Madeira music

Folklore music in Madeira is wide spread and mainly uses local musical instraments such as the Machete, rajao, Brinquinho and Cavaquinho, which are used in traditional Folklore dances like the Bailinho da Madeira.

Locals from Madeira emigranting also influenced the creation of new instraments such as in the 1880s, the ukulele is based on two small guitar-like instruments of Madeiran origin, the cavaquinho and the rajao, introduced to the Hawaiian Islands by Portuguese immigrants from Madeira and Cape Verde.

Eternal Spring on Madeira

Madeira was re-discovered by Portuguese sailors in the service of Henry the Navigator in 1419, and settled after 1420. The archipelago is considered to be the first territorial discovery of the exploratory period of the Portuguese Age of Discovery.

Today, it is a popular year-round resort, being visited every year by about one million tourists, noted for its Madeira wine, flowers, landscapes and embroidery artisans, as well as for its annual New Year celebrations that feature the largest fireworks show in the world, as officially recognized by the Guinness World Records The main harbour in Funchal is the leading Portuguese port in cruise liner dockings, being an important stopover for commercial and trans-Atlantic passenger cruises between Europe, the Caribbean and North America.

 

Mountains of Madeira

A tapeless camcorder is a camcorder that does not use video tape for the digital recording of video productions as 20th century ones did. Tapeless camcorders record video as digital computer files onto data storage devices such as optical discs, hard disk drives and solid-state flash memory cards.
Inexpensive pocket video cameras use flash memory cards, while some more expensive camcorders use solid-state drives or SSD; similar flash technology is used on semi-pro and high-end professional video cameras for ultrafast transfer of High-definition television (HDTV) content.
Camcorders using DVD media were popular at the turn of the 21st century due to the convenience of being able to drop a disc into the family DVD player; however, DVD capability, due to the limitations of the format, is largely limited to consumer-level equipment targeted at people who are not likely to spend any great amount of effort video editing their video footage.
Most consumer-level tapeless camcorders use MPEG-2, MPEG-4 video compression or its derivatives as Video coding formats. They are normally capable of still-image capture to JPEG format additionally.
Consumer-grade tapeless camcorders include a USB port to transfer video onto a computer. Professional models include other options like Serial digital interface (SDI) or HDMI. Some tapeless camcorders are equipped with a Firewire (IEEE-1394) port to ensure compatibility with magnetic tape-based DV and HDV formats.

Intro to Madeira

Film title design is (and always has been) an essential part of any motion picture. It was originally a motionless piece of artwork called title art.
The main title design consisted of the movie company's name and/or logo and the presentation of the main characters along with the actor’s names, generally using that same artwork.

Most independent or major studio had their own title art logo used as the background for their screen credits and they used it almost exclusively on every movie that they produced.

Funchal from above

A bird's-eye view is an elevated view of an object from above, with a perspective as though the observer were a bird, often used in the making of blueprints, floor plans and maps.
It can be an aerial photograph, but also a drawing. Before manned flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high locations (for example a mountain or tower), from those constructed from an imagined (bird's) perspectives. Bird's eye views as a genre have existed since classical times. The last great flourishing of them was in the mid-to-late 19th century, when bird's eye view prints were popular in the United States and Europe.

Uptown Lisbon

Many compact digital cameras can perform both an optical and a digital zoom. A camera performs an optical zoom by moving the zoom lens so that it increases the magnification of light before it even reaches the digital sensor. In contrast, a
digital zoom degrades quality by simply interpolating the image-- after it has been acquired at the sensor.Even though the photo with digital zoom contains the same number of pixels, the detail is clearly far less than with optical zoom. Digital zoom should be almost entirely avoided, unless it helps to visualize a distant object on your camera's LCD preview screen. Alternatively, if you regularly shoot in JPEG and plan on cropping and enlarging the photo afterwards, digital zoom at least has the benefit of performing the interpolation before any compression artifacts set in. If you find you are needing digital zoom too frequently, purchase a teleconverter add-on, or better yet: a lens with a longer focal length.

Pena Palace Sintra

The Pena National Palace (Portuguese: Palácio Nacional da Pena) is a Romanticist palace in São Pedro de Penaferrim, municipality of Sintra, Portugal. The palace stands on the top of a hill above the town of Sintra, and on a clear day it can be easily seen from Lisbon and much of its metropolitan area. It is a national monument and constitutes one of the major expressions of 19th century Romanticism in the world. The palace is a UNESCO World Heritage Site and one of the Seven Wonders of Portugal. It is also used for state occasions by the President of the Portuguese Republic and other government officials.

Lisbon by tram

A film release refers to the authorization by the owner of a completed film to a public exhibition of the film. The exhibition may be in theatres or for home viewing. A film's release date and the method of release is part of the marketing of the film. It may be a wide or limited release.
The process may involve finding a film distributor. A film's marketing may involve the film being shown at a film festival or trade show to attract distributor attention and, if successful, may then be released through a chosen distributor.

Welcome to Lisbon

Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.

The process usually takes place on a dub stage. After sound editors edit and prepare all necessary tracks (dialogue, automated dialogue replacement (ADR), effects, Foley, and music), the dubbing mixer or mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "additional dialogue recording", and "looping", in which the original actors re-record and synchronize audio segments.

Filme Portuguese

The Caminhos do Cinema Português (Portuguese: Paths for Portuguese Cinema) is the only festival of exclusively Portuguese cinema, held in Portugal. It is a project of the "Centro de Estudos Cinematográficos" (Centre for Cinematographic Study) of the Associação Académica de Coimbra. It is considered the sixth film festival of Portugal, and one of the few festivals held outside the greater Lisbon and greater Oporto areas. The festival takes place annually in November in the city of Coimbra.

 

Landing on Madeira

Madeira Airport (IATA: FNC, ICAO: LPMA), formerly known as Santa Catarina Airport (and informally known as Funchal Airport), is an international airport in the civil parish of Santa Catarina, municipality of Santa Cruz, in the Portuguese archipelago of the Madeira.

The airport was once infamous for its short runway which, surrounded by high mountains and the ocean, made it a tricky landing for even the most experienced of pilots. Its innovative solution allowed Funchal to receive the Outstanding Structure Award in 2004, although it is still considered one of the most dangerous airports in the world.

Expo 98

Expo '98 was an official specialised World's Fair held in Lisbon, Portugal from Friday, 22 May to Wednesday, 30 September 1998. The theme of the fair was "The Oceans, a Heritage for the Future," chosen in part to commemorate 500 years of Portuguese discoveries. The Expo received around 11 million visitors in 132 days, while 155 countries and organizations were represented.
The area chosen for the Expo '98 was a 5 kilometres (3.1 mi)-wide strip that covered 50 hectares (0.19 sq mi) in Lisbon's east-end alongside the Tagus river.
Expo '98 was fully built from scratch. Every building was pre-sold for after-Expo repurposing thus ensuring that, after the Expo closed, the site would not be left semi-abandoned, as had happened with previous expos, particularly Seville Expo '92.

To support the expected influx of visitors, an extensive access program was devised, including:
a new bridge across the river, the Vasco da Gama Bridge (then the longest in Europe)
a new line along the Lisbon Metro, with seven stations (five of which were ready for opening day) a new main multi-modal terminal, featuring trains, metro, buses, and taxis, called Gare do Oriente,
by architect Santiago Calatrava.

Panorama of Lisbon

Widescreen images are a variety of aspect ratios used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35mm film.
For television, the original screen ratio for broadcasts was 4:3 (1.33:1). In the 2000s, 16:9 (1.78:1) TV displays came into wide use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources.
With computer displays, aspect ratios wider than 4:3 are also called widescreen. Widescreen computer displays were previously typically of 16:10 aspect ratio, now they are shifting to 16:9.

Harbour of Lisbon

Shaky camera, is a cinematographic technique where stable-image techniques are purposely dispensed with. The camera is held in the hand, or given the appearance of being hand-held, and in many cases shots are limited to what one photographer could have accomplished with one camera. Shaky cam is often employed to give a film sequence an ad-hoc, electronic news-gathering, or documentary film feel. It suggests unprepared, unrehearsed filming of reality, and can provide a sense of dynamics, immersion, instability or nervousness. The technique can be used to give a pseudo-documentary or cinéma vérité appearance to a film.

Too much shaky camera motion can make some viewers feel dizzy or sick.