Projections

Since the birth of sound film, virtually all film projectors in commercial movie theaters project at a constant speed of 24 frame/s. This speed was chosen for both financial and technical reasons. There are some specialist format which project at higher rates, often 48 frame/s.

It is possible to view the black space between frames and the passing of the shutter by the following technique:

Close your eyelids, then periodically rapidly blink open and closed. If done fast enough you will be able to randomly "trap" the image between frames, or during shutter motion. This will not work with television due to the persistence of the phosphors nor with LCD or DLP light projectors due to the continuity of image, although certain color artifacts may appear with some digital projection technologies.

Haute alpes

A road movie is a film genre in which the main character or characters leave home to travel from place to place. They usually leave home to escape their current lives.

The genre has its roots in spoken and written tales of epic journeys, such as the Odyssey and the Aeneid. The on-the-road plot was used at the birth of American cinema but blossomed in the years after World War II, reflecting a boom in automobile production and the growth of youth culture.

Dommeldal near Eindhoven

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.

 

 

Sagunto

A cinematographer is one photographing with a motion picture camera (the art and science of which is known as cinematography). The title is generally equivalent to director of photography (DP ), used to designate a chief over the camera and lighting crews working on a film, responsible for achieving artistic and technical decisions related to the image. The cinematographer is sometimes also the camera operator. The term cinematographer has been a point of contention for some time now; some professionals insist that it only applies when the director of photography and camera operator are the same person, although this is far from being uniformly the case. To most, cinematographer and director of photography are interchangeable terms.