Intermezzo Roma

Renaissance intermezzo
The Renaissance intermezzo was also called the intermedio. It was a masque-like dramatic piece with music, which was performed between the acts of a play at Italian court festivities on special occasions, especially weddings. By the late 16th century, the intermezzo had become the most spectacular form of dramatic performance, and an important precursor to opera. The most famous examples were created for Medici weddings in 1539, 1565, and 1589.

La Drome

One of a video editor’s main decisions is whether to actually include a shot/scene or not.

Does the scene/shot add to the story or does it detract?
Is it meaningful to advance the story. Is there a better choice?
Does it evoke emotion on the part of the viewer or is it boring?
Does it make the finished movie too long?

Dutch village walk

In the early 20th century, Russian filmmaker and theorist Lev Kuleshov discovered that a single shot of an actor with an ambiguous expression on his face could convey a multitude of very distinct meanings in the mind of the viewer, depending on the nature of the shot immediately preceding it. In 1918 he conducted his famous experiment (below) using a single shot of the silent film actor Ivan Mozzhukhin’s face looking at something off-camera. Kuleshov spliced it in with a series of quite different images–a bowl of soup, a dead child, a scantily clad woman–and discovered that the audience would interpret Mozzhukhin’s emotion (hunger, pity, lust) depending on the juxtaposition.

Zaragossa Plaza

 

The essentials of audio production in the video world. First is the audio delivery format. In the old days, we had to produce separate mono and stereo mixes, depending on the production's audience. Today, stereo soundtracks are the norm, but surround mixes are becoming popular ÃÂ A stereo mix provides a nice balance between the extremes. This provides a wonderful sense of space and allow you to place audio building blocks across the width of the scene. Next, there are the actual elements. Recorded under controlled circumstances, an authoritative voice-over helps guide the viewer.ÃÂ In dramatic videos, much like movies or television, there is the dialog track. Natural sound is another critical component. Recorded either with the video or separately, natural sound gives your viewer a sense of the events onscreen. The third element is music -- specifically stereo music. Whether you record it yourself or use a buy-out library, stereo music is the glue that holds your production together. Finally, there are sound effects; whooshes, bangs, clunks and dings that command attention and punctuate special parts of your production.