25 februari 2008

Central France Dordogne



Pure cinema is complementary pieces of film put together, like notes of music make a melody. There are two primary uses of cutting or montage in film: montage to create ideas--and montage to create violence and emotions.
— Alfred Hitchcock

Eifel brick & brack Antik


They call themselves “orphanistas”: archivists, historians, students, filmmakers and film buffs who assemble every two years to view what they call orphan films. Shorts, cartoons, newsreels, travelogues, sponsored films, stock footage, advertising, propaganda, home movies, all parts of our cultural heritage that are potentially at risk because they have no owner – abandoned to disintegrate over time.



Le parc de Nancy


In the late 19th century, during the early years of cinema, France produced several important pioneers. Auguste and Louis Lumiere invented the cinematographe and their screening of L'Arrive d'un train en gare de La Ciotat in Paris in 1895 is marked by many historians as the official birth of cinematography. During the next few years, filmmakers all over the world started experimenting with this new medium, and France was influential. They invented many of the techniques now common in the cinematic language, and made the first ever science fiction film A Trip to the Moon (Le Voyage dans la Lune, 1902).Other early individuals and organizations of this period included Gaumont Pictures and Pathe.



15 februari 2008

A giant mix


Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. Its verb form, "to stream", refers to the process of delivering media in this manner; the term refers to the delivery method of the medium rather than the medium itself.
A client media player can begin playing the data (such as a movie) before the entire file has been transmitted. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most other delivery systems are either inherently streaming (e.g., radio, television) or inherently nonstreaming (e.g., books, video cassettes, audio CDs).


 

Sheep



A natural history film or wildlife film is a documentary film about animals, plants, or other non-human living creatures, usually concentrating on film taken in their natural habitat. Such programs are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema, medium, in fact, where this genre started almost simultaneously alongside television series.



Cumry bij car 1




The Welsh people (Welsh: Cymry) are an ethnic group and nation indigenous to Wales and associated with the Welsh language. The Welsh language was once the predominant language spoken throughout Wales. Indeed, its direct ancestor Old British was once spoken throughout most of the British mainland. While Welsh remains the predominant language in parts of Wales, most notably in the northern and western regions, in recent years English has become the most widely spoken language in Wales.



Dutch Themepark



Fantasy films are films with fantastic themes, usually involving magic, supernatural events, make-believe creatures, or exotic fantasy worlds. The genre is considered to be distinct from science fiction film and horror film, although the genres do overlap. Fantasy films often have an element of magic, myth, wonder, escapism, and the extraordinary



La Casade en Jura



Early documentary filmmakers, bolstered by Soviet montage theory and the French Impressionist cinema principle of photogenie, appropriated these techniques into documentary filmmaking to create what Nichols would later call the poetic mode. Documentary pioneer Dziga Vertov came remarkably close to describing the mode in his “We: Variant of a Manifesto” when he proclaimed that "kinochestvo" (the quality of being cinematic) is “the art of organizing the necessary movements of objects in space as a rhythmical artistic whole, in harmony with the properties of the material and internal rhythm of each object.