Filming with highspeed

A high speed camera is a device used for recording fast moving objects . After recording, the images stored on the media can be played back in slow-motion.

High speed cameras can film up to a quarter of a million frames per second by running the film over a rotating prism or mirror instead of using a shutter, thus reducing the need for stopping and starting the film behind a shutter which would tear the film stock at such speeds. Using this technique one can stretch one second to more than ten minutes of playback time (super slow motion). The fastest cameras are generally in use in scientific research, military test and evaluation, and industry. .

A problem for high speed cameras is the needed exposure for the film, so one needs very bright light to be able to film at forty thousand frames per second.

All development in high speed cameras is now focused on digital video cameras which have many operational and cost benefits over film cameras.

Sink or Swim

Subjective camera: The camera is used in such a way as to suggest the point of view of a particular character.

• High- or low-angle shots indicate where she or he is looking from

• a panoramic or panning shot suggests she or he is surveying the scene

• a tracking shot or a hand-held camera shot signifies the character on motion.

Subjective shots like these also implicate the spectator into the narrative in that she or he identifies with the point of view.

French Sketch-book

Experimental film or experimental cinema is a type of cinema. Experimental film is an artistic practice relieving both of visual arts and cinema. Its origins can be found in European avant-garde movements of the twenties.


The term describes a range of filmmaking styles that are generally quite different from, and often opposed to, the practices of mainstream commercial and documentary filmmaking. Avant-garde is also used, for the films shots in the twenties in the field of history’s avant-gardes currents in France or Germany, to describe this work, and "underground" was used in the sixties, though it has also had other connotations. Today the term "experimental cinema" prevails, because it’s possible to make experimental films without the presence of any avant-garde movement in the cultural field.

Col du Galibier

Today information graphics surround us in the media, in published works both pedestrian and scientific, in road signs and manuals. They illustrate information that would be unwieldy in text form, and act as a visual shorthand for everyday concepts such as stop and go.

Modern maps, especially route maps for transit systems, use infographic techniques to integrate a variety of information, such as the conceptual layout of the transit network, transfer points, and local landmarks.

Traffic signs and other public signs rely heavily on information graphics, such as stylized human figures , icons and emblems to represent concepts such as yield, caution, and the direction of traffic.