Le Puy en Velay

Le Puy-en-Velay's most striking attraction is the Cathédrale Notre-Dame du Puy, dating chiefly from the first half of the 12th century. The façade, striped in courses of white sandstone and black volcanic breccia, is reached by a flight of sixty steps, and consists of three orders, the lowest composed of three high arcades opening into the porch, which extends beneath the first bays of the nave. Above it are three central windows that light the nave, and above them are three gables on the gable-end of the nave, flanked by two openwork screening gables. The south transept doorway is sheltered by a Romanesque porch. Behind the choir rises a separate Romanesque bell-tower in seven storeys.
The bays of the nave are roofed by octagonal cupolas, the cupola at the crossing forming a lantern; the choir and transepts are barrel vaulted. The striking parti-colored cloister is connected to remains of 13th-century fortifications that separated the cathedral precincts from the rest of the city. Near the cathedral, the 11th-century baptistery of St John is built on Roman foundations.

The iron statue of Notre-Dame de France (The Virgin Mary) overlooking the town was designed by the French sculptor Jean-Marie Bonnassieux, and is made from 213 Russian cannons taken in the Siege of Sevastopol (1854–1855). It was presented to the town on 12 September 1860 in front of 120,000 people.