A remix is a piece of media which has been altered from its original state by adding, removing, and/or changing pieces of the item. A song, piece of artwork, book, video, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new
Typical training tasks for companion birds include perching, non-aggression, halting feather-picking, controlling excessive vocalizations, socialization with household members and other pets, and socialization with strangers. The large parrot species frequently have lifespans that exceed that of their human owners, and they are closely bonded to their owners. In general, parrot companions usually have clipped wings, which facilitates socialization and controlling aggression and vocalizations. Some birds of prey are trained to hunt, an ancient art known as falconry or hawking. In China the practice of training Cormorants to catch fish has gone on for over 1,200 years.
The Gouda pipes can be marvelled at in the Schatkamer of Museum Gouda. The city walk ‘De Goudse Pijp’ is available from VVV Gouda and in the free app xplre Gouda.
The homepage of the website http://www.maanstof.nl/goudsep... shows you when there are demo's. They will show you how they make the real pipes from Gouda in de Waag.
The first book about Miffy was published 60 years ago, in 1955. Dick Bruna told his oldest son a story about a bunny hopping around the garden of their holiday home. He draw a picture of this bunny and this is how he created ‘Nijntje’. Soon the drawings and stories of Nijntje became famous around the Netherlands and when Nijntje went abroad the name was changed into Miffy. Nowadays Miffy is famous around the world.
To celebrate 60 years of Miffy the Nijntje Art Parade is being held this year. 60 artists were given a large, white statue of Miffy. Each artist was allowed his or her won creativity to create a unique Miffy.
The debut of the portable Kodak Brownie box camera in 1900 led to photographic self-portraiture becoming a more widespread technique. The method was usually by mirror and stabilizing the camera either on a nearby object or on a tripod while framing via a viewfinder at the top of the box. Russian Grand Duchess Anastasia Nikolaevna at the age of 13 was one of the first teenagers to take her own picture using a mirror to send to a friend in 1914. In the letter that accompanied the photograph, she wrote, "I took this picture of myself looking at the mirror. It was very hard as my hands were trembling."
The concept of uploading group self-taken photographs to the internet, although with a disposable camera and not a smartphone, dates to a webpage created by Australians in September 2001, including photos taken in the late 1990s .
Film museum
The EYE Institute offers a visitor a large choice of attractions. First, there is a permanent history of cinema exhibit located in the building’s basement, with six car-like booths offering a multimedia cinema quiz. Then there are interesting temporary shows, which also use most modern ways of presentation. Four cinemas are constantly projecting classic films. There are three smaller halls – one of 67 seats with a nostalgic character of Paris cinema of the year 1900, two with 130 seats and a big screening auditorium intended for film premieres with 315 seats. Several intelligent multimedia art installations additionally entertain a visitor. There is constantly something interesting happening at EYE, and there is plenty of breathing space, which is so rare in our overcrowded world.
A slide show is a presentation of a series of still images on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer. Slide shows originally consisted of a series of individual photographic slides projected onto a screen with a slide projector. When referring to the video or computer-based visual equivalent, in which the slides are not individual physical objects, the term is often written as one word, slideshow.A slide show is a presentation of a series of still images on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer. Slide shows originally consisted of a series of individual photographic slides projected onto a screen with a slide projector. When referring to the video or computer-based visual equivalent, in which the slides are not individual physical objects, the term is often written as one word, slideshow.
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, film production, screenwriting, pre-production, post production, film festivals, distribution; and actors, film directors and other film crew personnel.
Though the expense involved in making movies almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable film making equipment, and expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve. Hollywood is the oldest film industry of the world[1] and the largest in terms of box office gross and number of screens.
A children's film, or family film, is a film genre that contains children or relates to them in the context of home and family. Children's films are made specifically for children and not necessarily for the general audience, while family films are made for a wider appeal with a general audience in mind. Children's films come in several major forms like realism, fantasy, adventure, animation, war, musicals, and literary adaptations.
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Docufiction (or docu-fiction), often confused with docudrama, is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.
More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous.
This radio interview was never broadcasted !
An interview is a conversation between two or more people where questions are asked by the interviewer to elicit facts or statements from the interviewee. Interviews are a standard part of qualitative research. They are also used in journalism and media reporting (see Interview (journalism)) and in various employment-related contexts.
The qualitative research interview seeks to describe and the meanings of central themes in the life world of the subjects. The main task in interviewing is to understand the meaning of what the interviewees say. Interviewing, when considered as a method for conducting qualitative research, is a technique used to understand the experiences of others.
In filmmaking and video production, a crane shot is a shot taken by a camera on a crane or jib. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Camera cranes go back to the dawn of movie-making, and were frequently used in silent films to enhance the epic nature of large sets and massive crowds.
The major supplier of cranes in Hollywood throughout the 1940s, 1950s, and 1960s was the Chapman Company supplanted by dozens of similar manufacturers around the world. The typical design provided seats for both the director and the camera operator, and sometimes a third seat for the cinematographer as well. Large weights on the back of the crane provided a perfect balance to compensate for the weight of the people riding the crane. The crane operator and camera operator had to precisely coordinate their moves so that focus, pan, and camera position all started and stopped at the same time, requiring great skill and rehearsal.
Some filmmakers like to have the camera on a boom arm just to make it easier to move around between ordinary set-ups. Most cranes accommodate both the camera and an operator, but some can be operated by remote control. They are usually, but not always, found in what are supposed to be emotional or suspenseful scenes.
During the last few years, camera cranes have been miniaturized and costs have dropped so dramatically that most aspiring film makers have access to these tools. What was once a "Hollywood" effect is now available for under $400.
