Sete & the sea

Common shot sizes: Extreme close-up: Focuses on a single facial feature, such as lips and eyes. Close-up: May be used to show tension. Medium shot: Often used, but considered bad practice by many directors, as it often denies setting establishment and is generally less effective than the Close-up. Long shot Establishing shot: Mainly used at a new location to give the audience a sense of locality.

 

the making-of The Gang (of Oss)

In cinema, a making-of, also known as behind-the-scenes, is a documentary film that features the production of a film or television program.. Feature length documentaries on the making of other films has become a film genre in its own right. Shorter making-of documentaries are often used as a bonus on DVDs, as it offers more insight into the film, how it was made, and to credit the film crew. Crime films are films which focus on the lives of criminals. The stylistic approach to a crime film varies from realistic portrayals of real-life criminal figures, to the far-fetched evil doings of imaginary arch-villains. Criminal acts are almost always glorified in these movies. The gang deals with Johanna who wants to change her life and quit the criminal gangs of the town of Oss in the 30ties of the 20th century. The harder she tries, the more she is involved. Story based on real events in the 30ties of the 20th century in the town of Oss that caused the fall of the government just before the start of WW2.

 

Ville de Sete

The Cinema of France comprises the art of film and creative movies made within the nation of France or by French filmmakers abroad.
France is the birthplace of cinema and was responsible for many of its early significant contributions. Several important cinematic movements, including the Nouvelle Vague, began in the country. It is noted for having a particularly strong film industry, due in part to protections afforded by the French government.

Hasselt

>Transitions In film or video scene consists of a sequence of shots. Each shot is made from a different perspective and then they are joined together. The joining together of the individual shots to make a particular scene is accomplished through transitions. The simplest transition between shots it is a straight cut, which is an abrupt transition between two shots. Another type of transition is called a fade, in which the overall value of the scene increases or decreases into a frame of just one color. For example, a fade to black may indicate the end of the sequence. When one scene fades out as another scene fades in this is a dissolve. These dissolves are used frequently to indicate a passage of time. For example, you might have a shot moving down a hall and then a dissolve as it moves into a different part of the building.

Diest, circle around the church

The 30° rule is a basic film editing guideline that states the camera should move at least 30° between shots of the same subject occurring in succession. This change of perspective makes the shots different enough to avoid a jump cut. The transition between two shots less than 30 degrees apart might be perceived as unnecessary or discontinuous--in short, visible. The rule is actually a special case of a more general dictum that states that the cut will be jarring if the two shots being cut are so similar that there appears to be a lack of motivation for the cut. Cutting from a full-figure master shot, for instance, to a slightly tighter shot that frames the actors from the ankles up. The new shot in this case is different enough to signal that something has changed, but not different enough to make us re-evaluate its context.

Oyster capital

Photo/film manipulation is often much more explicit than subtle alterations to color balance or contrast and may involve overlaying a head onto a different body or changing a sign's text, for example. Image editing software can be used to apply effects and warp an image until the desired result is achieved. The resulting image may have little or no resemblance to the photo/film . Today, photo/film manipulation is widely accepted as an art-form.