Arab scenes

There is increased interest in films originating in the Arab world. For example, films from Algeria, Lebanon, Morocco, the Palestinian territories, Syria and Tunisia are making wider and more frequent rounds than ever before in local film festivals and repertoire theaters.

Arabic cinema is dominated by Egyptian movies. Three quarters of all Arab movies are produced in Egypt.

There are numerous film festivals that have historically been and are held in various parts of the Arab world to both honor and showcase films from the Arab regions, as well as international standouts.

Since 1976, Cairo has held the annual Cairo International Film Festival, which has been accredited by the International Federation of Film Producers Associations.There is also another festival held in Alexandria. Of the more than 4,000 short- and feature-length films made in Arabic-speaking countries since 1908, more than three-quarters were Egyptian.

Making of a trailer for a book.

A film storyboard is essentially a large comic of the film or some section of the film produced beforehand to help film directors, cinematographers and television commercial advertising clients visualize the scenes and find potential problems before they occur. Besides this storyboards also help estimate the cost of the overall production and saves time. Often storyboards include arrows or instructions that indicate movement.

In creating a motion picture with any degree of fidelity to a script, a storyboard provides a visual layout of events as they are to be seen through the camera lens. And in the case of interactive media, it is the layout and sequence in which the user or viewer sees the content or information. In the storyboarding process, most technical details involved in crafting a film or interactive media project can be efficiently described either in picture, or in additional text.

Scottish Sky

In photography and videography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.

Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography coloured filters affect the relative brightness of different colours; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the colour balance of images, so that photographs under incandescent lighting show colours as they are perceived, rather than with a reddish tinge. There are filters that distort the image in a desired way, diffusing an otherwise sharp image, adding a starry effect, etc. Linear and circular polarising filters reduce oblique reflections from non-metallic surfaces.

Cinema: The Danish

Nordiskfilm.
The company's eye-opening economic results lead to the development of a number of rival firms. It was one of these firms, the small company Fotorama, based in Aarhus, the country's second largest city, that in 1910 released the melodrama The White Slave Trade (Den Hvide Slavehandel), a remarkable film; it was three reels long (around forty minutes) at a time when a maximum of one reel was the norm. Nordisk Film immediately went about plagiarizing the film, releasing their version four months later. It was at this point that Nordisk Film, as the first company in the world, gambled on lengthier films. It marked the beginning of the short golden age for Danish film, which in the following years stood out in the international market.

Down under

The Australian film industry has its beginnings with the 1906 production of The Story of the Kelly Gang, the earliest feature film ever made. Since then, many films have been produced in Australia, a number of which have received international recognition. Many actors and filmmakers started their careers in Australian films, a large number of whom have acquired international reputations, and a number of whom have found greater financial benefits in careers in larger film producing centers, such as Hollywood.

Cinema in Australia began with the first public screenings of films in Australia in October 1896, within a year of the world's first screening in Paris by Lumière brothers. The first Australian exhibition took place at the Athanaeum Hall in Collins Street, Melbourne, to provide alternative entertainment for the dance hall patrons. The venue would continue screenings, but these were all short films.

Commercially successful Australian films have included Paul Hogan's "Crocodile" Dundee.

L'Orne en Calvados

A hidden camera is a still or video camera used to film people without their knowledge. The camera is "hidden" because it is either not visible to the subject being filmed, or is disguised as another object. Hidden cameras have become popular for household surveillance, and can be built into common household objects such as smoke detectors, clock radios, motion detectors, ball caps, plants, and mobile phones. Hidden cameras may also be used commercially or industrially as security cameras.

Champs Elysees

Continuity editing is the predominant style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs. The purpose of continuity editing is to smooth over the inherent discontinuity of the editing process and to establish a logical coherence between shots.

In most films, logical coherence is achieved by cutting to continuity, which emphasizes smooth transition of time and space. However, some films incorporate cutting to continuity into a more complex classical cutting technique, one which also tries to show psychological continuity of shots. The montage technique relies on symbolic association of ideas between shots rather than association of simple physical action for its continuity.

Holland mania

Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms like poetry or novel writing. Film editing is often referred to as the "invisible art"  because when it is well-practiced, the viewer can become so engaged that he or she is not even aware of the editor's work. On its most fundamental level, film editing is the art, technique, and practice of assembling shots into a coherent sequence. The job of an editor isn’t simply to mechanically put pieces of a film together, cut off film slates, or edit dialogue scenes. A film editor must creatively work with the layers of images, story, dialogue, music, pacing, as well as the actors' performances to effectively "re-imagine" and even rewrite the film to craft a cohesive whole. Editors usually play a dynamic role in the making of a film. Sometimes, auteur film directors edit their own films.

Pioneering in the UK

Hepworth was born in Lambeth, in present-day South London. His father, Thomas Cradock Hepworth, was a famous magic lantern showman and author. Cecil Hepworth became involved in the early stages of British filmmaking, working for both Birt Acres and Charles Urban, and wrote the first British book on the subject in 1897. With his cousin Monty Wicks he set up the production company Hepworth and Co. (also known as "Hepwix" after the word mark in its trade logo), which was later renamed the Hepworth Manufacturing Company (officially: Hepworth Film Manufacturing Company), and then Hepworth Picture Plays. In 1899 they built a small film studio in Walton-on-Thames, Hepworth Studios. The company produced about three films a week, sometimes with Hepworth directing.

Fresh mussels

A situation comedy, or sitcom, is a genre of comedy centered on a fixed set of characters who carry over from episode to episode. Sitcoms can be contrasted with sketch comedy, where a troupe may use new characters in each sketch, and stand-up comedy, where a comedian tells jokes and stories to an audience. Sitcoms originated in radio, but today are found mostly on television as one of its dominant narrative forms. This form can also include mockumentaries.

A situation comedy television program may be recorded in front of a studio audience, depending on the program's production format. The effect of a live studio audience can be imitated or enhanced by the use of a laugh track.

Eindhoven en Philips

Lighting design as it applies to the built environment, also known as 'architectural lighting design', is both a science and an art. Lighting of structures must consider aesthetic elements as well as practical considerations of quantity of light required, occupants of the structure, energy efficiency and cost. The amount of daylight received in an internal space can be analized by undertaking a Daylight factor calculation. For simple installations, hand-calculations based on tabular data can be used to provide an acceptable lighting design. More critical or optimized designs now routinely use mathematical modeling on a computer using software such as Radiance which can allow an Architect to quickly undertake complex calculations to review the benefit of a particular design.

In some design instances, materials used on walls and furniture play a key role in the lighting effect. Dark paint tends to absorb light, making the room appear smaller and more dim than it is, whereas light paint does the opposite. In addition to paint, reflective surfaces also have an effect on lighting design. Surfaces or floors that are too reflective create unwanted glare.

Film: images and ideas

The Story of Film: An Odyssey is a documentary film about the history of film, presented on television in 15 one-hour chapters with a total length of over 900 minutes. It was directed and narrated by Mark Cousins, a film critic from Northern Ireland, based on his 2004 book The Story of Film.

The series was broadcast in September 2011 on More4, the digital television service of UK broadcaster Channel 4. The Story of Film was also featured in its entirety at the 2011 Toronto International Film Festival, and it was exhibited at the Museum of Modern Art in New York City in February 2012.

 

Eindhoven car

In motion picture terminology, the term tracking shot may refer to a shot in which the camera is mounted on a camera dolly, a wheeled platform that is pushed on rails while the picture is being taken; in this case the shot is also known as a dolly shot or trucking shot. One may dolly in on a stationary subject for emphasis, or dolly out, or dolly beside a moving subject (an action known as "dolly with").

The term may also refer to any shot in which the camera follows a subject within the frame, such as a moving actor or a moving vehicle
When using the term tracking shot in this sense, the camera may be moved in ways not involving a camera dolly, such as via a Glidecam, via handheld camera operator, or by being panned on a tripod.

 

Ciudad de la Luz

Ciudad de la Luz ("City of Light") is a film studio in Alicante, Spain. About 60 films were shot on the studio's premises between opening in 2005 and closing in 2012. In May 2012, the European Commission ruled that public subsidies received by the studio from the local government violated European competition law and ordered Ciudad de la Luz to pay back €265 million.The studio was shut down in October 2012 in preparation for its sale.

Finland

Over time, films have transformed from getting two dimensional to three and also four dimensional. Together with the modern movies special effects have develop into a urgent element of everyday cinema. And this can be absolutely a delightful transform. Together with the breakthroughs in computer graphics, anything at all is doable. Distinctive effects are mostly of two forms. These are optical effects along with mechanical effects. Together with the digital world acquiring utility in nearly just about every arena of living, a uncomplicated scene shot working with a typical camera is often transformed to anything at all. This can be by far the most prevalent approach that is definitely applied currently. A basic scene is shot then using a selection of digital maximizing, it can be transformed to anything totally different.

 

Dutch sailing

Cinema of the Netherlands refers to the film industry based in Netherlands. Because the Dutch film industry is relatively small, and there is little or no international market for Dutch films, almost all films rely on state funding. This funding can be achieved through several sources, for instance through the Netherlands Film Fund or the public broadcast networks. In recent years the Dutch Government has established several tax shelters for private investments in Dutch films.

Beaujolais village with golden bricks

The Golden Calf (Dutch: Gouden Kalf) is the award of the Netherlands Film Festival, which is held annually in Utrecht. The award has been presented since 1981, originally in six categories: Best actor, Best actress, Best film, Best Short film, Culture Prize and Honourable mention. In 2004, there were 16 award categories, mainly because in 2003 the categories Best Camera, Best Montage, Best Music, Best Production Design, Best Sound Design were added.

The name refers to an animal as is common in names of European film awards, such as the Golden Bear of the Berlin Film Festival and the Golden Lion of the Venice Film Festival, and cattle is one of the most common types of livestock in the Netherlands. Jury member in 2002 Martin Koolhoven says the Dutch Calvinist culture is more relativizing than proud: "This is why the Golden Calf is such a good prize, because of the wink that is included. Real foreign countries have golden lions and golden bears. We have a golden calf and after all it is sinful to worship it.

Route du Rhone

Learning to make films is very easy. Learning what to make films about is very hard. What you've really got to do is focus on learning as much about life, and about various aspects of it first. Then learn just the techniques of making a movie because that stuff you can pick up pretty quickly. But having a really good understanding of history, literature, psychology, sciences -- are very, very important to actually being able to make movies.

Berliner Luft

The story of Berlin is the story of its people, a people largely composed of succesive waves of immigrants. Dutchmen, Frenchmen, Hugenots, Jews, Italians, Poles, Scots, Silesians, Galicians, Saxons, Pomeranians, Prussians, Lithuanians, Russians, and God knows what else - rucksack Berliners, they were called - all poured in to what was for a long time little more than a malodorous garrison town. There, they were transformed by the Berliner Luft, the special Berlin atmosphere, into something rich and strange. It has been said that no-one is born a Berliner, everyone has to become one. You breathe in the air, which has been described as being addictive as cocaine or alcohol, and tune in to the fast Berliner Tempo, and are transfigured.

 

First German City: Quedlinburg

In its earliest days, the cinematograph was perceived as an attraction for upper class audiences, but the novelty of moving pictures did not last long. Soon, trivial short films were being shown as fairground attractions aimed at the working and lower-middle class. The booths in which these films were shown were known in Germany somewhat disparagingly as Kintopps. Film-makers with an artistic bent attempted to counter this view of cinema with longer movies based on literary models, and the first German "artistic" films began to be produced from around 1910.