In 19th-century Europe, "Naturalism" or the "Naturalist school" was somewhat artificially erected as a term representing a breakaway sub-movement of realism, that attempted (not wholly successfully) to distinguish itself from its parent by its avoidance of politics and social issues, and liked to proclaim a quasi-scientific basis, playing on the sense of "naturalist" as a student of natural history, as the biological sciences were then generally known.
A parody also called a spoof, send-up, take-off, or lampoon) is a work created to imitate, make fun of, or comment on an original work—its subject, author, style, or some other target—by means of satiric or ironic imitation.
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Day for night is a set of cinematic techniques used to simulate a night scene while filming in daylight. It is often employed when it is too difficult or expensive to actually shoot during nighttime. Because both film stocks and digital image sensors lack the sensitivity of the human eye in low light conditions, night scenes recorded in natural light, with or without moonlight, may be underexposed to the point where little or nothing is visible. This problem can be avoided by using daylight to substitute for darkness. When shooting day for night, the scene is typically underexposed in-camera or darkened during post-production, with a blue tint added. Additional effects are often used to heighten the impression of night.
Pulling focus" refers to the act of changing the camera lens's focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 meters to 3 meters away from the focal plane, the focus puller changes the lens's distance setting in precise relation to the actor's changing position. The focus puller may also shift focus from one subject to another as the shot requires, a process called "rack focusing
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art and is often identified as one of the largest and most influential museums of modern art in the world. MoMA's collection offers an overview of modern and contemporary art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, and electronic media. The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles, and more than 40,000 files of ephemera about individual artists and groups. The archives hold primary source material related to the history of modern and contemporary art.
The most common sports subgenres depicted in movies are sports drama and sports comedy. Both categories typically employ playground settings, match, game creatures and other elements commonly associated with biological stories.
Sports films tend to feature a more richly developed sport world, and may also be more player-oriented or thematically complex. Often, they feature a hero of adventure origins and a clear distinction between loss and victory set against each other in a play time struggle.
Thematically, the story is often one of "our team" versus "their team"; their team will always try to win, and our team will show the world that they deserve recognition or redemption; the story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team.
Since the invention of digital technology and audio sampling, many modern films have been able to rely on digital samples to imitate the sound of acoustic instruments, and many scores are created and performed wholly by the composers themselves, by using music composition software, synthesizers, samplers, and MIDI controllers.
Unique storytelling which features real, pure emotion.
A wedding film more than just a wedding film – it’s an experience. We all dream about the perfect wedding, about the perfect wedding film. That proud look on your father’s face. That little bow in your hair. A tear rolling down your grandmother’s cheek. And because only the best is good enough for your wedding, use only high-end and true cinema gear to capture your film.
In Search of Humanity is his most comprehensive retrospective to date. Including paintings, cultural ready-mades, works made from LEGO bricks, sculptures, installations, photography, and video works, the exhibition presents an impressive overview of Ai Weiwei's over-four-decades-spanning career and features key works from all his different creative periods.
Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art"[1] because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film’s editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.”
A newsreel is a form of short documentary film, containing news stories and items of topical interest, that was prevalent between the 1910s and the mid 1970s. Typically presented in a cinema, newsreels were a source of current affairs, information, and entertainment for millions of moviegoers. Newsreels were typically exhibited preceding a feature film, but there were also dedicated newsreel theaters in many major cities in the 1930s and ’40s, and some large city cinemas also included a smaller theaterette where newsreels were screened continuously throughout the day. By the end of the 1960s television news broadcasts had supplanted the format. Newsreels are considered significant historical documents, since they are often the only audiovisual record of certain cultural events.
Photography was the basis for the moving images that later developed into cinematography. In the 1870s Eadweard Muybridge, an English photographer living in California, used multiple cameras to capture the movement of animals. He then projected these still images in rapid sequence to show horses galloping, creating the first motion picture.
A master shot (or short master) is a film recording of an entire dramatized scene, start to finish, from a camera angle that keeps all the players in view. It is often a long shot and can sometimes perform a double function as an establishing shot. Usually, the master shot is the first shot checked off during the shooting of a scene. It is the foundation of what is called camera coverage, other shots that reveal different aspects of the action, groupings of two or three of the actors at crucial moments, close-ups of individuals, insert shots of various props, and so on. Historically, the master shot was the most important shot of any given scene. All shots in a given scene were somehow related to what was happening in the master shot.
Location shooting is the shooting of a film or television production in a real-world setting rather than a sound stage or backlot. The location may be interior or exterior. Before filming, the locations are generally surveyed in pre-production, a process known as location scouting and recce. Pros and cons Location shooting has several advantages over filming on a studio set. First and foremost, the expense can often be far lower than that of constructing sets in a studio. The illusion of reality can also be stronger; on a set, it is hard to replicate real-world wear and tear, as well as architectural details, and the vastness of a city is difficult to recreate on a backlot.
A sound stage (also written soundstage) is a soundproof, large structure, building, or room with large doors and high ceilings, used for the production of theatrical film-making and television productions, usually located on a secured movie or television studio property.
Compared to a silent stage, a sound stage is sound-proofed so that sound can be recorded along with the images. The recordings are known as production sound.
A silent stage is not soundproofed and is susceptible to outside noise
interference; therefore, sound is not generally recorded. Because most
sound in movies, other than dialogue, is added in post-production, this
generally means that the main difference between the two is that sound
stages are used for dialogue scenes, but silent stages are not. An
alternative to production sound is to record additional dialogue during post-production (known as dubbing).
Stop motion animator and director Victor Haegelin is better known as Patagraph on Instagram. In this episode of Creators, we visit his studio to see how he creates his magic on screen. Victor wanted to make his own animation films but he had a small problem… he couldn’t draw. He also didn’t know how to create 3D animation on a computer. The solution he found was stop motion animation. “It’s a technique that is very affordable,” says Victor. “Meaning, you can actually tell stories and make films very quickly with very few resources.”
The Blender Foundation is a Dutch nonprofit organization (Stichting) responsible for the development of Blender, an open source 3D content-creation program. The foundation is chaired by Ton Roosendaal, the original author of the Blender software. One of the foundation's stated goals is "to give the worldwide Internet community access to 3D technology in general, with Blender as a core". The foundation provides various resources to support the community formed around using and developing Blender. In particular, it organizes an annual Blender Conference in Amsterdam to discuss plans for the future of Blender, as well as staffing a booth to represent Blender at SIGGRAPH. Donations are also used to maintain the Blender website and hire developers to improve the Blender software.
">Film directors have used fiction to show how humans relate to nature, in all genres. Think of disaster films, films about pandemics, underwater creatures that can talk or plant life forms that colonize the bodies and minds of earthlings. Much is uncertain in life, except for one thing: the climate crisis. You can see how film directors have portrayed the relationship between man and planet Earth at Cinema Ecologica: from nail-biting disaster film to artistic meditation, from romantic experience of nature to bewildering science fiction.
On the ruins of the Anthropocene, humanity has made way for a rich biotope teeming with mixed life-forms: human, animal, machine hybrids; artificially created biochemical life-forms, genetically manipulated creatures, chemical robots, and autonomous artificial intelligence.
There is no competition, only symbiosis. This is a shared habitat, and all the resources, bodies, and information that it contains are also shared. In this performative VR experience, each "player" becomes one of the various creatures: a fusion of either human and animal, or human and technology.
To complete their symbiosis, the virtual world they are presented with is augmented with scent and physical aids. How does hybridization with other creatures affect us as humans? And what philosophical, legal, emotional, or physical consequences might this fusion have?
Bridging shot A shot used to cover a jump in time or place or other discontinuity. Examples are a clock face showing advancing time, falling calendar pages, railroad wheels, newspaper headlines and seasonal changes. Bridge shots are also used to avoid jump cuts when inserting a pick-up.
The lease contract to the Vondelpark Pavilion was signed with the Municipality of Amsterdam, following which the renovations of the historic building can officially begin. After the summer, IDFA will commence with 'pilot programming', with the Vondelpark Pavilion slated to become a festival location in November.
The official opening will be next spring, when the space will open its doors to anyone looking to be inspired by the art of documentary—from special film screenings on the silver screen to immersive installations and workshops, from debates to networking opportunities.
In film and theatre, a manuscript, or script for short, is an author's or dramatist's text, used by a theatre company or film crew during the production of the work's performance or filming. More specifically, a motion picture manuscript is called a screenplay; a television manuscript, a teleplay; a manuscript for the theatre, a stage play; and a manuscript for audio-only performance is often called a radio play, even when the recorded performance is disseminated via non-radio means.
Because of the stylistic similarities between comic strips and early animated films, cartoon came to refer to animation, and the word cartoon is currently used in reference to both animated cartoons and gag cartoons. While animation designates any style of illustrated images seen in rapid succession to give the impression of movement, the word "cartoon" is most often used as a descriptor for television programs and short films aimed at children, possibly featuring anthropomorphized animals, superheroes, the adventures of child protagonists or related themes.
Sound design is the art and practice of creating soundtracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio production techniques and tools. It is employed in a variety of disciplines including filmmaking, television production, video game development, theatre, sound recording and reproduction, live performance, sound art, post-production, radio, new media and musical instrument development. Sound design commonly involves performing (see e.g. foley) and editing of previously composed or recorded audio, such as sound effects and dialogue for the purposes of the medium, but it can also involve creating sounds from scratch through synthesizers. A sound designer is one who practices sound design.
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Film colorization is any process that adds color to black-and-white, sepia, or other monochrome moving-picture images. It may be done as a special effect, to "modernize" black-and-white films, or to restore color films. The first examples date from the early 20th century, but colorization has become common with the advent of digital image processing.
The cinematographer is a subordinate of the director, tasked with capturing a scene in accordance with the director's vision. Relations between the cinematographer and director vary. In some instances, the director will allow the cinematographer complete independence, while in others, the director allows little to none, even going so far as to specify exact camera placement and lens selection. Such a level of involvement is less common when the director and cinematographer have become comfortable with each other. The director will typically convey to the cinematographer what is wanted from a scene visually and allow the cinematographer latitude in achieving that effect. The scenes recorded by the cinematographer are passed to the film editor for editing.
A title sequence (also called an opening sequence or intro) is the method by which films or television programmes present their title and key production and cast members, utilizing conceptual visuals and sound (often an opening theme song with visuals, akin to a brief music video).[1] It typically includes (or begins) the text of the opening credits, and helps establish the setting and tone of the program. It may consist of live action, animation, music, still images, and/or graphics. In some films, the title sequence is preceded by a cold open.
The Allard Pierson Museum is the archaeological museum of the University of Amsterdam. It is situated at the Oude Turfmarkt 127 in Amsterdam, the Netherlands. Artifacts from the ancient civilizations of ancient Egypt, the Near East, the Greek World, Etruria, and the Roman Empire are curated and exhibited in this museum. The name of the Allard Pierson Museum derives from the first professor of classical archaeology at the University of Amsterdam, Allard Pierson (1831–1896). This former clergyman was invited in 1877 to occupy the chair of Aesthetics, Art History, and Modern Languages at the newly founded university. His passion for antiquity, fuelled by his travels to the Mediterranean area, led to his assembling a collection of plaster casts from 1877 to 1895.
Animation producer Cilia van Dijk won an Oscar for Best Animated Short Film in 1986 as producer of Anna & Bella, directed by Børge Ring. Van Dijk also produced many films by her husband, artist Gerrit van Dijk (1938-2012). Born in Uden in 1941, Van Dijk founded his own companies at a young age, such as a modeling agency and a crèche. When her husband started making animated films, she became his producer. That position took root, resulting in a large oeuvre in the field of film production. In addition, in 1978 Van Dijk founded the Animated People distribution company for Dutch animation films, the forerunner of the Netherlands Institute for Animated Film. She also held positions as a board member of the Holland Animation Association and sat on juries for festivals all over the world.
One reason for the decline in ticket sales in the 2000s is that "home-entertainment options [are] improving all the time— whether streamed movies and television, video games, or mobile apps—and studios releasing fewer movies", which means that "people are less likely to head to their local multiplex". This decline is not something that is recent. It has been observed since the 1950s when television became widespread among working-class homes. As the years went on, home media became more popular, and the decline continued. This decline continues until this day.
Principal photography can take place in a studio or in an actual setting, and the choice of location depends on artistic and economic aspects. While shooting in a sound stage offers more accurate planning, constructing sets may be expensive. Costs and artistic reasons (see French New Wave and Dogma 95) are the main drives behind filming on location. However, outdoor shooting requires more effort because equipment and personnel must be transported to the location. In the early days of cinema, filmmakers tried to film outdoors as much as possible, as sunlight was needed to ensure adequate exposure of poor-quality early film stock; nowadays, due to the increased use of CGI, more shooting is done in a studio
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After World War II, the Polygoon-journal had its glory days; 400 different cinemas weekly showed Neêrlands Nieuws and Wereldnieuws. In 1946, the editor Philip Bloemendal (1918–1999) started as commentator; his particular voice became synonymous with Polygoon. Because of the emergence of the television in the Netherlands by the late 1950s, the Polygoon journals lost much attention, but the service lasted until 1987 before it finally ended. Cameramen employed by Polygoon had orders to fill their reels, no matter what. If not for news, then with the local celebrity or even shots of famous buildings or locations. Because of this, Polygoon's archive is now a valuable source of historical Stock footage available for other productions. It is currently being digitalized by the Netherlands Institute for Sound and Vision located in Hilversum. Several Polygoon newsreels can also be found on YouTube.
Color motion pictures became the norm by the mid-1950s, but that doesn’t mean black-and-white films were no longer being made. Considering only live-action films presented entirely or almost entirely without color, and released in or after 1970Released in 1993 but set at the time of World War II, “Schindler’s List” was almost exclusively filmed in black and white because director Steven Spielberg wanted to give the footage a documentary feel. The notable exception to this lack of color was one little girl in the Krakow ghetto shown wearing a bright red coat among an otherwise dismal backdrop. That little girl was later shown among the bodies of the deceased, only recognizable because of her red coat.
3D films are motion pictures made to give an illusion of three-dimensional solidity, usually with the help of special glasses worn by viewers. They have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end
Compositing is the process or technique of combining visual elements from separate sources into single images, often to create the illusion that all those elements are parts of the same scene. Live-action shooting for compositing is variously called "chroma key", "blue screen", "green screen" and other names. Today, most, though not all, compositing is achieved through digital image manipulation. Pre-digital compositing techniques, however, go back as far as the trick films of Georges Méliès in the late 19th century, and some are still in use.
George Debels originally came from Antwerp, where he studied technical drawing. In 1914, after the German invasion of Belgium, he fled to Amsterdam. In 1916, he made his first animated film, De wonderdroom van Keesje. From that moment onwards, he made many animated and advertising films. Debels worked for e.g. the KLM and For Friesche Vlag, he designed for the corporate mascot Ko the Cow, who also appeared in several advertising films. Debels had its own animation studio in Amsterdam, and produced his films under the name Mac Djorski.
There is talk of 83% growth in a so-called industry built on false metrics, trivial and absurd premises, and distorted mechanisms. The social networks are filled with imaginary people whose followers, likes and comments are paid for and who have absolutely zero influence; while we are being exhorted to fight fake activity and introduce algorithms to detect it; at the same time as the need to tie influencers to contracts to ensure they comply with the number and frequency of mentions stipulated in them. Then there are the cases of influencers with unsavory associations or who are just idiots getting brands intro trouble, metrics that don’t add up, saturated social networks and fatigued users… In short, yet another supposed “industry” related to advertising whose death has long been foretold.
Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative. This information can be about the setting, characters' backstories, prior plot events, historical context, etc. In literature, exposition appears in the form of expository writing embedded within the narrative.
The Mutoscope and Biograph Collection is the oldest film collection held at Eye Filmmuseum. It includes over 200 films, most of which made in Europe between 1897 and 1902. This constitutes the largest existing collection of Mutoscope and Biograph films surviving in the world. These films were all photographed with the unique large-format 68mm Mutograph camera, which provided extraordinarily high-resolution images. The films reflect the essence of early cinema: capturing the first-ever moving images of important events, famous locations and personalities, as well as spectacular moments such as dance and sports performances, or even natural phenomena like fire or storm, that only work when seen in motion.
Internet activism involves the use of electronic-communication technologies such as social media, e-mail, and podcasts for various forms of activism to enable faster and more effective communication by citizen movements, the delivery of particular information to large and specific audiences, as well as coordination. Internet technologies are used by activists for cause-related fundraising, community building, lobbying, and organizing. A digital-activism campaign is "an organized public effort, making collective claims on a target authority, in which civic initiators or supporters use digital media.
Internet activism[a] involves the use of electronic-communication technologies such as social media, e-mail, and podcasts for various forms of activism to enable faster and more effective communication by citizen movements, the delivery of particular information to large and specific audiences, as well as coordination. Internet technologies are used by activists for cause-related fundraising, community building, lobbying, and organizing. A digital-activism campaign is "an organized public effort, making collective claims on a target authority, in which civic initiators or supporters use digital media.
A film's genre will influence the use of filmmaking styles and techniques, such as the use of flashbacks and low-key lighting in film noir; tight framing in horror films; or fonts that look like rough-hewn logs for the titles of Western films. In addition, genres have associated film-scoring conventions, such as lush string orchestras for romantic melodramas or electronic music for science-fiction films. Genre also affects how films are broadcast on television, advertised, and organized in video-rental stores.
An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people. Illusions may occur with any of the human senses, but visual illusions (optical illusions) are the best-known and understood. The emphasis on visual illusions occurs because vision often dominates the other senses. For example, individuals watching a ventriloquist will perceive the voice is coming from the dummy since they are able to see the dummy mouth the words.
A screenplay, or script, is a written work by screenwriters for a film, television show, or video game (as opposed to a stage play). A screenplay written for television is also known as a teleplay. Screenplays can be original works or adaptations from existing pieces of writing. A screenplay is a form of narration in which the movements, actions, expressions and dialogue of the characters are described in a certain format. Visual or cinematographic cues may be given, as well as scene descriptions and scene changes.
A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downwards. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps.
Before crewed flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high vantage locations (e.g. a mountain or tower), from those constructed from an imagined bird's perspectives. Bird's eye views as a genre have existed since classical times. They were significantly popular in the mid-to-late 19th century in the United States and Europe as photographic prints.
Videography is the process of capturing moving images on electronic media (e.g., videotape, direct to disk recording, or solid state storage) and even streaming media. The term includes methods of video production and post-production. It used to be considered the video equivalent of cinematography (moving images recorded on film stock), but the advent of digital video recording in the late 20th century blurred the distinction between the two, as in both methods the intermediary mechanism became the same. Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography.
