Not that they didn’t have that before. iPhones have been used to make shorts and other types of films before—there are even multiple iPhone film festivals—but what the iPhone 6 offers is what Apple’s Phil Schiller called “technology used by high-end DSLRs” during yesterday’s product announcement. Coupled with the ability to grab 1080p high-definition clips at 60 frames per second, take 240-fps slow-motion shots, provide cinematic video stabilization, and offer up to 128 gigabytes of storage, there’s more than enough oomph in the iPhone 6 for a few takes. It’s the kind of power that could, like other developments in filmmaking technology, give rise to a whole new style of moviemaking.
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the 'golden age' of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most highly acclaimed work. Many British actors have achieved international fame and critical success, including Michael Caine, Sean Connery. The identity of the British industry, and its relationship with Hollywood, has been the subject of debate. The history of film production in Britain has often been affected by attempts to compete with the American industry.
Numerous British-born directors, including Alfred Hitchcock and performers, such as Charlie Chaplin and Cary Grant, have achieved success primarily through their work in the United States.
Dubbing, mixing, or re-recording, is a post-production process used in filmmaking and video production, in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a "dub stage." After Sound Editors edit and prepare all necessary tracks (dialogue, ADR, effects, foley, and music), the dubbing mixer or mixers proceed to balance all of the elements and record the finished soundtrack. "Dubbing" is sometimes confused with automated dialogue replacement (ADR), also incorrectly known as "additional dialogue recording", in which the original actors re-record and synchronize audio segments. Outside of the film industry, the term "dubbing" most commonly refers to the replacement of the voices of the actors shown on the screen with those of different performers speaking another language.
Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.
A common example is a man walking up to a door and reaching for the knob. Just as his hand touches the knob, the scene cuts to a shot of the door opening from the other side.
Although the two shots may have actually been shot hours apart from each other, cutting on action gives the impression of continuous time when watching the edited film. By having a subject begin an action in one shot and carry it through to completion in the next, the editor creates a visual bridge, which distracts the viewer from noticing the cut or noticing any slight continuity error between the two shots.
A variant of cutting on action is a cut in which the subject exits the frame in the first shot and then enters the frame in the subsequent shot. The entrance in the second shot must match the screen direction and motive rhythm of the exit in the first shot.
In filmmaking, a pick-up is a small, relatively minor shot filmed or recorded after the fact to augment footage already shot. When entire scenes are redone, it is referred to as a re-shoot. In news studios, the term is more commonly called "insert" or "reaction shots". Local news stations send just one remote camera to cover a story. This is called PSC, or Portable Single Camera. After the interview, the subject is then asked to "react to questions" and the camera then takes various shots ex-post-facto. The reactions from angles other than the original shoot are then edited into the final cut.
A character sketch is an abbreviated portrayal of a particular characteristic of people. The term originates in portraiture, where the character sketch is a common academic exercise. Following the translation of Theophrastus's Characters into English, a number of British and American painters attempted to illustrate the "types" of humanity. As late as William Hogarth, portraitists were doing studies of (in his case) Nine heads. The artist performing a character sketch attempts to capture an expression or gesture that goes beyond coincident actions and gets to the essence of the individual.
The on-the-road plot was used at the birth of American cinema but blossomed in the years after World War II, reflecting a boom in automobile production and the growth of youth culture.
The NCJF archive exclusively owns an estimated 10,000 cans of film (35 mm, 16 mm, 8 mm, super 8) and thousands of master videotapes. This collection of feature films, documentaries, fiction and non-fiction short films, newsreels, home movies, and institutional films includes material dating from 1903 to the present. These films address a wide range of topics, including: the Jewish immigrant experience in America, Yiddish theatre and cinema, pre–World War II European Jewry, the Holocaust, Judaism and the arts and music, relations between Jews and other groups, Sephardic culture, Israeli history, and Hollywood portrayals of Jewish life.
A "time loop" or "temporal loop" is a plot device in which periods of time are repeated and re-experienced by the characters, and there is often some hope of breaking out of the cycle of repetition. Time loops are sometimes referred to as causal loops, but these two concepts are distinct. Although similar, causal loops are unchanging and self-originating, whereas time loops are constantly resetting. In a time loop when a certain condition is met, such as a death of a character or a clock reaching a certain time, the loop starts again, with one or more characters retaining the memories from the previous loop. Stories with time loops commonly center on the character learning from each successive loop through time. A popular term for a time loop is "groundhog day", a reference to the eponymous movie.
According to 2014 data based on the 2011 census, 62.3 percent of the population speaks German (Standard German in the written norm and an Austro-Bavarian dialect in the spoken form); 23.4 percent of the population speaks Italian, mainly in and around the two largest cities (Bolzano and Merano); 4.1 percent speaks Ladin, a Rhaeto-Romance language; 10.2% of the population (mainly recent immigrants) speaks another language as first language.
South Tyrol is granted a considerable level of self-government, consisting of a large range of exclusive legislative and executive powers and a fiscal regime that allows the province to retain a large part of most levied taxes, while nevertheless remaining a net contributor to the national budget. As of 2011, South Tyrol is among the wealthiest regions in Italy and the European Union.
There are many different types of video production. The most common include film and TV production, television commercials, internet commercials, corporate videos, product videos, customer testimonial videos, marketing videos, event videos, wedding videos. The term "Video Production" is reserved only for content creation that is taken through all phases of production (Pre-production, Production, and Post-production) and created with a specific audience in mind. A person filming a concert, or their child's band recital with a smartphone or video camera for the sole purpose of capturing the memory would fall under the category of "home movies" not video production.
France is the birthplace of cinema and was responsible for many of its significant contributions to the art form and the film-making process itself. Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government
Sports films have been made since the era of silent films, such as the 1915 film The Champion starring Charlie Chaplin. Films in this genre can range from serious (Raging Bull) to silly (Horse Feathers). A classic theme for sports films is the triumph of an individual or team who prevail despite the difficulties.
A super8 mm film.
Animal training refers to teaching animals specific responses to specific conditions or stimuli. Training may be for purposes such as companionship, detection, protection, and entertainment. The type of training an animal receives will vary depending on the training method used, and the purpose for training the animal. For example, a seeing eye dog will be trained to achieve a different goal than a wild animal in a circus.
In some countries, including the United Kingdom, animal trainer certification bodies exist. They do not share consistent goals or requirements,they don't prevent someone from practicing as an animal trainer nor using the title. Similarly, the United States does not require animal trainers to have any specific certification. An animal trainer should consider the natural behaviors of the animal and aim to modify behaviors through a basic system of reward and punishment
The development of home movie-making has depended critically on availability of equipment and media formats (film stock, video tape, etc.) at prices affordable to consumers.
Development of film formats suitable for amateur hobbyists began early in the history of cinematography. For example, the 17.5 mm "Birtac" format was patented by Birt Acres in 1898. This format split the standard 35 mm film into two strips half as wide and was able to be loaded into the camera in daylight. Since the frames were also half the height of 35 mm frames, the Birtac format used only 25% of the amount of film stock used by 35 mm. Since the camera doubled as a printer and projector, equipment costs were also reduced.
War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war films often end with them. Themes explored include combat, survival and escape, camaraderie between soldiers, sacrifice, the futility and inhumanity of battle, the effects of war on society, and the moral and human issues raised by war.
