Discover Venice

 

Amateur usage of Super 8 has been largely replaced by video, but the format is sometimes used by professionals trying to imitate the look of old home movies, or create a stylishly grainy look. Until 1999, the University of Southern California's famous School of Cinema-Television required students to shoot their initial projects using Super 8, but the dwindling availability of equipment and processing facilities eventually forced the school to switch these classes to Digital Video. However the film is still used elsewhere by film students who wish to learn the basics of shooting film. Super 8 is supplied in a light proof cartridge, the design of which allows it to be inserted into a camera without directly threading the film, which made the format even more user-friendly. 

 

Visit to Uppsala

 

 

Early documentary films, originally called "actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic.

Piece of Peace

 

 

Terms such as absolute film, cinéma pur, true cinema and integral cinema have been used for non-narrative films that aimed to create a purer experience of the distinctive qualities of film, like movement, rhythm and changing visual compositions. 

More narrowly, "absolute film" was used for the works of a group of filmmakers in Germany in the 1920s, that consisted, at least initially, of animated films that were totally abstract. The French term cinéma pur was coined to describe the style of several filmmakers in France in the 1920s, whose work was non-narrative, but hardly ever non-figurative. 

 

Why on earth ?

 

 

The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the chief of the camera and light crews working on such projects and would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field is referred to as cinematography.

Dutch documentaries

 

 

 Documentary film of the Netherlands has long been renowned worldwide. The most prominent Dutch directors, especially those who started their careers before World War II, came from a documentary background, for instance Joris Ivens and Bert Haanstra. In the late 1950s the Dutch film industry professionalized. The Nederlands Filmfonds (Netherlands Film Fund) was established in 1957, the Nederlandse Filmacademie (Netherlands Film Academy) in 1958. Headed by Haanstra, who won an Academy Award for Documentary Short Subject with 1959's Glass and also won prizes in Berlin and Cannes, the movement also included Herman van der Horst, who won a Golden Bear for Best Documentary and John Fernhout, whose Sky Over Holland won a Golden Palm at the Cannes Film Festival Documentaries still play an important part in Dutch film industry.

 Famous documentary directors pre- and postdating the unofficial Documentary School include Joris Ivens, Johan van der Keuken and Jos de Putter. Ivens won a César Award and a Golden Lion, as well as a career achievement award at the Venice Film Festival.

The ghostcastle

 

 

Horror films have existed for more than a century. Early inspirations from before the development of film include folklore, religious beliefs and superstitions of different cultures, and the Gothic and horror literature From origins in silent films and German Expressionism, horror only became a codified genre after the release of Dracula (1931). Many sub-genres emerged in subsequent decades, including body horror, comedy horror, slasher films, supernatural horror and psychological horror. The genre has been produced worldwide, varying in content and style between regions

 

put the kettle on

 

 

Mise-en-scène English: "placing on stage" or "what is put into the scene") is the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction. The term is also commonly used to refer to single scenes that are representative of a film. Mise-en-scène has been called film criticism's "grand undefined term."It has been criticized for its focus on the theatrical or dramatic design aspects rather than the plot itself, as those who utilize Mise-en-scène tend to look at what is "put before the camera," rather than the story. The use of mise-en-scène is significant as it allows the director to convey messages to the viewer through what is placed in the scene, not just the content of the scene. 

 

Angel falls

 

 

In filmmaking, the 180-degree rule is a basic guideline regarding the on-screen spatial relationship between a character and another character or object within a scene. The rule states that the camera should be kept on one side of an imaginary axis between two characters, so that the first character is always frame right of the second character. Moving the camera over the axis is called jumping the line or crossing the line; breaking the 180-degree rule by shooting on all sides is known as shooting in the round.
The 180-degree rule enables the audience to visually connect with unseen movement happening around and behind the immediate subject and is particularly important in the narration of battle scenes.

 

 

 

Flying turkey

 

 

Prosthetic makeup (also called special make-up effects and FX prosthesis) is the process of using prosthetic sculpting, molding and casting techniques to create advanced cosmetic effects. Prosthetic makeup goes back to the beginning of film making with A Trip to the Moon (French: Le Voyage dans la Lune), a 1902 French adventure short film directed by Georges Méliès where the man on the moon effect was accomplished using a combination of makeup and a prosthetic type mask with added pastes. The makeup artist Jack Pierce was another early Hollywood make-up artist, best remembered for creating the iconic makeup worn by Boris Karloff in Frankenstein, his makeup for the Wolfman, and more.

Doll stall

 

Many Christmas stories have been adapted to movies and TV specials, and have been broadcast and repeated many times on TV. Since the popularization of home video in the 1980s, their many editions are sold and re-sold every year during the holiday shopping season. Notable examples are the many versions of the ballet The Nutcracker, the 1946 film It's a Wonderful Life, and the similarly themed versions of Dickens' A Christmas Carol, in which the elderly miser Ebenezer Scrooge is visited by ghosts and learns the errors of his ways.

Breakdance vlog

 

 

In recent years, "vlogging" has spawned a large community on social media, becoming one of the most popular forms of digital entertainment. It is popularly believed that, alongside being entertaining, vlogs can deliver deep context through imagery as opposed to written blogs. Video logs (vlogs) also often take advantage of web syndication to allow for the distribution of video over the Internet using either the RSS or Atom syndication formats, for automatic aggregation and playback on mobile devices and personal computers 

 

Hup Holland Hup

 

 

A sports film is a film genre in which any particular sport plays a prominent role in the film's plot or acts as its central theme. It is a production in which a sport, sporting event, athlete (and their sport), or follower of sport (and the sport they follow) are prominently featured, and which depend on sport to a significant degree for their plot motivation or resolution. Despite this, sport is ultimately rarely the central concern of such films and sport performs primarily an allegorical role.  Furthermore, sports fans are not necessarily the target demographic in such movies, but sports fans tend to maintain high following and esteem for such movies. 

 

 

Mekong delta in Vietnam

 

 

Cameras have been mounted to nearly every imaginable form of transportation. Most cameras can also be handheld, that is held in the hands of the camera operator who moves from one position to another while filming the action. Personal stabilizing platforms came into being in the late 1970s through the invention the Steadicam. The Steadicam is a body harness and stabilization arm that connects to the camera, supporting the camera while isolating it from the operator's body movements. From feature-length films to the evening news, more and more networks have begun to use a personal camera stabilizer.

African filmmakers

 

 

Cinema of Africa is both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others". As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries. 

 

Slices of life: Amsterdam

 

 

Slide shows had their beginnings in the 1600s, when hand-painted images on glass were first projected onto a wall with a "magic lantern". By the late 1700s, showmen were using magic lanterns to thrill audiences with seemingly supernatural apparitions in a popular form of entertainment called a phantasmagoria. Sunlight, candles and oil lamps were the only available light sources. The development of new, much brighter artificial light sources opened up a world of practical applications for image projection. In the 1800s, a series of hand-painted glass "lantern slides" was sometimes projected to illustrate story-telling or a lecture. Widespread and varied uses for amusement and education evolved throughout the century. By 1900, photographic images on glass had replaced hand-painted images, but the black-and-white photographs were sometimes hand-colored with transparent dyes. The production of lantern slides had become a considerable industry, with dimensions standardized at 3.25 inches high by 4 inches wide in the US and 3.25 inches square in the UK and much of Europe 

 

 

Watermark in Holland

 

 

 A nature documentary or wildlife documentary is a genre of documentary film or series about animals, plants, or other non-human living creatures, usually concentrating on video taken in their natural habitat but also often including footage of trained and captive animals. Sometimes they are about wildlife or ecosystems in relationship to human beings. Such programmes are most frequently made for television, particularly for public broadcasting channels, but some are also made for the cinema medium. The proliferation of this genre occurred almost simultaneously alongside the production of similar television series. 

 

Suriname exports

 

An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system, in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style and the way in which the filmmakers' personal artistic vision is realized. Usually, but not always, independent films are made with considerably lower budgets than major studio films.

Historic Amsterdam

 

 

A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller, novel, etc.) Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these.