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With the possibilities of cutting and of filming outdoors, films have a much wider palette of possibilities to depict violence, including single combat, brawls and melees as well as full-blown battles.
I am a Dutch amateurfilmer and homevideo-enthusiast, as well as producer, director, editor of "C'est le Toon". This video-blog is a communication-tool sharing news, documentaries, family videos, interviews, travelogues, visual arts and filmmaking. It also contains tips about and examples of how-to make interesting homevideos, travelogues, ipodsfilms vacationfilms and vodcasts etc. Search the site for worldwide video's and movies! Enjoy.
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With the possibilities of cutting and of filming outdoors, films have a much wider palette of possibilities to depict violence, including single combat, brawls and melees as well as full-blown battles.
A film still is a photograph taken on or off the set of a movie or television program during production. These photographs are also taken in formal studio settings and venues of opportunity such as film stars' homes, film debut events, and commercial settings. The photos were taken by studio photographers for promotional purposes. Such stills consisted of posed portraits, used for public display or free fan handouts, which are sometimes autographed. They can also consist of posed or candid images taken on the set during production, and may include stars, crew members or directors at work.
As unmanned aerial vehicles become more robust and the ability to stabilize high quality cameras becomes more possible, the possibilities to cheaply create the crane shots and helicopter shots that so many indie filmmakers want to have but can't are exciting many filmmakers.
Take a look at this films that show off what people are trying to do with GoPros and iPhones on quadcopters and other unmanned aerial vehicles (UAVs).
The result is an exciting new way to see the city so many of us know so well.
The International Film Festival Rotterdam (IFFR) is an annual film festival held in various cinemas in Rotterdam, Netherlands held at the end of January. It is approximately comparable in size to other major European festivals such as Cannes, Venice, Berlin, and Locarno.
IFFR also hosts CineMart, for film producers to seek funding.
A hidden camera is a still or video camera used to film people without their knowledge. The camera is "hidden" because it is either not visible to the subject being filmed, or is disguised as another object. Hidden cameras have become popular for household surveillance, and can be built into common household objects such as smoke detectors, clock radios, motion detectors, ball caps, plants, and mobile phones. Hidden cameras may also be used commercially or industrially as security cameras.
Hepworth was born in Lambeth, in present-day South London. His father, Thomas Cradock Hepworth, was a famous magic lantern showman and author. Cecil Hepworth became involved in the early stages of British filmmaking, working for both Birt Acres and Charles Urban, and wrote the first British book on the subject in 1897. With his cousin Monty Wicks he set up the production company Hepworth and Co. (also known as "Hepwix" after the word mark in its trade logo), which was later renamed the Hepworth Manufacturing Company (officially: Hepworth Film Manufacturing Company), and then Hepworth Picture Plays. In 1899 they built a small film studio in Walton-on-Thames, Hepworth Studios. The company produced about three films a week, sometimes with Hepworth directing.
The Story of Film: An Odyssey is a documentary film about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.
The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012.
In motion picture terminology, the term tracking shot may refer to a shot in which the camera is mounted on a camera dolly, a wheeled platform that is pushed on rails while the picture is being taken; in this case the shot is also known as a dolly shot or trucking shot. One may dolly in on a stationary subject for emphasis, or dolly out, or dolly beside a moving subject (an action known as "dolly with").
The term may also refer to any shot in which the camera follows a subject within the frame, such as a moving actor or a moving vehicle
When using the term tracking shot in this sense, the camera may be moved in ways not involving a camera dolly, such as via a Glidecam, via handheld camera operator, or by being panned on a tripod.
Over time, films have transformed from getting two dimensional to three and also four dimensional. Together with the modern movies special effects have develop into a urgent element of everyday cinema. And this can be absolutely a delightful transform. Together with the breakthroughs in computer graphics, anything at all is doable. Distinctive effects are mostly of two forms. These are optical effects along with mechanical effects. Together with the digital world acquiring utility in nearly just about every arena of living, a uncomplicated scene shot working with a typical camera is often transformed to anything at all. This can be by far the most prevalent approach that is definitely applied currently. A basic scene is shot then using a selection of digital maximizing, it can be transformed to anything totally different.
The story of Berlin is the story of its people, a people largely composed of succesive waves of immigrants. Dutchmen, Frenchmen, Hugenots, Jews, Italians, Poles, Scots, Silesians, Galicians, Saxons, Pomeranians, Prussians, Lithuanians, Russians, and God knows what else - rucksack Berliners, they were called - all poured in to what was for a long time little more than a malodorous garrison town. There, they were transformed by the Berliner Luft, the special Berlin atmosphere, into something rich and strange. It has been said that no-one is born a Berliner, everyone has to become one. You breathe in the air, which has been described as being addictive as cocaine or alcohol, and tune in to the fast Berliner Tempo, and are transfigured.
Culture
Burgundy is one of France's main wine producing areas. It is well known for both its red and white wines, mostly made from Pinot noir and Chardonnay grapes, respectively, although other grape varieties can be found, including Gamay, Aligote, Pinot blanc, and Sauvignon blanc. The region is divided into the Côte-d'Or, where the most expensive and prized Burgundies are found, and Beaujolais, Chablis, the Côte Chalonnaise and Mâcon.
The reputation and quality of the top wines, together with the fact that they are often produced in small quantities, has led to high demand and high prices, with some Burgundies ranking among the most expensive wines in the world.
Cuisine
Famous Burgundian dishes include coq au vin, beef bourguignon, and Époisses de Bourgogne cheese.
In film making, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. An imaginary line called the axis connects the characters, and by keeping the camera on one side of this axis for every shot in the scene, the first character is always frame right of the second character, who is then always frame left of the first. The camera passing over the axis is called jumping the line or crossing the line.
The Abbey of Fontenay is a former Cistercian abbey located in the commune of Marmagne, near Montbard, in the département of Côte-d'Or in France. It was founded by Saint Bernard of Clairvaux in 1118, and built in the Romanesque style. It is one of the oldest and most complete Cistercian abbeys in Europe, and became a UNESCO World Heritage Site in 1981. Of the original complex comprising church, dormitory, cloister, chapter house, caldarium, refectory, dovecote and forge, all remain intact except the refectory and are well maintained. The Abbey of Fontenay, along with other Cistercian abbeys, forms a connecting link between Romanesque and Gothic architectures.
Mardi Gras also Fat Tuesday in English, refers to events of the Carnival celebrations, beginning on or after the Epiphany or King's Day and culminating on the day before Ash Wednesday. Mardi Gras is French for "Fat Tuesday", reflecting the practice of the last night of eating richer, fatty foods before the ritual fasting of the Lenten season.
Related popular practices are associated with celebrations before the fasting and religious obligations associated with the penitential season of Lent. The date of Fat Tuesday coincides with that of celebrations of Shrove Tuesday, from the word shrive, meaning "confess
In the infancy of motion pictures, the cinematographer was usually also the director and the person physically handling the camera. As the art form and technology evolved, a separation between director and camera operator emerged. With the advent of artificial lighting and faster (more light sensitive) film stocks, in addition to technological advancements in optics, the technical aspects of cinematography necessitated a specialist in that area.
Cinematography was key during the silent movie era—with no sound apart from background music and no dialogue, the films depended on lighting, acting, and set.
The Lodger: A Story of the London Fog is a 1927 British silent film directed by Alfred Hitchcock and starring Marie Ault, Arthur Chesney, June Tripp, Malcolm Keen, and Ivor Novello. The film was released on 14 February 1927 in London and on 10 June 1928 in New York City.
Alfred Hitchcock cameos: Alfred Hitchcock appears sitting at a desk in the newsroom with his back to the camera and while operating a telephone (3 minutes into the film). This is Alfred Hitchcock's first recognisable film cameo and was to become a standard practice for the remainder of his films.[1] Hitchcock's cameo happened because the actor who was supposed to play the part of the telephone operator failed to show up, and Hitchcock filled the breach. He also appeared toward the end of the film in the mob scene after the lodger is saved from the crowd.