BOZ a fine city

A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.

It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.

Birds' empire

A bird's-eye view is an elevated view of an object from above, with a perspective as though the observer were a bird, often used in the making of blueprints, floor plans and maps.

It can be an aerial photograph, but also a drawing. Before manned flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high locations (for example a mountain or tower), from those constructed from an imagined (bird's) perspectives. Bird's eye views as a genre have existed since classical times. The last great flourishing of them was in the mid-to-late 19th century, when bird's eye view prints were popular in the United States and Europe.

The terms aerial view and aerial viewpoint are also sometimes used synonymously with bird's-eye view. The term aerial view can refer to any view from a great height, even at a wide angle, as for example when looking sideways from an airplane window or from a mountain top. Overhead view is fairly synonymous with bird's-eye view but tends to imply a less lofty vantage point than the latter term. For example, in computer and video games, an "overhead view" of a character or situation often places the vantage point only a few feet above human height.

Toonder studios

Marten Toonder may well go down in history as the most important Dutch author of comics. Undoubtedly, there is no comic artist who has put his mark on the Dutch comics scene like Toonder. His creations have been published in dailies and periodicals all over the world. His most famous series was 'Tom Poes en Heer Bommel' ('Tom Puss and Mr. Bumble'), which ran virtually non-stop for nearly 45 years. Toonder has received a great many awards and honorary distinctions for both his illustrating skills and the quality of his literary output.

He co-founded Geesink-Toonder Produkties in Amsterdam, with Joop Geesink, producing comics and animated films for companies like the Dutch Railways and Philips. The company also commenced working on a feature film starring 'Tom Puss', financed by the German film company Degeto. Although the film was never finished, it proved an opportunity to secure several artists from forced labour in Germany. The collaboration with Geesink lasted until 1943, when Geesink began to devote himself to puppet animation.

Renewed state museum

The Rijksmuseum (English: State Museum) is a Dutch national museum dedicated to arts and history in Amsterdam in the Netherlands. The museum is located at the Museum Square in the borough Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
The Rijksmuseum was founded in The Hague in 1800 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and was originally opened in 1885, but was closed for renovation from 2003 to 2013. On 13 April 2013, the main building was reopened by Queen Beatrix after the ten year renovation which cost € 375 million.
The museum has on display 8,000 objects of art and history, from their total collection of 1 million objects from the years 1200–2000, among which are some masterpieces by Rembrandt, Frans Hals, and Johannes Vermeer. The museum also has a small Asian collection which is on display in the Asian Pavilion.

Snow-white Amsterdam

With the arrival of commercially viable charge-coupled device (CCD) technology in the 1980s, first the pickup video-tubes were replaced with this kind of sensor. Later, higher scale integration electronics was applied (mainly by Sony), simplifying and even removing the intermediate optics, thereby reducing the size of home video cameras and eventually leading to the development of full camcorders. Current webcams and mobile phones with cameras are the most miniaturized commercial forms of such technology.

Elements of Mardi Gras

Creative Commons just reached an exciting milestone. As of this week, there are four million Creative Commons–licensed videos on YouTube. That’s over forty years’ worth of footage to remix and reuse, all licensed under CC BY, the most permissive CC license.


One thing that makes this mass of CC-licensed content really exciting is that all four million of those videos can be imported into YouTube’s online video editor. By letting people remix and adapt videos without having sophisticated editing software or expertise, YouTube and CC are making it easier for anyone to build on the work of others. And that’s pretty cool.

Archives for film and video

The Prelinger Archives is a collection of films relating to U.S. cultural history, the evolution of the American landscape, everyday life and social history. The Archives were founded by Rick Prelinger in 1981] in order to preserve what he calls "ephemeral" films: films sponsored by corporations and organizations, educational films, and amateur and home movie
The stated goal of the Prelinger Archives is to "collect, preserve, and facilitate access to films of historic significance that haven't been collected elsewhere."



The archives of the Netherlands Institute for Sound and Vision of EYE in Amsterdam, and of the National Archive in The Hague contain the visual history of the past 100 years. Films, documentaries, radiobroadcast, and television programmes comprise more than 700.000 hours worth of material.
The main goal of the project is realising maximum accessibility to the audiovisual material for the targeted user groups (educational institutions, the general public, and the creative sector). To reach this goal, Images for the Future is developing and offering innovative services and applications.

Famous Townhall

Duderstadt 180m, in the district Goettingen in southern Lower Saxony. Panoramic over the rooves of the town.


Construction of the Rathaus (city council building) began in 1302, with additional wings and components added until 1674. It was completely restored in the 1980s and most recently in 2002. At particular hours, a carillon plays from one of the towers as a bust of the "Anreis" (also: "Anreischke") comes out and nods.

Making of raining frogs and fish

Special effects are traditionally divided into the categories of optical effects and mechanical effects. With the emergence of digital film-making tools a greater distinction between special effects and visual effects has been recognized, with "visual effects" referring to digital post-production and "special effects" referring to on-set mechanical effects and in-camera optical effects.

Optical effects (also called photographic effects), are techniques in which images or film frames are created photographically, either "in-camera" using multiple exposure, mattes, or the Schüfftan process, or in post-production processes using an optical printer. An optical effect might be used to place actors or sets against a different background.

Mechanical effects (also called practical or physical effects), are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, pyrotechnics and Atmospheric Effects: creating physical wind, rain, fog, snow, clouds etc. Making a car appear to drive by itself, or blowing up a building are examples of mechanical effects. Mechanical effects are often incorporated into set design and makeup. For example, a set may be built with break-away doors or walls to enhance a fight scene, or prosthetic makeup can be used to make an actor look like a monster.

Restoration

The film restoration, movement is an ongoing project among film historians, archivists, museums, cinematheques, and non-profit organizations to rescue decaying film stock and preserve the images which they contain. In the widest sense, preservation nowadays assures that a movie will continue to exist, as close to its original form as possible.
For many years the term “preservation” used to be a synonym of “duplication” only. The preservationist’s goal was to create a durable copy without significant loss of quality. Film preservation now holds the concepts of handling, duplication, storage, and access. The archivist seeks to protect the film and share the content with the public.

Goslar: marketplace

One can think of digital storytelling as the modern extension of the ancient art of storytelling, now interwoven with digitized still and moving images and sound. Thanks to new media and digital technologies, individuals can approach storytelling from unique perspectives. Many people use elaborate non-traditional story forms, such as non-linear.

Deutschland Mitte

Forget Form. There is No Form.
So what is a screenplay, or what might it be?
A screenplay is an exploration. It’s about the thing you don’t know. It’s a step into the abyss. It necessarily starts somewhere, anywhere; there is a starting point but the rest is undetermined. It is a secret, even from you. There’s no template for a screenplay, or there shouldn’t be. There are at least as many screenplay possibilities as there are people who write them. We’ve been conned into thinking there is a pre-established form. Like any big business, the film business believes in mass production. It’s cheaper and more efficient as a business model.

 

Rundgang Gottingen

Before the widespread use of non-linear editing systems, the initial editing of all films was done with a positive copy of the film negative called a film workprint (cutting copy in UK) by physically cutting and pasting together pieces of film, using a splicer and threading the film on a machine with a viewer such as a Moviola, or "flatbed" machine such as a K.-E.-M. or Steenbeck. Today, most films are edited digitally (on systems such as Avid or Final Cut Pro) and bypass the film positive workprint altogether. In the past, the use of a film positive (not the original negative) allowed the editor to do as much experimenting as he or she wished, without the risk of damaging the original.

Vue de Sud de France

In video display technology, panning refers to the horizontal scrolling of an image that is wider than the display.
Panning a camera results in a motion similar to that of someone shaking their head "no" or of an aircraft performing a yaw rotation.

Filmmaking and professional video cameras pan by turning horizontally on a vertical axis, but the effect may be enhanced by adding other techniques, such as rails to move the whole camera platform. Slow panning is also combined with zooming in or out on a single subject, leaving the subject in the same portion of the frame, to emphasize or de-emphasize the subject respectively.

Schones Sauerland

 

 

 Go widescreen? Video in general is slowly moving away from a square aspect ratio (like old TVs) to widescreen. Traditional TV is presented in a 4:3 aspect ratio while HDTV and much modern WEb video is moving to a wider ratio of 16x9. If you have a high-end video camera that can shoot in 16x9 its recommend doing it.

Eau du Midi

Discontinuous editing describes the deliberate or accidental violation of rules of continuity when editing films. The viewer's expectation of continuity can be violated by such methods as changing image size or tone between shots, changing direction or changing shots before the viewer has time to recognize what is happening. It is also known as montage editing, and employs a series of often rapid and non-matching cuts which creates a style the audience is conspicuously aware of, or alternatively that create uneven and unpredictable rhythms and emphasize the rapidity of movement between images.

Zum Harz

 

Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.] Although the two shots may have actually been shot hours apart from each other, cutting on action gives the impression of continuous time when watching the edited film. By having a subject begin an action in one shot and carry it through to completion in the next, the editor creates a visual bridge, which distracts the viewer from noticing the cut or noticing any slight continuity error between the two shots.

L'Uzege beaucoup de couleurs

The first color systems that appeared in motion pictures were additive color systems. Additive color was practical because no special color stock was necessary. Black-and-white film could be processed and used in both filming and projection. The various additive systems entailed the use of color filters on both the movie camera and projector.

The first successful subtractive color system began with Kodak's Kodachrome system. Using duplitized film, red and green records were exposed. By bleaching away the silver and replacing it with color dye, a color image was obtained.

Kodachrome, however, did not find much use in the commercial market.

Karst wellspring

What Exactly is Karst?
Karst is a landscape formed from the dissolution of soluble rocks including limestone, dolomite and gypsum. It is characterized by sinkholes, caves, and underground drainage systems . Nearly all surface karst features are formed by internal drainage, subsidence, and collapse triggered by the development of underlying caves Rainwater becomes acidic as it comes in contact with carbon dioxide in the atmosphere and the soil. As it drains into fractures in the rock, the water begins to dissolve away the rock creating a network of passages. Over time, water flowing through the network continues to erode and enlarge the passages; this allows the plumbing system to transport increasingly larger amounts of water This process of dissolution leads to the development of the caves, sinkholes, springs, and sinking streams typical of a karst landscape

Borderline

The Inner German border was the frontier between the German Democratic Republic and the Federal Republic of Germany from 1949 to 1990. Not including the similar but physically separate Berlin Wall, the border was 1,393 kilometres long and ran from the Baltic Sea to Czechoslovakia.


It was formally established on 1 July 1945 as the boundary between the Western and Soviet occupation zones of Germany. On the eastern side, it was made one of the world's most heavily fortified frontiers, defined by a continuous line of high metal fences and walls, barbed wire, alarms, anti-vehicle ditches, watchtowers, automatic booby traps and minefields. It was patrolled by 50,000 armed GDR guards. The border was a physical manifestation of Winston Churchill's metaphorical Iron Curtain that separated the Soviet and Western blocs during the Cold War.

Shadow Storytelling

Wayang Kulit in Central Java is probably one of the oldest continuous traditions of storytelling in the world, and certainly among the most highly developed. The ancient Indonesian art of shadow play is a unique combination of ritual, lesson, and entertainment. Lacy shadow images are projected on a taught linen screen with a coconut oil lamp or electric light. The Dalang, or shadow artist, manipulates carved leather figures between the lamp and the screen to bring the shadows to life.

Wayang kulit is widely acknowledged as one of the points of origin for modern film and theatre, certainly in Malaysia and the neighbouring regions.. It is believed that while there is clear technical evolution that led to modern day filmmaking, the art of wayang kulit has contributed immensely to the film appreciation in the region.

Turn-Around

The Documentary film of the Netherlands has long been renowned world wide. The most prominent Dutch directors, especially those who started their careers before World War II, came from a documentary background, for instance Joris Ivens and Bert Haanstra. Since the early 1970s, however, documentary production aimed at a theatrical release has declined, perhaps due to a shift towards television

Documentaries still play an important part in Dutch film industry. The International Documentary Film Festival Amsterdam, held annually in November, is considered one of the largest documentary film festivals in the world.

Camargue

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Such programs are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema.
Most programs or series focus on a particular species, ecosystem or scientific idea (such as evolution). Although most take a scientific and educational approach, some anthropomorphise their subjects or present animals purely for the viewer's pleasure.

Although almost all have a human presenter, the role varies widely, ranging from explanatory voiceovers to extensive interaction or even confrontation with animals.

Interactive Scene Machine

 

The Scene Machine Live (TSML) is/ was an interactive installation that presents the public with an accessible way into the film collection of the EYE Film Institute Netherlands. The ‘machine’ contains over a thousand intriguing Dutch film clips from the EYE collection: in colour and black and white, encompassing fiction and non fiction.

TSML allows users to access unique film clips in a simple and intuitive way. Users can choose from a number of pre-arranged themes or put together their own theme by making a selection from more than 200 key words including “love”, “bicycle”, “music”, “night” and “sorrow”. The TSML’s clever technology makes it possible to play different clips alongside each other and gives rise to all kinds of surprising connections between the images. .

Early Dutch Clip

A clip or song video is a short film integrating a song and imagery, mostly produced for promotional or artistic purposes. Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings. Although the origins of music videos date back much further, they came into prominence in the 1980s, when MTV based their format around the medium. Prior to the 80s, these works were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip" or "film clip".

Display of the Tropics

The Tropenmuseum (English: Museum of the Tropics) is an anthropological museum One of the largest museums in Amsterdam, the museum accommodates eight permanent exhibitions and an ongoing series of temporary exhibitions, including both modern and traditional visual arts and photographic works. The Tropenmuseum is owned and operated by the Royal Tropical Institute, a foundation that sponsors the study of tropical cultures around the world.
The museum houses 175,000 objects, 155,000 photographs and 10,000 miscellaneous drawings, paintings, and documents. It inherited 15,000 of these from the Ethnographisch Museum Artis. These objects are split up into many collections. The museum houses collections for many geographical areas such as Southeast Asia, South Asia, West Asia & North Africa, Sub-Saharan Africa, Latin America and the Caribbean. The photography collection consists mainly of historical photographs of the former Dutch Colonies from 1855–1940. The museum released a large number of photographs under a Creative Commons licence to the Wikimedia Commons.

Two Drops of Water

The Darkroom of Damocles (Dutch: De donkere kamer van Damokles) is a war novel by the Dutch writer Willem Frederik Hermans, published in 1958. An immediate success since it was first published, the novel has been printed in numerous editions and is one of the greatest World War II novels. The book has been translated into English twice, in 1962 by Roy Edwards, and again in 2007 by Ina Rilke. It was adapted into the 1963 film Like Two Drops of Water, directed by Fons Rademakers.
It was entered into the 1963 Cannes Film Festival and was selected as the Dutch entry for the Best Foreign Language Film at the 36th Academy Awards

Duchy of Uzes

The history of Uzès:
The first dwellers here established a base around the source of the Eure. The Romans, attracted by the spring's flow, drew upon it to provide fresh water to the rapidly expanding town of Nîmes, and a 50 km-long aqueduct was designed and built during the first century AD… but that is another story!
From the fifth century, Uzès started to grow, and the town was host, until the 19th century, to a powerful bishopric, regrouping up to 200 parishes.

Steeped in Protestant religion, the city took sides with the French Reformation movement and suffered greatly during the Religious Wars, with a great many churches and temples being destroyed. Amongst these was the Cathedral of Saint-Théodorit, which was rebuilt in 1632, retaining its original bell tower. The picturesque Fenestrelle tower, with its round bell tower, dates back to the 12th century and remains one of the city's most iconic symbols.

During the 16th century, the count Antoine de Crussol was bestowed the title of Duke and in 1632, Uzès became the 1st duchy of France. The castle, symbol of Uzès (and inhabited to this day by the de Crussol family, is a harmonious blend of architecture and ornaments from different periods of French history: it features thousand-year old caves, feudal towers (the Tour de Bermonde, the Tour du Roi and the Tour de l'Evêché), ramparts, a Renaissance façade featuring Ionic, Doric and Corinthian elements, an 18th-century façade… The castle’s apartments house fascinating collections of furniture and ornaments. From the top of the Tour Bermonde, you can enjoy superb views over the Uzège.

Home: eindhoven

In 1933 Philips Eindhoven had a "CineSonor" department for cinema equipment production.
Philips in those days also was involved in shooting the first Dutch feature film with sound: William of Orange. The four hundredth birthday of the Prince could not be better remembered. Great industrialists yielded money, Philips also equipment and space. Abandoned factory buildings were converted to the Philiwood studios.

It was Philips' first and last cinema film. Why William of Orange after the premiere on January 4, 1934 just a few weeks insisted, is not exactly clear. Was it the competition around the same time? Did the actors from other parts of the Netherlands a better film than the far Eindhoven?

Bambouseraie

In the context of motion pictures and television, sound effects refers to an entire hierarchy of sound elements, whose production encompasses many different disciplines, including:
Hard sound effects are common sounds that appear on screen, such as door slams, weapons firing, and cars driving by.

Background sound effects are sounds that do not explicitly synchronize with the picture, but indicate setting to the audience, such as forest sounds, the buzzing of fluorescent lights, and car interiors. The sound of people talking in the background is also considered a "BG," but only if the speaker is unintelligible and the language is unrecognizable. These background noises are also called ambience

 

Museum of the tropics Amsterdam

 

To participate in the digital age requires a certain kind of visual thinking. Whether creating a snazzy website layout, capturing artsy pics with Instagram or even choosing the perfect Facebook cover photo, interesting images and videos enhance social engagement .
Social video sharing platforms, have recognized (and propagated) this shift away from plain text. Users can express their personalities and interests in videos and share them with friends and followers.

Some have specifically worked to streamline mobile video sharing and allow you to upload and customize videos that you capture with your smartphone

Gourmandise

Film editing is not what you think it is. It is not just "slicing and dicing" digital video but rather film editing is the highest form of storytelling. Film editing is combining visual images, dialog (sound), music and sound effects. It is not just cutting picture and dialog.

Orpheus and Eurydice

Orpheus was son of the great Olympian god Apollo. Orpheus was so sad about the loss of his love that he composed music to express the terrible emptiness which pervaded his every breath and movement. He was so desperate and found so little else meaningful, that he decided address Hades. As the overseer of the underworld, Hades heart had to be hard as steel, and so it was. Orpheus' music was so sweet and so moving that it softened the steel hearted heart of Hades himself. Hades gave permission to Orpheus to bring Eurydice back to the surface of the earth to enjoy the light of day. There was only one condition--Orpheus was not to look back as he ascended. He was to trust that Eurydice was immediately behind him. It was a long way back up and just as Orpheus had almost finished that last part of the trek, he looked behind him to make sure Eurydice was still with him. At that very moment, she was snatched back because he did not trust that she was there. When you hear music which mourns lost love, it is Orpheus' spirit who guides the hand of the musicians who play it.

Japanese garden

Home video is a blanket term used for pre-recorded media that is either sold or rented/hired for home cinema entertainment. The term originates from the VHS/Betamax era, when the predominant medium was videotape, but has carried over into current optical disc formats like DVD and Blu-ray Disc and, to a lesser extent, into methods of digital distribution such as Netflix.


The home video business distributes films, telemovies and television series in the form of videos in various formats to the public. These are either bought or rented, then watched privately from the comfort of home by consumers. Most theatrically released films are now released on digital media, both optical (DVD or Blu-ray) and download-based, replacing the largely obsolete VHS (Video Home System) medium. The VCD format remains popular in Asia, though DVDs are gradually gaining popularity.

Museum of the Tropics:Dutch Indies

One of the largest museums in Amsterdam, the museum accommodates eight permanent exhibitions and an ongoing series of temporary exhibitions, including both modern and traditional visual arts and photographic works. The Tropenmuseum is owned and operated by the Royal Tropical Institute, a foundation that sponsors the study of tropical cultures around the world

The Dutch East Indies (Dutch: Nederlands-Indië) was a Dutch colony that became modern Indonesia following World War II. It was formed from the nationalised colonies of the Dutch East India Company, which came under the administration of the Dutch government in 1800.

During the 19th century, Dutch possessions and hegemony were expanded, reaching their greatest territorial extent in the early 20th century. This colony which later formed modern-day Indonesia was one of the most valuable European colonies under the Dutch Empire's rule,[4] and contributed to Dutch global prominence in spice and cash crop trade in 19th to early 20th century. The colonial social order was based on rigid racial and social structures with a Dutch elite living separate but linked to their native subjects.

Film in India

 

Script, direction and montage: Nandini Bedi
Camera: Gargi Trivedi
Sound: Chandrashekhar
Recorded: 2007

This film is on display in the exhibition Round about India in the Tropenmuseum in Amsterdam (The Netherlands)

Ballon pilote

A video mashup (also written as video mash-up) is the combination of multiple sources of videos which usually have no relation with each other than a derivative work, often lampooning its component sources or another text. Many mashup videos are humorous movie trailer parodies, a later genre of mashups gaining much popularity.

Images in Avignon

Avignon Festival

A famous theatre festival is held annually in Avignon. Founded in 1947, the Avignon Festival comprises traditional theatrical events as well as other art forms such as dance, music, and cinema, making good use of the town's historical monuments. Every summer approximately 100,000 people attend the festival.[citation needed] There are really two festivals that take place: the more formal "Festival In", which presents plays inside the Palace of the Popes and the more bohemian "Festival Off", which is known for its presentation of largely undiscovered plays and street performances.

One minute Amsterdam

The One Minutes were launched in 1998 and by now it has developed into a global network with makers from 100 countries and an archive of 10000 video works that are shown (inter) nationally on many podia. Its core activity is the annual competition for the best One Minutes. Additionally The One Minutes realizes television programs, exhibitions, dvd-releases, lectures, workshops, internet tv and websites. The One Minutes foundation manages a wealth of images, facilities, contacts and experiences and would like to share this with third parties.

http://www.theoneminutes.org/

Autour d'Anduze

The Cevennes region is rich in high-quality local produce, a history of isolation and poverty having long driven the populations of these mountains and valleys towards the need for self-sufficiency. And these times are not that far in the past ... Thus, out of sheer necessity, many local skills and traditional techniques of production have survived.

On the riverside of Amsterdam

“We get our ideas from what I’m going to call for a moment our unconscious — the part of our mind that goes on working, for example, when we’re asleep. So what I’m saying is that if you get into the right mood, then your mode of thinking will become much more creative. But if you’re racing around all day, ticking things off a list, looking at your watch, making phone calls and generally just keeping all the balls in the air, you are not going to have any creative ideas.” ~ John Cleese

Poterie du Gard

Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery (plural "potteries"). Pottery also refers to the art or craft of the potter or the manufacture of pottery.

The definition of pottery used by ASTM is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." Some archaeologists use a different understanding by excluding ceramic objects such as figurines which are made by similar processes, materials and the same people but are not vessels.

Making of Titanic-film

There have been several proposals and studies for a project to build a replica ship based on the Titanic. A project by South African businessman Sarel Gaus was abandoned in 2006, and a project by Australian businessman Clive Palmer was announced in 2012, known as the Titanic II. In late 2014 it was announced that the project has been abandoned due to low funding.

A Chinese firm named "Seven Star" commenced a project in January 2014 to build a replica of the Titanic for use as part of a water-front theme park. The ship will take on passengers and then, without actually leaving port, it will simulate being struck by an iceberg and sinking. The project has been criticised as being in "poor taste".

Streetcar Nostalgia

The term nostalgia describes a sentimental longing for the past, typically for a period or place with happy personal associations. The word is a learned formation of a Greek compound, consisting of νόστος (nóstos), meaning "homecoming", a Homeric word, and ἄλγος (álgos), meaning "pain, ache". It was described as a medical condition, a form of melancholy, in the Early Modern period, and became an important trope in Romanticism.
Nostalgia, in its most common form, was responsible for the old front desk of The Beverly Hills Hotel (from 1942 to 1979) being made into a bar.

In common, less clinical usage, nostalgia sometimes includes a general interest in past eras and their personalities and events, especially the "good old days," such as a sudden image, or remembrance of something from one's childhood.

The scientific literature on nostalgia is quite thin, but there are a few studies that have attempted to pin down the essence of nostalgia, and the reasons that we feel that warm glow when recalling the past. Smell and touch are also strong evokers of nostalgia and memories in general due to the processing of these stimuli first passing through the amygdala, the emotional seat of the brain. These recollections of our past are usually important events, people we care about, and places where we have spent time. Music can also be a strong trigger of nostalgia.

 

Colliage du Sud

In colorfilm, light-sensitive chemicals or electronic sensors record color information at the time of exposure. This is usually done by analyzing the spectrum of colors into three channels of information, one dominated by red, another by green and the third by blue, in imitation of the way the normal human eye senses color. The recorded information is then used to reproduce the original colors by mixing together various proportions of red, green and blue light (RGB color, used by video displays, digital projectors and some historical photographic processes), or by using dyes or pigments to remove various proportions of the red, green and blue which are present in white light (CMY color, used for prints on paper and transparencies on film).

Mosel Treffpunkt

16:9 (1.77:1) (generally named as "Sixteen-Nine", "Sixteen-by-Nine" and "Sixteen-to-Nine") is the international standard format of HDTV, non-HD digital television and analog widescreen television PALplus. Japan's Hi-Vision originally started with a 5:3 ratio but converted when the international standards group introduced a wider ratio of 5⅓ to 3 (=16:9). Many digital video cameras have the capability to record in 16:9, and 16:9 is the only widescreen aspect ratio natively supported by the DVD standard.

Traject en Ardeche

Filming- TIPS:

- Check your camera battery on a regular basis

- Check diskspace on your memory card
- Clean your lens with a soft cloth when you're not filming
- Set your camera in manual mode for more control
- Don't talk during filming...so stupid

- Shut down your computer and start filming!

 

Once upon a time: Trams

A tram (also known. as a tramcar, streetcar, trolley car) is a passenger rail vehicle which runs on tracks along public urban streets and also sometimes on separate rights of way. It may also run between cities and/or towns. Trams very occasionally also carry freight. Trams are usually lighter and shorter than conventional trains and rapid transit trains.

Most trams today use electrical power, usually fed by a pantograph; in some cases by a sliding shoe on a third rail or trolley pole. If necessary, they may have several power systems. Certain types of cable car are also known as trams. Another power source is diesel; a few trams use electricity in the streets and diesel in more rural environments. Also steam and petrol (gasoline) have been used. Horse and mule driven trams do still occur.

 

Rhone valley

Before railroads and highways were developed, the Rhone was an important inland trade and transportation route, connecting the cities of Arles, Avignon, Valence, Vienne and Lyon to the Mediterranean ports of Fos, Marseille and Sète. Travelling down the Rhone by barge would take three weeks. By motorized vessel, the trip now takes only three days. The Rhône is classified as a class V waterway from the mouth of the Saône river to the sea.
In French, the adjective derived from the river is rhodanien, which is the name of the long, straight Saône and Rhone river valleys, a deep cleft running due south to the Mediterranean and separating the Alps from the Massif Central.

Tulips from Amsterdam

The International Documentary Film Festival Amsterdam (IDFA) is the world's largest documentary film festival held annually since 1988 in Amsterdam.

The festival was initially held at the Leidseplein area in the centre of Amsterdam. The festival has since spread to a number of other locations.

The objective of the IDFA is to promote creative documentaries and to present them to as wide an audience as possible. It started as a small festival and has grown to an eleven-day festival, screening more than 200 documentaries and attracting nearly 120,000 visitors.

Apart from its international film program, the variety of genres and the many European and world premieres featured each year, the festival also hosts debates, forums and workshops