7 jun 2012

Scenic Ghent


Subjective camera: The camera is used in such a way as to suggest the point of view of a particular character.



High- or low-angle shots indicate where she or he is looking from
a panoramic or panning shot suggests she or he is surveying the scene
a tracking shot or a hand-held camera shot signifies the character on motion.


3 jun 2012

Ghent North northwest



In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed.

A one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special effects) or by happy accident.



Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapboard, which is filmed briefly prior to or at the beginning of the actual take. Only takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor.



1 jun 2012

Fly with me


Film-related podcasts for film-makers.

Creative Cow: Useful creative tech news. In depth interviews.


Filmmaking Central: Podcast from an independent filmmaker, good on the filmmaking process itself.

KCRW's The Business: US-centric high-quality podcast about the movie industry.

KCRW's The Treatment: Interesting discussions with screenwriters.

Creative Screenwriting Magazine.

Celluloid Remix



Celluloid Remix This is the second edition of the successful video-remix competition containing historical fragments from EYE's film collection. Professionals and amateurs remix special film material from the Bits & Pieces collection into new short films with an individual soundtrack.
Bits & Pieces are short fragments, snippets from films that are often forgotten or have disappeared. Quite often these ‘remnants’ are discarded from the archives.
For all information and details please visit www.celluloidremix.nl. You can also keep in touch through the Celluloid Remix Facebook page Celluloid Remix Facebook-page.
MAKER OF THE FILM is Arvid van Kasteel, MUSIC Digi G.Alessio