Testimonial

 

 

A sports film is a film genre that uses sport as the theme of the film. It is a production in which a sport, sporting event, athlete (and their sport), or follower of sport (and the sport they follow) are prominently featured, and which depend on sport to a significant degree for their plot motivation or resolution. Despite this, sport is ultimately rarely the central concern of such films and sport performs primarily an allegorical role. Furthermore, sports fans are not necessarily the target demographic in such movies, but sports fans tend to have a large following or respect for such movies. In the sports genre, characters play sports. Thematically, the story is often one of “Our Team” versus “Their Team”; one team will always try to win, and another team will show the world that they deserve recognition or redemption, though the story does not always have to involve a team. The story could also be about an individual athlete or the story could focus on an individual playing on a team.

Spanish natural monument

 

The concept of early cinema, “moving pictures,” is a direct evolution of the concept of a moving panorama. The first use of the scrolling background concept early on in film was rear projection. This technique, for example, was used when stationary actors were filming in a car that wasn’t actually moving, but instead had a projection of changing locales behind on the rear window to create the illusion that the car was moving, a trope often used in Hitchcock movies. Today, we have much more realistic computer technology to create this illusion of movement, but the image of a stationary object or actor in front of a changing background harkens back to the moving panorama scroll. Moving projections of clouds or passing objects on cycloramas at the back of a stage sometimes seen in modern live theater productions also utilize the illusion of seamless movement behind a stationary object that was popularized by the moving panorama of the nineteenth century.

Puente la Reina

 

 

Cinematography can not only depict a moving subject but can use a camera, which represents the audience's viewpoint or perspective, that moves during the course of filming. This movement plays a considerable role in the emotional language of film images and the audience's emotional reaction to the action. Techniques range from the most basic movements of panning (horizontal shift in viewpoint from a fixed position; like turning your head side-to-side) and tilting (vertical shift in viewpoint from a fixed position; like tipping your head back to look at the sky or down to look at the ground) to dollying (placing the camera on a moving platform to move it closer or farther from the subject), tracking (placing the camera on a moving platform to move it to the left or right), craning (moving the camera in a vertical position; being able to lift it off the ground as well as swing it side-to-side from a fixed base position), and combinations of the above.

Bay of Biscay

 

 

 Axial cut

A type of jump cut, where the camera suddenly moves closer to or further away from its subject along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema but were fairly common in the cinema of the 1910s and 1920s.

 

Jerez de la Frontera

 

 

Camera obscura (plural camerae obscurae or camera obscuras, from Latin camera obscūra, “dark chamber”), also referred to as pinhole image, is the natural optical phenomenon that occurs when an image of a scene at the other side of a screen (or, for instance, a wall) is projected through a small hole in that screen as a reversed and inverted image (left to right and upside down) on a surface opposite to the opening. The surroundings of the projected image have to be relatively dark for the image to be clear, so many historical camera obscura experiments were performed in dark rooms. 

 

 

 

 

 

La Devesa Girona

Light is necessary to create an image exposure on a frame of film or on a digital target (CCD, etc.). The art of lighting for cinematography goes far beyond basic exposure, however, into the essence of visual storytelling. Lighting contributes considerably to the emotional response an audience has watching a motion picture. The increased usage of filters can greatly impact the final image and affect the lighting.

Tarragona Devilsbridge

An ellipsis is an apparent break-in natural time continuity as it is implied in the film's story. The simplest way to maintain temporal continuity is to shoot and use all action involved in the story's supposed duration whether it is pertinent or not. It would also be necessary to shoot the whole film in one take to keep from having to edit together different shots, causing the viewer's temporal disorientation. However, in a story that is to occupy long periods of time, a viewer would have to spend too long watching the film. So although in many cases the ellipsis would prove necessary, elimination of it altogether would best preserve any film's temporal continuity. 

Lovely Teruel

With the advent of digital editing, film editors and their assistants have become responsible for many areas of filmmaking that used to be the responsibility of others. For instance, in past years, picture editors dealt only with just that—picture. Sound, music, and (more recently) visual effects editors dealt with the practicalities of other aspects of the editing process, usually under the direction of the picture editor and director. However, digital systems have increasingly put these responsibilities on the picture editor. It is common, especially on lower budget films, for the editor to sometimes cut in temporary music, mock up visual effects and add temporary sound effects or other sound replacements. These temporary elements are usually replaced with more refined final elements produced by the sound, music and visual effects teams hired to complete the picture.

Alicante

A great movie is the one with the best quality sound. That is the sole intention of having this iMovie sound effects to differentiate between professional movies from amateurs. You will find out that the audio captured by cameras for movie is always of poor quality and you will require boosting that for your movie to look good. External microphones effect is used to accomplish that since without a good audio, very few people will appreciate your movie.

City of Malaga

In film making, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. By keeping the camera on one side of an imaginary axis between two characters, the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.

The 180-degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is particularly important in the narration of battle scenes. 

Shocking Picture

In 1937, in one of the worst civilian casualties of the Spanish Civil War, Fascist forces bombed the village of Guernica in Northern Spain. For Pablo Picasso, the tragedy sparked a frenzied period of work in which he produced a massive anti-war mural, titled "Guernica." How can we make sense of this overwhelming image, and what makes it a masterpiece of anti-war art? Iseult Gillespie investigates. [Directed by Avi Ofer, narrated by Adrian Dannatt, music by Marcos Tawil].

Passage of Toledo

A tracking shot is any shot where the camera follows backward, forward or moves alongside the subject being recorded. In cinematography, the term refers to a shot in which the camera is mounted on a camera dolly that is then placed on rails – like a railroad track. A handheld steadycam or gimbal may also be used for smaller scale productions. The camera is then pushed along the track while the scene is being filmed or moved manually when using a handheld rig.

The technique is often used to follow a subject that would otherwise leave the frame (ergo, it is often called a following shot), such as an actor or vehicle in motion In this spirit, any conveyance, such as a motorized vehicle like a car, may also be used to create a tracking shot. A handheld or Steadicam mounted camera following a similar trajectory is called a tracking shot as well. While the core idea is that the camera moves parallel to its subject, a tracking shot may move in a semi-circular fashion, rotating around its subject while remaining equidistant.

Retiro the Park of Madrid

Non-destructive editing is a form of audio, video, or image editing in which the original content is not modified in the course of editing; instead the edits are specified and modified by specialized software. A pointer-based playlist, effectively an edit decision list (EDL), for video or a directed acyclic graph for still images is used to keep track of edits. Each time the edited audio, video, or image is rendered, played back, or accessed, it is reconstructed from the original source and the specified editing steps. Although this process is more computationally intensive than directly modifying the original content, changing the edits themselves can be almost instantaneous, and it prevents further generation loss as the audio, video, or image is edited.

Fantasia de Valencia

The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europe film is preferred. Common terms for the field in general include the big screen, the silver screen, the movies, and cinema; the last of these is commonly used, as an overarching term, in scholarly texts and critical essays. In early years, the word sheet was sometimes used instead of screen.

 

Medley

In music, a medley is a piece composed from parts of existing pieces, usually three, played one after another, sometimes overlapping. They are common in popular music, and most medleys are songs rather than instrumental. A medley which is a remixed series is called a megamix, often done with tracks for a single artist, or for popular songs from a given year or genre.

A medley is the most common form of overture for musical theater productions.

Inspirations

 
In this case, the inspiration is M.C. Escher (1898-1972), the Dutch artist who explored a wide range of mathematical ideas with his woodcuts, lithographs, and mezzotints. Although Escher had no formal training in mathematics beyond secondary school, many mathematicians counted themselves as admirers of his work. (Visit this online gallery to get better acquainted with Escher's art, and be sure to click on the thumbnails to enlarge the images). As Vila explains, Inspirations tries to imagine Escher's workplace, "what things would surround an artist like him, so deeply interested in science in general and mathematics in particular." It's a three minutes of unbridled imagination.

Cork from Spain

In the performing arts industry such as theatre, film, or television, a casting (or casting call) is a pre-production process for selecting a certain type of actor, dancer, singer, or extra for a particular role or part in a script, screenplay, or teleplay. This process is typically utilized for a motion picture, television program, documentary, music video, play, or television advertisement, etc. This involvement in a dramatic production, advertisement, and or industrial video is intended for an audience, or studio audience.

Viva Barcelona

A fan film is a film or video inspired by a film, television program, comic book or a similar source, created by fans rather than by the source's copyright holders or creators. Fan filmmakers have traditionally been amateurs, but some of the more notable films have actually been produced by professional filmmakers as film school class projects or as demonstration reels. Fan films vary tremendously in quality, as well as in length, from short faux-teaser trailers for non-existent motion pictures to full-length motion pictures. Fan films are also examples of fan labor and the remix culture. 

 

Valencia Oceanium

Chroma key compositing (or chroma keying) is a technique for compositing (layering) two images together. A color range in the top layer is made transparent, revealing another image behind. The chroma keying technique is commonly used in video production and post-production. This technique is also referred to as color keying, color-separation overlay (CSO; primarily by the BBC[2]), greenscreen, and bluescreen. It is commonly used for weather forecast broadcasts, wherein the news presenter appears to be standing in front of a large map during live television newscasts, but in a television studio it is actually a large blue or green background. 

 

Playing in Valencia

Stock footage, and similarly, archive footage, library pictures, and file footage is film or video footage that can be used again in other films. Stock footage is beneficial to filmmakers as it saves shooting new material. A single piece of stock footage is called a "stock shot" or a "library shot". Stock footage may have appeared in previous productions but may also be outtakes or footage shot for previous productions and not used. Examples of stock footage which might be utilized are moving images of cities and landmarks, wildlife in their natural environments, and historical footage. Suppliers of stock footage may be either rights managed or royalty-free. Many websites offer direct downloads of clips in various formats.