To the grand Colombier

Historically, video frames were represented as analog waveforms in which varying voltages represented the intensity of light in an analog raster scan across the screen. Analog blanking intervals separated video frames in the same way that frame lines did in film. For historical reasons, most systems used an interlaced scan system in which the frame typically consisted of two video fields sampled over two slightly different periods of time. This meant that a single video frame was usually not a good still picture of the scene, unless the scene being shot was completely still.


With the dominance of digital technology, modern video systems now represent the video frame as a rectangular raster of pixels, either in an RGB color space or a color space such as YCbCr.

Châtillon-sur-Chalaronne

The cinematography etymologically means "movement" because it comes from the greek "kine" (movement) and "grafos" (write or capture). In this art, individual images called photograms are presented by means of a technique that consists on projecting them in a quick and successive way in order to produce a movement illusion.

It was originated in France in the XIX century, when the brothers Lumiere filmed the exit of some workers from a factory. It is produced by recording images of the world we live; however, today is also possible to make it with computers help by means of the using animation techniques or special effects.

Flower-auction

About FloraHolland The Netherlands is the heart of the international floriculture sector. It has an intricate and high-quality network of companies, ranging from breeders and growers to sales experts and export firms, representing every aspect of the business. The Netherlands is the place where supply and demand come together. From Europe and beyond. FloraHolland flower auction plays a key role in the Netherlands, land of Floriculture where its position as marketplace fulfils the role of matchmaker, intermediary and knowledge center.

Once upon a time (agriculture)

Montage play  is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information. It is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.
From the 1930s to the 1950s, montage sequences often combined numerous short shots with special optical effects (fades, dissolves, split screens, double and triple exposures) dance and music. They were usually assembled by someone other than the director or the editor of the movie.