Batty McFaddin - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/...)
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It was in fact a kangaroo court, and the stacked bench of judges on Sunday, 12 May 1619, pronounced a death sentence on Van Oldenbarnevelt. On the following day, the old statesman, at the age of seventy-one, was beheaded in the Binnenhof, in The Hague. Van Oldenbarnevelt's last words to the executioner were purportedly: "Make it short, make it short." He was buried in a family grave under the Court Chapel (Hofkapel) at the Binnenhof.
Roald Engelbregt Gravning Amundsen was a Norwegian explorer of polar regions. He led the Antarctic expedition of 1910–12 which was the first to reach the South Pole, on 14 December 1911. In 1926, he was the first expedition leader for the air expedition to the North Pole.
Amundsen is recognized as the first person, without dispute, as having reached both poles He is also known as having the first expedition to traverse the Northwest Passage (1903–06) in the Arctic.
In June 1928, while taking part in a rescue mission for the airship Italia, the plane he was in disappeared. Amundsen was a key expedition leader during the Heroic Age of Antarctic Exploration, in the class of Douglas Mawson, Robert Falcon Scott, and Ernest Shackleton.
Non-narrative film is an aesthetic of film that does not narrate, or relate "an event, whether real or imaginary". The aesthetic strives to be nonrepresentational. Aesthetics of Film writes, "This is to say one would not recognize anything in the image and that temporal, sequential, or cause-and-effect relations could not be perceived between the shots or the elements of the image." Narrative film is the dominant aesthetic, though non-narrative film is not fully distinct from that aesthetic. While the non-narrative film avoids "certain traits" of the narrative film, it "still retains a number of narrative characteristics". Narrative film also occasionally uses "visual materials that are not representational".
According to The Film Experience, non-narrative film is distinct from nonfiction film, though both forms may overlap in documentary films. The book writes, "A non-narrative film may be entirely or partly fictional; conversely, a nonfiction film can be constructed as a narrative.
The Hospices de Beaune or Hôtel-Dieu de Beaune is a former charitable almshouse in Beaune, France. It was founded in 1443 by Nicolas Rolin, chancellor of Burgundy, as a hospital for the poor. The original hospital building, the Hôtel-Dieu, one of the finest examples of French fifteenth-century architecture, is now a museum
The Hospices de Beaune consists of a pair of two-storied buildings arranged around a stone courtyard. The building wings are well-preserved today; they contain half-timber galleries and ornate rooftops with dormer windows. The hospital is arranged so that the wings served the office, kitchen and apothecary functions. The nuns and patients were housed nearer the chapel, towards the center of the complex
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Cecil Blount DeMille was an American filmmaker. Between 1913 and 1956, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the cinema of the United States and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. He made silent films of every genre: social dramas, comedies, Westerns, farces, morality plays, and historical pageants.
DeMille began his career as a stage actor in 1900. He later moved to writing and directing stage productions, some with Jesse Lasky, who was then a vaudeville producer. DeMille's first film, The Squaw Man (1914), was also the first feature film shot in Hollywood. Its interracial love story made it a phenomenal hit and it "put Hollywood on the map. The continued success of his productions led to the founding of Paramount Pictures with Lasky and Adolph Zukor. His first biblical epic, The Ten Commandments (1923), was both a critical and financial success; it held the Paramount revenue record for twenty-five years.