Civilisation: festivities

 

A costume designer is a person who designs costumes for a film, stage production or television show. The role of the costume designer is to create the characters' outfits or costumes and balance the scenes with texture and colour, etc. The costume designer works alongside the director, scenic, lighting designer, sound designer, and other creative personnel. The costume designer may also collaborate with a hair stylist, wig master, or makeup artist. In European theatre, the role is different, as the theatre designer usually designs both costume and scenic elements. 

 

Plastic crush

 

 

The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post-production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve. 

 

Tarkovsky: filming fire

 

 

Cinematic style In a 1962 interview, Tarkovsky argued: "All art, of course, is intellectual, but for me, all the arts, and cinema even more so, must above all be emotional and act upon the heart." His films are characterized by metaphysical themes, extremely long takes, and images often considered by critics to be of exceptional beauty. Recurring motifs are dreams, memory, childhood, running water accompanied by fire, rain indoors, reflections, levitation, and characters re-appearing in the foreground of long panning movements of the camera.

Tarkovsky developed a theory of cinema that he called "sculpting in time". By this he meant that the unique characteristic of cinema as a medium was to take our experience of time and alter it. Unedited movie footage transcribes time in real time. By using long takes and few cuts in his films, he aimed to give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another.

Filming water: Tarkovsky way

 

 

 In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the distance between the camera and its subject and not to the temporal length of the shot itself. The length of a long take was originally limited to how many film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.

 

Crossing the line on sea

 

 

In filmmaking, the 180-degree rule[1] is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round. 

 

Fantasy movie

 

 

While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather than to entertain or to generate revenue, as is the case with commercial films. 

 

Gif movies movements

 

 

GIFs are suitable for sharp-edged line art with a limited number of colors, such as logos. This takes advantage of the format's lossless compression, which favors flat areas of uniform color with well defined edges.,They can also be used to store low-color sprite data for games. GIFs can be used for small animations and low-resolution video clips, or as reactions in online messaging used to convey emotion and feelings instead of using words. They are popular on social media platforms such as Tumblr, Facebook and Twitter. Videos resolve many issues that GIFs present through common usage on the web. They include drastically smaller file sizes, the ability to surpass the 8-bit color restriction, and better frame-handling and compression through codecs. Virtually universal support for the GIF format in web browsers and a lack of official support for video in the HTML standard caused GIF to rise to prominence for the purpose of displaying short video-like files on the web. 

 

ALIVE

 

 

 Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. 

Livestreaming is streaming media simultaneously recorded and broadcast over the internet in real-time or near real-time. It is often referred to simply as streaming. Non-live media such as video-on-demand, vlogs, and YouTube videos are technically streamed, but not live-streamed.

Pastorale

 

Melodrama films are a subgenre of drama films characterized by plots that appeal to the heightened emotions of the audience. Melodramatic films commonly use plots that involve crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship. The stock characters present in melodrama films include victims, couples, virtuous and heroic characters, and suffering protagonists (usually heroines). These characters are faced with tremendous social pressures, threats, repression, fears, improbable events or difficulties with friends, community, work, lovers, or family. Following the typical melodramatic format, the characters work through their difficulties and surmount the problems. A common point of plot tension sees characters feeling trapped by the typical melodramatic settings of the domestic sphere of the home or small town. Filmmakers often add flashbacks to expand the otherwise constant settings of melodramatic films.

Living Building Materials

 

 

Live action (or live-action) is a form of cinematography or videography that uses photography instead of animation. Some works combine live-action with animation to create a live-action animated film. Live-action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live-action" In producing a movie, both live-action and animation present their own pros and cons. Unlike animation, live-action involves the photography of actors and actresses, as well as sets and props making the movie seem personal and as close to reality as possible. The only drawback is one's budget. On the other hand, animation works well in conveying abstract ideas but it generally takes much longer to produce

 

 

 

Hypocrites

 

Organizations sometimes seek publicity by staging newsworthy events that attract media coverage. They can be in the form of groundbreakings, world record attempts, dedications, press conferences, or organized protests. By staging and managing these types of events, the organizations attempt to gain some form of control over what is reported in the media. Successful publicity stunts have news value, offer photo, video, and sound bite opportunities, and are arranged primarily for media coverage.

 

Ancient Fashion

 

 

 historical drama (also period drama, period piece or just period) is a dramatic work set in a past time period, usually used in the context of film and television, which presents historical events and characters with varying degrees of fictional elements such as creative dialogue or fictional scenes which aim to compress separate events or illustrate a broader factual narrative. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romances, adventure films, and swashbucklers. Historical drama can be differentiated from historical fiction, which generally present fictional characters and events against a backdrop of historical events. A period piece may be set in a vague or general era such as the Middle Ages, or a specific period such as the Roaring 

 

Wedding film

 

 

Unique storytelling which features real, pure emotion. 

A wedding film more than just a wedding film – it’s an experience. We all dream about the perfect wedding, about the perfect wedding film. That proud look on your father’s face. That little bow in your hair. A tear rolling down your grandmother’s cheek. And because only the best is good enough for your wedding, use only high-end and true cinema gear to capture your film. 

 

 

Magic Movies

 

Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art"[1] because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film’s editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.” 

 

Slices of Time in Cinema.

 

Photography was the basis for the moving images that later developed into cinematography. In the 1870s Eadweard Muybridge, an English photographer living in California, used multiple cameras to capture the movement of animals. He then projected these still images in rapid sequence to show horses galloping, creating the first motion picture.

Stop-motion a magical world.

 

 

Stop motion animator and director Victor Haegelin is better known as Patagraph on Instagram. In this episode of Creators, we visit his studio to see how he creates his magic on screen. Victor wanted to make his own animation films but he had a small problem… he couldn’t draw. He also didn’t know how to create 3D animation on a computer. The solution he found was stop motion animation. “It’s a technique that is very affordable,” says Victor. “Meaning, you can actually tell stories and make films very quickly with very few resources.”

 

Caminandes cartoon

 

The Blender Foundation is a Dutch nonprofit organization (Stichting) responsible for the development of Blender, an open source 3D content-creation program. The foundation is chaired by Ton Roosendaal, the original author of the Blender software. One of the foundation's stated goals is "to give the worldwide Internet community access to 3D technology in general, with Blender as a core". The foundation provides various resources to support the community formed around using and developing Blender. In particular, it organizes an annual Blender Conference in Amsterdam to discuss plans for the future of Blender, as well as staffing a booth to represent Blender at SIGGRAPH. Donations are also used to maintain the Blender website and hire developers to improve the Blender software.

Warm and wet: Cinema Ecologica

 

 

">Film directors have used fiction to show how humans relate to nature, in all genres. Think of disaster films, films about pandemics, underwater creatures that can talk or plant life forms that colonize the bodies and minds of earthlings. Much is uncertain in life, except for one thing: the climate crisis. You can see how film directors have portrayed the relationship between man and planet Earth at Cinema Ecologica: from nail-biting disaster film to artistic meditation, from romantic experience of nature to bewildering science fiction. 

 

Multi-movie

 

 

On the ruins of the Anthropocene, humanity has made way for a rich biotope teeming with mixed life-forms: human, animal, machine hybrids; artificially created biochemical life-forms, genetically manipulated creatures, chemical robots, and autonomous artificial intelligence. 

There is no competition, only symbiosis. This is a shared habitat, and all the resources, bodies, and information that it contains are also shared. In this performative VR experience, each "player" becomes one of the various creatures: a fusion of either human and animal, or human and technology. 

To complete their symbiosis, the virtual world they are presented with is augmented with scent and physical aids. How does hybridization with other creatures affect us as humans? And what philosophical, legal, emotional, or physical consequences might this fusion have?

 

Hero

 

Blender is released under the GNU General Public License (GPL, or “free software”). This license grants people a number of freedoms: • You are free to use Blender, for any purpose • You are free to distribute Blender • You can study how Blender works and change it • You can distribute changed versions of Blender The GPL strictly aims at protecting these freedoms, requiring everyone to share their modifications when they also share the software in public. That aspect is commonly referred to as Copyleft. The Blender Foundation and its projects on blender.org are committed to preserving Blender as free software.