Kitchens on wheels

A drive-in theater is a form of cinema structure consisting of a large outdoor movie screen, a projection booth, a concession stand and a large parking area for automobiles. Within this enclosed area, customers can view movies from the privacy and comfort of their cars. Some drive-ins have small playgrounds for children and a few picnic tables or benches.

The screen can be as simple as a wall that is painted white, or it can be a steel truss structure with a complex finish. Originally, a movie's sound was provided by speakers on the screen and later by an individual speaker hung from the window of each car, which would be attached by a wire. This system was superseded by the more economical and less damage-prone method of broadcasting the soundtrack at a low output power on AM or FM radio to be picked up by a car radio. This method also allows the soundtrack to be picked up in stereo by the audience on an often high-fidelity stereo installed in the car instead of through a simple speaker.

Oosterpark Amsterdam

Amsterdam Eastpark

Van Gogh worked with the Somali-born writer and politician Ayaan Hirsi Ali to produce the short film Submission (2004), which criticized the treatment of women in Islam. On 2 November 2004, Van Gogh was murdered by Mohammed Bouyeri, a Dutch-Moroccan Muslim 

 

"De Schreeuw" by Jeroen Henneman, is the memorial for murdered Dutch film director Theo van Gogh

The Netherlands officially abolished slavery in the colonies of Suriname and the Dutch Antilles in July 1863. In 2002 Surinamese sculptor Erwin de Vries was selected to design a memorial for this dark period. The sculpture is located in the Oosterpark and is made up of three elements. The first represents slavery’s dark and dramatic history, the second represents breaking through the wall of resistance in the modern day, and the third element represents the longing for freedom and a better future.

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First professional sportsfilm

Triumph of the Will was released in 1935 and became a prominent example of propaganda in film history. Riefenstahl's techniques—such as moving cameras, aerial photography, the use of long focus lenses to create a distorted perspective, and the revolutionary approach to the use of music and cinematography—have earned Triumph of the Will recognition as one of the greatest propaganda films in history. Riefenstahl helped to stage the scenes, directing and rehearsing some of them at least fifty times. Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden, and other countries. The film was popular in the Third Reich, and has continued to influence movies, documentaries, and commercials to this day. However, it is banned from being shown in Germany owing to its support for Nazism and its numerous portrayals of the swastika.

 

Amsterdam: Flevopark

In cinematography, the Dutch angle is one of many cinematic techniques often used to portray psychological uneasiness or tension in the subject being filmed.

A Dutch angle is a camera shot in which the camera has been rotated relative to the horizon or vertical lines in the shot. The primary use of such angles is to cause a sense of unease or disorientation for the viewer.

 Many Dutch angles are static shots, but in a moving Dutch angle shot the camera can pivot, pan or track along the established diagonal axis for the shot.

Durgerdam next to Amsterdam

Image stabilization (IS) is a family of techniques used to reduce blurring associated with the motion of a camera or other imaging device during exposure. Generally, it compensates for pan and tilt (angular movement, equivalent to yaw and pitch) of the imaging device, although electronic image stabilization can also be used to compensate for rotation. It is used in image-stabilized binoculars, still and video cameras, astronomical telescopes, and also smartphones, mainly the high-end. With still cameras, camera shake is particularly problematic at slow shutter speeds or with long focal length (telephoto or zoom) lenses. With video cameras, camera shake causes visible frame-to-frame jitter in the recorded video. In astronomy, the problem of lens-shake is added to by variations in the atmosphere over time, which will cause the apparent positions of objects to change.

Corfu city

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The advent of camcorders that could record an hour or two of video on one relatively inexpensive videocassette, followed by digital video cameras that recorded to flash memory, and most recently smartphones with video recording capability, made the creation of home movies easier and much more affordable to the average person.

The technological boundaries between home-movie-making and professional movie-making are becoming increasingly blurred as prosumer equipment often offers features previously only available on professional equipment.

The Pijp area

;The Albert Cuypmarkt is arguably the best-known and busiest outdoor market in Europe. It attracts thousands of visitors every day, and is especially popular on Saturdays. There are over 300 stalls and goods range from fresh produce to clothes and household goods. Prices are among the lowest in Amsterdam. If you like middle eastern food, check out the Bazar, a very spacey lunch café and diner. It's located halfway down the market in an old building and features stunning decorations.

Just a minute away from the Albert Cuyp market, the Sarphati park is the perfect place to relax
>The Sarphati Park is named after the Jewish doctor and philanthropist Samuel Sarphati (1813-1866), whose marvelous 19th century monument dominates the park. This small (it stretches for only two blocks) rectangle of green in the middle of trendy De Pijp area is one of the nicest in Amsterdam.

 

Amsterdam riverside

Amateur films were usually shot on 16 mm film or on 8 mm film (either Double-8 or Super-8) until the advent of cheap video cameras or digital equipment. The advent of digital video and computer based editing programs greatly expanded the technical quality achievable by the amateur and low-budget filmmaker. Amateur video has become the choice for the low-budget filmmaker and has boomed into a very watched and even produced industry with the use of VHS and digital video camcorders

Corfu 2016

Camcorders are used in the production of low-budget TV shows if the production crew does not have access to more expensive equipment. Movies have been shot entirely on consumer camcorder equipment . Academic filmmaking programs have also switched from 16mm film to digital video in early 2010s, due to the reduced expense and ease of editing of digital media and the increasing scarcity of film stock and equipment. Some camcorder manufacturers cater to this market; Canon and Panasonic support 24p (24 fps, progressive scan—the same frame rate as cinema film) video in some high-end models for easy film conversion.

Under water photography

The primary difficulty in underwater camera usage is sealing the camera from water at high pressure, while maintaining the ability to operate it. The diving mask also inhibits the ability to view the camera image and to see the monitoring screen clearly through the camera housing. Previously the size of the video camera was also a limiting factor, necessitating large housings to enclose the separate camera and record deck.. Early video cameras also needed large batteries because of the high power consumption of the system. Current Lithium-ion batteries have long run times with relatively light weight and low volume.

Another problem is the lower level of light underwater. Early cameras had problems with low light levels, were grainy, and did not record much color underwater without auxiliary lighting. Large unwieldy lighting systems were problematic to early underwater videography. And last, underwater objects viewed from an airspace with a flat window, such as the eye inside a mask or the camera inside a housing, appear to be about 25% larger than they are. The photographer needs to move farther back to get the subject into the field of view. Unfortunately that puts more water between the lens and the subject resulting in less clarity and reduced color and light.

Making land

Natuurmonumenten (Dutch Society for Nature Conservation) is going to restore one of the largest freshwater lakes in western Europe by constructing islands, marshes and mud flats from the sediments that have accumulated in the lake in recent decades. These 'Marker Wadden' will form a unique ecosystem that will boost biodiversity in the Netherlands.

Lake Markermeer (700 km2) used to be part of the Dutch Zuiderzee, but is now cut off from the North Sea and rivers by dams, dikes and reclaimed land. The lake has barely any natural shores, and its waters are often extremely turbid as wind and waves churn up the accumulated sediments from the relatively shallow lake floor (2-4 m deep). As a result, fish and bird populations have declined dramatically.

Early colourising

Abroad, Pathé in particular was working on a colour system – Pathécolor – that made use of stencilling and/or manual colouring. This was a method that was already known in the field of picture postcards and wallpaper, whereby a stunning colour effect could be achieved by using different templates for each colour.

An example of this kind of colouring can be seen in the first part of the film Hollandse tulpen en klompen. This film is a compilation that consists of two short recordings. The first part is about the Dutch fields of flower bulbs. The first part is in colour, and was almost certainly made by Pathé Frères, most likely by its Dutch subsidiary Kinematograaf Pathé Frères.

This method of colouring was unique in the Netherlands, as the Dutch film companies only used the techniques of tinting and toning; the few film recordings made in the Netherlands that used colour stencilling are all of foreign (probably French) manufacture.

stencils

Radiosilence Amsterdam Airport.

During Commemoration Day on the 4th of May, Holland grieves for the people killed in wars with two minutes of silence.

The visual components of a movie are obviously integral to filmmaking; the images that are the hallmark of our medium allow us to see the narrative unfold. However, cinema is also a medium of sound, and how we use the audible elements can drastically change how our audiences respond to our stories.
Since filmmakers essentially build a film out of nothing, compiling raw footage, sound effects, dialog, and music to form a visual story, it might be difficult to recognize that what we don't put in a film is just as important (if not more) as what we do put in.
Silence can actually speak louder to your viewers than a cacophony of sound effects, dialog, and music ever could.

 

Fall of rebel angels

Virtual reality or virtual realities (VR), also known as immersive multimedia or computer-simulated reality, is a computer technology that replicates an environment, real or imagined, and simulates a user's physical presence and environment in a way that allows the user to interact with it. Virtual realities artificially create sensory experience, which can include sight, touch, hearing, and smell.

Most up-to-date virtual realities are displayed either on a computer screen or with a special virtual reality headset (also called head mounted display. Furthermore, virtual reality covers remote communication environments which provide virtual presence of users with the concepts of telepresence and telexistence or a virtual artifact (VA) either through the use of standard input devices such as a keyboard and mouse. The immersive environment can be similar to the real world in order to create a lifelike experience.

On top off

As a literary device, an allegory in its most general sense is an extended metaphor. Allegory has been used widely throughout history in all forms of art, largely because it can readily illustrate complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.

Writers or speakers typically use allegories as literary devices or as rhetorical devices that convey hidden meanings through symbolic figures, actions, imagery, and/or events, which together create the moral, spiritual, or political meaning the author wishes to convey.

Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Mediaeval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The allegory was as true as the facts of surface appearances

Since meaningful stories are nearly always applicable to larger issues, allegories may be read into many stories which the author may not have recognised. This is allegoresis, or the act of reading a story as an allegory. For instance, many people have suggested that The Lord of the Rings is an allegory for the World Wars, although Tolkien has dismissed this.

The next Rembrandt

Virtual artifacts in digital environments


Humans have expanded the existing environment to the virtual domain. Virtual artifacts can be seen as an essential cultural phenomenon in modern society. Virtual artifacts bear meanings and functions and since they are part of the world they affect real world events and people’s lives.

Virtual artifacts have certain similarities to real-life artifacts even though they do not have physical properties in the traditional sense. Simulated virtual objects (photorealistic VA) and environments have a model in the real world; however, depending on the context, an abstract virtual artifact isn’t necessarily dependent on the laws of physics or causality.

Some virtual artifacts are purely abstract in their nature, therefore they can't model real-life objects or phenomena. For example, computer programs or digital user interfaces, while often containing representative components of real-life objects, can't exist in physical terms. These virtual artifacts do not have to be comprehensible to humans at all; they can be created and understood solely by artificial intelligence.

Virtual artifacts can have physical properties (for example color, length) depending on the environment they exist in. These physical properties can be presented and perceived using a certain medium such as a computer screen. On the other hand, virtual artifacts can also contain properties that aren’t perceptible. Due to their immaterial nature they can be flexibly accessed, reproduced and archived — even simultaneously by multiple users.

 

La Ville: Troyes

Pars pro toto, Latin for "a part (taken) for the whole", is a figure of speech where the name of a portion of an object, place, or concept represents its entirety. It is distinct from a merism, which is a reference to a whole by an enumeration of parts; metonymy, where an object, place, or concept is called by something or some place associated with the object, place, or concept; or synecdoche, which can refer both to this and its inverse of the whole representing a part.


In the context of language, pars pro toto means that something is named after a part of it, or after a limited characteristic, in itself not necessarily representative for the whole.

 

Mama Halosina

The economic struggles and the everyday life of a woman and mother, Mama Halosina in Huguma village, Yahukimo District, West Papua.
Producer PV Wamena
Year produced 2015

This work is licensed under a Creative Commons License

Chaplin museum

As a filmmaker, Chaplin is considered a pioneer and one of the most influential figures of the early twentieth century He is often credited as one of the medium's first artists. Film historian Mark Cousins has written that Chaplin "changed not only the imagery of cinema, but also its sociology and grammar" and claims that Chaplin was as important to the development of comedy as a genre as D.W. Griffith was to drama. He was the first to popularise feature-length comedy and to slow down the pace of action, adding pathos and subtlety to it.

Although his work is mostly classified as slapstick, Chaplin's drama A Woman of Paris (1923) played a part in the development of "sophisticated comedy". According to David Robinson, Chaplin's innovations were "rapidly assimilated to become part of the common practice of film craft."

Filmmakers who cited Chaplin as an influence include Federico Fellini (who called Chaplin "a sort of Adam, from whom we are all descended"), Jacques Tati ("Without him I would never have made a film"),René Clair ("He inspired practically every filmmaker"),Michael Powell, Billy Wilder,Vittorio De Sica, and Richard Attenborough. Russian filmmaker Andrei Tarkovsky praised Chaplin as "the only person to have gone down into cinematic history without any shadow of a doubt. The films he left behind can never grow old.

Panorama Wiesbaden

Digital photography of the late twentieth century greatly simplified this assembly process, which is now known as image stitching. Such stitched images may even be fashioned into forms of virtual reality movies, using technologies such as Apple Inc.'s QuickTime VR, Flash, Java, or even JavaScript. A rotating line camera such as the Panoscan allows the capture of high resolution panoramic images and eliminates the need for image stitching, but immersive "spherical" panorama movies (that incorporate a full 180° vertical viewing angle as well as 360° around) must be made by stitching multiple images. Stitching images together can be used to create extremely high resolution gigapixel panoramic images.

Park Wiesbaden

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The advent of camcorders that could record an hour or two of video on one relatively inexpensive videocassette, followed by digital video cameras that recorded to flash memory, and most recently smartphones with video recording capability, made the creation of home movies easier and much more affordable to the average person.

The technological boundaries between home-movie-making and professional movie-making are becoming increasingly blurred as prosumer equipment often offers features previously only available on professional equipment.

Biebrich Schloss Wiesbaden

Historical fiction is a literary genre in which the plot takes place in a setting located in the past. Historical fiction can be an ambiguous term: frequently it is used as a synonym for describing the historical novel; however, the term can be applied to works in other narrative formats, such as those in the performing and visual arts like theatre, opera, cinema, television, comics, and graphic novels.



An essential element of historical fiction is that it is set in the past and pays attention to the manners, social conditions and other details of the period depicted.] Authors also frequently choose to explore notable historical figures in these settings, allowing readers to better understand how these individuals might have responded to their environments. Some sub-genres, such as alternate history or historical fantasy, insert speculative or a historical elements into a novel.



Works of historical fiction are sometimes criticized for lack of authenticity because of generic expectations for accurate period details. This tension between historical authenticity, or historicity, and fiction frequently becomes a point of comment for readers and popular critics, while scholarly criticism frequently goes beyond this commentary, investigating the genre for its other thematic and critical interests.

Bubbles and Baths

Soviet montage theory is an approach to understanding and creating cinema that relies heavily upon editing (montage is French for "assembly" or "editing").

Although Soviet filmmakers in the 1920s disagreed about how exactly to view montage, Sergei Eisenstein marked a note of accord in "A Dialectic Approach to Film Form" when he noted that montage is "the nerve of cinema", and that "to determine the nature of montage is to solve the specific problem of cinema". Its influence is far reaching commercially, academically, and politically. Alfred Hitchcock cites editing (and montage indirectly) as the lynchpin of worthwhile filmmaking. In fact, montage is demonstrated in the majority of narrative fiction film available today.

 

Stadtrundfahrt Wiesbaden

A false ending has two contexts; in literature it is a narrative device where the plot seems to be heading to its conclusion, but in reality, there's still more to the story. In a musical composition, it is a complete stop of the song for one or more seconds before continuing.
The presence of a false ending can be anticipated through a number of ways. The medium itself might betray that it isn't the true ending (i.e. it's only halfway into a book or a song, a film's listed running time hasn't fully elapsed, only half the world has been explored in a video game, etc.), making only stories with indeterminate running length or a multi-story structure able to pull this off effectively. Another indicator is the feeling that too much of the story is incomplete when the false ending comes, making it feel like there has to be more.

Russian church Wiesbaden

The Russian Orthodox Church in Wiesbaden was built from 1847 to 1855 by Duke Adolf of Nassau on the occasion of the early death of his wife, the 19-year-old Russian princess Elizabeth Mikhailovna, Grand Duchess of Russia and Duchess of Nassau (1826-1845). This was the daughter of Michael Romanov (1798-1849), the younger brother of Tsar Alexander I (reigned 1801-1825) and Nicholas I (reigned 1826-1855). Adolf and the princess married in 1844, but the following year, she died in childbirth, as did their newborn daughter. He grieved so profoundly that he decided to build a church around her grave. He obtained the money for this church, with the blessing of Tsar Nicholas, from her dowry.
Simultaneously with the construction of the church were built a small rectory and a Russian cemetery, located about 100 meters northeast of the church.
The church was used by the already-existing Russian Orthodox community, mainly Russian guests, for whom Wiesbaden was a popular resort in the 19th century.

Andernach

Motion picture images are presented to an audience at a constant speed. In the theater it is 24 frames per second, in NTSC (US) Television it is 30 frames per second (29.97 to be exact), in PAL (Europe) television it is 25 frames per second. This speed of presentation does not vary.

However, by varying the speed at which the image is captured, various effects can be created knowing that the faster or slower recorded image will be played at a constant speed.

For instance, time-lapse photography is created by exposing an image at an extremely slow rate. If a cinematographer sets a camera to expose one frame every minute for four hours, and then that footage is projected at 24 frames per second, a four-hour event will take 10 seconds to present, and one can present the events of a whole day (24 hours) in just one minute.

Eltville in Rheingau

Imagine how our knowledge would be enriched if we had original movies of home life in the 1700s or 1850s, whatever the circumstance of the subjects! In a hundred years, and even today, your home movies will contain unique and precious documentation of a way of life – from the cut of fashionable clothing to the eroding contours of a beach. The mere backgrounds in your films may be of historical interest, even if the main subject is out of focus or making a silly face. And home movies can offer a real-world comparison to the fictionalized versions of our history conveyed through popular films and television programs.

 

 

Rudesheim am Rhein

Rüdesheim lies at the foot of the Niederwald on the Rhine's right (east) bank on the southern approach to the Lorelei. The town belongs to the Frankfurt Rhine Main Region and is one of Germany's biggest tourist attractions. Only Cologne Cathedral draws more tourists from other countries. Making the town worth visiting is, not only the wine or even the Old Town itself, but also the picturesque Rheingau landscape together with the romantic Rhine.

Kochbrunnen in Wiesbaden

Kochbrunnen

The Kochbrunnen fountain on Kranzplatz is not only the symbol of Wiesbaden, but also a place often frequented by the health-conscious. It is Wiesbaden's most famous thermal spring, because this prolific spring emits thermal water said to have a whole series of health benefits.

Funny enough we do have in Europa a sustainably amount of so called Spa-towns. Several german english and french examples can be found on this site.

the source

French impressionism

Experimental film, experimental cinema or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.

Abel Gance was a French film director and producer, writer and actor. A pioneer in the theory and practice of montage.

In 1920, Gance developed his next project, La Roue, while recuperating in Nice from Spanish flu, and its progress was deeply affected by the knowledge that his companion Ida Danis was dying of tuberculosis; furthermore, his leading man and friend Séverin-Mars was also seriously ill (and died soon after completion of the film). Nevertheless, Gance brought an unprecedented level of energy and imagination to the technical realisation of his story, set firstly against the dark and grimy background of locomotives and railway yards, and then among the snow-covered landscapes of the Alps. He employed elaborate editing techniques and innovative use of rapid cutting which made the film highly influential among other contemporary directors. The finished film was originally in 32 reels and ran for nearly nine hours, but it was subsequently edited down for distribution and it is these shorter versions which have survived

Fish and more

Post-production
Here the video/film is assembled by the video/film editor. The shot film material is edited. The production sound (dialogue) is also edited; music tracks and songs are composed and recorded if a film is sought to have a score; sound effects are designed and recorded. Any computer-graphic visual effects are digitally added. Finally, all sound elements are mixed into "stems", which are then married to picture, and the film is fully completed .

Atlantik wall

The Atlantic Wall (German: Atlantikwall) was an extensive system of coastal defence and fortifications built by Nazi Germany between 1942 and 1944 along the coast of continental Europe and Scandinavia as a defence against an anticipated Allied invasion of Nazi-occupied Europe from Great Britain during World War II.

Hitler ordered the construction of the fortifications in 1942. Almost a million French workers were drafted to build it. The wall was frequently mentioned in Nazi propaganda, where its size and strength were usually exaggerated. The fortifications included colossal coastal guns, batteries, mortars, and artillery, and thousands of German troops were stationed in its defences.[a] When the Allies eventually invaded the Normandy beaches in 1944, most of the defences were stormed within hours. Today, ruins of the wall exist in all of the nations where the wall was built, although many structures have fallen into the ocean or have been demolished over the years.

Tarragona clips

Extreme long shot (ELS)
The subject or characters are very much to the background of the shot. Surroundings now have as much if not more importance, especially if the shot is in high-angle. A first way to consider these shots is to say that a shot lends itself to a greater or lesser readability dependent on its type or length. As the camera moves further away from the main subject (whether person or object) the visual field lends itself to an increasingly more complex reading – in terms of the relationship between the main subject and the decor there is more for the spectator's eye to read or decode. This means that the closer up the shot, the more the spectator's eye is directed by the camera to the specified reading.

The fyk

Thousands of films. We all have our favorites. But what is it about a movie that catches our attention, holds us in its cinematic sway? It’s a question that’s endlessly debated. When we got to thinking about a concept for a TV show about film, we considered the subjective nature of the question, “What’s the greatest film ever?”

PUB CRAWL

Nonfiction's specific factual assertions and descriptions may or may not be accurate, and can give either a true or a false account of the subject in question. However, authors of such accounts genuinely believe or claim them to be truthful at the time of their composition or, at least, pose them to a convinced audience as historically or empirically factual. Reporting the beliefs of others in a nonfiction format is not necessarily an endorsement of the ultimate veracity of those beliefs, it is simply saying it is true that people believe them (for such topics as mythology). Nonfiction can also be written about fiction, typically known as literary criticism, giving information and analysis on these other works. Nonfiction need not necessarily be written text, since pictures and film can also purport to present a factual account of a subject.

Weir Fishing

The term "digital storytelling" can also cover a range of digital narratives (web-based stories, interactive stories, hypertexts, and narrative computer games); It is sometimes used to refer to film-making in general, and as of late, it has been used to describe advertising and promotion efforts by commercial and non-profit enterprises.

One can define digital storytelling as the process by which diverse peoples share their life story and creative imaginings with others. This newer form of storytelling emerged with the advent of accessible media production techniques, hardware and software, including but not limited to digital cameras, digital voice recorders, iMovie, Windows Movie Maker and Final Cut Express. These new technologies allow individuals to share their stories over the Internet on YouTube, Vimeo, compact discs, podcasts, and other electronic distribution systems.

Dutch filmtalent

Nomination Committee, view the 250+ entered films. After a rigorous discussion-based selection process the long list and nominations are decided by confidential vote.

All nominated films are then viewed by an independent jury, newly appointed each year, and not involved in the nominations process. This jury, comprised of leading professionals and talent from the British film industry, meet to discuss all the nominated films and the winners are decided by secret ballot. Once these ballots have been counted and validated, the winners are announced at The Moët British Independent Film Awards.

Nina Gantz was born in Amsterdam and grew up in Rotterdam. Her graduation film from the St Joost in Breda Art School, Zaliger, went on to be selected at 37 festivals including the Annecy International Animated Film Festival, Encounters Film Festival and the Sichuan Festival in China where it was awarded the Golden Panda for Best Student Film.

Burgundy

The standard pattern for early film studios was provided by the studio which Georges Méliès had built in 1897. This had a glass roof and three glass walls constructed after the model of large studios for still photography, and it was fitted with thin cotton cloths that could be stretched below the roof to diffuse the direct ray of the sun on sunny days. The soft overall light without real shadows that this arrangement produced, and which also exists naturally on lightly overcast days, was to become the basis for film lighting in film studios for the next decade.

Visual effects of all times

In filmmaking, visual effects (abbreviated VFX) are the processes by which imagery is created and/or manipulated outside the context of a live action shot. Visual effects involve the integration of live-action footage and generated imagery to create environments which look realistic, but would be dangerous, expensive, impractical, or simply impossible to capture on film. Visual effects using computer generated imagery have recently become accessible to the independent filmmaker with the introduction of affordable and easy-to-use animation and compositing software.

Sketchbook of Jeroen Bosch

The novelty of realistically moving photographs was enough for a motion picture industry to blossom before the end of the century, in countries around the world. "The Cinema was to offer a cheaper, simpler way of providing entertainment to the masses. Filmmakers could record actors' performances, which then could be shown to audiences around the world. Travelogues would bring the sights of far-flung places, with movement, directly to spectators' hometowns. Movies would become the most popular visual art form.

King and Prince

Celebrity is fame and public attention in the media, usually applied to a person, group of people (celebrity couple, family etc.), or occasionally, to animals or fictional entities. Celebrity status is often associated with wealth (commonly referred to as fame and fortune) and fame can often provide opportunities to make money.

Successful careers in sports and entertainment are commonly associated with celebrity status; political leaders often become celebrities. People may also become celebrities due to media attention for their lifestyle, wealth, or controversial actions, or for their connection to a famous person

Boomerang

Historically, video frames were represented as analog waveforms in which varying voltages represented the intensity of light in an analog raster scan across the screen. Analog blanking intervals separated video frames in the same way that frame lines did in film. For historical reasons, most systems used an interlaced scan system in which the frame typically consisted of two video fields sampled over two slightly different periods of time. This meant that a single video frame was usually not a good still picture of the scene, unless the scene being shot was completely still.

 

Going Round

In filmmaking, video production, and other media, live action refers to cinematography or videography that does not use animation .

As the normal process of making visual media involves live action, the term itself is usually superfluous, but it makes an important distinction in situations in which one might normally expect animation.
The phrase "live action" also occurs within an animation context to refer to non-animated characters

 

Water slides

An amusement park or theme park is a group of entertainment attractions, rides, and other events in a location for the enjoyment of large numbers of people. Amusement parks have a fixed location, as opposed to travelling funfairs and traveling carnivals, and are more elaborate than simple city parks or playgrounds, usually providing attractions meant to cater specifically to certain age groups, as well as some that are aimed towards all ages. Theme parks, a specific type of amusement park, are usually much more intricately themed to a certain subject or group of subjects than normal amusement parks.

The Magical House

Magic is a performing art that entertains audiences by staging tricks or creating illusions of seemingly impossible or supernatural  feats using natural means. These feats are called magic tricks, effects or illusions. A professional who performs such illusions is called a stage magician or an illusionist. Some performers may also be referred to by names reflecting the type of magical effects they present, such as prestidigitators, conjurors, hypnotists, mentalists, or escapologists.

The road to hell

Hieronymus Bosch is perceptive and critical. He takes his own environment on the grain and leaves little on the good fellow Christians. Take the triptych of The Hay Wagon, one of the last panels, painted between 1515 and 1516.

Bosch condemns scrabbling. A wagon full of hay stands for the pursuit of materialism. Devils pull the wagon. He spares no one. Rich and poor, all positions run after them and withdrawn hell. A procession of the pope, the emperor and the king, drunken monks, tooth pullers and Gypsies is tempted. The suffering Christ looks on in the cloud, but nobody except the angel has an eye for him.

Greed, folly and transience seem to overcome, is the message of Hieronymus Bosch. The Spanish King Philip II bought the panel in 1570 for his private collection. Philip was a great lover of Bosch.  Who does not want to see up close this panel? The grabbers?

Followers

Film scores encompass an enormous variety of styles of music, depending on the nature of the films they accompany. The majority of scores are orchestral works rooted in Western classical music, but many scores are also influenced by jazz, rock, pop, blues, new-age and ambient music, and a wide range of ethnic and world music styles.

Rastafari

Rastafari is an Abrahamic belief which developed in Jamaica in the 1930s, following the coronation of Haile Selassie I as Emperor of Ethiopia in 1930. Its adherents worship him in much the same way as Jesus in his Second Advent, or as God the Father.  Members of the Rastafari way of life are known as Rastafari, Rastas, Rastafarians, or simply Ras. Rastafari are also known by their official church titles, such as Elder or High Priest.



Rastafari holds many Christian beliefs like the existence of a triune God, called Jah, who had sent his divine incarnate son to Earth in the form of Jesus (Yeshua) and made himself manifest as the divine person of Haile Selassie I. Rastafari accept much of the Bible, although they believe that its message and interpretation have been corrupted.