2 jan 2012

French Sketch-book



Experimental film or experimental cinema is a type of cinema. Experimental film is an artistic practice relieving both of visual arts and cinema. Its origins can be found in European avant-garde movements of the twenties.


The term describes a range of filmmaking styles that are generally quite different from, and often opposed to, the practices of mainstream commercial and documentary filmmaking. Avant-garde is also used, for the films shots in the twenties in the field of history’s avant-gardes currents in France or Germany, to describe this work, and "underground" was used in the sixties, though it has also had other connotations. Today the term "experimental cinema" prevails, because it’s possible to make experimental films without the presence of any avant-garde movement in the cultural field.


22 dec 2011

Col du Galibier



Today information graphics surround us in the media, in published works both pedestrian and scientific, in road signs and manuals. They illustrate information that would be unwieldy in text form, and act as a visual shorthand for everyday concepts such as stop and go.

Modern maps, especially route maps for transit systems, use infographic techniques to integrate a variety of information, such as the conceptual layout of the transit network, transfer points, and local landmarks.

Traffic signs and other public signs rely heavily on information graphics, such as stylized human figures , icons and emblems to represent concepts such as yield, caution, and the direction of traffic.



20 dec 2011

Lac et cité: Aix-les-Bains




An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject.  While a plain jump cut typically involves a temporal discontinuity , an axial cut is a way of maintaining the illusion of continuity.
An axial cut can be made with the use of a zoom lens, or physically moving the camera with a crane or camera dolly. The intervening footage is then removed while editing the film. Since footage is discarded, this technique works better for static shots. If action is required, several takes will be required to get the necessary footage.



19 dec 2011

Espana por favor



Originality is the aspect of created or invented works by as being new or novel, and thus can be distinguished from reproductions, clones, forgeries, or derivative works. An original work is one not received from others nor one copied from or based upon the work of others.. It is a work created with a unique style and substance. The term "originality" is often applied as a compliment to the creativity of artists, writers, and thinkers. The idea of originality as we know it was invented by Romanticism, with a notion that is often called romantic originality.


 

18 dec 2011

Turn around



Filmtips:



In cinema, butterfly is a methodology of lighting sets. When controlling light, grips use a variety of flags (black, opaque material), nets (one, two, or three layers of black, white, or semi translucent bobinette), and diffusion (translucent white materials of different densities). Generally, these are sewn onto frames of standard sizes, which are kept in racks or on carts where they are easily accessible. However, when a flag, net, or diffusion is needed to cover a larger area it is not practical to keep it built and sewn on the truck; thus, Butterflies.

17 dec 2011

Ocher village



User-generated content (UGC), refers to various kinds of media content, publicly available, that are produced by end-users.


The term user generated content entered mainstream usage during 2005 having arisen in web publishing and new media content production circles.  All digital media technologies are included, such as question-answer databases, digital video, blogging, podcasting, mobile phone photography and wikis. In addition to these technologies, user generated content may also employ a combination of open source, free software, and flexible licensing or related agreements to further reduce the barriers to collaboration, skill-building and discovery.

16 dec 2011

Heart of Brussels


A webcam is a video camera that feeds its images in real time to a computer or computer network, often via USB, ethernet, or Wi-Fi.



Their most popular use is the establishment of video links, permitting computers to act as videophones or videoconference stations. This common use as a video camera for the World Wide Web gave the webcam its name. Other popular uses include security surveillance and computer vision and there are also uses on sites like video broadcasting services and for recording social videos .


Webcams are known for their low manufacturing cost and flexibility,  making them the lowest cost form of videotelephony. They have also become a source of security and privacy issues, as some built-in webcams can be remotely activated via spyware.





15 dec 2011

Tour de Vaucluse


 


Tracking shot/travelling shot/dollying shot: Terms used for a shot when the camera is being moved by means of wheels: On a dolly (a low tracking shot), in a car or even a train. The movement is normally quite fluid (except perhaps in some of the wider car chases) and the tracking can be either fast or slow. Depending on the speed, this shot has different connotations, eg: like a dream or trance if excessively slow bewildering and frightening if excessively frenetic
A tracking shot can go backwards, left to right, right to left.


 

13 dec 2011

Christmas-market Brussels


The use of available light may pose a challenger. The brightness and direction of the light is often not adjustable, except perhaps for indoor lighting. This will limit the selection of shutter speeds, and may require the use of shades or reflectors to manipulate the light. It can also influence the time, location, and even orientation of the shooting to obtain the desired lighting conditions.

Levels of ambient light are most frequently considered relative to additional lighting used as fill light, in which case the ambient light is normally treated as the key light. In some cases, ambient light may be used as a fill, in which case additional lighting provides the stronger light source. The relative intensity of ambient light and fill light is known as the lighting ratio, an important factor in calculating contrast in the finished image.


Manneke Pis

7 dec 2011

Gordes mountain village




This village can boast about being amongst one of the most beautiful villages in France. It has narrow cobbled streets which thread their way through tall houses; built against the rock, clinging onto its flanks and whispering the tales of a thousand legends.
Gordes is also proud of its castle firmly planted in its very core and which reminds the passer-by of a past rich with conquests but also marked with the sufferings of its inhabitants. Today, the castle acts as both a Town Hall and a Museum sheltering  the works of art of the painter Pol Mara.
Such a cultural tradition is kept alive to this day, during the summer time when many exhibits do take place in buildings marked by History, such as the St James almonry, the White Penitents chapel etc.

Gordes Municipality looks after its heritage with a rigorous love so that success does not spoil it.
Yes, indeed, Gordes is a highly recommended tourist destination, and thus because of its History, its exceptional geographical location, its high quality cultural activities as well as for its renowned hotels and restaurants.
Gordes must remain authenticable, maintain its Provençal traditions, and yet be open to a tourism, which knows to appreciate and respect.




5 dec 2011

Mechelen Belgium




The simplest transition between shots it is a straight cut, which is an abrupt transition between two shots. Another type of transition is called a fade, in which the overall value of the scene increases or decreases into a frame of just one color. For example, a fade to black may indicate the end of the sequence. When one scene fades out as another scene fades in this is a dissolve. These dissolves are used frequently to indicate a passage of time. For example, you might have a shot moving down a hall and then a dissolve as it moves into a different part of the building.Another type of transition is when one scene wipes across the frame and replaces the previous seen. Wipes can move in any direction and open one side to the other or they can start in the center and move out or the edge of the frame and move in. Wipes are very noticeable and best not used often
near Brussels see video

3 dec 2011

Lisboa Portugal



A soundbite is an audiolinguistic and social communications phenomenon whose nature was recognized in the late 20th century, helped by people such as Marshall McLuhan. It is characterized by a short phrase or sentence that deftly captures the essence of what the speaker is trying to say.

Soundbites are a natural consequence of people placing ever greater emphasis on summarizing ever-increasing amounts of information in their lives.News media in particular cherish soundbites. Reporters agree that the best news footage contains at least one soundbite.  Soundbites are useful to help guide footage editors focus on parts of dialogue that help advance the overall message.





Black box/Music and Lights






In science and engineering, a black box is a device, system or object which can be viewed solely in terms of its input, output and transfer characteristics without any knowledge of its internal workings, that is, its implementation is "opaque" (black). Almost anything might be referred to as a black box: a transistor, an algorithm, or the human mind.

2 dec 2011

Fourviere hill Lyon




Transitions blend two shots together, rather than simply joining them end to end. Often transitions are used to imply a passage of time.

A fade occurs when the picture gradually turns to a single color, usually black, or when a picture gradually appears on screen. Fade ins generally occur at the beginning of a film or act, while fade outs are typically found at the end of a film or

Like the fade, a dissolve involves gradually changing the visibility of the picture. However, rather than transitioning from a shot to a color, a dissolve is when a shot changes into another shot gradually. Dissolves, like cuts, can be used to create a link between two different objects, a man telling a story, and a visual of his story, for instance.



30 nov 2011

Projections



Since the birth of sound film, virtually all film projectors in commercial movie theaters project at a constant speed of 24 frame/s. This speed was chosen for both financial and technical reasons. There are some specialist format which project at higher rates, often 48 frame/s.

It is possible to view the black space between frames and the passing of the shutter by the following technique:

Close your eyelids, then periodically rapidly blink open and closed. If done fast enough you will be able to randomly "trap" the image between frames, or during shutter motion. This will not work with television due to the persistence of the phosphors nor with LCD or DLP light projectors due to the continuity of image, although certain color artifacts may appear with some digital projection technologies.

27 nov 2011

Haute alpes


A road movie is a film genre in which the main character or characters leave home to travel from place to place. They usually leave home to escape their current lives.

The genre has its roots in spoken and written tales of epic journeys, such as the Odyssey and the Aeneid. The on-the-road plot was used at the birth of American cinema but blossomed in the years after World War II, reflecting a boom in automobile production and the growth of youth culture.


26 nov 2011

Dommeldal near Eindhoven




A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.
 

 

24 nov 2011

Sagunto



A cinematographer is one photographing with a motion picture camera (the art and science of which is known as cinematography). The title is generally equivalent to director of photography (DP ), used to designate a chief over the camera and lighting crews working on a film, responsible for achieving artistic and technical decisions related to the image. The cinematographer is sometimes also the camera operator. The term cinematographer has been a point of contention for some time now; some professionals insist that it only applies when the director of photography and camera operator are the same person, although this is far from being uniformly the case. To most, cinematographer and director of photography are interchangeable terms.

22 nov 2011

City of Lights


In cinematography, the use of light can influence the meaning of a shot. For example, film makers often portray villains that are heavily shadowed or veiled, using silhouette.



Techniques involving light include backlight(silhouette), and under-lighting(light across a character form

18 nov 2011

Roman Lyon


Cinematography is an art form unique to motion pictures. Although the exposing of images on light-sensitive elements dates back to the early 19th century,[1] motion pictures demanded a new form of photography and new aesthetic techniques.

In the infancy of motion pictures, the cinematographer was usually also the director and the person physically handling the camera. As the art form and technology evolved, a separation between director and camera operator emerged. With the advent of artificial lighting and faster (more light sensitive) film stocks, in addition to technological advancements in optics and new techniques such as color film and widescreen, the technical aspects of cinematography necessitated a specialist in that area.

Cinematography was key during the silent movie era - no sound apart from background music, no dialogue - the films depended on lighting, acting and set.


16 nov 2011

Italian lights

Lighting Digital Video



White balance. As the DV standard has a low color-resolution, it is important to control and know how to filter and white balance the image on set. It has been proved difficult to adjust color in post with a good result, although it has been done. Regarding lighting, be aware of the possibilities the white balance setting on the camera have, and use gels on the lamps, and sometimes on windows to create a neutral image.


In return for these shortcomings, DV-cameras can be more light-sensitive than most film stocks, and therefore require less light intensity, to give the same image. (PD150 is about 320ASA versus Kodak's 50D's 50ASA. One would need about 8 times more light, to get the same image at the same F-stop). Although high ASA film is available.


11 nov 2011

Markets of Lyon





Match cut: The exact opposite of a jump cut within a scene. These cuts make sure that there is a spatial-visual logic between the differently positioned shots within a scene. thus, where the camera moves to, and the angle of the camera, makes visual sense to the spectator. Eyeline matching is part of the same visual logic: the first shot shows a character looking at something off-screen, the second shot shows what is being looked at. Match cuts then are also part of the seamlessness, the reality effect, so much favoured by Hollywood.


10 nov 2011

To the grand Colombier




Historically, video frames were represented as analog waveforms in which varying voltages represented the intensity of light in an analog raster scan across the screen. Analog blanking intervals separated video frames in the same way that frame lines did in film. For historical reasons, most systems used an interlaced scan system in which the frame typically consisted of two video fields sampled over two slightly different periods of time. This meant that a single video frame was usually not a good still picture of the scene, unless the scene being shot was completely still.



With the dominance of digital technology, modern video systems now represent the video frame as a rectangular raster of pixels, either in an RGB color space or a color space such as YCbCr.



3 nov 2011

Châtillon-sur-Chalaronne



The cinematography etymologically means "movement" because it comes from the greek "kine" (movement) and "grafos" (write or capture). In this art, individual images called photograms are presented by means of a technique that consists on projecting them in a quick and successive way in order to produce a movement illusion.



It was originated in France in the XIX century, when the brothers Lumiere filmed the exit of some workers from a factory. It is produced by recording images of the world we live; however, today is also possible to make it with computers help by means of the using animation techniques or special effects.


 

Flower-auction



About FloraHolland The Netherlands is the heart of the international floriculture sector. It has an intricate and high-quality network of companies, ranging from breeders and growers to sales experts and export firms, representing every aspect of the business. The Netherlands is the place where supply and demand come together. From Europe and beyond. FloraHolland flower auction plays a key role in the Netherlands, land of Floriculture where its position as marketplace fulfils the role of matchmaker, intermediary and knowledge center.

2 nov 2011

Once upon a time (agriculture)


Montage play  is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information. It is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.
From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects (fades, dissolves, split screens, double and triple exposures) dance and music. They were usually assembled by someone other than the director or the editor of the movie.

31 okt 2011

Dutch Dancing



An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity an axial cut is a way of maintaining the illusion of continuity
Axial cuts are used rarely in contemporary cinema, but were fairly common in the cinema of the 1910s and 1920s.
An axial cut can be made with the use of a zoom lens, or physically moving the camera with a crane or Camera dolly. The intervening footage is then removed while editing the film. Since footage is discarded, this technique works better for static shots. If action is required, several takes will be required to get the necessary footage.

Cinema back to the fair





The earliest films were simply one static shot that showed an event or action with no editing or other cinematic techniques. Around the turn of the 20th century, films started stringing several scenes together to tell a story. The scenes were later broken up into multiple shots photographed from different distances and angles. Other techniques such as camera movement were developed as effective ways to tell a story with film. Until sound film became commercially practical in the late 1920s, motion pictures were a purely visual art, but these innovative silent films had gained a hold on the public imagination. Rather than leave audiences with only the noise of the projector as an accompaniment, theater owners hired a pianist or organist or, in large urban theaters, a full orchestra to play music that fit the mood of the film at any given moment.


30 okt 2011

Traffic in Rotterdam 1930



Black and white, often abbreviated B/W or B&W, and hyphenated black-and-white when used as an adjective, is any of several monochrome forms in visual arts.

Black-and-white images are not usually starkly contrasted black and white. They combine black and white in a continuum producing a range of shades of gray. Further, many monochrome prints in still photography, especially those produced earlier in its development, were in sepia (mainly for archival stability), which yielded richer, subtler shading than reproductions in plain black-and-white.



For the birds


Birds Eye View (BEV) is an organisation established in 2002 to celebrate and support women's work in film, most notably by way of an annual film festival in London that places women at the heart of the creative vision.
Birds Eye View was founded  in 2002, to celebrate and support women filmmakers.

Backed by key figures in the film industry, Birds Eye View describes its work as “a positive response to the fact that women make up only 7% of directors and 12% of writers in the film industry”. The organisation’s work includes an annual festival of films by women filmmakers, held in London, as well as a touring programme and year-round training and career development programmes for emerging women filmmakers in the UK. In addition to promoting work by women filmmakers, Birds Eye View aims to educate audiences about the importance of diversity in film, and to widen the audiences for women-made films and world cinema.

http://www.birds-eye-view.co.uk/

29 okt 2011

Saving Euro Saving



Film distribution is the process through which a film is made available for viewing by an audience. This is normally the task of a professional film distributor, who would determine the marketing strategy of the film, the media by which a film is to be exhibited or made available for viewing, and may set the release date and other matters. The film may be exhibited directly to the public either through a movie theater (historically the main way films were distributed) or television for personal home viewing (including on DVD-Video or Blu-ray Disc, video-on-demand, online downloading, television programs through broadcast syndication etc.). Other ways of distributing a film include rental or personal purchase of the film in a variety of media and formats, such as VHS tape or DVD, or Internet downloading of streaming using a computer.



27 okt 2011

Ain river and region



Ain is a department named after the Ain River on the eastern edge of France. Being part of the region Rhône-Alpes and bordered by the rivers Saône and Rhône, the department of Ain enjoys a privileged geographic situation.

Ain is composed of four geographically different areas (Bresse, Dombes, Bugey and Pays de Gex) which – each with its own characteristics – contribute to the diversity and the dynamic economic development of the department.

Although looking ahead, Ain attaches nevertheless great importance to its historical and cultural heritage as illustrate its gastronomy , and its tourism (346 classified monuments , 14 museums of France, eco-tourism and ski tourism).



25 okt 2011

Taste of Holland



Growth in video journalism coincides with changes in video technology and falling costs. As quality cameras and non-linear editing system(NLE) have become smaller and available at a fraction of their previous prices, the single camera operator method has spread.



Some argue that video journalists can get closer to the story, avoiding the impersonality that may come with larger television crewing. In addition, the dramatically lower costs have made possible the birth of many cinéma vérité-style documentary films and television series.

22 okt 2011

Documentary on Carnival



A DVD documentary is a documentary film of indeterminate length that has been produced with the sole intent of releasing it for direct sale to the public on DVD(s), as different from a documentary being made and released first on television or on a cinema screen (a.k.a. theatrical release) and subsequently on DVD for public consumption.

This form of documentary release is becoming more popular and accepted as costs and difficulty with finding TV or theatrical release slots increases. It is also commonly used for more 'specialist' documentaries, which might not have general interest to a wider TV audience. Examples are military, cultural arts, transport, sports, etc..




Wetlands



20 okt 2011

Grignan petit tour


Home video editing

Like many other technologies, the cost of video editing has declined by an order of magnitude or more. Nearly any home computer sold since the year 2000 has the speed and storage capacity to digitize and edit standard-definition television. The two major retail operating systems include basic video editing software - Apple's iMovie and Microsoft's Windows Movie Maker. There are also more advanced commercial products.

Additionally, there are free, opensource video-editing programs.  A new free and collaborative video editing platform called WeVideo was introduced to the market in September 2011, which allows multiple users and editors for a unified video real.

19 okt 2011

Dutch Countryside





A Costume drama, or period drama, is a period piece in which elaborate costumes, sets and properties are featured in order to capture the ambiance of a particular era.

The term is usually used in the context of film and television. It is an informal, crossover term that can apply to several genres but is most often heard in the context of historical dramas and romances, adventure films and swashbucklers. The implication is that the audience is attracted as much by the lavish costumes as by the content.

18 okt 2011

Hell on Earth



Historically the most common use of churchyards was as a consecrated burial ground known as a graveyard. Graveyards were usually established at the same time as the building of the relevant place of worship (which can date back to the 6th to 14th centuries) and were often used by those families who could not afford to be buried inside or beneath the place of worship itself. However, many churchyards in Northwestern France and in the UK may predate the establishment of the Christian church there today. Most headstones and other memorials are of the 17th century at the earliest, as ground would often be reused for further burials and only some families could afford any memorials.

17 okt 2011

Art in Lyon


Art films are aimed at small niche market audiences, which means they can rarely get the financial backing which will permit large production budgets, expensive special effects, costly celebrity actors, or huge advertising campaigns, as are used in widely-released mainstream blockbuster films. Art film directors make up for these

constraints by creating a different type of film, which typically uses lesser-known film actors (or even amateur actors) and modest sets to make films which focus much more on developing ideas or exploring new narrative techniques or filmmaking conventions.

14 okt 2011

Fly Away


 Filminfo:


Dubbing is the post-production process of recording and replacing voices on a motion picture or television soundtrack subsequent to the original shooting.

The term most commonly refers to the substitution of the voices of the actors shown on the screen by those of different performers, who may be speaking a different language.  "Dubbing" also describes the process of an actor re-recording lines spoken during filming in order to improve audio quality or reflect dialog changes

10 okt 2011

Say cheese


In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed.



A one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special effects) or by happy accident.



Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapboard, which is filmed briefly prior to or at the beginning of the actual take. Only takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor.

8 okt 2011

Schiphol Airport 1939



Aerial photography is the taking of photographs of the ground from an elevated/direct-down position. Usually the camera is not supported by a ground-based structure. Platforms for aerial photography include fixed-wing aircraft, helicopters, unmanned aerial vehicles (UAVs or "drones"), balloons, blimps and dirigibles, rockets, pigeons, kites, parachutes, stand-alone telescoping and vehicle-mounted poles. Mounted cameras may be triggered remotely or automatically; hand-held photographs may be taken by a photographer.

schiphol was a polder under sea level



the old city of Lyon


In the past, most independent filmmakers have relied on film festivals to get their films noticed and sold for distribution. However, the Internet has allowed for relatively inexpensive distribution of independent films. As a result several companies have emerged to assist filmmakers in getting independent movies seen and sold via mainstream internet marketplaces, oftentimes adjacent to popular Hollywood titles. With internet movie distribution, independent filmmakers who fail to garner a traditional distribution deal now have the ability to reach global audiences.



7 okt 2011

(farm)House in Holland



A narrator is, within any story of a movie, the person who tells the story to the audience. When the narrator is also a character within the story, he or she is sometimes known as the viewpoint character. The narrator is one of three entities responsible for story-telling of any kind. The others are the author and the audience.

The author and the audience both inhabit the real world. It is the author's function to create the universe, people, and events within the story. It is the audience's function to understand and interpret the story. The narrator only exists within the world of the story and present it in a way the audience can comprehend.



6 okt 2011

Perouges in dept: Ain


  

The 20th century is not the first to create images of life during medieval times. The Middle Ages ended over five centuries ago and each century has imagined, portrayed and depicted the Middle Ages through painting, architecture, poetry, music and novel. In the 20th century, film has defined Medieval history perhaps more so than any other medium. While the conclusions of academic research and findings of archeology have advanced knowledge of the Middle Ages, nothing has had more widespread influence on more people than the images created by film.

5 okt 2011

Typical French (Champagne)



A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film (namely, serious, comic, etc.). Most theories of film genre are borrowed from literary genre criticism. The basic genres include fiction and documentary, from which subgenres have emerged, such as docufiction and docudrama. Other subgenres include the courtroom and trial-focused drama known as the legal drama. Types of fiction which may seem unrelated can also be combined to form hybrid subgenres, such as the melding of horror and comedy in the Evil Dead films. Other popular combinations are the romantic comedy and the action comedy film.


 

4 okt 2011

Medieval Perouges, the church




Documentary films constitute a broad category of nonfictional motion pictures intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record. A "documentary film" was originally a movie shot on film stock—the only medium available—but now includes video and digital productions that can be either direct-to-video or made for a television program. "Documentary" has been described as a "filmmaking practice, a cinematic tradition, and mode of audience reception" that is continually evolving and is without clear boundaries.


 

2 okt 2011

Tramway



In motion picture terminology, a tracking shot (also known as a dolly shot or trucking shot) is a segment in which the camera is mounted on a camera dolly, a wheeled platform that is pushed on rails while the picture is being taken. One may dolly in on a stationary subject for emphasis, or dolly out, or dolly beside a moving subject (an action known as "dolly with").



1 okt 2011

Flood disaster 1953


The 1953 North Sea flood was a major flood caused by a heavy storm, that occurred on the night of Saturday 31 January 1953 and morning of 1 February 1953. The floods struck the Netherlands, Belgium, England and Scotland.

A combination of a high spring tide and a severe European windstorm over the North Sea caused a storm surge (known locally as a "storm tide"). The combination of wind, high tide and low pressure had the effect that the water level exceeded 5.6 metres (18.4 ft) above mean sea level in some locations. The flood and waves overwhelmed sea defences and caused extensive flooding. The Netherlands, a country that is partly located below mean sea level and relies heavily on sea defences, was worst affected, recording 1,836 deaths and widespread property damage. Most of the casualties occurred in the southern province of Zeeland. In England, 307 people were killed in the counties of Lincolnshire, Norfolk, Suffolk and Essex. 19 were killed in Scotland. 28 were killed in West Flanders, Belgium.



 

30 sep 2011

Lorraine


Insert (filmmaking)
In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action not covered in the master shot.




There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Thus: CLOSE-UP of the gunfighter, INSERT of his hand quivering above the holster, TWO SHOT of his friends watching anxiously, INSERT of the clock ticking.


 

27 sep 2011

Only Lyon



Filminfo:
A cinematograph is a film camera, which also serves as a film projector and developer. It was invented in the 1890

Popular thought, dictates that Louis Lumière was the first to conceptualise the idea, and both Lumière brothers shared the patent. They made their first film, Sortie de l'usine Lumière de Lyon, in 1894. The film was publicly screened at L'Eden, the world's first and oldest cinéma, located in La Ciotat in southeastern France, on September 28, 1895. The first commercial, public screening of cinematographic films happened in Paris on 28 December 1895 and was organised by the Lumière brothers.