In cinematography and photography, panning means swivelling a still or video camera horizontally from a fixed position. This motion is similar to the motion of a person when they turn their head on their neck from left to right. In the resulting image, the view seems to "pass by" the spectator as new material appears on one side of the screen and exits from the other, although perspective lines reveal that the entire image is seen from a fixed point of view.
The development of home movie-making has depended critically on the availability of equipment and media formats (film stock, video tape, etc.) at prices affordable to consumers. The introduction of film formats suitable for amateur hobbyists began early in the history of cinematography. Amateur film equipment became standardized in the 1920s and 30s with the 9.5 mm, 16 mm, and 8 mm formats. By the late 1950s, home movies became cheaper to make, becoming available to the middle class. In the mid-1960s, Super 8's ease of use led to home movies being even more popular
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A technique in which the frequency at which film frames are captured is much lower than the frequency at which they are played back when viewing the sequence. When played at a normal playback speed, time appears to be moving faster or "lapsing". For example, if images of a scene are captured at a rate of 1 frame per second but then played back at a standard 30 frames per second, the resulting sequence appears to be occurring 30 times faster than it did in reality. Time-lapse photography is the opposite of high-speed or slow-motion photography, in which film is captured at a much higher rate than at which it is played back, appearing to slow down an otherwise fast action.
In filmmaking, a pitch is a concise verbal (and sometimes visual) presentation of an idea for a film or TV series generally made by a screenwriter or film director to a film producer or studio executive in the hope of attracting development finance to pay for the writing of a screenplay. The expression is borrowed from "sales pitch". A pitch is used throughout different stages of production, such as casting and distribution, as well as to urge film producers to further fund a project.
In filmmaking, a pick-up is a small, relatively minor shot filmed or recorded after the fact to augment footage already shot. When a pick-up shot is created in this manner to be edited into the middle of an existing shot, the script supervisor must ensure the director also creates "bridge shots" to bridge what would otherwise look like jarring jump cuts from the master shot to the pick-up shot and back. These can be close-ups, cutaways, or shots of the same scene from different angles
Determining which films should count as the first educational films is controversial. Some researchers suggest that the first educational films were shown in St. Petersburg in 1897, while other studies determined that the first educational films were inspired by the newsreel in 1913. The increasing number of educational films prove that the production of such films started in the early 1900s. In the 1910s and 1920s, the production, distribution and exhibition of education film became gradually institutionalized, which happened differently in different countries.
Film archives collect, restore, investigate and conserve audiovisual content like films, documentaries, television programs and newsreel footage. Often, a country has its own film archive to preserve the national audiovisual heritage. The International Federation of Film Archives comprises more than 150 institutions in over 77 countries and the Association of European Film Archives and Cinematheques is an affiliation of 49 European national and regional film archives founded in 1991.
Genre is any style or form of communication in any mode (written, spoken, digital, artistic, etc.) with socially agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, based on some set of stylistic criteria.
Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility.
Film, as a form of mass communication, is itself also considered a medium in the sense used by fields such as sociology and communication theory (see also mass media). These two definitions of medium, while they often overlap, are different from one another: television, for example, utilizes the same types of artistic media as film, but may be considered a different medium from film within communication theory
Eye Filmmuseum presents the first exhibition in the Netherlands about the work of Catalan film and theatre director Albert Serra. Transforming the entire exhibition space into an immersive stage, Serra orchestrates nocturnal and clandestine encounters where theatre, cinema, and art converge. This exhibition offers a bewildering total experience, blending theatrical and cinematic elements, inviting visitors into a world reminiscent of the vibrant landscapes of rococo painters Jean-Honoré Fragonard and François Boucher, combined with the contemporary atmosphere of cruising zones. Amidst the grand projected scenes from Liberté, Serra engages participants in a captivating game of observation and participation, exploring the essence of 'ultimate freedom'
Montage is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.
Subtitles are texts representing the contents of the audio in a film, television show, opera or other audiovisual media. Subtitles might provide a transcription or translation of spoken dialogue. Although naming conventions can vary, captions are subtitles that include written descriptions of other elements of the audio, like music or sound effects. Captions are thus especially helpful to people who are deaf or hard-of-hearing. Subtitles may also add information that is not present in the audio
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
A story is a short sequence of images, videos, or other social media content, which can be accompanied by backgrounds, music, text, stickers, animations, filters or emojis. Social media platforms typically advance through the sequence automatically when presenting a story to a viewer. Although the sequential nature of stories can be used to tell a narrative, the pieces of a story can also be unrelated. Social media platforms that offer stories will typically have a primary story for each user which consists of everything the user posted to their story over a certain period of time, usually the most recent 24 hours. Most stories cannot be changed afterwards and are only available for a short time. Stories are almost exclusively created on a mobile device such as a smartphone or tablet computer and are usually displayed vertically
Study Your Favorite Movies First thing’s first: What is it about the cinematic effect that moves you enough to want to replicate them in your own photos? What’s your inspiration? This is a great place to start. Watch movies that you found compelling. What did they do right? Was it the color palette? The contrast? The scenery itself? Write down everything you like about it. Observe how every shot is composed, and pay attention to how lighting establishes mood. This will help you transfer that essence to your imager
Film criticism is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars, who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers, magazines and other popular mass-media outlets. Academic film criticism rarely takes the form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole
Celluloid Remix 2: Found Footage.
EYE and Beelden voor de Toekomst organised this video remix competition with historical fragments from EYE's film collection. Creatives remixed this special film material into a total of 75 new, short films.
Maker: danielgrapes
Publicatiedatum: 24 april 2012
A sequence shot is a shot, a long take, that includes a full narrative sequence containing the full scene in its duration, meaning different locations or different time periods. The term is usually used to refer to shots that constitute an entire scene. Such a shot may involve sophisticated camera movement. It is sometimes called by the French term plan-séquence. The use of the sequence shot allows for realistic or dramatically significant background and middle ground activity. Actors range about the set transacting their business while the camera shifts focus from one plane of depth to another and back again. Significant off-frame action is often followed with a moving camera, characteristically through a series of pans within a single continuous shot.
Tell a Story Just because photographs capture a single instant doesn’t mean they can’t also communicate a narrative. After all, what are movies, but a series of moving images? When telling a story through a single image, think about including contrasting or competing elements in the shot. Think about how the viewer will interpret the variety. They say that a picture is worth a thousand words. And it’s true.
Multimedia is a form of communication that uses a combination of different content forms, such as writing, audio, images, animations, or video, into a single interactive presentation, in contrast to traditional mass media, such as printed material or audio recordings, which feature little to no interaction between users. Popular examples of multimedia include video podcasts, audio slideshows, and animated videos. Multimedia also contains the principles and application of effective interactive communication, such as the building blocks of software, hardware, and other technologies.
Mood What separates cinematic images from others is that you can virtually feel them. Mood is the most essential element of cinema, after all. It’s how filmmakers and cinematographers capture and engross audiences. Creating a mood requires a combination of lighting, setting, modeling, and color, all of which you’ll be working to enhance in post-production. Some things to consider are the angle you’re shooting, your color palette, and the overall vibe of the location. How do they make you feel? Is that feeling communicated in your photos? Don’t wait until you get to the editing room to find out. Trial and error is advised.
A film's genre will influence the use of filmmaking styles and techniques, such as the use of flashbacks and low-key lighting in film noir; tight framing in horror films; or fonts that look like rough-hewn logs for the titles of Western films.
In addition, genres have associated film scoring conventions, such as lush string orchestras for romantic melodramas or electronic music for science fiction films. Genre also affects how films are broadcast on television, advertised, and organized in video rental stores
