augustus 01, 2016

Shaky cam criticisms

Before the camera stabilizing system, a director had two choices for moving (or "tracking") shots:

The camera could be mounted on a camera dolly, a wheeled mount that rolls on tracks or leveled boards. This is time consuming to set up, and depending on the location, impractical in many situations.
The camera operator could hold the camera in his hands. This allows greater speed and flexibility, but even the most skilled operator cannot entirely prevent shaking. Hand-held camera footage has traditionally been considered suitable mostly for documentaries, news, reportage work, live action, unrehearsable footage, or to evoke an atmosphere of authentic immediacy or cinéma vérité during dramatic sequences.

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