Cinema Remake

Cinema Remake shows that completely new creations can emerge from older work. The origins of the remakes are therefore sometimes difficult to find (sometimes literally distant because the so-called original does not exist at all). It means that the works stand alone and are therefore just as original as the so-called original.

Wild West Pictures

Western fiction is a genre of literature set in the American Old West frontier and typically set from the late eighteenth to the late nineteenth century. Well-known writers of Western fiction include Zane Grey from the early 20th century and Louis L'Amour from the mid 20th century. The genre peaked around the early 1960s, largely due to the popularity of televised Westerns such as Bonanza. Readership began to drop off in the mid- to late 1970s and has reached a new low in the 2000s. Most bookstores, outside of a few west American states, only carry a small number of Western fiction books.

 

Digital progress

The Archives Portal Europe also cooperates with Europeana to make archival material searchable and findable within its cross-domain approach of presenting cultural heritage objects online from libraries, archives, museums and audio-visual collections. We are an important strategic partner of Europeana and are working with them to develop a common digital infrastructure for cultural heritage across Europe.

Legoland again

The Dogme 95 Collective caught the attention of the international film world with its strict "vows of chastity" or rules for filmmakers that force filmmakers to concentrate on purity of story and the actors' performances rather than special effects and other cinematic devices.

The first Dogme 95 film, The Celebration (Festen), directed by Thomas Vinterberg, received many awards on the international film festival circuit and was named by both the Los Angeles Film Critics Association and the New York Film Critics Circle as the best foreign-language film of the year.

The members of the Dogme 95 Collective were von Trier, Vinterberg, Kristian Levring, and Søren Kragh-Jacobsen. Although the Dogme 95 movement originated in Denmark, filmmakers around the world soon experimented with the rigid guidelines and sought certification for their films as Dogme. 

 

Tenerife

a mobilephone film about a nice house on the island

La douce France

The earliest practical and commercially successful color photography reversal process was the Lumière Autochrome, introduced in 1907. This was an additive method, using a panchromatic emulsion coated on a thin glass plate previously coated with a layer of dyed potato starch grains. Autochrome plates were discontinued in the 1930s[1] after the introduction of Lumière Filmcolor in sheet film and Lumicolor in roll film sizes. Also using the additive principle and reversal processing were the Agfa color screen plates and films and Dufaycolor film, all of which were discontinued by 1961.

Leopold Godowsky, Jr. and Leopold Mannes, working with the Eastman Kodak Company, developed Kodachrome, the first commercially successful color film to use the subtractive method. Kodachrome was introduced in 1935 as 16mm motion picture film, and in 1936 as 35mm film for still cameras. The Kodachrome films contained no color dye couplers; these were added during processing.

 

Fisk in Sweden

Movement can be used extensively by film makers to make meaning. It is how a scene is put together to produce an image. A famous example of this, which uses "dance" extensively to communicate meaning and emotion, is the film, West Side Story.

Spanish clippings

Unlike traditional movies largely dominated by studios, clip movies are overwhelmingly supplied by amateurs. In May 2006, The Economist reported that 90% of clips on YouTube came from amateurs, a few of whom are young comedians. It, in effect, also brought amateur talents.

People of Barcelona

Today, 10 to 20% of box office receipts in Spain are generated by domestic films, a situation that repeats itself in many nations of Europe and the Americas. The Spanish government has therefore implemented various measures aimed at supporting local film production and movie theaters, which include the assurance of funding from the main national television stations.

Russia 9 may

Alex Author: Alex Soloviev
Author webpage: https://vimeo.com/alexsoloviev
Licence: ATTRIBUTION LICENSE 3.0 (http://creativecommons.org/licenses/by/3.0/us/)
Downloaded at Mazwai.com

 

 

Andrei Tarkovsky

Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский; 4 April 1932 – 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist, theatre and opera director.

Tarkovsky's films include Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). He directed the first five of his seven feature films in the Soviet Union; his last two films, Nostalghia (1983) and The Sacrifice (1986), were produced in Italy and Sweden, respectively. His work is characterized by long takes, unconventional dramatic structure, distinctly authored use of cinematography, and spiritual and metaphysical themes. His contribution to cinema was so influential that works done in a similar way are described as Tarkovskian.

The Trick

Magic (sometimes referred to as stage or street magic to distinguish it from paranormal or ritual magic) is one of the oldest performing arts in the world in which audiences are entertained by staged tricks or illusions of seemingly impossible or supernatural feats using natural means.These feats are called magic tricks, effects, or illusions.

The General

Reality television is a genre of television programming that documents supposedly unscripted real-life situations, and often features an otherwise unknown cast of individuals who are typically not professional actors, although in some shows celebrities may participate. It differs from documentary television in that the focus tends to be on drama, personal conflict, and entertainment rather than educating viewers.

Troyes city

The term digital rights describes the human rights that allow individuals to access, use, create, and publish digital media or to access and use computers, other electronic devices, or communications networks. The term is particularly related to the protection and realization of existing rights, such as the right to privacy or freedom of expression, in the context of new digital technologies, especially the Internet. Internet access is recognized as a right by the laws of several countries.

I have a dream about Troyes

  Fiction is the classification for any story created by the imagination and, therefore, not based strictly on history or fact. Fiction can be expressed in a variety of formats, including writings, live performances, films, television programs, video games, and role-playing games, though the term originally and most commonly refers to the major narrative forms of literature including the novel, novella, short story, and play. Fiction constitutes an act of creative invention, so that faithfulness to reality is not typically assumed; in other words, fiction is not expected to present only characters who are actual people or descriptions that are factually true. The context of fiction is generally open to interpretation, due to fiction's freedom from any necessary embedding in reality.

Renoir

Pierre-Auguste Renoir, commonly known as Auguste Renoir (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."

He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–69). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.

Novoya Zemlya

A new Dutch film
Nova Zembla is a 2011 Dutch historical drama film directed by Reinout Oerlemans. It is the first Dutch feature film in 3D.

The film describes the last journey of Willem Barentsz and Jacob van Heemskerk through 1596-1597 when they and their crew tried to discover the Northeast Passage to the Indies. However, due to the sea ice, they are stranded on the island of Novaya Zemlya and have to spend the winter there in Het Behouden Huys (The Safe Home). The story is told through the eyes of Gerrit de Veer, and is loosely based on a diary he published in 1598 after his safe return. Gerrit is portrayed as having a relationship with Catharina Plancius, the daughter of the astronomer, cartographer and reverend Petrus Plancius, who pioneered the concept of the North East passage to reach the Indies. The Novaya Zemlya effect, first described by De Veer, is shown in the film, albeit in a non-historical fashion.

5 tricks to add depth to your shots

The Cinematographer's best kept secrets

Director/Cinematographer Matthew Rosen explains the tricks of the trade.

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Champagne-Ardennes

Champagne is a sparkling wine produced from grapes grown in the Champagne region of France following rules that demand, among other things, secondary fermentation of the wine in the bottle to create carbonation, specific vineyard practices, sourcing of grapes exclusively from specific parcels in the Champagne appellation and specific pressing regimes unique to the region. Some use the term Champagne as a generic term for sparkling wine, but in most countries, it is illegal to officially label any product Champagne unless it both comes from the Champagne region and is produced under the rules of the appellation.

The primary grapes used in the production of Champagne are black Pinot noir and Pinot Meunier but also white Chardonnay. Champagne appellation law only allows grapes grown according to appellation rules in specifically designated plots within the appellation to be used in the production of Champagne.

Auxerre

In filmmaking and video production, a crane shot is a shot taken by a camera on a crane or jib. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Camera cranes go back to the dawn of movie-making, and were frequently used in silent films to enhance the epic nature of large sets and massive crowds.