Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.
The building features two gallery exhibition spaces, one 300-seat cinema, two 127-seat cinemas, and a fourth intimate cinema of about 67 seats.[8] One of the gallery spaces is devoted to a permanent exhibition on the technical and aesthetic histories of cinema. The exhibit includes historical equipment drawn from the Museum's collection of approximately 1,500 cinematic apparatuses, as well as an immersive presentation of about one hundred film clips from the Museum's archive, including Dutch and international films dating from the silent era and beyond.[9] The second gallery space is dedicated to experimental cinema or expanded cinema, a commitment which dates back to the Filmmuseum's founding and the weekly screenings it organized at the Stedelijk Museum in the 1950s under the emerging aegis of cinema as a "seventh art."
The traditional first part of the post-production process, non-linear (analog) film editing, has mostly been replaced by digital or video editing software, which operates as a non-linear editing (NLE) system. The advantage of non-linear editing is the ability to edit scenes out of order, thereby making creative changes at will. This flexibility facilitates carefully shaping the film in a thoughtful, meaningful way for emotional effect.
Once the production team is satisfied with the picture editing, the editing is said to be locked. At this point the turnover process begins, in which the picture is prepared for lab and color finishing, and the sound is spotted and turned over to the composer and sound designers for sound design, composing, and sound mixing.
In cinematography and photography, panning means swivelling a still or video camera horizontally from a fixed position. This motion is similar to the motion of a person when they turn their head on their neck from left to right. In the resulting image, the view seems to "pass by" the spectator as new material appears on one side of the screen and exits from the other, although perspective lines reveal that the entire image is seen from a fixed point of view.
The development of home movie-making has depended critically on the availability of equipment and media formats (film stock, video tape, etc.) at prices affordable to consumers. The introduction of film formats suitable for amateur hobbyists began early in the history of cinematography. Amateur film equipment became standardized in the 1920s and 30s with the 9.5 mm, 16 mm, and 8 mm formats. By the late 1950s, home movies became cheaper to make, becoming available to the middle class. In the mid-1960s, Super 8's ease of use led to home movies being even more popular
source: https://youtube.com/@davidignaz?feature=shared
A technique in which the frequency at which film frames are captured is much lower than the frequency at which they are played back when viewing the sequence. When played at a normal playback speed, time appears to be moving faster or "lapsing". For example, if images of a scene are captured at a rate of 1 frame per second but then played back at a standard 30 frames per second, the resulting sequence appears to be occurring 30 times faster than it did in reality. Time-lapse photography is the opposite of high-speed or slow-motion photography, in which film is captured at a much higher rate than at which it is played back, appearing to slow down an otherwise fast action.
In filmmaking, a pitch is a concise verbal (and sometimes visual) presentation of an idea for a film or TV series generally made by a screenwriter or film director to a film producer or studio executive in the hope of attracting development finance to pay for the writing of a screenplay. The expression is borrowed from "sales pitch". A pitch is used throughout different stages of production, such as casting and distribution, as well as to urge film producers to further fund a project.
In filmmaking, a pick-up is a small, relatively minor shot filmed or recorded after the fact to augment footage already shot. When a pick-up shot is created in this manner to be edited into the middle of an existing shot, the script supervisor must ensure the director also creates "bridge shots" to bridge what would otherwise look like jarring jump cuts from the master shot to the pick-up shot and back. These can be close-ups, cutaways, or shots of the same scene from different angles
Determining which films should count as the first educational films is controversial. Some researchers suggest that the first educational films were shown in St. Petersburg in 1897, while other studies determined that the first educational films were inspired by the newsreel in 1913. The increasing number of educational films prove that the production of such films started in the early 1900s. In the 1910s and 1920s, the production, distribution and exhibition of education film became gradually institutionalized, which happened differently in different countries.
Film archives collect, restore, investigate and conserve audiovisual content like films, documentaries, television programs and newsreel footage. Often, a country has its own film archive to preserve the national audiovisual heritage. The International Federation of Film Archives comprises more than 150 institutions in over 77 countries and the Association of European Film Archives and Cinematheques is an affiliation of 49 European national and regional film archives founded in 1991.
Genre is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria.
Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.
Film, as a form of mass communication, is itself also considered a medium in the sense used by fields such as sociology and communication theory (see also mass media). These two definitions of medium, while they often overlap, are different from one another: television, for example, utilizes the same types of artistic media as film, but may be considered a different medium from film within communication theory
Eye Filmmuseum presents the first exhibition in the Netherlands about the work of Catalan film and theatre director Albert Serra. Transforming the entire exhibition space into an immersive stage, Serra orchestrates nocturnal and clandestine encounters where theatre, cinema, and art converge. This exhibition offers a bewildering total experience, blending theatrical and cinematic elements, inviting visitors into a world reminiscent of the vibrant landscapes of rococo painters Jean-Honoré Fragonard and François Boucher, combined with the contemporary atmosphere of cruising zones. Amidst the grand projected scenes from Liberté, Serra engages participants in a captivating game of observation and participation, exploring the essence of 'ultimate freedom'
Montage is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.
Subtitles are texts representing the contents of the audio in a film, television show, opera or other audiovisual media. Subtitles might provide a transcription or translation of spoken dialogue. Although naming conventions can vary, captions are subtitles that include written descriptions of other elements of the audio, like music or sound effects. Captions are thus especially helpful to people who are deaf or hard-of-hearing. Subtitles may also add information that is not present in the audio
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
A story is a short sequence of images, videos, or other social media content, which can be accompanied by backgrounds, music, text, stickers, animations, filters or emojis. Social media platforms typically advance through the sequence automatically when presenting a story to a viewer. Although the sequential nature of stories can be used to tell a narrative, the pieces of a story can also be unrelated. Social media platforms that offer stories will typically have a primary story for each user which consists of everything the user posted to their story over a certain period of time, usually the most recent 24 hours. Most stories cannot be changed afterwards and are only available for a short time. Stories are almost exclusively created on a mobile device such as a smartphone or tablet computer and are usually displayed vertically
Study Your Favorite Movies First thing’s first: What is it about the cinematic effect that moves you enough to want to replicate them in your own photos? What’s your inspiration? This is a great place to start. Watch movies that you found compelling. What did they do right? Was it the color palette? The contrast? The scenery itself? Write down everything you like about it. Observe how every shot is composed, and pay attention to how lighting establishes mood. This will help you transfer that essence to your imager
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole
Celluloid Remix 2: Found Footage.
EYE and Beelden voor de Toekomst organised this video remix competition with historical fragments from EYE's film collection. Creatives remixed this special film material into a total of 75 new, short films.
Maker: danielgrapes
Publicatiedatum: 24 april 2012
A sequence shot is a shot, a long take, that includes a full narrative sequence containing the full scene in its duration, meaning different locations or different time periods. The term is usually used to refer to shots that constitute an entire scene. Such a shot may involve sophisticated camera movement. It is sometimes called by the French term plan-séquence. The use of the sequence shot allows for realistic or dramatically significant background and middle ground activity. Actors range about the set transacting their business while the camera shifts focus from one plane of depth to another and back again. Significant off-frame action is often followed with a moving camera, characteristically through a series of pans within a single continuous shot.
Tell a Story Just because photographs capture a single instant doesn’t mean they can’t also communicate a narrative. After all, what are movies, but a series of moving images? When telling a story through a single image, think about including contrasting or competing elements in the shot. Think about how the viewer will interpret the variety. They say that a picture is worth a thousand words. And it’s true.
Multimedia is a form of communication that uses a combination of different content forms, such as writing, audio, images, animations, or video, into a single interactive presentation, in contrast to traditional mass media, such as printed material or audio recordings, which feature little to no interaction between users. Popular examples of multimedia include video podcasts, audio slideshows, and animated videos. Multimedia also contains the principles and application of effective interactive communication, such as the building blocks of software, hardware, and other technologies.
Mood What separates cinematic images from others is that you can virtually feel them. Mood is the most essential element of cinema, after all. It’s how filmmakers and cinematographers capture and engross audiences. Creating a mood requires a combination of lighting, setting, modeling, and color, all of which you’ll be working to enhance in post-production. Some things to consider are the angle you’re shooting, your color palette, and the overall vibe of the location. How do they make you feel? Is that feeling communicated in your photos? Don’t wait until you get to the editing room to find out. Trial and error is advised.
A film's genre will influence the use of filmmaking styles and techniques, such as the use of flashbacks and low-key lighting in film noir; tight framing in horror films; or fonts that look like rough-hewn logs for the titles of Western films.
In addition, genres have associated film scoring conventions, such as lush string orchestras for romantic melodramas or electronic music for science fiction films. Genre also affects how films are broadcast on television, advertised, and organized in video rental stores
This lesson is moving learning. Because you move and name the language and arithmetic forms, you learn the language and arithmetic forms much faster. Many materials are used to actually recognize the words. In this performance one works with themes and the associated language lists and math objectives. Children learn the sounds through rap, verses and songs and this is necessary to learn language. We learn to count, big and small, far and near, etc. as arithmetic forms.
In dance, choreography. may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called dance composition. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance.
In 1939, during World War II, the film industry in the US and Europe declined, because the materials previously destined for film production now were for the new arms industry. Many countries began to focus on making films about war, leaving an opportunity for Mexico to produce commercial films for the Mexican and Latin American markets. The cultural landscape of the Golden Age of Mexican Cinema provided a conducive environment for the rise of a new generation of directors like Emilio Fernández and Luis Buñuel, among others.
This stage is usually thought of as starting when principal photography ends, but they may overlap. The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded. Any computer-generated visual effects are digitally added by an artist. Finally, all sound elements are mixed down into "stems", which are synchronized to the images on the screen, and the film is fully completed ("locked").
Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and receivers. Before this, most implementations of electronic communication (early radio, telephone, and telegraph) were one-to-one, with the message intended for a single recipient. The term broadcasting evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about.
Editing is the process of selecting and preparing written, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organization, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods.
The Dutch angle shot finds its roots in German Expressionism, an artistic movement that emerged in the early 20th century. Filmmakers during this period, such as F.W. Murnau and Fritz Lang, experimented with unconventional camera angles and distorted perspectives to convey the psychological states of characters and evoke a sense of unease or instability. It gained broader recognition and popularity during the 1940s and ’50s in Hollywood films, especially in genres likm noir and psychological thrillers. The Dutch angle shot has since become a widely recognized and utilized technique in various art forms beyond film, including photography, graphic design, and visual arts.
Processing is a free graphics library and integrated development environment (IDE) built for the electronic arts, new media art, and visual design communities with the purpose of teaching non-programmers the fundamentals of computer programming in a visual context. Processing uses the Java language, with additional simplifications such as additional classes and aliased mathematical functions and operations. It also provides a graphical user interface for simplifying the compilation and execution stage.
One of the set dresser’s primary responsibilities is to select the props that will decorate every scene. If it’s a period film, it’s especially important to be historically accurate, often down to the year that any given product came on the market. (Found a great vintage coffee pot that came out in 1965, but your movie takes place in 1964? Dump it–or face the online wrath of eagle-eyed movie-goers everywhere.
The documentary Bye Bye Tiberias is Lina Soualem’s second. It is a beautiful, delicate and intimate tale of four generations of women from the Palestinian side of her family, including her great-grandmother Um Ali, her grandmother Nemat, her mother and actress Hiam Abbass and Soualem herself. After winning London Film Festival's Best Documentary last year, it is coming to Dubai screens this as part of Reel Palestine at Cinema Akil. The catastrophic events of the Nakba in 1948, and the seismic ruptures of displacement and trauma it caused Palestinian society and the family, are present throughout the film, as its title suggests. Soualem pieces together their stories (and those of her aunts), weaving them with her childhood memories of annual visits to the family home in Deir Hanna .
Web archiving is the process of collecting portions of the World Wide Web to ensure the information is preserved in an archive for future researchers, historians, and the public. Web archivists typically employ web crawlers for automated capture due to the massive size and amount of information on the Web. The largest web archiving organization based on a bulk crawling approach is the Wayback Machine, which strives to maintain an archive of the entire Web. The growing portion of human culture created and recorded on the web makes it inevitable that more and more libraries and archives will have to face the challenges of web archiving. National libraries, national archives and various consortia of organizations are also involved in archiving culturally important Web content.
Media studies is a discipline and field of study that deals with the content, history, and effects of various media; in particular, the mass media. Media studies may draw on traditions from both the social sciences and the humanities, but it mostly draws from its core disciplines of mass communication, communication, communication sciences, and communication studies.
Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. D. W. Griffith, who pioneered screen cinematographic techniques and narrative format, is associated with popularizing the close up with the success of his films
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something that does not abide by traditional narrative expression.
A web film is a film made with the medium of the Internet and its distribution constraints in mind.
This term aims to differentiate content made for the Internet from content made for other media, such as cinema or television, that has been converted into a World Wide Web-compatible format.
Web films are a form of new media.
The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film's editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.”
A streaming media service (also simply called a streaming service) is an online platform that allows users to watch or listen to content, such as movies, TV shows, music, or podcasts, over the internet. Instead of downloading the content to their device, users can stream it in real-time, which means they can start watching or listening immediately without having to wait for the entire file to download. Popular examples of streaming services include Netflix, Spotify, and YouTube.
All film stocks decompose over time. Sometimes this decomposition is irreversible — which explains why an estimated 75% of American silent films are considered lost.
The Eastman Museum runs one of the world's top film-preservation programs. Its archives of over 28,000 films include the personal collections of directors like Spike Lee and Martin Scorsese and carefully controlled nitrate vaults containing over 26 million feet of film. The museum's preservation projects include the silent films of Cecil B. DeMille and Georges Méliès, along with Stanley Kubrick's first film, "Fear and Desire," from 1953, and Orson Welles' once-lost work "Too Much Johnson," from 1938.
Transnistria, officially the Pridnestrovian Moldavian Republic (PMR), is an unrecognized state that controls a part of Transnistria (the area between the Dniester river and Ukraine). Its capital is Tiraspol, and its population is about 469,000
Fantasy is distinguished from the genres of science fiction and horror by the absence of scientific or macabre themes, although these can occur in fantasy. In popular culture, the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works.
The advent of digital sound recording and later the compact disc (CD) in 1982 brought significant improvements in the quality and durability of recordings. The CD initiated another massive wave of change in the consumer music industry, with vinyl records effectively relegated to a small niche market by the mid-1990s. The record industry fiercely resisted the introduction of digital systems, fearing wholesale piracy on a medium able to produce perfect copies of original released recordings.
Sex in film, the presentation of aspects of sexuality in film, specially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual. An erotic film is usually a film that has an erotic quality, meaning that it may arouse sexual feelings, even if the stated or suggested intention of the film maker is to induce philosophical contemplation concerning the aesthetics of sexual desire, sensuality and romantic love.
Film criticism is also labeled as a type of writing that perceives films as possible achievements and wishes to convey their differences, as well as the films being made in a level of quality that is satisfactory or unsatisfactory Film criticism is also associated with the journalistic type of criticism, which is grounded in the media's effects being developed, and journalistic criticism resides in standard structures such as newspapers. Journal articles pertaining to films served as representatives for the film critics who desired to increase the amount of communication about movies to a high degree that ascended above content that was normally featured in popular publications. The critics who work in the media are normally commissionaires who affect culture, since the judgments and choices of critics have the effect of influencing what audience members perceive about objects that are supplied to them, and critics are also able to influence how the audience members choose to think about objects that are supplied to them.
A biographical film or biopic is a film that dramatizes the life of an actual person or group of people. Such films show the life of a historical person and the central character's real name is used. They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives.
How Miniature Models in Film Make the Impossible Possible
Wondering how miniature models in film have been used to create otherwise impossible shots? The use of scaled down versions of many different scenes and environments have long been used in filmmaking to provide producers with a playing field. Upon which they can make imaginary outcomes become visible on the screen. They use many different steps, tricks and techniques in the process of producing miniature models for filmmaking. In fact, the sky (and the budget) are really the only limits! Even with the inception of CGI we still see many instances of miniature models in use over computer graphics to achieve certain shots and scenes. Miniatures have provided a more solid use mechanism in many cases as compared to CGI. And continue to offer an opportunity for cinematographers to create amazingly scaled versions of the desired scenes.
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
