Stop at Montserrat

The mountain of Montserrat has been of religious significance since pre-Christian times, when the Romans built a temple to honor Venus.

By one account, the image of the Madonna was moved to Montserrat in 718, to avoid the danger posed by invading Saracens.

Legend has it that the Benedictine monks could not move the statue to construct their monastery, choosing to instead build around it. The statue's sanctuary is located at the rear of the chapel, where an altar of gold surrounds the icon, and is now a site of pilgrimage.

Ons rijk is een Dierenrijk

A trailer (also known as a preview or coming attraction) is an advertisement or a commercial for a feature film that will be exhibited in the future at a cinema, the result of creative and technical work. The term "trailer" comes from their having originally been shown at the end of a feature film screening.[1] That practice did not last long, because patrons tended to leave the theater after the films ended, but the name has stuck. Trailers are now shown before the film begins

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Steps into Florence

What is a Sequence?
When you take a wide shot, put it together with three medium-shots and two close-ups in order to show that someone made a telephone call or built a chair, it’s called a sequence.

More technically, sequence refers to a series of shots that depict a single incident or happening. In most professional video production, the shot changes every five seconds or so. To hang on a shot any longer than that is considered boring. So you do not use just one shot of an event, you use a lot. Editing them together is called a sequence.

In video, a sequence is analogous to paragraphs and sentences in verbal storytelling. Take eight to ten words, string them together artfully based on the rules of grammar and you communicate a basic idea. String that sentence with other, related sentences to build a paragraph for more complex written story-telling.

 

Early days of Zuyderzee

In several shorts and in long documentaries like Alleman / The Human Dutch and Stem van het water / The Voice of the Water Haansta reflected on The Netherlands and its inhabitants. All these films made him one of the most popular filmmakers in the history of Dutch cinema. The documentary Alleman was seen in the cinema by 20 percent of the total Dutch population. In the seventies and eighties Haanstra addressed a new subject. He made several films about animals. In the long documentary Bij de beesten af / Ape and Super-Ape (1973), for which he collaborated with Frans de Waal and Jane Goodall, among others, he compared the behavior of animals and human beings. In total Haanstra received close to a hundred awards.