The ease and accuracy of tape editing, as compared to the cumbersome disc-to-disc editing procedures previously in some limited use, together with tape's consistently high audio quality finally convinced radio networks to routinely prerecord their entertainment programming, most of which had formerly been broadcast live. Also, for the first time, broadcasters, regulators and other interested parties were able to undertake comprehensive audio logging of each day's radio broadcasts. Innovations like multitracking and tape echo allowed radio programs and advertisements to be produced to a high level of complexity and sophistication. The combined impact with innovations such as the endless loop broadcast cartridge led to significant changes in the pacing and production style of radio program content and advertising.
A road movie is a film genre in which the main characters leave home to travel from place to place, typically altering the perspective from their everyday lives. The term can still apply to scenarios where it can be a misnomer, such as when the plot of a film involves off-road travel.
The genre has its roots in spoken and written tales of epic journeys, such as the Odyssey and the Aeneid. The road film is a standard plot employed by screenwriters. It is a type of bildungsroman, a story in which the hero changes, grows or improves over the course of the story.
The on-the-road plot was used at the birth of American cinema but blossomed in the years after World War II, reflecting a boom in automobile production and the growth of youth culture.
A film score (also sometimes called background score, background music, movie soundtrack, film music or incidental music) is original music written specifically to accompany a film. The score forms part of the film's soundtrack, which also usually includes dialogue and sound effects, and comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question.[1] Scores are written by one or more composers, under the guidance of, or in collaboration with, the film's director or producer and are then usually performed by an ensemble of musicians – most often comprising an orchestra or band, instrumental soloists, and choir or vocalists – and recorded by a sound engineer.
filmarchives online provides easy and free access to catalogue information of film archives from all over Europe. Via the multi-lingual web portal film works can be searched for by content, filmographic data and physical characteristics. Search results provide information about existence and location of the materials as well as contact details to facilitate the access. The focus of the database is on non-fiction material; i.e. documentary and educational films, newsreels, travelogue, advertising, scientific, industrial, experimental, sports films, as well as animation films. filmarchives online is the result of the MIDAS project (Moving Image Database for Access and Re-use of European Film Collections). MIDAS had been initiated as a pilot project in the MEDIA Plus programme of the European Commission. It ran from January 2006 until January 2009 and was carried out by 18 institutions and archives under the lead of the Deutsches Filminstitut – DIF.
A parade with folklore-groups from all over the world
A historical drama (also period drama, costume drama, and period piece) is a dramatic work set in a past time period, usually used in the context of film and television, which presents historical events and characters with varying degrees of fictional elements such as creative dialogue or fictional scenes which aim to compress separate events or illustrate a broader factual narrative
Crossfading
crossfader on a dj mixer essentially functions like two faders connected side-by-side, but in opposite directions. It allows a DJ to fade one source out while fading another source in at the same time. This is extremely useful when beatmatching two phonograph records or compact discs.The technique of crossfading is also used in audio engineering as a mixing technique, particularly with instrumental solos. A mix engineer will often record two or more takes of a vocal or instrumental part and create a final version which is a composite of the best passages of these takes by crossfading between each track.In the perfect case the crossfader would keep constant output level. However, there's no standard how this should be achieved. There are many software applications that feature virtual crossfaders. For instance, burning-software for the recording of audio-cds.
A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wildlife or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.
Montage is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information. The term has been used in various contexts. It was introduced to cinema primarily by Sergei Eisenstein, and early Soviet directors used it as a synonym for creative editing. In French the word "montage" applied to cinema simply denotes editing. The term "montage sequence" has been used primarily by British and American studios, and refers to the common technique as outlined in this article.
The montage sequence is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.
From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects (fades, dissolves, split screens, double and triple exposures) dance and music. They were usually assembled by someone other than the director or the editor of the movie.
The silent 16 mm format was initially aimed at the home enthusiast, but by the 1930s it had begun to make inroads into the educational market. The addition of optical sound tracks and, most notably, Kodachrome in 1935, gave an enormous boost to the 16 mm market. Used extensively in WW2, there was a huge expansion of 16 mm professional filmmaking in the post-war years. Films for government, business, medical and industrial clients created a large network of 16 mm professional filmmakers and related service industries in the 1950s and 1960s. The advent of television production also enhanced the use of 16 mm film, initially for its advantage of cost and portability over 35 mm. At first used as a news-gathering format, the 16 mm format was also used to create television programming shot outside the confines of the more rigid television studio production sets. The home movie market gradually switched to the even less expensive 8 mm film and Super 8 mm format.
an old super 8 mm movie
Gardening has been very popular in Holland at least since the renaissance and today Holland is the centre of Europe's horticultural industry. There are many Dutch gardens from the Baroque period, though they tend to be on a smaller scale then equivalent French gardens – which makes them closer together and much easier to visit. The character of Dutch gardens can be seen from the aerial photographs on our Dutch Garden Finder pages. Holland produces a high proportion of Europe's plant stock but it is not as evident in gardens as one might expect.
As an economically and socially advanced nation, the Netherlands is a low-lying nation, with a sophisticated agricultural sector and high population density. Half of the country lies below 1 meter above sea level, with an eighth of the country lying below sea level. Without an extensive network of dams, dykes and dunes, the Netherlands would be especially prone to flooding. As a predicted outcome of Global Climate Change, sea level rise could impact the Netherlands drastically, leading to social and economic devastation.
Following the independence of Indonesia in 1945, the scope of the museum changed from just the colonial possessions of the Netherlands, to that of many undeveloped colonial states in South America, Africa, and Asia. In the 1960s and 1970s the Ministerie van Buitenlandse Zaken English: Ministry of Foreign Affairs encouraged the museum to expand its scope to more social issues such as poverty and hunger. In the early 1970s a new wing for children was added. This wing is now called Tropenmuseum Junior.
The Tropenmuseum has now started to use semi-permanent exhibits that focus both on domestic and foreign cultures.
The photography collection consists mainly of historical photographs of the former Dutch Colonies from 1855–1940. The museum released a large number of photographs under a Creative Commons licence to the Wikimedia Commons.
Super 8 mm film is a motion picture film format released in 1965 by Eastman Kodak as an improvement of the older "Double" or "Regular" 8 mm home movie format.
The film is nominally 8 mm wide, exactly the same as the older standard 8 mm film, and also has perforations on only one side. However, the dimensions of the perforations are smaller than those on older 8 mm film, which allowed the exposed area to be made larger. The Super 8 standard also specifically allocates the border opposite the perforations for an oxide stripe upon which sound can be magnetically recorded.
Unlike other "super" gauges such as Super 16 and Super 35, the film stock used for Super 8 is not compatible with standard 8mm film cameras.
There are several different varieties of the film system used for shooting, but the final film in each case has the same dimensions. By far the most popular system was the Kodak system
Vikings were the people of the Norse culture, during the Viking Age. They were a seafaring people of north Germanic descent, based in Scandinavia, who raided, traded, explored, and settled in wide areas of Europe, Asia, and the North Atlantic islands, from the late 8th to the mid-11th centuries. The Vikings employed wooden longships with wide, shallow-draft hulls, allowing navigation in rough seas or in shallow river waters. The ships could be landed on beaches, and their light weight enabled them to be hauled over portages. These versatile ships allowed the Vikings to settle and travel as far east as Constantinople and the Volga River in Russia, as far west as Iceland, Greenland, and Newfoundland, and as far south as Nekor. This period of Viking expansion, known as the Viking Age, constitutes an important element of the medieval history of Scandinavia, Great Britain, Ireland, Russia, and the rest of Europe.
In 1965, Super-8 film was released and was quickly adopted by the amateur film- maker. It featured a better quality image, and was easier to use mainly due to a cartridge-loading system that did not require re-loading—and re-threading halfway through. Super 8 was often erroneously criticized, since the film gates in some cheaper Super 8 cameras were plastic, as was the pressure plate built into the cartridge; the standard 8 cameras had a permanent metal film gate that was regarded as more reliable in keeping the film flat and the image in focus. In reality, this was not the case. The plastic pressure plate could be moulded to far tighter tolerances than their metal counterparts could be machined. Super-8 was at one time available with a massive shaft[clarification needed] at the edge of the film, but this only made up 5 to 8% of Super-8 sales and was discontinued in the 1990s.
To easily differentiate Super 8 film from Standard 8, projector spools for the former had larger spindle holes. Therefore, it was not possible to mount a Super 8 spool on a Standard 8 projector, and vice versa.
There has been a huge resurgence of Super-8 film in recent years due to advances in film stocks and digital technology. The idea is to shoot on the low cost Super-8 equipment then transfer the film to video for editing. The transfer of film to video is called telecine.
Those who could afford such luxuries could buy a 16 mm or 8 mm film projector and rent or buy home-use prints of some cartoons, short comedies and brief "highlights" reels edited from feature films. In the case of the 16 mm format, most of these were available with an optical soundtrack, and even some entire feature films in 16 mm could be rented or, at a steep price, bought. 8 mm films almost never ran longer than ten minutes, and only a few were available with a magnetic soundtrack late in the life of the format; the rest were silent. The Super 8 film format, introduced in 1965, was marketed for making home movies but it also boosted the popularity of show-at-home films. Eventually, longer and longer edited-down versions of feature films were issued, increasingly with a magnetic soundtrack and in color, but they were quite expensive and served only a small niche market of very dedicated or affluent film
lovers.
Subject: Sweden through the eyes of an 11 year old Dutch girl
A movie filmed by the daughter in the Withagen family during a holiday in Sweden. Her footage is gently handled by Anton Withagen. The child's impressions are kept - birds in a lake, meals by the road, a river, a zoo details rather than certain places and sights. This movie could be instructive for other parents editing kids' (and their own) footage.
