This lesson is moving learning. Because you move and name the language and arithmetic forms, you learn the language and arithmetic forms much faster. Many materials are used to actually recognize the words. In this performance one works with themes and the associated language lists and math objectives. Children learn the sounds through rap, verses and songs and this is necessary to learn language. We learn to count, big and small, far and near, etc. as arithmetic forms.
In dance, choreography. may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called dance composition. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance.
In 1939, during World War II, the film industry in the US and Europe declined, because the materials previously destined for film production now were for the new arms industry. Many countries began to focus on making films about war, leaving an opportunity for Mexico to produce commercial films for the Mexican and Latin American markets. The cultural landscape of the Golden Age of Mexican Cinema provided a conducive environment for the rise of a new generation of directors like Emilio Fernández and Luis Buñuel, among others.
This stage is usually thought of as starting when principal photography ends, but they may overlap. The bulk of post-production consists of the film editor reviewing the footage with the director and assembling the film out of selected takes. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is intended to have a score; sound effects are designed and recorded. Any computer-generated visual effects are digitally added by an artist. Finally, all sound elements are mixed down into "stems", which are synchronized to the images on the screen, and the film is fully completed ("locked").
Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and receivers. Before this, most implementations of electronic communication (early radio, telephone, and telegraph) were one-to-one, with the message intended for a single recipient. The term broadcasting evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about.
Editing is the process of selecting and preparing written, visual, audible, or cinematic material used by a person or an entity to convey a message or information. The editing process can involve correction, condensation, organization, and many other modifications performed with an intention of producing a correct, consistent, accurate and complete piece of work. The editing process often begins with the author's idea for the work itself, continuing as a collaboration between the author and the editor as the work is created. Editing can involve creative skills, human relations and a precise set of methods.
The Dutch angle shot finds its roots in German Expressionism, an artistic movement that emerged in the early 20th century. Filmmakers during this period, such as F.W. Murnau and Fritz Lang, experimented with unconventional camera angles and distorted perspectives to convey the psychological states of characters and evoke a sense of unease or instability. It gained broader recognition and popularity during the 1940s and ’50s in Hollywood films, especially in genres likm noir and psychological thrillers. The Dutch angle shot has since become a widely recognized and utilized technique in various art forms beyond film, including photography, graphic design, and visual arts.
Processing is a free graphics library and integrated development environment (IDE) built for the electronic arts, new media art, and visual design communities with the purpose of teaching non-programmers the fundamentals of computer programming in a visual context. Processing uses the Java language, with additional simplifications such as additional classes and aliased mathematical functions and operations. It also provides a graphical user interface for simplifying the compilation and execution stage.
One of the set dresser’s primary responsibilities is to select the props that will decorate every scene. If it’s a period film, it’s especially important to be historically accurate, often down to the year that any given product came on the market. (Found a great vintage coffee pot that came out in 1965, but your movie takes place in 1964? Dump it–or face the online wrath of eagle-eyed movie-goers everywhere.
The documentary Bye Bye Tiberias is Lina Soualem’s second. It is a beautiful, delicate and intimate tale of four generations of women from the Palestinian side of her family, including her great-grandmother Um Ali, her grandmother Nemat, her mother and actress Hiam Abbass and Soualem herself. After winning London Film Festival's Best Documentary last year, it is coming to Dubai screens this as part of Reel Palestine at Cinema Akil. The catastrophic events of the Nakba in 1948, and the seismic ruptures of displacement and trauma it caused Palestinian society and the family, are present throughout the film, as its title suggests. Soualem pieces together their stories (and those of her aunts), weaving them with her childhood memories of annual visits to the family home in Deir Hanna .
Web archiving is the process of collecting portions of the World Wide Web to ensure the information is preserved in an archive for future researchers, historians, and the public. Web archivists typically employ web crawlers for automated capture due to the massive size and amount of information on the Web. The largest web archiving organization based on a bulk crawling approach is the Wayback Machine, which strives to maintain an archive of the entire Web. The growing portion of human culture created and recorded on the web makes it inevitable that more and more libraries and archives will have to face the challenges of web archiving. National libraries, national archives and various consortia of organizations are also involved in archiving culturally important Web content.
Media studies is a discipline and field of study that deals with the content, history, and effects of various media; in particular, the mass media. Media studies may draw on traditions from both the social sciences and the humanities, but it mostly draws from its core disciplines of mass communication, communication, communication sciences, and communication studies.
Most early filmmakers, such as Thomas Edison, Auguste and Louis Lumière and Georges Méliès, tended not to use close-ups and preferred to frame their subjects in long shots, similar to the stage. Film historians disagree as to the filmmaker who first used a close-up. D. W. Griffith, who pioneered screen cinematographic techniques and narrative format, is associated with popularizing the close up with the success of his films
Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience's suspension of disbelief. Typically, such films also break down the cultural divide between high and low art and often upend typical portrayals of gender, race, class, genre, and time with the goal of creating something that does not abide by traditional narrative expression.
A web film is a film made with the medium of the Internet and its distribution constraints in mind.
This term aims to differentiate content made for the Internet from content made for other media, such as cinema or television, that has been converted into a World Wide Web-compatible format.
Web films are a form of new media.
The film editor works with raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film's editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.”
A streaming media service (also simply called a streaming service) is an online platform that allows users to watch or listen to content, such as movies, TV shows, music, or podcasts, over the internet. Instead of downloading the content to their device, users can stream it in real-time, which means they can start watching or listening immediately without having to wait for the entire file to download. Popular examples of streaming services include Netflix, Spotify, and YouTube.
All film stocks decompose over time. Sometimes this decomposition is irreversible — which explains why an estimated 75% of American silent films are considered lost.
The Eastman Museum runs one of the world's top film-preservation programs. Its archives of over 28,000 films include the personal collections of directors like Spike Lee and Martin Scorsese and carefully controlled nitrate vaults containing over 26 million feet of film. The museum's preservation projects include the silent films of Cecil B. DeMille and Georges Méliès, along with Stanley Kubrick's first film, "Fear and Desire," from 1953, and Orson Welles' once-lost work "Too Much Johnson," from 1938.
Transnistria, officially the Pridnestrovian Moldavian Republic (PMR), is an unrecognized state that controls a part of Transnistria (the area between the Dniester river and Ukraine). Its capital is Tiraspol, and its population is about 469,000
Fantasy is distinguished from the genres of science fiction and horror by the absence of scientific or macabre themes, although these can occur in fantasy. In popular culture, the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works.
The advent of digital sound recording and later the compact disc (CD) in 1982 brought significant improvements in the quality and durability of recordings. The CD initiated another massive wave of change in the consumer music industry, with vinyl records effectively relegated to a small niche market by the mid-1990s. The record industry fiercely resisted the introduction of digital systems, fearing wholesale piracy on a medium able to produce perfect copies of original released recordings.
Sex in film, the presentation of aspects of sexuality in film, specially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual. An erotic film is usually a film that has an erotic quality, meaning that it may arouse sexual feelings, even if the stated or suggested intention of the film maker is to induce philosophical contemplation concerning the aesthetics of sexual desire, sensuality and romantic love.
Film criticism is also labeled as a type of writing that perceives films as possible achievements and wishes to convey their differences, as well as the films being made in a level of quality that is satisfactory or unsatisfactory Film criticism is also associated with the journalistic type of criticism, which is grounded in the media's effects being developed, and journalistic criticism resides in standard structures such as newspapers. Journal articles pertaining to films served as representatives for the film critics who desired to increase the amount of communication about movies to a high degree that ascended above content that was normally featured in popular publications. The critics who work in the media are normally commissionaires who affect culture, since the judgments and choices of critics have the effect of influencing what audience members perceive about objects that are supplied to them, and critics are also able to influence how the audience members choose to think about objects that are supplied to them.
A biographical film or biopic is a film that dramatizes the life of an actual person or group of people. Such films show the life of a historical person and the central character's real name is used. They differ from docudrama films and historical drama films in that they attempt to comprehensively tell a single person's life story or at least the most historically important years of their lives.
How Miniature Models in Film Make the Impossible Possible
Wondering how miniature models in film have been used to create otherwise impossible shots? The use of scaled down versions of many different scenes and environments have long been used in filmmaking to provide producers with a playing field. Upon which they can make imaginary outcomes become visible on the screen. They use many different steps, tricks and techniques in the process of producing miniature models for filmmaking. In fact, the sky (and the budget) are really the only limits! Even with the inception of CGI we still see many instances of miniature models in use over computer graphics to achieve certain shots and scenes. Miniatures have provided a more solid use mechanism in many cases as compared to CGI. And continue to offer an opportunity for cinematographers to create amazingly scaled versions of the desired scenes.
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
Elephant man
In my opinion, this is the most powerful scene in the film; quiet but powerful. If you ever want to learn acting watch Hannah Gordon, the woman, from 0:58 on-- she can act (face expression, voice inflections, 'Oxford English' are dead-on). The Elephant Man is a 1980 drama film based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
Hardware malfunction: In computer graphics, visual artifacts may be generated whenever a hardware component such as the processor, memory chip, cabling malfunctions, etc., corrupts data. Examples of malfunctions include physical damage, overheating, insufficient voltage and GPU overclocking. Common types of hardware artifacts are texture corruption and T-vertices in 3D graphics, and pixelization in MPEG compressed video. Software malfunction: Artifacts may be caused by algorithm flaws such as decoding/encoding audio or video, or a poor pseudo-random number generator that would introduce artifacts distinguishable from the desired noise into statistical models
An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema, but were fairly common in the cinema of the 1910s and 1920s.
An axial cut can be made with the use of a zoom lens, or physically moving the camera with a crane or camera dolly. The intervening footage (as the camera moves or zooms) is then removed while editing the film. Since footage is discarded, this technique works better for static shots. If action is involved, several takes will be required to get the necessary footage.
There are several fundamental camera moves that were developed right after the invention of motion picture cameras and are still used today. Using a virtual camera you can make almost any move, however, it is still a good idea to use these real world moves. These moves include the following: Panning and Tilting For both of these shots the camera is stationary and rotates in a horizontal (panning) or vertical (tilting) plane. Panning is used to follow a moving object or character, or to show more than can fit into a single frame, such as panning across a landscape. It is also used as a transition between one camera position and another.
In film and video production, split screen is the visible division of the screen, traditionally in half, but also in several simultaneous images, rupturing the illusion that the screen's frame is a seamless view of reality, similar to that of the human eye. There may or may not be an explicit borderline. Until the arrival of digital technology, a split screen in films was accomplished by using an optical printer to combine two or more actions filmed separately by copying them onto the same negative, called the composite.
After the launch of the satellite Sputnik 1 by the Soviet Union in 1957, satellite transmission technology was dramatically realised, with the United States launching Telstar in 1962 linking live media broadcasts from the UK to the US. The first digital broadcast satellite (DBS) system began transmitting in US in 1975.[183] Beginning in the 1990s, the Internet has contributed to a tremendous increase in the accessibility of Western media content. Departing from media offered in bundled content packages (magazines, CDs, television and radio slots), the Internet has primarily offered unbundled content items (articles, audio and video files
Those seeking to learn the technical craft of filmmaking in the early days of cinema were largely self-taught engineers or still photographers who experimented with new film technology. With the rise of commercial filmmaking in the 1920s, most notably the Hollywood studio system, those seeking to learn the technical skills of filmmaking most often started at the bottom of a hierarchical system and apprenticed under a more experienced person to learn the tradition.
The history of Italian cinema began a few months after the Lumière brothers began motion picture exhibitions.The first Italian director is considered to be Vittorio Calcina, a collaborator of the Lumière Brothers, who filmed Pope Leo XIII in 1896. The first films were made in the main cities of the Italian peninsula. These brief experiments immediately met the curiosity of the general public, encouraging operators to produce new films and laying the foundation for a true film industry. In the early 20th century, silent cinema developed, bringing numerous Italian stars to the forefront
A slide is a specially mounted individual transparency intended for projection onto a screen using a slide projector. This allows the photograph to be viewed by a large audience at once. The most common form is the 35 mm slide, with the image framed in a 2×2 inch cardboard or plastic mount. Some specialized labs produce photographic slides from digital camera images in formats such as JPEG, from computer-generated presentation graphics, and from a wide variety of physical source material such as fingerprints, microscopic sections, paper documents, astronomical images, etc.
There is increased interest in films originating in the Arab world. For example, films from Lebanon, Algeria, Morocco, Palestine, Syria, and Tunisia have been shown more often in local film festivals and repertoire theaters than during the late 1900s. Arab cinema has explored many topics from politics, colonialism, tradition, modernity and social taboos. It has also attempted to escape from its earlier tendency to mimic and rely on Western film styles. In fact, colonization did not only influence Arab films, but it also had an impact on Arab movie theaters. Also, the portrayal of women became an important aspect. Arab woman shaped a great portion of the film industry in the Arab world by employing their cinematic talents in improving the popularity of Arab films.
In filmmaking, a long take (also called a continuous take, continuous shot, or oner) is shot with a duration much longer than the conventional editing pace either of the film itself or of films in general. Significant camera movement and elaborate blocking are often elements in long takes, but not necessarily so. The term "long take" should not be confused with the term "long shot", which refers to the use of a long lens and not to the duration of the take. The length of a long take was originally limited to how much film the magazine of a motion picture camera could hold, but the advent of digital video has considerably lengthened the maximum potential length of a take.
Kentridge has practiced expressionist art: form often alludes to content and vice versa. The feeling that is manipulated by the use of palette, composition and media, among others, often plays an equally vital role in the overall meaning as the subject and narrative of a given work. One must use one's gut reactions as well as one's interpretive skills to find meaning in Kentridge's work, much of which reveals very little content. Due to the sparse, rough and expressive qualities of Kentridge's handwriting, the viewer sees a sombre picture upon first glance, an impression that is perpetuated as the image illustrates a vulnerable and uncomfortable situation.
Videography is the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage) and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography (moving images recorded on film stock), but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography.
A peace movement is a social movement which seeks to achieve ideals such as the ending of a particular war (or wars) or minimizing inter-human violence in a particular place or situation. They are often linked to the goal of achieving world peace. Some of the methods used to achieve these goals include advocacy of pacifism, nonviolent resistance, diplomacy, boycotts, peace camps, ethical consumerism, supporting anti-war political candidates, supporting legislation to remove profits from government contracts to the military–industrial complex, banning guns, creating tools for open government and transparency, direct democracy, supporting whistleblowers who expose war crimes or conspiracies to create wars, demonstrations, and political lobbying.
In 2008, a damaged print of Lang's original cut of the film was found in a museum in Argentina. According to the explanation in the restored film, "the material was heavily damaged and, because it had been printed on 16mm film stock, does not have the full-aperture silent picture ratio" and "in order to maintain the scale of the restored footage, the missing portion of the frame appears black" while "black frames indicate points at which footage is still lost". After a long restoration process that required additional materials provided by a print from New Zealand, the film was 95% restored . Metropolis is now widely regarded as one of the greatest and most influential films ever made, ranking 67th in Sight and Sound's 2022 critics' poll, and receiving general critical acclaim.
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre[1] which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.[2] More precisely, it is a documentary mixed with fictional elements in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous.
Aerial perspective, or atmospheric perspective, refers to the effect the atmosphere has on the appearance of an object as viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. The colours of the object also become less saturated and shift toward the background colour, which is usually bluish, but may be some other colour under certain conditions (for instance, reddish around sunrise or sunset).
Kurosawa, and his emphasis on sound-image counterpoint, by all accounts always gave great attention to the soundtracks of his films and he was involved with several of Japan's outstanding composers of his generation
There are four themes which can be associated with Kurosawa's filmmaking technique which recur from his early films to the films he made at the end of his career. These include his interest in (a) the master-disciple relationship, (b) the heroic champion, (c) the close examination of nature and human nature, and (d) the cycles of violence.
Imaging is the representation or reproduction of an object's form; especially a visual representation (i.e., the formation of an image). Imaging technology is the application of materials and methods to create, preserve, or duplicate images. Imaging science is a multidisciplinary field concerned with the generation, collection, duplication, analysis, modification, and visualization of images including imaging things that the human eye cannot detect. As an evolving field it includes research and researchers from physics, mathematics, electrical engineering, computer vision, computer science, and perceptual psychology.
The origin of today's cinema is thanks to the Lumiere brothers, Auguste and Louis, who in 1895 developed a machine called the Cinematographe, which had the ability to capture and show moving images. The early era of cinema saw rapid innovation. Filmmakers discover and apply new methods such as editing, special effects, close-ups, etc. Hollywood began to emerge as the mecca of the film industry, and many of the famous studios today such as Warner Bros and Paramount Pictures began to rule the film world. Over time, cinema and cinematography have changed drastically. From the silent films of the early 20th century, to the ability of sound to be added to films in the 1920s, widescreen and color films in the 50s, huge improvements in general creativity and methodology have emerged.
The Portal is a series of sculpture attractions which videoconference between one another. Created by Lithuanian artist Benediktas Gylys, they are large, identical circular sculptures that are located in various public city spaces, connecting two cities together by displaying a livestream of each city along with a camera on top of the screen. Initially starting as a concept in 2016, the first two installations of the Portal series were unveiled in 2021 for the Vilnius–Lublin Portal.
An establishing shot in filmmaking and television production sets up, or establishes, the context for a scene by showing the relationship between its important figures and objects. It is generally a long or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place. Establishing shots were more common during the classical era of filmmaking than they are now. Today's filmmakers tend to skip the establishing shot in order to move the scene along more quickly, or merely mention the setting in on-screen text (as is done in the Law & Order franchise). In addition, the expositional nature of the shot may be unsuitable to scenes in mysteries, where details are intentionally obscured or left out.
In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. But unlike changes in camera position, zooming does not change the perspective (the relative sizes of near and far objects); it only magnifies or reduces the size of the entire image as a whole. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and fewer objects become visible on film. Or it is performed towards shorter focal lengths, giving a "zoom out" effect: The filmed object will shrink in apparent size, and more objects come into view.
The property master, often called the prop(s) master, is an artistic and organizational employee in a film, television or theatrical production who is responsible for purchasing, acquiring, manufacturing, properly placing, and/or overseeing any props needed for a production. The property master also works with other members of the production managing the physical appearance of the stage or set; for example, they might work with the script supervisor to maintain set continuity. The property master is on staff during preproduction, develops the stylistic concept of the physical production, then continues on as a member of the physical shooting/production crew. A person responsible for purchasing the props can be called a props buyer or production buyer.
Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders.
