Woman and camera

 

 

 1929

The film Man with a Movie Camera represents AN EXPERIMENTATION IN THE CINEMATIC COMMUNICATION Of visual phenomena WITHOUT THE USE OF INTERTITLES (a film without intertitles) WITHOUT THE HELP OF A SCENARIO (a film without a scenario) WITHOUT THE HELP OF THEATRE (a film without actors, without sets, etc.) 

This new experimentation work by Kino-Eye is directed towards the creation of an authentically international absolute language of cinema on the basis of its complete separation from the language of theatre and literature.