Cologne pictures

In film editing, video editing and post production, screen direction is the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing and film grammar is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.

"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), and "background" refers to the apparent space in the distance away from the camera and the audience.

 

Tour de Cologne

An edit decision list or EDL is used in the post-production process of film editing and video editing. The list contains an ordered list of reel and timecode data representing where each video clip can be obtained in order to conform the final cut.

EDLs are created by offline editing systems, or can be paper documents constructed by hand such as shot logging. These days, linear video editing systems have been superseded by non-linear editing (NLE) systems which can output EDLs electronically to allow autoconform on an online editing system – the recreation of an edited programme from the original sources (usually video tapes) and the editing decisions in the EDL.

They are also often used in the digital video editing world, so rather than referring to reels they can refer to sequences of images stored on disk.

Bad Aachen

Before the camera stabilizing system, a director had two choices for moving (or "tracking") shots:

The camera could be mounted on a dolly, a wheeled mount that rolls on tracks or leveled boards. This procedure is time consuming to set up, and it is impractical in many situations.
The camera operator could simply hold the camera. This manual grip allows speed and flexibility, but even the most skilled operator cannot entirely prevent shaking. Hand-held camera footage has traditionally been considered suitable mostly for documentaries, news, reportage, live action, unrehearsable footage, or the evocation of authentic immediacy or cinéma vérité during dramatic sequences

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Carnival Mood

In Germany's mainly Catholic cities along the Rhine, Carnival is something altogether different. Here it's so bound up with the yearly routine that it’s commonly referred to as 'the fifth season'.
The celebration of Carnival is deeply rooted in Catholicism and connected to the observance of Lent with some of its traditions dating back to the Middle Ages.
But many of the Carnival traditions observed here today only go back to the days of the Prussian occupation of the Rhine region in the early 19th century.
Carnival along the Rhine is a time of year for people to let loose and have fun. They'll be drinking and partying until they have to sober up 40 days before Easter.

Mayor of Mokum

The title is sometimes translated as burgomaster, to emphasize the appointed, rather than elected, nature of the office. The appointment procedure was brought for discussion in the early 2000s (decade), as some of the political parties represented in parliament regarded the procedure as undemocratic. Generally, mayors in the Netherlands are selected from the established political parties. Alternatives proposed were direct election of the mayor by the people or appointment by the city council (gemeenteraad). A constitutional change to allow for this failed to pass the Senate in March 2005, but succeeded in 2018.

Carnival in the past

Montage theory, in its rudimentary form, asserts that a series of connected images allows for complex ideas to be extracted from a sequence and, when strung together, constitute the entirety of a film's ideological and intellectual power. In other words, the editing of shots rather than the content of the shot alone constitutes the force of a film. Many directors still believe that montage is what defines cinema against other specific media.

Hollywood in Holland

Amsterdamned is a 1988 Dutch horror film directed and written by Dick Maas, and stars Huub Stapel, Monique van de Ven, and Serge-Henri Valcke. The plot revolves around a serial killer who uses the famed canals of the Dutch capital to murder random people, one of which involves a detective's girlfriend linked to the murders.

Bike Baker Advertisement

Gold Hill, Shaftesbury At almost any time of day, Gold Hill is a magnet for photographers, visitors and locals wanting to enjoy or capture the beauty of Gold Hill and the views across Dorset beyond. The ancient cobbled street runs beside the Grade I listed walls of the ancient Shaftesbury Abbey, built by King Alfred the Great. At the top of Gold Hill, along with The Gold Hill Museum and Garden, is the Town Hall and the 14th century St Peter's Church. It was built in the latter part of the 15th century and is the oldest church in Shaftesbury. To many, Gold Hill is still known as ‘Hovis Hill’ due to the TV advert. To commemorate its famous association, a giant Hovis loaf can be found in front of the Town Hall.

Grizzli Bear

In motion picture film production, cinematography and video production, a reaction shot is a shot which cuts away from the main scene in order to show the reaction of a character to it, a basic unit of film grammar.

The assumption behind the logic of the reaction shot is that the emotional reaction of the actor being depicted will either advance the story, reveal character traits of the character in the reaction shot, or emphasize character traits of another character that were displayed in the action or dialog present in the preceding shot. A completely unemotional reaction may also be important if it provides information to the audience or is unexpected in the context of the scene.

Carnavalesque

Collage made from photographs, or parts of photographs, is called photomontage. Photomontage is the process (and result) of making a composite photograph by cutting and joining a number of other photographs. The composite picture was sometimes photographed so that the final image is converted back into a seamless photographic print. The same method is accomplished today using image-editing software. The technique is referred to by professionals as compositing.

Coral Reef RIP

A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wild animals, plants, or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series.

 

Carnival Light

The setup of stage lighting is tailored for each scene of each production. Dimmers, colored filters, reflectors, lenses, motorized or manually aimed lamps, and different kinds of flood and spot lights are among the tools used by a stage lighting designer to produce the desired effects. A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments.

Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.

Amateur film in the 30-ties

Two of the most interesting yet unknown amateur filmmakers of the Thirties are Harry Wright and his younger brother, Samuel Bolling. The Wrights were born in Bedford, Virginia, toward the end of the 19th Century. When their father died, Harry, the eldest, got a job as a traveling buyer of scrap metal for the Joseph Iron and Equipment Co., and was sent by the company to Mexico in 1900. He was so successful that he asked his brother Bolling to join him in 1902. Five years later, they started their own foundry, the famous “La Consolidada S.A.” (Consolidated Iron and Equipment Co.), making both of them millionaires during the early part of the 20th Century.
The two brothers were close; they shared an interest in travel, filmmaking and golf but had very different temperaments. Bolling was an astute businessman, disciplined and austere. He managed La Consolidada and his large family with an iron fist

Dramatizing documentaries

On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job of an editor is not simply to mechanically put pieces of a film together, cut off film slates or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteurist film directors edit their own films.

Nature of New Zealand

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.

Poor Rich People

A discussion panel at the Davos World Economic Forum has become a sensation after a Dutch historian took billionaires to task for not paying taxes.
In this video shared tens of thousands of times, Rutger Bregman, bemoans the failure of attendees at the recent gathering in Switzerland to address the key issue in the battle for greater equality: the failure of rich people to pay their fair share of taxes.
Noting that 1,500 people had travelled to Davos by private jet to hear David Attenborough talk about climate change, he said he was bewildered that no one was talking about raising taxes on the rich.
Taxes, taxes, taxes. All the rest is bullshit in my opinion.
Winnie Byanyima, an Oxfam executive director, took up the fight and said high employment was not a good thing in itself because many people found themselves in exploitative work. She cited the example of poultry workers in the US who had to wear nappies (diapers) because they were not allowed toilet breaks.
“That’s not a dignified job,” she said. “those are the jobs we’ve been told about, that globalisation is bringing jobs. The quality of the jobs matter. In many countries workers no longer have a voice.
Addressing Goldman, she said: “You’re counting the wrong things. You’re not counting dignity of people. You’re counting exploited people.”
Billions of dollars were leaked by tax avoidance every year which should instead be going to alleviate poverty in the developing world, she added.

Eisenstein Emotion

The Odessa steps
The best-known sequence of the film is set on the Odessa steps, connecting the waterfront with the central city. The citizenry of Odessa take to their ships and boats, sailing out to the Potemkin to show their support to the sailors and donate supplies, while a crowd of others gathers at the Odessa steps to witness the happenings and cheer on the rebels. Suddenly a detachment of dismounted Cossacks form battle lines at the top of the steps and march towards a crowd of unarmed civilians including women and children, and begin firing and advancing with fixed bayonets. Every now and again, the soldiers halt to fire a volley into the crowd before continuing their impersonal, machine-like assault down the stairs, ignoring the people's pleas for humanity and understanding. Meanwhile, government cavalry attack the fleeing crowd at the bottom of the steps as well, cutting down many of those who survived the dismounted assault. Brief sequences show individuals amongst the people fleeing or falling, a baby carriage rolling down the steps, a woman shot in the face, broken glasses, and the high boots of the soldiers moving in unison.

Inspirations

 
In this case, the inspiration is M.C. Escher (1898-1972), the Dutch artist who explored a wide range of mathematical ideas with his woodcuts, lithographs, and mezzotints. Although Escher had no formal training in mathematics beyond secondary school, many mathematicians counted themselves as admirers of his work. (Visit this online gallery to get better acquainted with Escher's art, and be sure to click on the thumbnails to enlarge the images). As Vila explains, Inspirations tries to imagine Escher's workplace, "what things would surround an artist like him, so deeply interested in science in general and mathematics in particular." It's a three minutes of unbridled imagination.

Roundabout Amsterdam

Screens specifically designed for use in video walls usually have narrow bezels in order to minimize the gap between active display areas, and are built with long-term serviceability in mind. Such screens often contain the hardware necessary to stack similar screens together, along with connections to daisy chain power, video, and command signals between screens.
Reasons for using a video wall instead of a single large screen can include the ability to customize tile layouts, greater screen area per unit cost, and greater pixel density per unit cost, due to the economics of manufacturing single screens which are unusual in shape, size, or resolution. 

 

Ecomusee d'Alsace

Home slide shows were a relatively common phenomenon in middle-class American homes during the 1950s and 1960s. If there was an enthusiast in the family, any visit from relatives or the arrival of a new batch of Kodachrome slides from the film processing service provided an excuse to bring out the entire collection of 35 mm slides, set up the slide projector and the screen, turn out the lights, then test the endurance of the assembled audience with a marathon of old vacation photos and pictures taken at weddings, birthdays and other family events, all accompanied by live commentary.