Christmas in the city

Filminfo

Mise-en-scène  is an expression used to describe the design aspects of a film production, which essentially means "visual theme" or "telling a story" both in visually artful ways through storyboarding, cinematography and stage design, and in poetically artful ways through direction.
When applied to the cinema, mise-en-scène refers to everything that appears before the camera and its arrangementcomposition, sets, props, actors, costumes, and lighting.

Churches in St Petersburg

In filmmaking, video production, animation, and related fields, a film frame or video frame is one of the many still images which compose the complete moving picture. The term is derived from the fact that, from the beginning of modern filmmaking toward the end of the 20th century, and in many places still up to the present, the single images have been recorded on a strip of photographic film that quickly increased in length, historically; each image on such a strip looks rather like a framed picture when examined individually.

The term may also be used more generally as a noun or verb to refer to the edges of the image as seen in a camera viewfinder or projected on a screen. Thus, the camera operator can be said to keep a car in frame by panning with it as it speeds past.

Nature teacher of art

Artis, short for Natura Artis Magistra (Latin for "Nature is the teacher of art"), is a zoo in the centre of Amsterdam. It is the oldest zoo of the Netherlands. In addition to the zoo, Artis has a planetarium, a geological museum and a zoological museum.

The zoo was founded in 1838 by Gerard Westerman, J.W.H. Werlemann and J.J. Wijsmuller (also known as the three Ws). It is commonly referred to as Artis, because the zoo has three gates with Artis Natura Magistra written above them (as shown on the picture). Usually only the first gate was open, so people who walked through that gate, looked what was written above it and saw 'Artis', thinking that the zoo was just called Artis. Soon few knew it as Artis Natura Magistra.

 

Analysis of The Shining

The Shining is a 1980 British-American psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack Nicholson, Shelley Duvall, Danny Lloyd, and Scatman Crothers. The film is based on Stephen King's 1977 novel The Shining.

The initial European release of The Shining was 25 minutes shorter than the American version, achieved by removing most of the scenes taking place outside the environs of the hotel. Unlike Kubrick's previous works, which developed audiences gradually through word-of-mouth, The Shining was released as a mass-market film, initially opening in two cities on Memorial Day, then nationwide a month later. Although contemporary responses from critics were mixed, assessment became more favorable in following decades, and it is now widely regarded as one of the greatest horror films ever made. American director Martin Scorsese ranked it one of the 11 scariest horror movies of all time. Critics, scholars, and crew members (such as Kubrick's producer Jan Harlan) have discussed the film's enormous influence on popular culture

A grand man: Tolstoy

Filminfo:

The Cinema of the Russian Empire roughly spans the period 1907 - 1920, during which time a strong infrastructure was created. From the over 2,700 art films created in Russia before 1920, around 300 remain to this day.

In April 1896, just four months after the first films were shown in Paris, the first cinematic apparatus appeared in Russia. The first films seen in the Russian Empire were via the Lumière brothers, in Moscow and St. Petersburg in May 1896. In the same month, the first film was shot in Russia, by Lumière cameraman Camille Cerf, a record of the coronation of Nicholas II at the Kremlin in Moscow. The first permanent cinema was opened in St Petersburg in 1896 at Nevsky Prospect, No. 46.

Staying in St Petersburg

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.