Lorraine

Insert (filmmaking)
In film, an insert is a shot of part of a scene as filmed from a different angle and/or focal length from the master shot. Inserts cover action already covered in the master shot, but emphasize a different aspect of that action due to the different framing. An insert differs from a cutaway as cutaways cover action not covered in the master shot.

There are more exact terms to use when the new, inserted shot is another view of actors: close-up, head shot, knee shot, two shot. So the term "insert" is often confined to views of objects—and body parts, other than the head. Thus: CLOSE-UP of the gunfighter, INSERT of his hand quivering above the holster, TWO SHOT of his friends watching anxiously, INSERT of the clock ticking.

 

Only Lyon

Filminfo:
A cinematograph is a film camera, which also serves as a film projector and developer. It was invented in the 1890

Popular thought, dictates that Louis Lumière was the first to conceptualise the idea, and both Lumière brothers shared the patent. They made their first film, Sortie de l'usine Lumière de Lyon, in 1894. The film was publicly screened at L'Eden, the world's first and oldest cinéma, located in La Ciotat in southeastern France, on September 28, 1895. The first commercial, public screening of cinematographic films happened in Paris on 28 December 1895 and was organised by the Lumière brothers.

MontLuel near Lyon

Filminfo

Aerial perspective or atmospheric perspective refers to the effect the atmosphere has on the appearance of an object as it is viewed from a distance. As the distance between an object and a viewer increases, the contrast between the object and its background decreases, and the contrast of any markings or details within the object also decreases. The colours of the object also become less saturated and shift towards the background color, which is usually blue, but under some conditions may be some other color (for example, at sunrise or sunset distant colors may shift towards red).

Citadel Briancon

"Screen direction" is a term used in motion picture and video editing and refers to an underlying concept of cinematic grammar which involves the direction that actors or objects appear to be moving on the screen from the point of view of the camera or audience. A rule of film editing is that movement from one edited shot to another must maintain the consistency of screen direction in order to avoid audience confusion.

"Camera left" or "frame left" indicates movement towards the left side of the screen, while "camera right" or "frame right" refers to movement towards the right side of the screen. "Foreground" refers to the apparent space close to the camera (and thus to the audience), while "background" refers to the apparent space in the distance away from the camera and the audience.

Abrivado

Suspense is a feeling of uncertainty and anxiety about the outcome of certain actions, most often referring to an audience's perceptions in a dramatic work. Suspense is not exclusive to fiction, though. Suspense may operate in any situation where there is a lead up to a big event or dramatic moment, with tension being a primary emotion felt as part of the situation. In the kind of suspense described by film director Alfred Hitchcock, an audience experiences suspense when they expect something bad to happen and have (or believe they have) a superior perspective on events in the drama's hierarchy of knowledge, yet they are powerless to intervene to prevent it from happening.

 

Gerardmer en Vosges

Waterproof digital cameras are digital cameras that can make pictures underwater. Before developing waterproof digital cameras we were able to buy waterproof housings for digital cameras, but they cost almost as the digital cameras and it was very expensive. If You have waterproof digital camera You will be able to walk next to the water and feel relaxed, because You will never again be worried about what would happened if Your camera fell in the water. A lot of waterproof digital cameras are shockproof and resistant on low temperatures, one of them is Canon PowerShot D10, one of the first underwater digital cameras.

Highest city in Europe

A freeze frame shot is used when one shot is printed in a single frame several times, in order to make an interesting illusion of a still photograph.

"Freeze frame" is also a drama medium term used in which, during a live performance, the actors/actresses will freeze at a particular, pre-meditated time, to enhance a particular scene, or to show an important moment in the play/production[like a celebration]. The image can then be further enhanced by spoken word, in which each character tells their personal thoughts regarding the situation, giving the audience further insight into the meaning, plot or hidden story of the play/production/scene.

 

Remiremont historical centre

Film production occurs in three stages:


Pre-production—Preparations are made for the shoot, in which cast and film crew are hired, locations are selected, and sets are built. This is also the stage in which the ideas for the film are created, rights to books/plays are bought, etc.




 Production—The raw elements for the finished film are recorded.



Post-Production—The film is edited; production sound is separately edited, music tracks recorded, if a film is sought to have a score; sound effects are designed and recorded; all sound elements are mixed into "stems" then the stems are mixed then married to picture and the film is fully completed

Macon, nature & culture

21st century work mostly uses digital cinematography and has no film stocks but the cameras themselves can be adjusted in ways that go far beyond the abilities of one particular film stock. They can provide varying degrees of color sensitivity, image contrast, light sensitivity and so on. One camera can achieve all the various looks of different emulsions, although it is heavily argued as to which method ofcapturing an image is the "best" method. Digital image adjustments (ISO, contrast etc.) are executed by estimating the same adjustments that would take place if actual film were in use, and are thus vulnerable to the cameras sensor designers perceptions of various film stocks and image adjustment parameters 

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Remiremont :Ville fleurie

Forced perspective is a technique that employs optical illusion to make an object appear farther away, closer, larger or smaller than it actually is. It is used primarily in photography, filmmaking and architecture. It manipulates human visual perception through the use of scaled objects and the correlation between them and the vantage point of the spectator or camera.

 

La Ferme Moderne

A theatrical property, commonly referred to as a prop, is an object used on stage by actors to further the plot or story line of a theatrical production. Smaller props are referred to as "hand props". Larger props may also be set decoration, such as a chair or table. The difference between a set decoration and a prop is use. If the item is not touched by a performer for any reason it is simply a set decoration. If it is touched by the actor in accordance to script requirements or as deemed by the director, it is a prop.

Au bord du Truyeres

A filming location is a place where some or all of a film or television series is produced, in addition to or instead of using sets constructed on a movie studio backlot or soundstage. In filmmaking, a location is any place where a film crew will be filming actors and recording their dialog. A location where dialog is not recorded may be considered as a second unit photography site. Filmmakers often choose to shoot on location because they believe that greater realism can be achieved in a "real" place; however, location shooting is often motivated by the film's budget. Many films shoot interior scenes on a sound stage and exterior scenes on location.

It is often mistakenly believed that filming "on location" takes place in the actual location in which its story is set, but this is not necessarily the case.

Horses and bulls

There are notable films that are primarily about and/or feature animals. Films involving dinosaurs and other prehistoric animals are included  those concerning mythical creatures, such as dragons or vampires, are not; however, films concerning anthropomorphized animals (such as Scooby-Doo), gigantized animals (such as King Kong), mutated forms of real animals (such as Anaconda), or fictional hybrids of real animals (such as Sharktopus) are considered to be films about animals.

Parc des Volcans Auvergne

With the advent of digital editing, film editors and their assistants have become responsible for many areas of filmmaking that used to be the responsibility of others. For instance, in past years, picture editors dealt only with just that—picture. Sound, music, and (more recently) visual effects editors dealt with the practicalities of other aspects of the editing process, usually under the direction of the picture editor and director. However, digital systems have increasingly put these responsibilities on the picture editor. It is common, especially on lower budget films, for the editor to sometimes cut in makeshift music, mock up visual effects, and add temporary sound effects or other sound replacements. These temporary elements are usually replaced with more refined final elements produced by the sound, music, and visual effects teams hired to complete the picture.

On Fire

In 1868, American inventor John Wesley Hyatt developed a plastic material he named Celluloid, improving on Parkes' invention by plasticizing the nitrocellulose with camphor so that it could be processed into finished form and used as a photographic film. Celluloid was used by Kodak, and other suppliers, from the late 1880s as a film base in photography, X-ray films, and motion picture films, and was known as nitrate film. After numerous fires caused by unstable nitrate films, "safety film" (cellulose acetate film) started to be used from the 1930s in the case of X-ray stock and from 1948 for motion picture film.

The Eiffel bridge (GARABIT viaduct)

Good location managers are well poised and able to think fast on their feet as they are constantly moving, usually preceding production to a location and overseeing final strike and wrap. They are the first and last people the public sees that represent the production and are responsible for ensuring that the location is returned to the condition in which it was received. The location manager is also to be aware of the possible copyright issues which may be an issue if the show is filmed in a public place where there is art work or similar and where the artist has to give consent to the creation being depicted or covered or replaced by other artwork.

Amsterdam live

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A director's cut is a specially edited version of a film, a that is supposed to represent the director's own approved edit. 'Cut' explicitly refers to the process of film editing: the director's cut is preceded by the rough editor's cut and followed by the final cut meant for the public film release.

Director's cuts generally remain unreleased to the public because, as far as film is concerned, with most film studios the director does not have a final cut privilege. The studio can insist on changes that they feel will make the film more likely to succeed at the box office. This sometimes means a happier ending or less ambiguity, but more often means that the film is simply shortened to provide more screenings per day.

Heart of Sweden

Swedish cinema is known for including many acclaimed movies; during the 20th century the industry was the most prominent of Scandinavia. This is largely due to the popularity and prominence of directors Victor Sjöström and Ingmar Bergman; and more recently Roy Andersson, Lasse Hallström and Lukas Moodysson.

Amsterdam Art

Editing Dialog (a conversation)

In contrast with action scenes, a conversation is edited based on the rhythm of the dialog as the actors talk back and forth. The rhythm of the dialog must sound perfectly natural... which is surprising since, most of the time, each actor's dialog comes from a different shot.

Special Note: The gap between the dialog must seem natural. You must decide how soon to cut from one actor to the next.

In a conversation, the audio is more important than the picture. Therefore, a conversation is edited based on the audio, not the picture.

If the picture is bad and the audio is good, the audience will think it is supposed to be that way. If the picture is terrific and the audio is bad, the audience will complain.

 

The roof of Amsterdam

Conversation vs. Action

Action sequences are scenes where there is no dialog. Conversations are scenes ) where the actors continually talk back and forth.

Golden Rule: When two or more people are talking back and forth, you have a "conversation". The rest of the time, the scene is considered "action."

Editing Action means Look for the best images Action sequences are edited based on the images on the screen. For action sequences, the picture is the most important thing. Because there is no dialog to worry about, you tell the story visually.

 

Perpignan

A cult film (also known as a cult movie/picture or a cult classic) is a film that has acquired a highly devoted but specific group of fans. Often, cult movies have failed to achieve fame outside the small fanbases; however, there have been exceptions that have managed to gain fame among mainstream audiences. Many cult movies have gone on to transcend their original cult status and have become recognized as classics; others are of the "so bad it's good" variety and are destined to remain in obscurity. Cult films often become the source of a thriving, obsessive, and elaborate subculture of fandom, hence the analogy to cults. However, not every film with a devoted fanbase is necessarily a cult film. Usually, cult films have limited but very special, noted appeal. Cult films are often known to be eccentric, often do not follow traditional standards of mainstream cinema and usually explore topics not considered in any way mainstream—yet there are examples that are relatively normal. Many are often considered controversial because they step outside standard narrative and technical conventions.

Skinny Bridge

A story told to tourists about the origins of the 1691 version of the bridge is that it was built by two wealthy sisters who lived on opposite sides of the Amstel river and wanted to be able to visit one another every day (and were presumably too busy, or not in good enough health, to go the long way round via another bridge, of which there must surely have been at least one). In one variant of the story the sisters, although wealthy, were not quite wealthy enough to afford a bridge of adequate width for general use and so built a very narrow bridge, hence its name. In another variant of the story the sisters' last name was Mager, hence the bridge's name (rather than from its narrowness).

The bridge can be seen in a number of films, such as the James Bond film Diamonds Are Forever from 1971.

Beautiful Amsterdam

Close-ups are used in many ways, for many reasons. Close-ups are often used as cutaways from a more distant shot to show detail, such as characters' emotions, or some intricate activity with their hands. <br>For a director to deliberately avoid close-ups may create in the audience an emotional distance from the subject matter.<br><br>Close-up shots do not show the subject in the broad context of its surroundings. If overused, close-ups may leave viewers uncertain as to what they are seeing. Close-ups are used in many ways, for many reasons. Close-ups are often used as cutaways from a more distant shot to show detail, such as characters' emotions, or some intricate activity with their hands. <br>For a director to deliberately avoid close-ups may create in the audience an emotional distance from the subject matter.<br><br>Close-up shots do not show the subject in the broad context of its surroundings. If overused, close-ups may leave viewers uncertain as to what they are seeing. <br></p>

Close-ups are used in many ways, for many reasons. Close-ups are often used as cutaways from a more distant shot to show detail, such as characters' emotions, or some intricate activity with their hands.
For a director to deliberately avoid close-ups may create in the audience an emotional distance from the subject matter.
Close-up shots do not show the subject in the broad context of its surroundings. If overused, close-ups may leave viewers uncertain as to what they are seeing.

Mediterranee: Le Grau-du-Roi

Amateur films were usually shot on 16 mm film or on 8 mm film (Either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low budget film maker. Amateur video has now become the choice for the low budget film maker and has boomed into a very watched and even produced industry .
Identifier Mediterranee

Saint Loup Southern France

Amidst a landscape of 'garrigues' (Mediterranean scrubland) between the Cévennes and Montpellier, Pic St-Loup stands like a steep-sided giant sculpture. The two sides of its shark's fin shaped form are quite different. The north face looks towards Hortus mountain, and is more
like a sheer cliff, from whence the name Pic,
while the other side has a gentler aspect
and looks towards the wine-growing plains
and the Mediterranean sea.

Elne near Perpignan

A pocket video camera is a tapeless camcorder that is small enough to be carried in one's pocket. Most pocket video cameras resemble mobile phones in shape and size, unlike traditional cameras.
A typical pocket video camera has an LCD screen of at least 1.5", the ability to capture High-definition video a (SD) card extension or at least 4GB internal memory with no SD card slot. Power may be supplied by a proprietary Ni-MH rechargeable battery or 2 standard AA batteries. Dimensions 2.5 x 4.5 x 0.9 in and a weight of 3.8 oz are typical, and a USB connector is usually built-in.

 

How not to die when peeing in an Amsterdam canal

A humor magazine is a magazine specifically designed to deliver humorous content to its readership. These publications often offer satire and parody, but some also put an emphasis on cartoons, caricature, absurdity, one-liners, witty aphorisms, surrealism, neuroticism, gelotology, emotion-regulating humor, and/or humorous essays. Humor magazines first became popular in the early 19th century with specimens like Le Charivari (1832–1937) in France, Punch (1841–2002) in the United Kingdom and Vanity Fair (1859–1863) in the United States.

 

 

Riverside

Continuity is consistency of the characteristics of persons, plot, objects, places and events seen by the viewer over some period of time. Continuity is particularly a concern in the production of film and television due to the difficulty of rectifying an error in continuity after shooting has wrapped up. Most productions have a script supervisor on hand whose job is to pay attention to and attempt to maintain continuity across the chaotic and typically non-linear production shoot. This takes the form of a large amount of paperwork, photographs, and attention to and memory of large quantities of detail, some of which is sometimes assembled into the story bible for the production.

No fish today?

Day for night, also known as nuit américaine ("American night"), is the name for cinematographic techniques used to simulate a night scene; such as using tungsten-balanced rather than daylight-balanced film stock or with special blue filters and also under-exposing the shot to create the illusion of darkness or moonlight. A great way to achieve this effect is to tune the white balance of the camera to a yellow source if there is no tungsten setting. Another way to make a more believable night ...

Early animation loops

 

Film format introduced by Pathé Frères in 1922 as part of the Pathé Baby amateur film system. It was conceived initially as an inexpensive format to provide copies of commercially made films to home users. The format uses a single, central perforation (sprocket hole) between each pair of frames, as opposed to 8 mm film which has perforations along one edge, and most other film formats which have perforations on each side of the image. It became very popular in Europe over the next few decades and is still used by a small number of enthusiasts today. Over 300,000 projectors were produced and sold mainly in France and England, and many commercial features were available in the format. In the sixties the last projectors of this format were being produced. The gauge is still alive today. 16mm projectors are converted to 9,5mm and it is still possible to buy film stock (from the French Color City company).

Deadly normal

Uploading episodic stories, or serials, is ideal using video-sharing communities These sites allow other people to follow your story and add comments which could, in turn, help refine your video. Utilizing good feedback is way to engage with your audience, and inspire more viewers to contribute to your success. Some non-video communities like Twitter are also ideal for distributing serials. While you can't embed a video in Twitter, you can link to your video in a tweet. Sharing tweets at regular intervals, each with a video link, creates the serial story.

 

Tourists in the Golden Age

Stagecraft is a generic term referring to the technical aspects of theatrical, film, and video production. It includes, but is not limited to, constructing and rigging scenery, hanging and focusing of lighting, design and procurement of costumes, makeup, procurement of props, stage management, and recording and mixing of sound. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it relates primarily to the practical implementation of a designer's artistic vision.

From Helsinki to Talinn

In 1917 Finland became an independent country and in 1918 there was a civil war. After the political situation had settled and stabilized, Finnish society and its cultural life began to develop. This was very clear with cinematic arts. More films were produced and they became an important part of Finnish society. The culmination of this development came soon after the silent era, around the 1940s and 1950s, when three major studios were producing films and competing for the market. When society changed in the 1960s, partly because of political trends and partly because of new forms of entertainment, like television, the appeal of films was threatened, practically all studios were closed, and films became political and too artistic for the masses, as commercial production was considered a thing of the past and distasteful. Few filmmakers were opposed to this development, and kept producing popular films that were bashed by the critics but loved by the people.

Amsterdam birds

In film, a bird's-eye shot refers to a shot looking directly down on the subject. The perspective is very foreshortened, making the subject appear short and squat. This shot can be used to give an overall establishing shot of a scene, or to emphasise the smallness or insignificance of the subjects. These shots are normally used for battle scenes or establishing where the character is. It is shot by lifting the camera up by hands or by hanging it off something strong enough to support it. For a scene that needs a large area shot, then it will most often likely to be lifted up by a crane or some other sort of machine

Followers of Rembrandt

Filminfo:

The art cinema motivates its narrative by two principles: realism and authorial expressivity." Art films deviate from the mainstream, "classical" norms of filmmaking in that they typically deal with more episodic narrative structures with a "...loosening of the chain of cause and effect. Art films often deal with an inner drama that takes place in a character's psyche, such as psychological issues dealing with individual identity, transgressive sexual or social issues, moral dilemmas, or personal crises. Mainstream films also deal with moral dilemmas or identity crises, but these issues are usually resolved by the end of the film. In art films, the dilemmas are probed and investigated in a pensive fashion, but usually without a clear resolution at the end of the film. In some art films, the director uses a depiction of absurd or seemingly meaningless actions to express a philosophical viewpoint such as existentialism.

 

Languedoc Sud de France

The 30° rule is a basic film editing guideline that states the camera should move at least 30° between shots of the same subject occurring in succession. This change of perspective makes the shots different enough to avoid a jump cut. The transition between two shots less than 30 degrees apart might be perceived as unnecessary or discontinuous--in short, visible. The rule is actually a special case of a more general dictum that states that the cut will be jarring if the two shots being cut are so similar that there appears to be a lack of motivation for the cut. The new shot in this case is different enough to signal that something has changed, but not different enough to make us re-evaluate its context. Following this rule may soften the effect of changing shot distance, such as changing from a medium shot to a close-up.

 

Saint Guilhem le Desert

 

A UNESCO World Heritage Site is a place (such as a forest, mountain, lake, desert, monument, building, complex, or city) that is listed by the UNESCO as of special cultural or physical significance. The program catalogues, names, and conserves sites of outstanding cultural or natural importance to the common heritage of humanity Creative geography, or artificial landscape, is a film making technique invented by the early Russian filmmaker Lev Kuleshov sometime around the 1920s. It is a subset of montage, in which multiple segments shot at various locations and/or times are edited together such that they appear to all occur in a continuous place at a continuous time. Creative geography is used constantly in film and television, for instance when a character walks through the front door of a house shown from the outside, to emerge into a sound stage of the house's interior.

 

the great Waterland bicycle-tour

Filminfo:

In motion picture terminology, a crane shot is a shot taken by a camera on a crane. The most obvious uses are to view the actors from above or to move up and away from them, a common way of ending a movie. Some filmmakers like to have the camera on a boom arm just to make it easier to move around between ordinary set-ups. Most cranes accommodate both the camera and an operator, but some can be operated by remote control. They are usually, but not always, found in what are supposed to be emotional or suspenseful scenes. During the last few years, camera cranes have been miniaturized and costs have dropped so dramatically that most aspiring film makers have access to these tools. What was once a "Hollywood" effect is now available for under $400.

Devilsbridge Pont du Diable

The bridges that fall into the Devil's Bridge category are numerous.
One version of the tale presents the bridge builder and the Devil as adversaries. These bridges were built under such challenging conditions that successful completion of the bridge required a heroic effort on the part of the builders and the community, ensuring its legendary status.

Other versions of the legend feature an old lady or a simple herder who makes a pact with the Devil. In this version the devil agrees to build the bridge, and in return he will receive the first soul to cross it. After building the bridge (often overnight) the devil is outwitted by his adversary.
Each of the bridges that have received the Devil's Bridge appellation is remarkable in some regard; most often for the technological hurdles surpassed in building the bridge, but on occasion also for its aesthetic grace, or for its economic or strategic importance to the community it serves.

Caen and the War

Filminfo
"American shot" is a translation of a phrase from French film criticism, "plan américain" and refers to a medium-long film shot of a group of characters, who are arranged so that all are visible to the camera. The usual arrangement is for the actors to stand in an irregular line from one side of the screen to the other, with the actors at the end coming forward a little and standing more in profile than the others. The purpose of the composition is to allow complex dialogue scenes to be played out without changes in camera position. In some literature, this is simply referred to as a 3/4 shot. The French critics thought it was characteristic of American films of the 1930s or 1940s; however, it was mostly characteristic of cheaper American movies.

Religious & rural

Lens flare is the light scattered in lens systems through generally unwanted image formation mechanisms, such as internal reflection and scattering from material inhomogeneities in the lens. Flare manifests itself in two ways: firstly as a haze across the image, making the image look "washed out" by reducing contrast and color saturation and secondly as visible artifacts. Flare is particularly caused by a very bright light sources either in the image which produces visible artifacts or shining into the lens but not in the image which produces a haze. Most commonly, this occurs when shooting into the sun (when the sun is in frame or the lens is pointed in the direction of the sun), and is reduced by using a lens hood or other shade.

Sete & the sea

Common shot sizes: Extreme close-up: Focuses on a single facial feature, such as lips and eyes. Close-up: May be used to show tension. Medium shot: Often used, but considered bad practice by many directors, as it often denies setting establishment and is generally less effective than the Close-up. Long shot Establishing shot: Mainly used at a new location to give the audience a sense of locality.

 

the making-of The Gang (of Oss)

In cinema, a making-of, also known as behind-the-scenes, is a documentary film that features the production of a film or television program.. Feature length documentaries on the making of other films has become a film genre in its own right. Shorter making-of documentaries are often used as a bonus on DVDs, as it offers more insight into the film, how it was made, and to credit the film crew. Crime films are films which focus on the lives of criminals. The stylistic approach to a crime film varies from realistic portrayals of real-life criminal figures, to the far-fetched evil doings of imaginary arch-villains. Criminal acts are almost always glorified in these movies. The gang deals with Johanna who wants to change her life and quit the criminal gangs of the town of Oss in the 30ties of the 20th century. The harder she tries, the more she is involved. Story based on real events in the 30ties of the 20th century in the town of Oss that caused the fall of the government just before the start of WW2.

 

Ville de Sete

The Cinema of France comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad.
France is the birthplace of cinema and was responsible for many of its early significant contributions. Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.

Hasselt

>Transitions In film or video scene consists of a sequence of shots. Each shot is made from a different perspective and then they are joined together. The joining together of the individual shots to make a particular scene is accomplished through transitions. The simplest transition between shots it is a straight cut, which is an abrupt transition between two shots. Another type of transition is called a fade, in which the overall value of the scene increases or decreases into a frame of just one color. For example, a fade to black may indicate the end of the sequence. When one scene fades out as another scene fades in this is a dissolve. These dissolves are used frequently to indicate a passage of time. For example, you might have a shot moving down a hall and then a dissolve as it moves into a different part of the building.

Diest, circle around the church

The 30° rule is a basic film editing guideline that states the camera should move at least 30° between shots of the same subject occurring in succession. This change of perspective makes the shots different enough to avoid a jump cut. The transition between two shots less than 30 degrees apart might be perceived as unnecessary or discontinuous--in short, visible. The rule is actually a special case of a more general dictum that states that the cut will be jarring if the two shots being cut are so similar that there appears to be a lack of motivation for the cut. Cutting from a full-figure master shot, for instance, to a slightly tighter shot that frames the actors from the ankles up. The new shot in this case is different enough to signal that something has changed, but not different enough to make us re-evaluate its context.

Oyster capital

Photo/film manipulation is often much more explicit than subtle alterations to color balance or contrast and may involve overlaying a head onto a different body or changing a sign's text, for example. Image editing software can be used to apply effects and warp an image until the desired result is achieved. The resulting image may have little or no resemblance to the photo/film . Today, photo/film manipulation is widely accepted as an art-form.

 

Cevennes

Filminfo:

Choreography is the art of designing sequences of movements in which motion, form, or both are specified. Choreography may also refer to the design itself, which is sometimes expressed by means of dance notation. The term choreography first appeared in the American English dictionary in the 1950s. Prior to this, movie credits used various terms to mean choreography, such as "ensembles staged by and "dances staged by.

French cirkus: Navacelles

 

In the past, most independent filmmakers have relied on film festivals to get their films noticed and sold for distribution. However, the Internet has allowed for relatively inexpensive distribution of independent films. As a result several companies have emerged to assist filmmakers in getting independent movies seen and sold via mainstream internet marketplaces, oftentimes adjacent to popular Hollywood titles. With digital self distribution, independent filmmakers who fail to garner a traditional distribution deal now have the ability to reach global audiences.

Lights? Camera? Action!!

A stunt performer, stuntman, is someone who performs dangerous stunts, These stunts are sometimes rigged so that they look dangerous while still having safety mechanisms, but often they are as dangerous as they appear to be. There is an inherent risk in the performance of all stunt work in film, television and stage work. With more risk in performing stunts in front of a live audience because safety mechanisms cannot be edited out and the audience can see if the performer is genuinely doing what they claim to be doing. Stunts often seen in films and television include car crashes, falling from great height, dragged behind a horse and being blown up. Film and television stunt performers are often trained in martial arts and stage combat.

Cascades de la Vis

One of the easiest ways to create a great set of story-boards is to visit your film's locations with a digital camera and a couple good friends to shoot some mock shots. Using your "actors", start playing with the blocking of your action, and shoot test shots in a variety of different ways. Try your best to squeeze as much visual excitement out of each variation as you can, experimenting with different angles (wide shots, close-ups, from the front, side, above and below), to see which shots might best move your story along. Once you are done, pair your favorite shots from the day with your script, and you've created a very helpful Storyboard document