Pikelets

 

During preproduction, the props master develops a props breakdown. This is essentially mapping out the logical progression of each prop throughout the story. In film and television productions the props master maintains the logical progression while shooting by ensuring the props are positioned in their correct logical place for each scene according to the props breakdown. If the logical progression of a prop changes during shooting, the props breakdown is revised to reflect the change. This job description varies somewhat from country to country. In the United States, food styling, weapons and animals are often directly or indirectly within the property master's domain. The job is a collaboration with the director, production designer, cameraman, set decorator and other members of the production to physically express their stylistic and aesthetic requirements. They maintain their own budget. There are physical aspects of productions that are managed by specialists other than the property master, for example costume designers are responsible for the actors' dress, and weapons masters are responsible for any weapons (firearms, blades, staff-based or otherwise). 

 

Beijing

 

 

 

Pre-production is the process of planning some of the elements involved in a film, play, or other performance. There are three parts in a production: pre-production, production, and post-production. Pre-production ends when the planning ends and the content starts being produced.

 

 

Glass Half the animation

 

 The Blender Foundation is an independent non-profit public benefit corporation, established in Amsterdam the Netherlands. Its purpose is to: Manage the facilities on blender.org for users and developers who want to contribute to Blender. Maintain and improve the current Blender product via a public accessible source code system under the GNU General Public License. Establish funding or revenue mechanisms that serve the foundation’s goals and cover the foundation’s expenses. Provide individual artists and small teams with a complete, free and open source 3D creation pipeline 

 

Heritage.de

 

 

Types of industrial film The genre is composed of advertising films, educational films, industrial videos, training films, social guidance films, and government-produced films. While some may borrow themes from well-known film genres such as western film and comedies, what defines them is a sponsored rhetoric to achieve the sponsor's goals, rather than those of the creative artist. Sponsored films in 16mm were loaned at no cost, except sometimes postage, to clubs, schools, and other groups

 

 

 

Wheels

 

 

Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film which increasingly involves the use of digital technology. The film editor works with the raw footage, selecting shots and combining them into sequences which create a finished motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. 

 

Drachenfels

 

In the performing arts industry such as theatre, film, or television, a casting (or casting call) is a pre-production process for selecting a certain type of actor, dancer, singer, or extra for a particular role or part in a script, screenplay, or teleplay. This process is typically utilized for a motion picture,  television program, documentary, music video, play, or television advertisement, etc. This involvement in a dramatic production, advertisement, and or industrial video is intended for an audience, or studio audience.

Eindhoven backyard

 

 

Docufiction (or docu-fiction), often confused with docudrama, is the cinematograpic combination of documentary and fiction. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. 

 

Making of a deepfake

 

 

In cinema, a making-of, also known as behind-the-scenes, the set or on the set is a documentary film that features the production of a film or television program. This is often referred to as the EPK (electronic press kit) video, due to its main usage as a promotional tool, either concurrent with theatrical release or as a bonus feature for the film's DVD or Blu-ray release. Shorter making-of documentaries are often used as a bonus on DVDs, as it offers more insight into the film, how it was made, and to credit the film crew. Occasionally, some films have included a "making of the making-of" as a joke.The making-of is also often released for TV as a part of the promotion of the film. 

 

left Dutch fake premier

The Third Man

 

 

The Third Man is a 1949 British film noir directed by Carol Reed, written by Graham Greene, and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Set in postwar Vienna, the film centres on American Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Viewing his death as suspicious, Martins elects to stay in Vienna and investigate the matter. The atmospheric use of black-and-white expressionist cinematography by Robert Krasker, with harsh lighting and distorted "Dutch angle" camera technique, is a major feature of The Third Man. Combined with the iconic theme music, seedy locations and acclaimed performances from the cast, the style evokes the atmosphere of an exhausted, cynical post-war Vienna at the start of the Cold War. 

 

Urban Sun, the new Daan Roosegaarde light installation

 

Despite many questions about the actual impact of Urban Sun on coronavirus, Jet Bussemaker, a former education minister who now chairs the Dutch Council of Public Health & Society, describes the project as inspiring. ‘People are tired of Covid-19,’ she said. ‘What we need is courage to find new solutions, to get in touch with each other, and create some intimacy. That is what Urban Sun is doing.’ Roosengaarde’s installations often mix science with light and art, and he has previously created a light-emitting bike path and placed Amsterdam ‘under water’ in a glowing light display. 

 

 

Mosfilm II

 

 

 A film studio (also known as movie studio or simply studio) is a major entertainment company or motion picture company that has its own privately owned studio facility or facilities that are used to make films, which is handled by the production company. Most firms in the entertainment industry have never owned their own studios, but have rented space from other companies. There are also independently owned studio facilities, who have never produced a motion picture of their own because they are not entertainment companies or motion picture companies; they are companies who sell only studio space. The largest film studio in the world is Ramoji Film City, in Hyderabad, India.

Narrow Gauge Railway

 

 

 Film gauge is a physical property of photographic or motion picture film stock which defines its width. Traditionally, the major movie film gauges are 8 mm, 16 mm, 35 mm, and 65/70 mm (in this case 65 mm for the negative and 70 mm for the release print; the extra five millimeters are reserved for the magnetic soundtrack). There have been other historic gauges in the past, especially in the silent era, most notably 9.5 mm film, as well as a panoply of others ranging from 3 mm to 75 mm. • Film format, with which film gauge is sometimes confused. While film gauge comprises part of a film format's definition, a film format also includes the standards for image capture and projection.

 

Film Restoration & Colorization

 

 

 To perform digital colorization, a digitized copy of the best black and white film print available is used. With the aid of computer software, technicians associate a range of gray levels to each object and indicate to the computer any movement of the objects within a shot. The software is also capable of sensing variations in the light level from frame-to-frame and correcting it if necessary. The technician selects a color for each object based on common "memory" colors—such as blue sky, white clouds, flesh tones and green grass—and on any information about colors used in the movie. If color publicity stills or props are available to examine, authentic colors may be applied. In the absence of any better information, technicians may choose colors that fit the gray level and are consistent with what a director might have wanted for the scene. The software associates a variation of the basic color with each gray level in the object, while keeping intensity levels the same as in the monochrome original. The software then follows each object from frame to frame, applying the same color until the object leaves the frame. As new objects come into the frame, the technician must associate colors to each new object in the same way as described above

Royal Mile

 

Walk and talk is a storytelling technique used in filmmaking and television production in which a number of characters have a conversation while walking somewhere. Walk and talk often involves a walking character who is then joined by another character. On their way to their destinations, the two talk. Variations include interruptions from other characters and walk and talk relay races, in which new characters join the group and one of the original characters leaves the conversation, while the remaining characters continue the walking and talking. The Walk and Talk technique is also often used as a way of combining exposition with a visual introduction to major areas (and their locations in relation to one another) that will be used in a production.

Tuschinski theater

 

 

 Most, but not all, theaters are commercial operations catering to the general public, who attend by purchasing a ticket. Some movie theaters, however, are operated by non-profit organizations or societies that charge members a membership fee to view films. The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds, and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. In the 2010s, most movie theaters are equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel. 

 

Texas City

 

 

Location shooting usually requires a location manager, and locations are usually chosen by a location scout. Many popular locations, such as New York City in the United States, Toronto in Canada, and the Isle of Man, a crown dependency of the United Kingdom, have dedicated film offices to encourage location shooting, and to suggest appropriate locations to film-makers.

In many cases a second unit is dispatched to film on location, with a second unit director and sometimes with stand-in actors. These shots can then be edited into the final film or TV program alongside studio-shot sequences, to give an authentic flavor, without the expense or trouble of a full-scale location shoot.

 

Candid Camera

 

 

A hidden camera also known as a spy camera is a still or video camera used to record people without their knowledge. The term “hidden camera” is commonly used in TV shows, sometimes when subjects are unaware that they are being recorded, and usually lacking their knowledge and consent.

 

 

Lillehamar: Maihaugen

 

 

Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146° of arc. The trademarked process was marketed by the Cinerama corporation. It was the first of a number of novel processes introduced during the 1950s, when the movie industry was reacting to competition from television. Cinerama was presented to the public as a theatrical event, with reserved seating and printed programs, and audience members often dressed in their best attire for the evening. 

 

Colmar: Petite Venise

 

 

Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after shooting or recording individual program segments. Traditional (analogue) post-production has mostly been replaced by video editing software that operates on a non-linear editing system (NLE).