A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.
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After the 2nd World war, films of the acclaimed documentary film directors Bert Haanstra and Herman van der Horst dominated Dutch cinema. Their work is internationally known as the ‘Dutch Documentary School’. A feature of the documentary films of this era is the use of human beings as a metaphor. Van der Horst and Haanstra both won prizes at the Cannes Film Festival. Van der Horst's most famous movie is Faja Lobbi (1960), while Haanstra gained international fame for his renowned documentary Alleman (The Human Dutch, 1963). Other directors of the Dutch Documentary School are Charles Huguenot van der Linden, and John Fernhout.
Found footage is a cinematic technique in which all or a substantial part of the work is presented as if it were film or video recordings
recorded by characters in the story, and later "found" and presented to
the audience. The events on screen are typically seen through the
camera of one or more of the characters involved, often accompanied by
their real-time, off-camera commentary. For added realism, the cinematography may be done by the actors themselves as they perform, and shaky camera work and naturalistic acting are routinely employed. The footage may be presented as if it were "raw" and complete or as if it had been edited into a narrative by those who "found" it.
During the 1620s Jan Pieterszoon Coen in particular insisted that families and orphans be sent from Holland to populate the colonies. As a result, a number of single women were sent and an orphanage was established in Batavia to raise Dutch orphan girls to become East India brides. Around 1650, the number of mixed marriages, frequent in the early years of the Dutch East India Company (VOC), declined sharply. There was a large number of women from the Netherlands recorded as marrying in the years around 1650. At least half the brides of European men in Batavia came from Europe. Many of these women were widows, already previously married in the Indies, but almost half of them were single women from the Netherlands marrying for the first time. There were still considerable numbers of women sailing eastwards to the Indies at this time. The ships' passenger lists from the 17th century also evidence this. Not until later in the 17th century did the numbers of passengers to Asia drop drastically.
Does she turn towards you or away from you? They disagree. She is the mysterious person in the 'Girl with a Pearl Earring' by Dutch grandmaster Johannes Vermeer. The painting is often called the 'Mona Lisa of the North'. But what makes this painting so fascinating?
In cinematography, perspective distortion
is a warping or transformation of an object and its surrounding area
that differs significantly from what the object would look like with a normal focal length,
due to the relative scale of nearby and distant features. Perspective
distortion is determined by the relative distances at which the image is
captured and viewed, and is due to the angle of view
of the image (as captured) being either wider or narrower than the
angle of view at which the image is viewed, hence the apparent relative
distances differing from what is expected.
Cameramen employed by Polygoon had orders to fill their reels, no matter what. If not for news, then with the local celebrity or even shots of famous buildings or locations. Because of this Polygoon now is an archive of Stock footage available for other productions.
Film narrative does not have the luxury of having a textual narrator that guides its audience towards a formative narrative; nor does it have the ability to allow its audience to visually manifest the contents of its narrative in a unique fashion like literature does. Instead, film narratives utilize visual and auditory devices in substitution for a narrative subject; these devices include cinematography, editing, sound design (both diegetic and non-diegetic sound), as well as the arrangement and decisions on how and where the subjects are located onscreen—known as mise-en-scène.
Documentary films were originally called actuality films, and were one minute, or less, in length. Over time, documentaries have evolved to be longer in length, and to include more categories; some examples being: educational, observational, and docufiction. Documentaries are meant to be informative works, and are often used within schools, as a resource to teach various principles.
The 30-degree rule is a basic film editing guideline that states the camera should move at least 30 degrees relative to the subject between successive shots of the same subject. If the camera moves less than 30 degrees, the transition between shots can look like a jump cut—which could jar the audience and take them out of the story. The audience might focus on the film technique rather than the narrative itself.
