships or indigenous communities. The one thing they all have in common is that they are often overlooked, and do not have filmmaking courses readily available to them in their respective territories.
Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by one or more film grants, nonprofit organizations, sponsors, or personal funds. Short films are generally used for industry experience and as a platform to showcase talent to secure funding for future projects from private investors, a production company, or film studios. They can also be released with feature films, and can also be included as bonus features on some home video releases.
Comedy is a genre that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: In Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters.
While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films.
Slow cutting is a film editing technique characterized by frequent lengthy shots. Though it depends on context, it is estimated that any shot longer than about fifteen seconds will seem rather slow to many modern-day viewers, especially those who are accustomed to mainstream Western movies, where slow cuts are uncommon. Slow cutting can be used to establish a mood before fast cutting injects energy. Slow cutting may also be used in scenes of calm or reflection, and filmmakers can use slow cutting to slow down the pace, just as the second movement of a symphony or concerto typically does.
As rights vary by country and jurisdiction, a work may be subject to rights in one country and be in the public domain in another. Some rights depend on registrations on a country-by-country basis, and the absence of registration in a particular country, if required, gives rise to public-domain status for a work in that country. The term public domain may also be interchangeably used with other imprecise or undefined terms such as the public sphere or commons, including concepts such as the "commons of the mind", the "intellectual commons", and the "information commons".
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values.
Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
During carnaval brass bands,dweilorkesten (ambling orchestra. The word dweilen generally means "to mop" in Dutch, but in this context it means "to amble", and indicates the partygoers ambling from bar to bar) commonly provide during the feast for the music in the pubs / feasting halls and during the parades (in North Brabant). During daytime most pubs do not play music through their speaker to give room for these bands, which naturally attracts many bands from the region and across the Dutch borders This kind of orchestra can also be seen during national sports events in the Netherlands like speed skating.
Carnaval songs are a relatively recent phenomenon after World War II. Carnaval music is often a song written especially for the occasion and is easy to dance to. It is an expression of one's own culture, one's own lifestyle. The contents of a carnavalsschlager are often melancholy and even chauvinistic. For example, it may be an expression of pride in one's own village, town or region, local patriotism and praise of one's own place, and therefore in one's own local dialect. But it can also be a resistance to loss of identity and alienation, to changes affecting the individuality or local society and against the absorption in the broader culture. Therefore, it often happens that the village name or the name of the prince of the group, appear in the text of a carnaval song. The carnaval music is used during the carnaval to ridicule the normal culture, therefore the creating and playing of carnaval music is a very seasonal happening.
In photography and cinematography, available light (also called ambient light or practical light) refers to any source of light that is not explicitly supplied by the photographer for the purpose of taking pictures. The term usually refers to light sources in the surrounding environment that are present naturally (such as sunlight or moonlight) or artificial lighting that is already pre-existing (such as street lights or room lights). It generally excludes flashes, although arguably flash lighting provided by other photographers shooting simultaneously in the same space could be considered available light. Light sources that affect the scene and are included in the actual frame are called practical light sources, or simply practicals.
The term speed comes from the early days of photography. Photographic emulsions that were more sensitive to light needed less time to generate an acceptable image and thus a complete exposure could be finished faster, with the subjects having to hold still for a shorter length of time. Emulsions that were less sensitive were deemed "slower" as the time to complete an exposure was much longer and often usable only for still life photography. Exposure times for photographic emulsions shortened from hours to fractions of a second by the late 19th century.
The Brutalist employed VistaVision and 70mm film formats to achieve its unique aesthetic.
Here’s the summary of their use: VistaVision was chosen for its wider frame, allowing the filmmakers to emphasize the expansive architectural elements central to the film’s themes. This format provided a horizontal film plane, resulting in detailed and sweeping visuals that feel immersive and epic. 70mm film was used to enhance the rich textures and depth of field, creating a cinematic experience that feels both grand and intimate. The format’s ability to capture fine details and vibrant colors supported the film’s goal of blending timeless visual grandeur with modern storytelling. Together, these formats allowed the team to craft a visually striking piece, combining classic film techniques with contemporary narrative ambitions. This meticulous choice of format aligned with director Brady Corbet’s vision of creating a modern cinematic epic.
Archive footage, library pictures, and file footage is film or video footage that can be used again in other films. Stock footage is beneficial to filmmakers as it saves shooting new material. A single piece of stock footage is called a "stock shot" or a "library shot".[1] Stock footage may have appeared in previous productions but may also be outtakes or footage shot for previous productions and not used. Examples of stock footage that might be utilized are moving images of cities and landmarks, wildlife in their natural environments, and historical footage. Suppliers of stock footage may be either rights managed or royalty-free. Many websites offer direct downloads of clips in various formats.
A miniature effect is a special effect created for motion pictures and television programs using scale models. Scale models are often combined with high speed photography or matte shots to make gravitational and other effects appear convincing to the viewer. The use of miniatures has largely been superseded by computer-generated imagery in contemporary cinema.
The use of scale models in the creation of visual effects by the entertainment industry dates back to the earliest days of cinema. Models and miniatures are copies of people, animals, buildings, settings, and objects. Miniatures or models are used to represent things that do not really exist, or that are too expensive or difficult to film in reality, such as explosions, floods, or fires.
I think that the tendency for most people is to fall back on a comic interpretation of things -- because things are so sad, so terrible. If you didn't laugh you'd kill yourself. But the truth of the matter is that existence in general is very very tragic, very very sad, very brutal and very unhappy.
Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action. A common example is a man walking up to a door and reaching for the knob. Just as his hand touches the knob, the scene cuts to a shot of the door opening from the other side. By having a subject begin an action in one shot and carry it through to completion in the next, the editor creates a visual bridge, which distracts the viewer from noticing the cut or noticing any slight continuity error between the two shots.
The basis of all animation is the building up, frame by frame, of the moving picture by exact timing and choreography of both movement and sound. All film movement is achieved by projecting during every second of time a certain number of frames, normally 24, each a still photograph minutely varied from its predecessor, which record the successive phases of the subject’s movement before the camera. The same motion, or a stylized or caricatured version of it, can be achieved by “stop-motion” or “stop-action” cinematography, the frame-by-frame photographing of a similarly phased series of movement of such objects as puppets, marionettes, or commercial products. And, as in live filming, the camera itself can create movement by tracking into a scene or panning across it.
The Academy Awards, commonly known as the Oscars, are awards for artistic and technical merit in the film industry. They are presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) in the United States in recognition of excellence in cinematic achievements as assessed by the Academy's voting membership.
The Oscars are widely considered to be the most prestigious awards in the film industry. The major award categories, known as the Academy Awards of Merit, are presented during a live-televised Hollywood ceremony in February or March.
An instructional video is any type of educational video. It’s a general term that unites different types of videos that contain educational information, such as a micro video, a tutorial, or a video lecture. We’ll talk about these different types further on in this article. Benefits of Instructional Videos For a long time, a big hurdle for creating instructional videos was its production cost and complexity. Traditional presentations, instructions, and articles seemed, on the whole, to be safer and easier to deal with. Today, when a smartphone with a good camera is in almost every pocket, we can find thousands of video tutorials on YouTube, from how to make a burger to how to build a rocket from scratch. We got used to video content and now we expect it.
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story.
Tarantino wrote Pulp Fiction in 1992 and 1993,The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. Pulp Fiction is widely regarded as Tarantino's magnum opus, with particular praise for its screenwriting. The self-reflexivity, unconventional structure, and extensive homage and pastiche have led critics to describe it as a touchstone of postmodern film
1929
The film Man with a Movie Camera represents AN EXPERIMENTATION IN THE CINEMATIC COMMUNICATION Of visual phenomena WITHOUT THE USE OF INTERTITLES (a film without intertitles) WITHOUT THE HELP OF A SCENARIO (a film without a scenario) WITHOUT THE HELP OF THEATRE (a film without actors, without sets, etc.)
This new experimentation work by Kino-Eye is directed towards the creation of an authentically international absolute language of cinema on the basis of its complete separation from the language of theatre and literature.
Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form's history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. Video art does not necessarily rely on the conventions that define theatrical cinema. It may not use actors, may contain no dialogue, and may have no discernible narrative or plot. Video art also differs from cinema subcategories such as avant garde cinema, short films, and experimental film.
Our short film contest serves as a platform for filmmakers to explore, remix, and breathe new life into the timeless gems that have entered the public domain. From classic literature and silent films to musical compositions and visual art, the contest winners draw inspiration from the vast archive of cultural heritage from 1929. We want artists to use this newly available content to create short films using resources from the Internet Archive’s collections from 1929.
David Lynch grew up in Philadelphia, where he initially tried to make it as a painter. After having worn out numerous art schools, he started working with film. This is how his first major project Eraserhead came about, about a monster baby – which was supposedly made from a cow fetus. The rather shocking film was strangely enough a huge success and the appreciation of Stanley Kubrick gave it instant cult status. The general public got to know Lynch through The Elephant Man, about a man who is horribly deformed and therefore portrayed as a freak. It earned Lynch eight Oscar nominations, of which he managed to cash in none. But the dark TV series Twin Peaks about the missing Laura Palmer is probably the best known. In 2017, the cult series even got a third season.
In the post-production process of film and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image. This is in contrast to a cut, where there is no such transition. A dissolve overlaps two shots for the duration of the effect, usually at the end of one scene and the beginning of the next, but may also be used in montage sequences. Generally, but not always, the use of a dissolve is held to indicate that a time has passed between the two scenes. Also, it may indicate a change of location or the start of a flashback.
Vervaardiger Wim van Prooijen Auteursrechthouder Brabants Historisch Informatie Centrum (BHIC) Origineel Collectie Wim van Prooijen Broninstelling BHIC Licentie CC BY (vrij gebruik met naamsvermelding toegestaan)
The raw, unedited footage shot during the making of a motion picture, traditionally the first positive prints developed from the negatives filmed on the previous day, in a process that in the era of physical film reels took place overnight.
The dailies were typically reviewed by the director and other cast and crew members the next day. With the advent of digital filmmaking, dailies became available instantly after each take and the review process was no longer tied to the overnight development of film.
Most storyboard artists begin and finish their work on computers using software and digital pencils or a graphics tablet. Storyboard artists may use photos to create visuals where stock photos or photos taken specifically for the project are put together digitally to produce a photographic representation called a photovisual. For motion pictures, some filmmakers, directors, and producers choose to use clip-art computer programs designed to create storyboards or use a dedicated 3D storyboarding software, or a more multi-purpose 3D program which can also be used to create elements of the storyboards
Many continuity errors are subtle, such as minor changes between shots (like the level of drink in a glass or the length of a cigarette); these minor errors often remain due to relative indifference to the final cut. While minor errors are often unnoticed by the average viewer, other errors may be more noticeable, such as sudden drastic changes in the appearance of a character. Productions will aim to prevent such errors in continuity because they can affect the audience's suspension of disbelief.
The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by one or more film grants, nonprofit organizations, sponsors, or personal funds.
The Public Domain Race by José Domingues e Leonardo Domingues Item Size 297.5M
“THE PUBLIC DOMAIN RACE” was created as part of Internet Archives Public Domain Remix 2023 in recognition and celebration of public domain day 2023.
Mise-en-scène has been called film criticism's "grand undefined term. It has been criticized for its focus on the dramatic design aspects rather than the plot itself, as those who utilize mise-en-scène tend to look at what is "put before the camera" rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. Mise-en-scène allows the director to not only convey their message but also to implement their aesthetic, as such, each director has their own unique mise-en-scène. Mise-en-scène refers to everything in front of the camera, including the set design, lighting, and actors, and the ultimate way that this influences how the scene comes together for the audience.
Contemporary use Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white.