Giethoorn: Fanfare scenes

 

 

 

The contraction soundtrack came into public consciousness with the advent of so-called "soundtrack albums" in the late 1940s. First conceived by movie companies as a promotional gimmick for new films, these commercially available recordings were labeled and advertised as "music from the original motion picture soundtrack", or "music from and inspired by the motion picture." These phrases were soon shortened to just "original motion picture soundtrack." More accurately, such recordings are made from a film's music track, because they usually consist of isolated music from a film, not the composite (sound) track with dialogue and sound effects.

Prehistoric village

 

 

Media manipulation is a series of related techniques in which partisans create an image or argument that favours their particular interests. Such tactics may include the use of logical fallacies, psychological manipulations, outright deception (disinformation), rhetorical and propaganda techniques, and often involve the suppression of information or points of view by crowding them out, by inducing other people or groups of people to stop listening to certain arguments, or by simply diverting attention elsewhere.

Village of waterways

 

 

Telecine is the process of transferring motion picture film into video and is performed in a color suite. The term is also used to refer to the equipment used in the post-production process. Telecine enables a motion picture, captured originally on film stock, to be viewed with standard video equipment, such as television sets, video cassette recorders (VCR), DVD, Blu-ray Disc or computers. Initially, this allowed television broadcasters to produce programmes using film, usually 16mm stock, but transmit them in the same format, and quality, as other forms of television production.

Bay of Biscay

 

 

 Axial cut

A type of jump cut, where the camera suddenly moves closer to or further away from its subject along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema but were fairly common in the cinema of the 1910s and 1920s.

 

Drenthe: Moor & ...more

 

Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story. It is now usually understood to refer only to still images, but in some cases the term also refers to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (e.g., documentary photography, social documentary photography, street photography or celebrity photography) by complying with a rigid ethical framework which demands that the work be both honest and impartial whilst telling the story in strictly journalistic terms. Photojournalists create pictures that contribute to the news media, and help communities connect with one other. Photojournalists must be well informed and knowledgeable about events happening right outside their door. They deliver news in a creative format that is not only informative, but also entertaining. Like a writer, a photojournalist is a reporter, but he or she must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles (e.g., physical danger, weather, crowds, physical access).

 

 

The nick

 

 

Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir. Screenwriter and scholar Eric R. Williams identifies Crime Film as one of eleven super-genres in his screenwriters’ taxonomy, claiming that all feature length narrative films can be classified by these super-genres. The other ten super-genres are Action, Fantasy, Horror, Romance, Science Fiction, Slice of Life, Sports, Thriller, War and Western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. Chinatown would be an example of a film that is a drama (film type) crime film (super-genre) that is also a noir (pathway) mystery (macro-genre). 

 

in the Wood

 

Cinephilia  also cinemaphilia or filmophilia) is the term used to refer to a passionate interest in films, film theory, and film criticism. The term is a portmanteau of the words cinema and philia, one of the four ancient Greek words for love. A person with a passionate interest in cinema is called a cinephile , cinemaphile, filmophile, or, informally, a film buff

In English, "cinephile" is sometimes used interchangeably with the word cineaste , though in the original French the term cinéaste  refers to a cinephile who is also a filmmaker.

 

Museum Village in Drenthe

 

 

 

In filmmaking, video production, animation, and related fields, a frame is one of the many still images which compose the complete moving picture. The term is derived from the fact that, from the beginning of modern filmmaking toward the end of the 20th century, and in many places still up to the present, the single images have been recorded on a strip of photographic film that quickly increased in length, historically; each image on such a strip looks rather like a framed picture when examined individually. The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.

Jerez de la Frontera

 

 

Camera obscura (plural camerae obscurae or camera obscuras, from Latin camera obscūra, “dark chamber”), also referred to as pinhole image, is the natural optical phenomenon that occurs when an image of a scene at the other side of a screen (or, for instance, a wall) is projected through a small hole in that screen as a reversed and inverted image (left to right and upside down) on a surface opposite to the opening. The surroundings of the projected image have to be relatively dark for the image to be clear, so many historical camera obscura experiments were performed in dark rooms. 

 

 

 

 

 

Moorland & Sheep

 

 A preview performance refers to a showing of a film to a select audience, usually for the purposes of corporate promotions, before the public film premiere itself. Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections based on the audience response. 

Giethoorn story

 

 

When applied to the cinema, mise-en-scène refers to everything that appears before the camera and its arrangement—composition, sets, props, actors, costumes, and lighting. The "mise-en-scène", along with the cinematography and editing of a film, influence the verisimilitude or believability of a film in the eyes of its viewers. The various elements of design help express a film's vision by generating a sense of time and space, as well as setting a mood, and sometimes suggesting a character's state of mind 

 

Assen portal of Drenthe

 

 

Nowadays, any video work could be called videography, whereas commercial motion picture production would be called cinematography. A videographer is a person who works in the field of videography and/or video production. News broadcasting relies heavily on live television where videographers engage in electronic news gathering (ENG) of local news stories. 

 

Shooting

 

 

 

In filmmaking and video production, a shot is a series of frames that runs for an uninterrupted period of time. Film shots are an essential aspect of a movie where angles, transitions and cuts are used to further express emotion, ideas and movement. The term "shot" can refer to two different parts of the filmmaking process: In production, a shot is the moment that the camera starts rolling until the moment it stops. In film editing, a shot is the continuous footage or sequence between two edits or cuts.

Ransdorp (Amsterdam council)

 

 

An important element of "putting in the scene" is set design—the setting of a scene and the objects (props) visible in a scene. Set design can be used to amplify character emotion or the dominant mood, which has physical, social, psychological, emotional, economic and cultural significance in film. One of the most important decisions made by the production designer and director is deciding whether to shoot on location or on set. The main distinction between the two is that décor and props must be taken into consideration when shooting on set. However, shooting on set is more commonly done than shooting on location as a result of it proving to be more cost effective.

Circle of Industry

 

 A documentary film is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education, or maintaining a historical record" - compare documentary theatre. Bill Nichols has characterised the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries". Documentary films, originally called "actuality films", lasted one minute, or less. Over time, documentaries have evolved to become longer in length, and to include more categories; some examples being: educational, observational, and docufiction. Documentaries are meant to be informative works, and are often used within schools, as a resource to teach various principles. 

Lighthouse

 

 

Hard and soft light are different types of lighting that are commonly used in photography and filmmaking. Soft light is light that tends to "wrap" around objects, casting diffuse shadows with soft edges. Soft light comes from a light source that is large relative to the subject; hard light from one that is small relative to the subject. The hardness or softness of light depends mostly on the following two factors: Distance. The closer the light source, the softer it becomes. Size of light source. The larger the source, the softer it becomes. The softness of a light source can also be determined by the angle between the illuminated object and the 'length' of the light source (the longest dimension that is perpendicular to the object being lit). The larger this angle is, the softer the light source. 

 

60 years Philips

 

 

Extreme long shots are usually done in a high angle so the viewer can look down upon a setting or scene. Extreme longs shots are used mainly to open the scene or narrative and show the viewer the setting. The rest of the shots are most typically done in an eye level or point of view shot although it is possible to do any shot with any angle. There is the long shot which shows the subject even though the setting still dominates the picture frame. Then, there is the medium long shot which makes the subject and the setting have equal importance and has the two about 50/50 in the frame. Then is the medium shot which emphasizes the character and is about a knees to waist up type shot. Then the medium close up is a shot that has the waist to the chest and up. The next closest shot is the close up which has the shoulders and up or maybe a little tighter on the head. Finally, there is the extreme close up shot which has one body part usually. This can be an eye, a hand or anything else. These shots can be used with any of the aforementioned camera angles. 

 

Mountain high Auvergne

A feature film, or feature-length film, is a film (also called a motion picture or movie) with a running time long enough to be considered the principal or sole film to fill a program. The term feature film originally referred to the main, full-length film in a cinema program that also included a short film and often a newsreel. The notion of how long a feature film should be has varied according to time and place.

Dorpstraat in the polder

 

 A preview performance refers to a showing of a film to a select audience, usually for the purposes of corporate promotions, before the public film premiere itself. Previews are sometimes used to judge audience reaction, which if unexpectedly negative, may result in recutting or even refilming certain sections based on the audience response.

Utmost North: Holysloot

Holysloot? 'Sloot' is the Dutch word for 'ditch'. Why would a ditch be blessed?

'Holy' is just old Dutch for 'hollow' and denotes that the ditches in this part of Holland were particularly low-lying, and prone to flooding. Over the years a typical Dutch combination of dams and canals created a low-lying landscape of green meadows interrupted by streaks of water.

In 1921, after the last great flood left the villages here devastated, they made a pact with the devil: the big city, Amsterdam, could annex them, sniffing out centuries of independence. But in return, the landscape would remain protected guaranteeing a rural existence within city limits.

 

Frontgarden in Tuindorp Oostzaan

An establishing shot in filmmaking and television production sets up, or establishes the context for a scene by showing the relationship between its important figures and objects. It is generally a long or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place.
Establishing shots were more common during the classical era of filmmaking than they are now. Today's filmmakers tend to skip the establishing shot in order to move the scene along more quickly, or merely mention the setting in on-screen text. In addition, the expositional nature of the shot (as described above) may be unsuitable to scenes in mysteries, where details are intentionally obscured or left out.

Calls to boycott 'Mulan' film

Disney is under fire for shooting its new film Mulan in parts of China where the government is accused of serious human rights abuses.
The final credits thank a government security agency in Xinjiang province, where about 1m people - mostly Muslim Uighurs - are thought to be detained.

Disney has not commented on the row over the locations and the credits.

The live-action film, which is one of the biggest releases of the year, is a remake of the 1998 animated story of a young girl who takes her father's place in the army.
But fans in some Asian countries called for a boycott after Chinese-born actress Liu Yifei made comments supporting Hong Kong's police who have been accused of violence against pro-democracy protesters in recent months.

Rich and poor

CONTEMPORARY QUESTIONS ABOUT DOCUMENTARY PHOTOGRAPHY

In 1958, the Stedelijk Museum was one of the first museums of modern art in the world to take photography seriously as a fully-fledged art medium and now has a collection of photographs of international importance. Documentary photography plays an important role in this.
Documentary photography by its very nature raises questions and discussions. It already starts with the word "documentary", a complex and loaded term, which is linked to greats from the history of photography, but is also used in a negative sense when photos are insufficiently visual or personal. Moreover, nowadays the question is increasingly being asked: What is the position of the (documentary) photographer in relation to his subject, with what right and with what intention is 'the other' captured? What is the balance of power - who has the right to portray whom?

 

Quiet Amsterdam

Film is used for a range of goals, including education and propaganda. When the purpose is primarily educational, a film is called an "educational film". Examples are recordings of academic lectures and experiments, or a film based on a classic novel. Film may be propaganda, in whole or in part, such as the films made by Leni Riefenstahl in Nazi Germany, US war film trailers during World War II, or artistic films made under Stalin by Sergei Eisenstein. They may also be works of political protest, as in the films of Andrzej Wajda, or more subtly, the films of Andrei Tarkovsky. The same film may be considered educational by some, and propaganda by others as the categorization of a film can be subjective.

Along the IJ river northside

 

VIDEO is HOT and many companies and organizations and self-employed people want videos on their WEBSITE, Intranet, Facebook, Twitter and Instagram.

Since the advent of smartphones with a good camera, you don't have to hire a camera crew to make a video. Organizations, companies and institutions can do this very well themselves. This is not only cheaper, it also often works better because organizations often know exactly what they want. The videos are therefore more authentic because the company or institution knows exactly what it wants to offer its target group.

Making videos with your smartphone is quick and easy to learn. The big advantage is that you (almost) always have the mobile with you and can therefore create content at any time.

 

 

What a genderfull world !

In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates.

New land

Stage combat, fight craft or fight choreography is a specialised technique in theatre designed to create the illusion of physical combat without causing harm to the performers. It is employed in live stage plays as well as operatic and ballet productions. With the advent of cinema and television the term has widened to also include the choreography of filmed fighting sequences, as opposed to the earlier live performances on stage. It is closely related to the practice of stunts and is a common field of study for actors. Actors famous for their stage fighting skills frequently have backgrounds in dance, gymnastics or martial arts training. 

Walking in Amsterdam

Dissolving views were a popular type of 19th century magic lantern show exhibiting the gradual transition from one projected image to another. The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image.
While most dissolving views showed landscapes or architecture in different light, the effect was also used in other ways. An popular example has a soldier sleeping or daydreaming on the battlefield, with dissolving views displaying several of his dreams about home above his head.

Flat Holland

Three different digital soundtrack systems for 35 mm cinema release prints were introduced during the 1990s. They are: Dolby Digital, which is stored between the perforations on the sound side; SDDS, stored in two redundant strips along the outside edges (beyond the perforations); and DTS, in which sound data is stored on separate compact discs synchronized by a timecode track on the film just to the right of the analog soundtrack and left of the frame[2] (Sound-on-disc). Because these soundtrack systems appear on different parts of the print, one movie can contain all of them, allowing broad distribution without regard for the sound system installed at individual theatres. 

 

Bali behind the scenes

The National Museum of World Cultures (NMVW) groups together Amsterdam’s Tropenmuseum, the Afrika Museum in Berg en Dal and the Museum Volkenkunde in Leiden. Since 2017 NMVW has been working closely together with Rotterdam’s Wereldmuseum. That’s why our collection site also features the collections of these other three museums alongside that of the Tropenmuseum. Taken together these collections comprise nearly 450,000 objects, 260,000 photographs and some 350,000 items of documentary film and video material.

Golden Oldies

Most early forms of motion pictures or film were black and white. Some color film processes, including hand coloring were experimented with, and in limited use, from the earliest days of motion pictures. The switch from most films being in black-and-white to most being in color was gradual, taking place from the 1930s to the 1960s. Even when most film studios had the capability to make color films, the technology's popularity was limited, as using the Technicolor process was expensive and cumbersome. For many years, it was not possible for films in color to render realistic hues, thus its use was restricted to historical films, musicals, and cartoons until the 1950s, while many directors preferred to use black-and-white stock.

Enkhuizen: Meeting again

A movie remake uses an earlier movie as its main source material, rather than returning to the earlier movie's source material.
With the exception of shot-for-shot remakes, most remakes make significant changes in character, plot, genre, and theme. Sometimes a remake is made by the same director. Not all remakes use the same title as the previously released version. Remakes are rarely sequels to the original film. In this situation, essentially the remake repeats the same basic story of the original film and may even use the same title, but also contains notable plot and storyline elements indicating the two films are set in "the same universe". The Italian film Perfect Strangers was included in the Guinness World Records as it became the most remade film in cinema history, with a total of 18 versions of the film.

Tropics Museum

Digital methods have also been used to restore films, although their continued obsolescence cycle makes them a poor choice for long-term preservation. Film preservation of decaying film stock is a matter of concern to both film historians and archivists and to companies interested in preserving their existing products in order to make them available to future generations (and thereby increase revenue). Preservation is generally a higher concern for nitrate and single-strip color films, due to their high decay rates; black-and-white films on safety bases and color films preserved on Technicolor imbibition prints tend to keep up much better, assuming proper handling and storage. 

Polk'art in museum garden

With the development of analog sound recording, though, a performance could be permanently fixed, in all of its elements: pitch, rhythm, timbre, ornaments and expression. This meant that many more elements of a performance would be captured and disseminated to other listeners. The development of sound recording also enabled a much larger proportion of people to hear famous orchestras, operas, singers and bands, because even if a non-wealthy person could not afford to hear the live concert, she or he might be able to afford to buy the recording. The availability of sound recording thus helped to spread musical styles to new regions, countries and continents.

Schellingwoude (Amsterdam county)

Lighting
The intensity, direction, and quality of lighting can influence an audience's understanding of characters, actions, themes and mood. Light (and shade) can emphasize texture, shape, distance, mood, time of day or night, season, glamour; it affects the way colors are rendered, both in terms of hue and depth, and can focus attention on particular elements of the composition. Highlights, for example, call attention to shapes and textures, while shadows often conceal things, creating a sense of mystery or fear. For this reason, lighting must be thoroughly planned in advance to ensure its desired effect on an audience. Cinematographers are a large part of this process, as they coordinate the camera and the lighting.

From canal to river

A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play. It is generally longer and more detailed than an outline (or one-page synopsis), and it may include details of directorial style that an outline omits. Treatments read like a short story, but are told in the present tense and describe events as they happen.

Along the Zaan river

In filmmaking, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.

The 180-degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is particularly important in the narration of battle scenes. 

The dyke (Volendam)

Cosplay a portmanteau of the words costume play, is a performance art in which participants called cosplayers wear costumes and fashion accessories to represent a specific character. Cosplayers often interact to create a subculture, and a broader use of the term "cosplay" applies to any costumed role-playing in venues apart from the stage. Any entity that lends itself to dramatic interpretation may be taken up as a subject and it is not unusual to see genders switched. Favorite sources include anime, cartoons, comic books, manga, television series, and video games.

East Island

Although the origins of the music video date back to musical short films that first appeared in the 1920s, they again came into prominence in the 1980s when the channel MTV (originally "Music Television") based their format around the medium. Prior to the 1980s, these kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip" or "film clip".

PAIK: Electronic art

Nam June Paik
The Future is Now

Largest overview in years of Nam June Paik: artist, visionary and pioneer. Paik saw early on what the impact of mass media would be. He introduced the term "electronic highway", for example, predicting the future of communication in the current internet era as early as the 1970s. His work is multidisciplinary, experimental, innovative and playful and has a great influence on the generations after him.

The End: Hem Zaanstad

On the mysterious site, behind high fences and strict security, the Artillerie Inwoningen started producing firearms, artillery and ammunition for the Dutch army from 1895. The site was carefully chosen behind the defense line of the Amsterdam position, from the heart of the position the factory was able to supply the army with weapons and ammunition.

Over the years there has been a lot of construction and demolition on the site. Due to the function of the factory and the risk of explosion, the site has characteristic buildings such as those with semicircular roofs that had to conduct a possible shock. The position of the buildings and the layout of the outdoor space, such as the earthen walls and the poppy forest, were also aimed at limiting the damage in the event of an explosion. The result is a factory site that is unique in the Netherlands.

Twiske playground

Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations.

Roof (amsterdam)

;Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations.

Dutch polder village

A graphic match (as opposed to a graphic contrast or collision) occurs when the shapes, colors and/or overall movement of two shots match in composition, either within a scene or, especially, across a transition between two scenes. Indeed, rather than the seamless cuts of continuity editing within a scene, the term "graphic match" usually denotes a more conspicuous transition between (or comparison of) two shots via pictorial elements. A match cut often involves a graphic match, a smooth transition between scenes and an element of metaphorical (or at least meaningful) comparison between elements in both shots.
A match cut contrasts with the conspicuous and abrupt discontinuity of a jump cut. 

 

NEMO science museum

The 30-degree rule is a basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots can look like a jump cut—which could jar the audience and take them out of the story. The audience might focus on the film technique rather than the narrative itself.

La Devesa Girona

Light is necessary to create an image exposure on a frame of film or on a digital target (CCD, etc.). The art of lighting for cinematography goes far beyond basic exposure, however, into the essence of visual storytelling. Lighting contributes considerably to the emotional response an audience has watching a motion picture. The increased usage of filters can greatly impact the final image and affect the lighting.

Backgarden of Amsterdam

Dubbing, mixing or re-recording, is a post-production process used in filmmaking and video production in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack.
The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, Foley, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack.

Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry.

Austria National Park

Continuity editing can be divided into two categories: temporal continuity and spatial continuity. Within each category, specific techniques will work against a sense of continuity. In other words, techniques can cause a passage to be continuous, giving the viewer a concrete physical narration to follow, or discontinuous, cau

Experiments

Synthetic media technology currently enables these forms of manipulation: • Add and remove objects within a video more easily • Alter background conditions in a video. For example, changing the weather to make a video shot in summer appear as if it was shot in winter • Fake face or body movements: Simulate and control a realistic video representation of the lips, facial expressions or body movement of a specific individual (for example to make it appear they were drunk). • Fake lip-sync: Match an audio track to a realistic manipulation of someone’s lips to make it look like they said something they never did • Fake voice: Generate a realistic simulation of a specific person’s voice • Change a voice’s gender or make it sound like someone else: Modify an existing voice with a “voice skin” of a different gender, or of a specific person • Create a realistic but totally fake photo of a person who does not exist. The same technique can also be applied less problematically to create fake hamburgers, cats, etc. • Transfer a realistic face from one person to another, the most commonly known form of “deepfake” 

Lunapark

 

 

The earliest films had been shown in "peep show" machines or projected in vaudeville theaters as one of the otherwise live acts. Nickelodeons drastically altered film exhibition practices and the leisure-time habits of a large segment of the American public. Although they were characterized by continuous performances of a selection of short films, added attractions such as illustrated songs were sometimes an important feature. Regarded as disreputable and dangerous by some civic groups and municipal agencies, crude, ill-ventilated nickelodeons with hard wooden seats were outmoded as longer films became common and larger, more comfortably furnished motion-picture theaters were built, a trend that culminated in the lavish "movie palaces" of the 1920s. Film historian Charles Musser wrote: "It is not too much to say that modern cinema began with the nickelodeons.