Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live-action"
The metaverse is a hypothesized iteration of the Internet, supporting persistent online 3-D virtual environments through conventional personal computing, as well as virtual and augmented reality headsets. Metaverses, in some limited form, have already been implemented in video games such as Second Life. Some iterations of the metaverse involve integration between virtual and physical spaces and virtual economies. Current metaverse development is centered on addressing the technological limitations with virtual and augmented reality devices.
The Immersive Lab is a research center of AP University College Antwerp (Belgium) that centralizes the expertise about immersive technologies (virtual, augmented and mixed reality, omnidirectional video and hologram) and shares it with students, researchers, companies and non-profit organizations. Now that the first hype is gradually over and technology is evolving at breakneck speed and is available to producers and consumers, the obvious applications have found their way to the market.
In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release. This black & white films shows the circumstances in the Netherlands during the first national traffic jam. The film was shot on empty roads as result of banned traffic (on sundays ) during the oilcrisis in the 70-ties.
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In film and video, a freeze frame is when a single frame of content shows repeatedly on the screen—"freezing" the action. This can be done in the content itself, by printing (on film) or recording (on video) multiple copies of the same source frame. This produces a static shot that resembles a still photograph.
Freeze frameis a term in live stage performance, for a technique in which actors freeze at a particular point to enhance a scene or show an important moment in production. Spoken word may enhance the effect, with a narrator or one or more characters telling their personal thoughts regarding the situation.
"Pulling focus" refers to the act of changing the lens's focus distance setting in correspondence to a moving subject's physical distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 m to 3 m away from the focal plane within a shot, the focus puller will change the distance setting on the lens during the take in precise relation to the changing position of the actor. Additionally, the focus puller may shift focus from one subject to another within the frame, as dictated by the specific requirements of the shot.
"Pulling focus" refers to the act of changing the lens's focus distance setting in correspondence to a moving subject's physical distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 m to 3 m away from the focal plane within a shot, the focus puller will change the distance setting on the lens during the take in precise relation to the changing position of the actor. Additionally, the focus puller may shift focus from one subject to another within the frame, as dictated by the specific requirements of the shot.
A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments. Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.
Filters, such as diffusion filters or color effect filters, are also widely used to enhance mood or dramatic effects. Most photographic filters are made up of two pieces of optical glass glued together with some form of image or light manipulation material between the glass. In the case of color filters, there is often a translucent color medium pressed between two planes of optical glass. Color filters work by blocking out certain color wavelengths of light from reaching the film. With color film, this works very intuitively wherein a blue filter will cut down on the passage of red, orange, and yellow light and create a blue tint on the film.
In black-and-white photography, color filters are used somewhat counter-intuitively; for instance, a yellow filter, which cuts down on blue wavelengths of light, can be used to darken a daylight sky (by eliminating blue light from hitting the film, thus greatly underexposing the mostly blue sky) while not biasing most human flesh tone. Filters can be used in front of the lens or, in some cases, behind the lens for different effects.
Zooming in filmmaking and television production is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and fewer objects become visible on film. Or it is performed towards shorter focal lengths, giving a "zoom out" effect: The filmed object will shrink in apparent size, and more objects come into view.
Practically all Swedish actors and film directors of the 20th century had some connection with Filmstaden. In 1969, Svensk Filmindustri left Filmstaden and the studios were used by small film producers, production of television dramas and the Riksteatern Theatre. Most of the buildings were quite well preserved until the beginning of the 21st century, when Filmstaden had to make way for a housing development. However, some buildings have been renovated and SF Studios has moved its headquarters back into a former studio building.
Film teasers are usually made for big-budget and popularly themed movies. Their purpose is less to tell the audience about a movie's content than simply to let them know that the movie is coming up in the near future, and to add to the hype of the upcoming release. Teaser trailers are often made while the film is still in production or being edited, and as a result they may feature scenes or alternate versions of scenes that are not in the finished film. Often they contain no dialogue and some — notably Pixar films — have scenes made for use in the trailer only. Some teaser trailers show a quick montage of scenes from the film. The average length of a teaser is less than a minute.
Set construction is the process undertaken by a construction manager to build full-scale scenery, as specified by a production designer or art director working in collaboration with the director of a production to create a set for a theatrical, film, or television production. The set designer produces a scale model, scale drawings, paint elevations (a scale painting supplied to the scenic painter of each element that requires painting), and research about props, textures, and so on.
"Digital storytelling" is a relatively new term which describes the new practice of everyday people who use digital tools to tell their 'story'. Digital stories often present in compelling and emotionally engaging formats, and can be interactive. The term "digital storytelling" can also cover a range of digital narratives (web-based stories, interactive stories, hypertexts, and narrative computer games); It is sometimes used to refer to film-making in general, and as of late, it has been used to describe advertising and promotion efforts by commercial and non-profit enterprises.
Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations.
LAWKI–Alive from MU Hybrid Art House on Vimeo.
Worldwide, we watch a billion hours of online videos. Per. Day. Games, music, news, make-up, asmr, vlogs, documentaries, tutorials, interviews, reviews, challenges, and cat videos of course! 500 hours of videos on YouTube alone are uploaded every minute. With LAWKI–Alive, the third iteration of Life As We Know It, ARK reduces this unimaginable amount of digital imagery into an intuitive dynamic live stream powered by an AI and the movements of visitors. Smartly indexed search results provide new associative visual stories in ten different languages. The result is an overwhelming stream of images of what is on the minds of people from Boston to Bangalore. The separation between world and screen disappears, we are in MU, but also everywhere and nowhere at the same time.
The ir. D.F. Wouda Steam Pumping Station (ir. D.F. Woudagemaal) is a pumping station in the Netherlands, and the largest still operational steam-powered pumping station in the world. On October 7, 1920 Queen Wilhelmina opened the pumping station. It was built to pump excess water out of Friesland, a province in the north of the Netherlands. In 1967 the 47 years old coal furnaces were converted to run on heavy fuel oil. It has a pumping capacity of 4,000 m3/min (1,100,000 U.S. gal/min). The pumping station is currently used to supplement the existing pumping capacity of the J.L. Hooglandgemaal in Stavoren in case of exceptionally high water levels in Friesland, which usually happens a few times each year.
The oldest magic lantern, as far as we know, is located in Leiden, the Netherlands, in the Museum Boerhaave. The projector was made about 1720 by the Dutch instrument maker Jan van Musschenbroek and was once the property of Willem Jacob ‘s Gravesande, professor of physics at the University of Leiden. After his death in 1742 the university bought with foresight his whole collection. The purchase price of the projection lantern was one hundred guilders. By this purchase the Leids Fysisch Kabinet (Physical Cabinet, Leiden) got the best and most complete collection of scientific instruments in the world. About 250 objects from this Cabinet, among them the magic lantern, have been preserved. Together they form one of the most important collections of the Museum Boerhaave.
A cold open (also called a teaser sequence) is a narrative technique used in television and films. It is the practice of jumping directly into a story at the beginning of the show before the title sequence or opening credits are shown. In television, this is often done on the theory that involving the audience in the plot as soon as possible will reduce the likelihood of their switching from a show during the opening commercial. A cold open may also be used to recap events in previous episodes or storylines that will be revisited during the current episode.
Advancements in computer-generated imagery (CGI) have made it cheaper and easier to create action sequences and other visual effects that required the efforts of professional stunt crews in the past. However, reactions to action films containing significant amounts of CGI have been mixed, as films that use computer animations to create unrealistic, highly unbelievable events are often met with criticism. While action has long been a recurring component in films, the "action film" genre began to develop in the 1970s along with the increase of stunts and special effects. Common tropes of the genre include explosions, car chases, fistfights and shootouts.
Light is necessary to create an image exposure on a frame of film or on a digital target (CCD, etc.). The art of lighting for cinematography goes far beyond basic exposure, however, into the essence of visual storytelling. Lighting contributes considerably to the emotional response an audience has watching a motion picture. The increased usage of filters can greatly impact the final image and affect the lighting.
Meanwhile, the neighborhood refrigerators are becoming a real movement. In the video letter from director Ilja Willems, Kymme Williams-Davis, owner of a small shop and one of the first to put a refrigerator on the street, talks about how the refrigerators appeared on the streets during the lockdown. For her, they symbolize the resilience of New Yorkers and they give her hope that New York, just like after 9/11, will manage to get out of this crisis: “New York ain't dead.”
A virtual festival experience. This platform offers exposure to a large international audience for all design professionals, graduates and organizations coming from every corner on the planet. Visitors can choose to join a tour around topics like the New Intimacy, Future Cities, Connected Living or Sustainable Products, or make their own selection and stroll/scroll through the DDW
The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and as a platform to showcase talent to secure funding for future projects from private investors, a production company, or film studios. They can also be released with feature films, and can also be included as bonus features on some home video releases.
Slicing of images A more recent tool in digital image editing software is the image slicer. Parts of images for graphical user interfaces or web pages are easily sliced, labeled and saved separately from whole images so the parts can be handled individually by the display medium. This is useful to allow dynamic swapping via interactivity or animating parts of an image in the final presentation.
Three different digital soundtrack systems for 35 mm cinema release prints were introduced during the 1990s. They are: Dolby Digital, which is stored between the perforations on the sound side; SDDS, stored in two redundant strips along the outside edges (beyond the perforations); and DTS, in which sound data is stored on separate compact discs synchronized by a timecode track on the film just to the right of the analog soundtrack and left of the frame (sound-on-disc). Because these soundtrack systems appear on different parts of the print, one movie can contain all of them, allowing broad distribution without regard for the sound system installed at individual theatres.
The Academy Awards, popularly known as the Oscars, are awards for artistic and technical merit in the film industry. They are regarded as the most prestigious and significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar".
Theater Tuschinski, officially Pathé Tuschinski, is a movie theater located in the city of Amsterdam, in the Netherlands. It is situated in the city centre near the Rembrandt Square. The movie theater was founded during the Roaring Twenties. It is included in the list of Rijksmonuments of the Netherlands.[It was elected the most beautiful cinema in the world by Time Out. The main auditorium hosts many premieres of Dutch, American and European films.
A remake is a film, or occasionally a television series, video game, or similar form of entertainment, that is based upon and retells the story of an earlier production in the same medium—e.g., a "new version of an existing film". A remake tells the same story as the original but uses a different cast, and may alter the theme or change the story's setting. A similar but not synonymous term is reimagining, which indicates a greater discrepancy between a movie and the movie it is based on.
In film, a match cut is a cut from one shot to another where the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the logic of the action. This is a standard practice in film-making, to produce a seamless reality-effect.
Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass) and pre-recorded material, such as songs on CD or a digital audio player. Individual sources are typically equalised to adjust the bass and treble response and routed to effect processors to ultimately be amplified and reproduced via a loudspeaker system
A tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. In cinematography, the term refers to a shot in which the camera is mounted on a camera dolly that is then placed on rails – like a railroad track. As a result, this type of shot is often referred to as a dolly shot. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed or moved manually when using a handheld rig. The technique is often used to follow a subject that would otherwise leave the frame (ergo, it is often called a following shot), such as an actor or vehicle in motion. In this spirit, any conveyance, such as a motorized vehicle like a car, may also be used to create
a tracking shot.
And that’s all films are. Just an extension of childhood, where everybody wants to be freer, everybody wants to be powerful, everybody wants to be so overwhelmingly attractive that there’s just no doing anything about it. Or everybody wants to have comradeship and to be understood. ~ Marlon Brando
The film editor works with the raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work.
Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, computer animation and VFX in films, television programs, shorts, commercials, and videos. The images may be dynamic or static, and may be two-dimensional (2D), although the term "CGI" is most commonly used to refer to the 3-D computer graphics used for creating characters, scenes and special effects in films and television, which is described as "CGI animation".
The evolution of CGI led to the emergence of virtual cinematography in the 1990s, where the vision of the simulated camera is not constrained by the laws of physics. Availability of CGI software and increased computer speeds have allowed individual artists and small companies to produce professional-grade films.
The term virtual world refers to agent-based, interactive environments, which are now created with CGI.
Making a movie is one of the greatest accomplishments in the world. As a filmmaker, taking your movie idea from script to screen is beyond challenging. In an effort to realize your cinematic vision, you may spend months and years and pushing past obstacles to make it happen. And during the process you will learn more about yourself, your craft and the business than you ever imagined.
In film and video, a cutaway is the interruption of a continuously filmed action by inserting a view of something else. It is usually followed by a cut back to the first shot. A cutaway scene is the interruption of a scene with the insertion of another scene, generally unrelated or only peripherally related to the original scene. The interruption is usually quick, and is usually, although not always, ended by a return to the original scene. The effect is of commentary to the original scene, frequently comic in nature.
Although usually more expensive than film projectors, high-resolution digital projectors offer many advantages over traditional film units. For example, digital projectors contain no moving parts except fans, can be operated remotely, are relatively compact and have no film to break, scratch or change reels of. They also allow for much easier, less expensive, and more reliable storage and distribution of content. All-electronic distribution eliminates all physical media shipments. There is also the ability to display live broadcasts in theaters equipped to do so.
Formally Trained as an avant-garde, abstract expressionist painter, Stan Herd went on to become something a little different — an earthworks artist who takes fields where crops are grown and turns them into sprawling canvases on which he makes art of his own. It has been said about him: “Herd is an unusual artist. His medium is the earth itself; his palette consists of soil, wheat, sunflowers, and corn; his brush is a tractor; and his images can be seen only from an airplane.”
Dutch avant-garde filmmaker Joris Ivens described its audiovisual aims: To render the half-musical impressions of factory sounds in a complex audio world that moved from absolute music to the purely documentary noises of nature. In this film every intermediate stage can be found: such as the movement of the machine interpreted by the music, the noises of the machine dominating the musical background, the music itself is the documentary, and those scenes where the pure sound of the machine goes solo
Forced perspective is a technique which employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera. It has uses in photography, filmmaking and architecture.
In filmmaking, a long take (also called continuous take or continuous shot) is a shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.
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Interviews can be unstructured, free-wheeling and open-ended conversations without predetermined plan or prearranged questions. One form of unstructured interview is a focused interview in which the interviewer consciously and consistently guides the conversation so that the interviewee's responses do not stray from the main research topic or idea. Interviews can also be highly structured conversations in which specific questions occur in a specified order. They can follow diverse formats; for example, in a ladder interview, a respondent's answers typically guide subsequent interviews, with the object being to explore a respondent's subconscious motives. Typically the interviewer has some way of recording the information that is gleaned from the interviewee, often by keeping notes with a pencil and paper, or with a video or audio recorder. Interviews usually have a limited duration, with a beginning and an ending.
An industrial video may be used for: Marketing, communicating to potential clients the value of services or products. Customers, such as a video that explains how to use a product Fundraising, such as for informing potential investors about the merits of a company, or generating capital for a charitable cause. Corporations, such as a video that shares a CEO's vision with his employees, or a video that warns employees against improper ethical behavior. Industrial videos have become more prevalent in the market than industrial films because of the lower cost of producing video content.
Most nature documentary films or television series focus on a particular species, ecosystem, or scientific idea (such as evolution). Although most take a scientific and educational approach, some anthropomorphise their subjects or present animals purely for the viewer's pleasure. Although almost all have a human presenter, the role varies widely, ranging from explanatory voice-overs to extensive interaction or even confrontation with animals. Most nature documentaries are made for television and are usually of 45 to 50 minutes duration, but some are made as full-length cinematic presentations.
A film distributor is responsible for the marketing of a film. The distribution company may be the same with, or different from, the production company. Distribution deals are an important part of financing a film. The distributor may set the release date of a film and the method by which a film is to be exhibited or made available for viewing; for example, directly to the public either theatrically or for home viewing (DVD, video-on-demand, download, television programs through broadcast syndication etc.). A distributor may do this directly, if the distributor owns the theaters or film distribution networks, or through theatrical exhibitors and other sub-distributors. A limited distributor may deal only with particular products, such as DVDs or Blu-ray, or may act in a particular country or market. The primary distributor will often receive credit in the film's credits, one sheet or other marketing material.
The international drone film festival. InAir.Amsterdam is a prestigious international drone film competition. Amazing screenings. New genres. Innovative cinema. Amsterdam embraces aerial cinematography. New perspectives on: Art, Nature, News, Documentaries, Sports and the Unknown. InAir Amsterdam will celebrate world's best aerial cinematography on May 2nd, 2018. Besides a film competition InAir is also an experience and a symposium.
Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live-action" as in the case of some media reports about Disney's 2019 remake of The Lion King. According to the Cambridge English Dictionary, live action "[involves] real people or animals, not models, or images that are drawn, or produced by computer".
